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TRI ET FILTRES
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ACCORDEON
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PIANO & CLAVIERS
Orgue
1
Piano Quatuor: piano, 2 violons, violoncelle
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Piano (partie séparée)
1
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2
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Chorale SATB
5
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Clarinette
26
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19
Flûte, Hautbois, Clarinette, Basson
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Quatuor de Clarinettes: 4 clarinettes
10
Saxophone (partie séparée)
5
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4
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2
2 Clarinettes (duo)
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2
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1
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Cor anglais, Piano
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5
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3
Cor et Piano
1
Cor (partie séparée)
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1
Contrebasse (partie séparée)
1
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12
Orchestre
4
Ensemble Jazz
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AUTRES
Vous avez sélectionné:
Focus - Bb Clarinet
SheetMusicPlus
Partitions à imprimer
74 partitions trouvées
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51
Contrabass Clarinet Quarter-Tone & Altissimo Fingering Chart for Leblanc, Selmer & Eppelsheim
Bass Clarinet,Instrumental Solo - Digital Download SKU: A0.1309189 Composed by Jaso…
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Bass Clarinet,Instrumental Solo - Digital Download SKU: A0.1309189 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 51 pages. AMA Editions #898361. Published by AMA Editions (A0.1309189). The most comprehensive fingering chart for contrabass clarinet, with separate charts for Leblanc, Selmer & Eppelsheim extended range contrabass clarinets. It contains over 150 fingerings for each model over a five-and-a-half octave range in quarter-tones from written C3 to Bâ™8.Author's Notes:Following the success of my clarinet and, in particular, bass clarinet quarter-tone and altissimo fingering charts, I have produced new charts for contrabass clarinet. The focus of these has been the extended range low C models produced by Leblanc, Selmer, and Eppelsheim. Due to the non-standardized design and keywork functionality of these instruments, completely separate charts are required for each model. Players with low Eâ™ models such as those by Vito and Leblanc may also find these as a useful starting point to discover necessary fingerings, however, they have not been tested on these instruments.One striking difference of the contrabass clarinet fingering charts to those previously for clarinet and bass clarinet is the lack of quarter-tone fingerings in the chalumeau and clarion registers. The reason for this is that suitable fingerings are just not available in this range. Fingering changes can result in timbral and microtonal changes, but in the contrabass register the pitches are too far away from each for effective true quarter-tone fingerings. If quarter-tones are needed in this range, a combination of fingering, embouchure, and voicing adjustments need to be made. As this introduces far too many personal variables, it is ineffectual to create fingerings for them. The upper register is far more flexible, however, so the quarter-tones begin there.
$16.00
14.74 €
#
Jason Alder
#
Contrabass Clarinet Quarter-Tone & Altissimo Fingering Chart for Leblanc, Selmer & Eppelsheim
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AMA Editions
#
SheetMusicPlus
auld lang syne easy Clarinet and Bassoon sheet music in C
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467855
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467855 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046157. Published by Arezzo Music (A0.1467855). Auld lang syne easy Clarinet and Bassoon sheet music in CAuld Lang Syne arranged for easy Clarinet and Bassoon in C major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Bassoon providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Bassoon sheet music in C.
$3.99
3.68 €
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Traditional Celtic Music
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Arezzo Music
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auld lang syne easy Clarinet and Bassoon sheet music in C
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Arezzo Music
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SheetMusicPlus
auld lang syne easy Clarinet and Bassoon sheet music in G
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467856
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467856 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046158. Published by Arezzo Music (A0.1467856). Auld lang syne easy Clarinet and Bassoon sheet music in GAuld Lang Syne arranged for easy Clarinet and Bassoon in G major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Bassoon providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Bassoon sheet music in G.
$3.99
3.68 €
#
Traditional Celtic Music
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Arezzo Music
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auld lang syne easy Clarinet and Bassoon sheet music in G
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Arezzo Music
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SheetMusicPlus
auld lang syne easy Clarinet and Cello sheet music in C
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467852
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467852 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046154. Published by Arezzo Music (A0.1467852). Auld lang syne easy Clarinet and Cello sheet music in CAuld Lang Syne arranged for easy Clarinet and Cello in C major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Cello providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Cello sheet music in C.
$3.99
3.68 €
#
Traditional Celtic Music
#
Arezzo Music
#
auld lang syne easy Clarinet and Cello sheet music in C
#
Arezzo Music
#
SheetMusicPlus
auld lang syne easy Clarinet and Cello sheet music in G
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467853
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467853 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046155. Published by Arezzo Music (A0.1467853). Auld lang syne easy Clarinet and Cello sheet music in GAuld Lang Syne arranged for easy Clarinet and Cello in G major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Cello providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Cello sheet music in G.
$3.99
3.68 €
#
Traditional Celtic Music
#
Arezzo Music
#
auld lang syne easy Clarinet and Cello sheet music in G
#
Arezzo Music
#
SheetMusicPlus
auld lang syne easy Clarinet and Bassoon sheet music in F
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467854
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467854 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046156. Published by Arezzo Music (A0.1467854). Auld lang syne easy Clarinet and Bassoon sheet music in FAuld Lang Syne arranged for easy Clarinet and Bassoon in F major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Bassoon providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Bassoon sheet music in F.
$3.99
3.68 €
#
Traditional Celtic Music
#
Arezzo Music
#
auld lang syne easy Clarinet and Bassoon sheet music in F
#
Arezzo Music
#
SheetMusicPlus
auld lang syne easy Clarinet and Cello sheet music in F
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467850
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1467850 By Traditional Celtic Music. By Traditional Music. Arranged by Arezzo Music. Celtic,Chamber,Contest,Festival,Folk,Irish,Traditional. 3 pages. Arezzo Music #1046152. Published by Arezzo Music (A0.1467850). Auld lang syne easy Clarinet and Cello sheet music in FAuld Lang Syne arranged for easy Clarinet and Cello in F major offers a beautiful and accessible duet for beginner musicians. This arrangement captures the traditional and nostalgic melody of the classic New Year's song, with the Clarinet playing the main theme and the Cello providing a harmonious accompaniment. The simplicity of the arrangement ensures that players can focus on tone and expression, making it a perfect piece for developing ensemble skills and enjoying the timeless beauty of Auld Lang Syne together.auld lang syne easy Clarinet and Cello sheet music in F.
$3.99
3.68 €
#
Traditional Celtic Music
#
Arezzo Music
#
auld lang syne easy Clarinet and Cello sheet music in F
#
Arezzo Music
#
SheetMusicPlus
No.8 Beautiful Mind (Clarinet or Bass Clarinet)
Small Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1001863 Composed by Ch…
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Small Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1001863 Composed by Chris Cobon. Contemporary,Jazz. Score and parts. 7 pages. Chris Cobon #6383727. Published by Chris Cobon (A0.1001863). Practising solos by yourself can be a lonely experience. Why not work on a solo with others? The Beautiful Series is designed exactly for that. As long as your friends or fellow students have the same piece from the Beautiful series you can work on the piece together, regardless of instrument. i.e. Flute, Sax and Tuba could all practice No.3, Beautiful Dream, along to the accompaniment together.Watch out for the other pieces in the series, new ones being added regularly. You are free to share your performances without restrictions on YouTube as long as you mention the full title and composer in the details.Included in the purchase:Piano scoreClarinet/Bass Clarinet partThe Music:Originally composed as a set of tuba solos; it quickly became apparent that, with just a few adjustments, these melodies could be adapted for most instruments to enjoy. These pieces move the focus from musical dexterity to stamina, tone, control.
$2.00
1.84 €
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Chris Cobon
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No.8 Beautiful Mind
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Chris Cobon
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SheetMusicPlus
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
13.82 €
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Maria Thompson Corley
#
SheetMusicPlus
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.64 €
#
Maria Thompson Corley
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Maria Thompson Corley
#
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Maria Thompson Corley
#
SheetMusicPlus
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
13.82 €
#
Spiritual
#
Maria Thompson Corley
#
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
#
Maria Thompson Corley
#
SheetMusicPlus
Pavane for Flute and A Clarinet
Instrumental Duet A Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: …
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Instrumental Duet A Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.919773 Composed by Gabriel Faure. Arranged by Michael Bleiweiss. 20th Century. Score and parts. 6 pages. Michael Bleiweiss Music #6340889. Published by Michael Bleiweiss Music (A0.919773). This piece is an arrangement of the Fauré Pavane as a duet for flute and A Clarinet.Its focus is on the counterpoint between the two parts (as opposed to the harmony).Genre: ClassicalRunning Time: ~5:50
$10.00
9.21 €
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Gabriel Faure
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Michael Bleiweiss
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Pavane for Flute and A Clarinet
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Michael Bleiweiss Music
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SheetMusicPlus
Focus
Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 5 - Digital Download SKU: A0.90…
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Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 5 - Digital Download SKU: A0.900914 By Ariana Grande. By Ariana Grande, Ilya, Peter Svensson, and Savan Kotecha. Arranged by Robert Moody. Pop. Score and parts. 3 pages. Robert Moody #6519155. Published by Robert Moody (A0.900914). Wow! This is one fun piece. Okay, it's in Db which is 5 flats, but it's worth it. True to the original, you can play right along with Ariana or the karaoke version.
$4.99
4.6 €
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Ariana Grande
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Robert Moody
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Focus
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Robert Moody
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SheetMusicPlus
[Liptak] Focusing
Small Ensemble Clarinet,Double Bass,Multi-Percussion,Trombone,Trumpet,Violin - Digital Dow…
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Small Ensemble Clarinet,Double Bass,Multi-Percussion,Trombone,Trumpet,Violin - Digital Download SKU: A0.952880 Composed by David Liptak. Contemporary. Score and parts. 65 pages. American Composers Alliance Inc. #4625335. Published by American Composers Alliance Inc. (A0.952880). A septet in four movements for clarinet, bassoon, trumpet, trombone, percussion (vibraphone, 5 temple blocks, 2 tom-toms), violin, and bass. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$25.95
23.91 €
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David Liptak
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[Liptak] Focusing
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American Composers Alliance Inc.
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SheetMusicPlus
Maggiolata-Hubay-Bass Clarinet/Organ
Instrumental Duet Bass Clarinet,Instrumental Duet,Organ - Level 2 - Digital Download SK…
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Instrumental Duet Bass Clarinet,Instrumental Duet,Organ - Level 2 - Digital Download SKU: A0.844664 Composed by Jeno Hubay. Arranged by Phil Beaman. Romantic Period,Standards,Wedding. Score and parts. 4 pages. Phil Beaman #4897175. Published by Phil Beaman (A0.844664). Maggiolata is the Italian name of an ancient Spring Festival celebrated on May 1st, hence the subtitle Song of May. Jeno Hubay, Head of the Violin Dept at the Budapest Academy of Music, wrote this piece to be as light and celebratory as a perfect spring day. My arrangement abridges and slightly simplifies this classical standard. I reduced it from 6 1/2 minutes to 2 1/2 minutes by focusing on the recapitulation of the main theme but also included opening and closing cadenzas. Most of the expression markings are my own additions. I have scored it as an Instrumental Solo with an Organ accompaniment but a Piano accompaniment could be easily adapted from this. This arrangement, with an octave and a half solo range, is easy enough to be accessible for most players and its beautiful melody will have you singing and longing for spring. 3 page score, 1 page part5:00 minutes with repeatrecording is Violin and piano version
$5.99
5.52 €
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Jeno Hubay
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Phil Beaman
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Maggiolata-Hubay-Bass Clarinet/Organ
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Phil Beaman
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SheetMusicPlus
Der Geist hilft unser Schwachheit auf by J.S. Bach for Double Clarinet Choir
Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.830772 Composed by Johan…
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Woodwind Ensemble Bass Clarinet - Digital Download SKU: A0.830772 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 101 pages. Richard Byrnes #5359451. Published by Richard Byrnes (A0.830772). The motet, Der Geist hilft unser Schwachheit auf (The Spirit gives aid to our weakness) is structured in three sectons. The first, focuses on techniques of imitation between the two choirs. The second section is a fugue. The third is a double fugue in 4 parts. The final section is a choral Du heilige Brunst, süßer Trost.This double clarinet arrangement is for (5Cl,BCl/5Cl,BCl).In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$49.99
46.05 €
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Johann Sebastian Bach
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Richard Byrnes
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Der Geist hilft unser Schwachheit auf by J.S. Bach for Double Clarinet Choir
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Richard Byrnes
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SheetMusicPlus
He Said "Sam,You're Out of Focus”, for low wind and/or brass insts. in six parts - Score and Parts
Level 3 - Digital Download SKU: A0.1426087 Composed by Paul Burnell. 21st Century,C…
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Level 3 - Digital Download SKU: A0.1426087 Composed by Paul Burnell. 21st Century,Classical,Contemporary. 31 pages. Paul Burnell #1006902. Published by Paul Burnell (A0.1426087). He Said Sam,You're Out of Focus by Paul Burnell.Composed 2013 for low wind and/or brass instruments in six parts with optional drone and suspended cymbalDuration: 4:20Score in CThe combination of instruments is determined by the performers. The following are suggestions for possible part allocations:1 & 4 - alto saxophone, tenor horn, french horn, trombone2 & 5 - tenor saxophone, bass clarinet, bassoon, euphonium, trombone3 & 6 - tenor saxophone, baritone saxophone, bass clarinet, bassoon, bass trombone, tubaInstruments 1-3 may be slightly separated from instruments 4-6In the final bar, each player repeats their note several times. Each taking a breath after each note, and making no attempt to coordinate with other players, but ensuring there is an overall gradual diminuendo.Optional: other instruments play a drone on G throughout. If there are no instruments playing a drone, then Part 6 plays a concert G for two bars at the beginning.Also optional: a roll on a suspended cymbal throughout, with a crescendo in the bar before each rehearsal letter, and a diminuendo in the following bar.Programme note:He Said Sam,You're Out of Focus is a companion piece to And I Said HeyTed,You're Pixelated.This piece has taken a short extract from a 19th Century piece and obscured the identity of it by elongating it and compressing the pitch range.
$3.99
3.68 €
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Paul Burnell
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He Said "Sam,You're Out of Focus”, for low wind and/or brass insts. in six parts - Score and Parts
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Paul Burnell
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SheetMusicPlus
Summer is Gone
Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,E-Flat Clarinet - Level 4 - Digital Do…
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Large Ensemble B-Flat Bass Clarinet,B-Flat Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.612786 Composed by Samuel Coleridge-Taylor. Arranged by Stephen Ian Savage. Classical,Instructional,Romantic Period. Score and parts. 13 pages. Stephen Ian Savage #221976. Published by Stephen Ian Savage (A0.612786). ã€ï½‰ï½Žï½†ï½ã€‘ ð™Žð™ªð™¢ð™¢ð™šð™§ ð™žð™¨ ð™‚ð™¤ð™£ð™š for Clarinet Choir is beautifully and idiomatically arranged for 3 Bflat parts (minimum 6 players), 1 Alto part, and 1 Bass part (with optional 2nd bass substituting for alto). This arrangement focuses on Coleridge-Taylor's stunning, melancholy, and compelling setting of the Christina Rosetti poem of the same name. This short piece is a great addition to your clarinet choir's repertory and a great addition to any concert! Concisely formatted for practical usage professional to educational settings. Page turns are minimized or eliminated and parts are clearly legible. Score and substitute parts included where applicable. Run Time ~ 2'30 ã€ï½‚ｉï½ã€‘ ð™Žð™©ð™šð™¥ð™ð™šð™£ ð™„ð™–𙣠ð™Žð™–ð™«ð™–ð™œð™š is an arranger, teacher, performer, and composer. His arrangements focus on authenticity, originality, playability, and enjoyment. He has arranged for SXSW and Daniel Tannenbaum, who helped produce Kendrick Lamar's ð˜¿ð™–ð™¢ð™£. As a composer, he works in all kinds of mediums, chamber groups to electronics, and he has self-produced several full-length albums. He currently lives in Austin, Texas with his husband Fehérló. ð°ð°ð°.ð¬ððžð©ð¡ðžð§ð¢ðšð§ð¬ðšð¯ðšð ðž.ðœð¨ð¦.
$16.00
14.74 €
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Samuel Coleridge-Taylor
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Stephen Ian Savage
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Summer is Gone
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Stephen Ian Savage
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.21 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
Spooky Scary Skeletons
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1085957 By Akira The Don. By Andrew Gold. Arranged by Stephen Ian Savage. Children,Classical,Film/TV,Holiday,Instructional. 15 pages. Stephen Ian Savage #690138. Published by Stephen Ian Savage (A0.1085957). ã€ï½‰ï½Žï½†ï½ã€‘ Spooky Scary Skeletons for Clarinet Quartet is beautifully and idiomatically arranged for clarinets—perfect for your next get-together, wedding, dinner party, or corporate event. Written for 2 Bflat, alto, and bass clarinets, this arrangement is sure to delight! Concisely formatted for practical usage in educational and professional settings. Page turns are minimized or eliminated if possible and parts are clearly legible and straightforward. Score and substitute parts (3rd Bflat sub. for alto) included. Run Time ~ 1'35 ã€ï½‚ｉï½ã€‘ Stephen Ian Savage is an arranger, teacher, performer, and composer. His arrangements focus on authenticity, originality, playability, and enjoyment. He has arranged for SXSW and Daniel Tannenbaum, who helped produce Kendrick Lamar's Damn. As a composer, he works in all kinds of mediums, chamber groups to electronics, and he has self-produced several full-length albums. He currently lives in Austin, Texas with his husband Fehérló. ｗｗｗ．ｓｔｅï½ï½ˆï½…ｎｉï½ï½Žï½“ï½ï½–ï½ï½‡ï½…．ｃï½ï½.
$15.00
13.82 €
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Akira The Don
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Stephen Ian Savage
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Spooky Scary Skeletons
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Stephen Ian Savage
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SheetMusicPlus
WHEN I SURVEY THE WONDROUS CROSS/THE OLD RUGGED CROSS - WOODWIND QUARTET (unaccompanied)
Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - Digital Download SKU…
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Woodwind Ensemble,Woodwind Quartet Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.807106 Arranged by Glen Poehlmann. Christian,Easter,Sacred. 12 pages. Arrangements by GPoehlmann #6302505. Published by arrangements by GPoehlmann (A0.807106). WHEN I SURVEY THE WONDROUS CROSS/ON A HILL FAR AWAY (The Old Rugged Cross)WOODWIND QUARTET (unaccompanied)Two popular hymns are combined in this arrangement for Flute, Oboe, Clarinet 1 and Clarinet 2. Perfect for Holy Week or any time you want to focus on the Cross.84 measures. Performance Time approx. 3:30. Medium in Difficulty (Grade 3+)Key: G - C. Meter: 4/4. Instrument Ranges (C4=middle C):Flute E4 - G6. Oboe C4 - C6. Clarinet 1B3 - B5 (written). Clarinet 2 G#3 - G5 (written).
$5.00
4.61 €
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Glen Poehlmann
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Performance Time approx
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WHEN I SURVEY THE WONDROUS CROSS/THE OLD RUGGED CROSS - WOODWIND QUARTET
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arrangements by GPoehlmann
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SheetMusicPlus
The Girl In The Green Bandanna
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Chamber,Contemporary. 39 pages. Franklyn Grace Creative Arts #769302. Published by Franklyn Grace Creative Arts (A0.1169176). The Girl In the Green Bandanna is a contemporary woodwind quintet for flute, oboe, clarinet, bass clarinet, and bassoon. It is based upon the classical Rondo Form, with this particular pattern of the form being ABACBA. These six sections that comprise the piece all focus in some capacity on two individual themes: the first, slower theme of the A Section and the contrastingly more lively theme that follows immediately afterward in the B Section.Below is a theoretical analysis of the parts and how they each have their own unique nod, whether big or small, to these two main themes. A1 (mm. 1-9): The opening section of the piece, which introduces Theme 1.B1 (mm. 10-22): Directly following the opening, this section introduces Theme 2.A2 (mm. 23-58): After a brief interlude from the bassoon part, the main motif from Theme 1 returns, presented as motivic manipulation in the clarinet part of this section, underneath the flute melody.C (mm. 59-123): A new, more jaunty section not yet heard in the piece, though which still contains occasional traces of the main motif from Theme 2.B2 (mm. 124-144): Theme 2 in a modulated key and with a more majestic energy. Here, the two themes merge together momentarily, as Theme 1 can be heard briefly in the Clarinet part during the first eight measures of this section, much akin to A2.A3 (mm. 145-149): The outro of the piece, which is a polytonal rendering of the modulated key from B2 and the original opening key.
$9.99
9.2 €
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Franklyn Grace
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The Girl In The Green Bandanna
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Franklyn Grace Creative Arts
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SheetMusicPlus
Crossing Jordan: Three Spirituals for flute, piano and cello
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
27.64 €
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spirituals for flute, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
13.82 €
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Spiritual
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Maria Thompson Corley
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"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Maria Thompson Corley
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SheetMusicPlus
Winter, from Vivaldi's 4 Seasons, for String, Woodwind, or Mixed Trio
Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 3 - Digital Download S…
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Small Ensemble Bassoon,Cello,Clarinet,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.757326 Composed by Antonio Vivaldi. Arranged by Ray Kamada. Baroque,Christmas,Standards,Wedding. Score and parts. 42 pages. The Lone Arranger #3114127. Published by The Lone Arranger (A0.757326). Arranged for trios consisting of flute or violin; clarinet or violin or viola; and cello or bassoon. This version is flexible in both instrumentation, and as the tremolos may be played as 32nds or 16ths, depending on mood and skill - is suitable for concerts or gigs. This arrangement can also be played as a mixed woodwind/strings quintet. It departs from the original score by sometimes distributing the melody line among the instruments to create a dialog rather than retain the original's solo concerto focus. The Largo's ending was also altered slightly and some cello/bassoon counter-melodies were added to the Largo and Allegro sections.
$8.99
8.28 €
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Antonio Vivaldi
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Ray Kamada
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clarinet or violin or viola
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Winter, from Vivaldi's 4 Seasons, for String, Woodwind, or Mixed Trio
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The Lone Arranger
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SheetMusicPlus
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