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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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ASIE
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
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Non classifié
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PIANO & CLAVIERS
Piano seul
1145
Piano Facile
500
Piano, Voix
242
Piano, Voix et Guitare
192
Instruments en Do
181
Orgue
63
Accompagnement Piano
61
Piano grosses notes
16
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
4
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Accordéon
1
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GUITARES
Guitare notes et tablatures
52
Guitare
42
Ligne De Mélodie, (Paroles) et Accords
29
Ukulele
15
Piano, Guitare (duo)
9
Paroles et Accords
7
Mandoline
4
Dulcimer
2
Basse electrique
2
Ensemble de guitares
1
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
Instrumentations suivantes
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VOIX
Chorale SATB
610
Chorale 3 parties
157
Chorale 2 parties
92
Chorale Unison
83
Chorale TTBB
66
Voix duo, Piano
29
Chorale SSAA
28
Voix Tenor, Piano
21
Voix Soprano, Piano
15
Voix Alto, Piano
13
Voix duo
11
Voix seule
7
Voix Baryton, Piano
6
Voix haute
5
Voix Tenor
5
Chorale
5
Chorale SSAATTBB
3
Voix moyenne, Piano
3
Voix basse, Piano
3
Chorale SSATTB
2
Voix Soprano
1
Chorale SSAB, Piano
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
73
Flûte traversière et Piano
70
Saxophone (partie séparée)
59
Clarinette et Piano
58
Flûte traversière
57
Clarinette
54
Saxophone Alto et Piano
50
Hautbois (partie séparée)
48
Saxophone Tenor et Piano
46
Quatuor de Saxophones: 4 saxophones
46
Saxophone Alto
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
44
Saxophone Tenor
44
Flûte, Hautbois, Clarinette, Basson
40
Quatuor de Clarinettes: 4 clarinettes
34
2 Saxophones (duo)
33
Quintette de Saxophone: 5 saxophones
29
2 Flûtes traversières (duo)
29
Saxophone Baryton, Piano
28
Saxophone Soprano et Piano
26
Ensemble De Flûte à bec
24
Cor Anglais
16
Quatuor de Flûtes : 4 flûtes
15
Cor anglais, Piano
14
Saxophone, Clarinette (duo)
12
3 Saxophones (trio)
11
2 Clarinettes (duo)
11
Clarinette, Violon (duo)
10
Ensemble de Clarinettes
10
2 Hautbois (duo)
8
Clarinette, Trompette (duo)
8
Saxophone Soprano
7
Hautbois
7
Ensemble de Flûtes
6
Clarinette Basse, Piano
6
Hautbois, Clarinette (duo)
6
Quintette de Clarinettes: 5 clarinettes
5
Flûte, Trompette (duo)
5
Hautbois, Basson (duo)
5
Flûte à bec Soprano
5
Hautbois, Flûte
5
Flûte, Clarinette (duo)
5
Flûte à bec Tenor
4
Flûte, Saxophone (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Violon
4
Flûte à bec Alto
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
4
Clarinette et Alto
4
Clarinette, Violoncelle, Piano (trio)
3
Clarinette (partie séparée)
3
Clarinette, Harpe (duo)
3
Flûte, Violon et Violoncelle
3
Flûte, Alto (duo)
3
Trio de Flûtes: 3 flûtes
3
Clarinette, trompette et piano
2
Flûte et Guitare
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Harpe
2
3 Clarinettes (trio)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette et Basson
2
Flûte, Basson et Piano
2
Ensemble de saxophones
2
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Harpe
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Flûte, Hautbois, Basson
1
Clarinette, Guitare (duo)
1
Flûte, Trombone (duo)
1
Flûte à bec Alto, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Flûte, Alto et Piano
1
5 Flûtes à bec
1
Hautbois, Violoncelle
1
Saxophone Baryton
1
Saxophone, Tuba (duo)
1
Quatuor de Flûtes à bec
1
2 Flûte à bec (duo)
1
Flute (partie séparée)
1
Flute, harpe et violon
1
Flûte, trombone et piano
1
Harmonica
1
Flûte à bec Soprano, Piano
1
Piccolo
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
59
Trombone et Piano
55
Trompette
51
Trompette, Piano
44
Trombone
43
Cor
43
Cor et Piano
34
Tuba
33
Tuba et Piano
26
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Cor Anglais
16
Euphonium, Piano (duo)
15
Cor anglais, Piano
14
Trompette (partie séparée)
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
11
Quatuor de Cuivres
10
Trompette, Saxophone (duo)
9
2 Trombones (duo)
8
2 Trompettes (duo)
6
Quatuor de cuivres: 4 trombones
5
Trombone (partie séparée)
5
Quatuor de cuivres: 4 cors
4
Trio de Cuivres
4
Ensemble de Trombones
4
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Ensemble de Trompettes
3
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
3 Trompettes (trio)
2
Trompette, Violoncelle et Piano
1
Trompette, Harpe
1
Cor et Harpe
1
Ensemble de Cors
1
4 Tubas
1
Cor (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
210
Violon et Piano
92
Trio à Cordes: violon, alto, violoncelle
75
Violon
70
Violoncelle, Piano
69
Alto, Piano
69
Violoncelle
57
Alto seul
39
Contre Basse
34
Violon, Violoncelle (duo)
32
Harpe
27
Contrebasse, Piano (duo)
25
Trio à Cordes: 2 violons, violoncelle
19
2 Violons (duo)
17
Alto (partie séparée)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Violoncelles (duo)
12
2 Harpes (duo)
7
4 Violoncelles
7
Violon, Guitare (duo)
5
Harpe, Voix
5
Violon, Alto (duo)
5
Trio à Cordes: 2 violons, alto
5
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Contrebasse (partie séparée)
4
Harpe, Violon (duo)
4
2 Altos (duo)
4
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Ensemble de Violons
2
Trio à cordes
2
Quatuor à cordes : 4 altos
2
Alto et Harpe
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Violon, Clarinette, Piano (trio)
1
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Trio à cordes: 3 violins
1
Violoncelle, Contrebasse (duo)
1
Alto, Violoncelle (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
347
Orchestre
107
Orchestre à Cordes
68
Cloches
45
Ensemble de cuivres
32
Ensemble Jazz
27
Orchestre de chambre
23
Jazz combo
12
Ensemble de Percussions
10
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Fanfare
3
Percussion (partie séparée)
2
Batterie
2
Marimba
2
Percussion
1
Piano et Orchestre
1
Xylophone
1
Instrumentations suivantes
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AUTRES
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1101
Places Near Yet Far Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069981 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Contemporary,Pop,Sacred. Full Performance. Duration 197. Boothe Publishing #4633733. Published by Boothe Publishing (A0.1069981). When I die I believe that I will simply enter a spiritual kingdom. I will be with other members of my family and friends that have believed and lived as I have. I believe that life does not end with the death of the mortal body. We existed as immortal spirit children of God before we came to this earth and took upon ourselves a physical body. I believe that we will continue to exist as immortal spirit children of God after we leave this body behind. I'm grateful for Jesus Christ, the Son of God, who was killed by the Jews. He gave up His life so that God could show forth His power through Him by breaking the bands of death. Jesus Christ was the first fruit of the resurrection. He lives today and will live forever. All of us who have ever lived will become immortal both in body and in spirit through His atoning sacrifice.God promises 1 Corinthians 15:22 For as in Adam all men die, even so in Christ all shall be made alive. I believe.
$1.99
1.81 €
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Steven H
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Ashley Ivers
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Places Near Yet Far Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.26 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.65 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.552247 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554879. Published by jmsgu3 (A0.552247). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
22.65 €
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Elemental Spiral (2005) for soprano saxophone, violoncello, multi-percussion
Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.9342…
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Small Ensemble Cello,Multi-Percussion,Soprano Saxophone - Digital Download SKU: A0.934204 Composed by Mark Zanter. Contemporary. Score and parts. 24 pages. MJIC Music Publishing (ASCAP) #3130833. Published by MJIC Music Publishing (ASCAP) (A0.934204). Elemental Spiral is the result of some of my recent work linking elemental aspects of esoteric. The work begins with an electronic prelude, and moves to the instrumental portion at about 4:00.healing and vibration (sound). The concept of matter and form being integrally connected and influenced/formed by sound has been studied since ancient times, and myths from various world cultures mention gods or beings that could manifest form from matter through their voice. Recent work by Hans Jenny verifies the connection between sound and form (see Cymatics).Similarly, the power of music to affect response in individuals is a popular subject of ancient and modern writers. My interest in the work stems from observing how people react to my music, in which I believe certain thoughts and feelings are somehow encoded, transmitted and received during performance. My research stems from a desire to increase my own awareness of sound, its affect, and to connect this to my art. The integration of dance with the music creates a visual relationship that marries the sound and its intention.Elemental Spiral maps elemental associations (earth, water, fire, and air) to the musical context in a deliberate fashion. At this stage my associations are fairly literal, and various qualities (i.e. earth=slow, fire=energetic, air=fast frenetic) are mapped directly onto musical material. The associations become richer when one state changes to another or comes into being (water->air, becoming earth etc.) and when various qualities are mixed (air-pitch with earth rhythm etc.).The intended effect is an overall balancing of the musical structure with desirable or pleasing proportions (the age old compositional question). This balancing is well known to all of us, for instance-elementally-much of Beethoven’s music moves between water and fire elements (mapping of speed and pitch), and the tempos of symphonic movements fast-slow-med. fast-fast is an affirmation that a balance of tempi and musical content is found to be pleasing.I express my deepest gratitude to Donald Laney who choreographed the dance for this work. He was somehow able to convert my musings into movement and in the process far exceeded my expectations. Special thanks also to the WV Commission on the Arts and the NEA whose support made the creation of this work possible.Elemental Spiral is suitable for advanced performers.Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$7.99
7.25 €
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Mark Zanter
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Elemental Spiral
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MJIC Music Publishing
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SheetMusicPlus
touch me hear: a collection of conceptual compositions
Level 2 - Digital Download SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Meal…
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Level 2 - Digital Download SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02
4.56 €
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of conceptual compositions
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Studio at the Post
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SheetMusicPlus
Ambrosia 98 for Harp, Flute, 'cello, Glock.
Small Ensemble Cello,Flute,Harp,Percussion - Level 5 - Interactive Download SKU: A0.108…
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Small Ensemble Cello,Flute,Harp,Percussion - Level 5 - Interactive Download SKU: A0.1085184 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Children,Classical. Score and parts. 7 pages. Duration 53. Father Ambrose Press #7bN9tSA3lnvVtF9wwhqvQ2. Published by Father Ambrose Press (A0.1085184). Key: C major.The use and abuse of Art - the advantages and disadvantages of Art for life... an approximation of Nietzshe and Barun's approach... wrapped in a brief confection... for all of us with short atention spans...
$13.00
11.8 €
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Celebrity Chamber Players
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Ambrosia 98 for Harp, Flute, 'cello, Glock.
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Father Ambrose Press
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SheetMusicPlus
Come, Let Us Walk this Road Together
Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's fi…
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Forty-three songs from Africa are included in this valuable resource. Like Tom Colvin's first collection of African hymns, Fill Us with Your Love (1983, Code No. 431), this collection includes English language translations of songs written for the churches in Africa
Song List: Awake There, Arise As a Mother for Her Children Beat the Drums of Welcome Behold, the Holy Lamb of God Be Merciful to Us, O God Bless The Lord, O My Soul Chiuta Is Our Sure Defense Christ Yesu Was Born (Odi, Odi) Come, Let Us Seek Our God's Protection Come, Let Us Walk This Road Together Crowds Following Yesu Everyone's Rejoicing Gift of God to Humankind Glorious Light Has Dawned God Grant That We May Be Transformed God Sends Us the Spirit God's Home Is Here God, We Pray Here in Your Sight Great Chiuta Help Us, God, to Be Peace-makers He Must Die or All Will Perish Humbly in Your Sight If It's Peace You Long For, Friends Jesu, Jesu, Fill Us With Your Love Just as a Lamb Is Led to the Slaughter Leap, Leap My Soul Let the World Unite and Sing Life of the World Night Has Fallen Our Troubles Do Abound Should We Accept that Evil Means Sing Welcome to Our Savior To Loving Yesu, Our Dearest Friend We're Glad that We Belong to You We May Choose to Walk (Free to Serve) We Remember You, Our Yesu When Our Savior Yesu Went Away Yesu Bids Us Work for Peace and Justice Yesu Born in Bethlehem Yesu Our Child at Home Lies Dying Yesu's Calling You Who Wait to See a King
$13.95
12.66 €
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Come, Let Us Walk this Road Together
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SheetMusicPlus
Chord Progression Generator for Guitar
Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Compos…
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Acoustic Guitar,Electric Guitar - Level 1 - Digital Download SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
4.53 €
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Brian Streckfus
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Chord Progression Generator for Guitar
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Brian Streckfus
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.91 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.91 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.37 €
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J
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James M
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.91 €
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
FORNUDDSVALSEN
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
1.81 €
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
O Come Let Us Adore Him, Christ the Lord - SSAA Cantata with optional instruments
Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.…
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Alto Voice,Cello,Flute,Piano,Soprano voice,Violin - Level 2 - Digital Download SKU: A0.1116938 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 121 pages. Connie Boss #718585. Published by Connie Boss (A0.1116938). This is an SSAA version of a Christmas cantata that I also have in SATB. This cantata includes speaking parts before each song. It also has an optional instrument (flute, cello or violin) with parts included for all of the songs included with the download. While optional, the instruments add so much to each song. There is also piano accompaniment includes in each score. The cantata includes some oldies as well as some new compositions by me. To hear all of the songs, click on the YouTube attachment below. For any questions or requests, email cdboss@cvalley.net. If you do record the cantata, I'd love for you to email to me as well as I would love to hear it. I have background accompaniment to these songs. If you purchase a book and would like them, please email me with proof of purchase and I will email them back to you or you can purchase background accompaniment mp3s to sing with on here.Song Titles 1. Baby, Jesus, Was Born Unto This Earth2. Christ Child’s Lullaby3. Bring a Torch Jeanette, Isabella4. Christmas Carols5. Good Christian Men Rejoice6. O Come Let Us Adore Him, Christ the Lord7. Peace on Earth8. Sing We Now of Christmas
$8.00
7.26 €
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Connie Boss
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Connie Boss
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O Come Let Us Adore Him, Christ the Lord - SSAA Cantata with optional instruments
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Connie Boss
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 C…
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Contrabassoon,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
29.91 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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jmsgu3
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SheetMusicPlus
Break Forth, O Beauteous, Heavenly Light
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.88942…
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - Digital Download SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
9.03 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heavenly Light
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Luis Anjos Teixeira
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SheetMusicPlus
O Come Let Us Adore Him (Venite Adoremus Dominum) (Medley) - SATB flute, or violin or cello and Pian
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801666 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 11 pages. Connie Boss #6383925. Published by Connie Boss (A0.801666). This is a medley of 3 Christmas Carols - In the Bleak Mid Winter (English), Gesu Bambino (Italian) and The Snow Lay on the Ground (Irish). Venite Adoremus means O Come Let Us Adore Him, Christ the Lord. I thought it sounded nice to have it in SATB parts - taking turns between the high and low voices and then all together. This also includes a part for choice of flute, violin or cello to play along - all are included in purchase. cdboss@cvalley.netLyrics Below:O Come Let Us Adore Him(Venite Adoremus, Dominum) (Medley of In the Bleak Midwinter, Gesu Bambino and The Snow Lay on the Ground In the bleak midwinter, frosty winds made moanEarth stood hard as iron, water like a stoneSnow had fallen snow on snow, snow on snow.In the bleak midwinter, long, long, ago. When blossoms flower amid the snow, upon a winter nightWas born the Child, the Christmas Rose, The King of Love and Light. Venite Adoremus, DominumVenite Adoremus, Dominum Twas Mary daughter pure of Holy Anne. That brought into this world the God made manShe laid Him in a stall at Bethlehem. The ass and oxen shared the roof with Him. Again the heart with rapture glows, to greet the Holy night.That gave the world it’s Christmas Rose, it’s King of Love and Light Venite Adoremus, DominumVenite Adoremus, Dominum And thus that manger poor became a throne, for He whom Mary bore was God the SonO come then let us join the heav’nly host to praise the Father, Son and Holy Ghost O come let us adore Him, Christ the LordO come let us adore Him, Christ the Lord O come let us adore Him, Christ the LordVenite Adoremus, Dominum!
$5.50
4.99 €
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Unknown
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Connie Boss
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O Come Let Us Adore Him
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Connie Boss
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SheetMusicPlus
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835…
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
20.02 €
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Therese Brenet
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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Wexford Carol SATB flute or violin or cello and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - Digital Download SKU: A0.1319598 Composed by Irish Traditional. Arranged by Connie Boss. Christian,Christmas,Holiday. 11 pages. Connie Boss #906502. Published by Connie Boss (A0.1319598). This Irish Christmas song calls all to gather to celebrate Christ's birth. This version is for SATB quartet or choir with optional flute or violin or cello and piano. Parts are included with this purchase. The harmonies add so much to this pretty song. Questions or requests, email cdboss@cvalley.netGood people all, this Christmas time,Consider well and bear in mindWhat our good God for us has done,In sending His belovèd Son.With Mary holy we should prayTo God with love this Christmas Day;In Bethlehem upon the mornThere was a blest Messiah born.The night before that happy tideThe noble virgin and her guideWere long time seeking up and downTo find a lodging in the town.But mark how all things came to pass:From every door repelled, alas!As long foretold, their refuge allWas but a humble oxen stall.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheep;To whom God’s angels did appearWhich put the shepherds in great fear.“Prepare and goâ€, the angels said,“To Bethlehem, be not afraid;For there you’ll find, this happy morn,A princely Babe, sweet Jesus born.
$7.99
7.25 €
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Irish Traditional
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Connie Boss
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Wexford Carol SATB flute or violin or cello and piano
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Connie Boss
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SheetMusicPlus
The Spirit of the Lord
Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / …
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Organ,Voice - Level 3 - Digital Download SKU: A0.1406751 By Cathy Lundeen, Vocal / Dr. Sheri Masiakowski, Organ. By Sr. Theophane Hytrek OSF. Arranged by Dr. Sheri Masiakowski. 20th Century,Religious,Sacred. Full Performance. Duration 160. School Sisters of St. Francis #989486. Published by School Sisters of St. Francis (A0.1406751). “The Spirit of the Lord† Sr. Theophane Hytrek OSFCathy Lundeen is currently a choir member and cantor at St. Luke Congregation in Brookfield, Wisconsin under the direction of Shawn Rochon. She is also a member of the School Sisters of St. Francis Chapel Singers directed by Sr. Bernadette Luecker OSF, as well as a member and coordinator of the Gaudete Chorale, directed by Brian McLinden.Cathy credits her vocal “training†and love of music ministry first and foremost to her sisters Laura Monteen, a retired Director of Liturgy and Music for the Gary Diocese, Indiana and Nancy Johnson, currently a cantor and choir member at St. John Neumann Parish in Homewood, Illinois, as well as liturgical music mentors Sister Mary Jane Wagner, OSF, Sister Bernadette Luecker, OSF, Brian McLinden, Shawn Rochon, Fr. Kenneth Augustine, Fr. Charles Conley,  Ann Owen and Bill Erickson. TEXT:The Spirit of the Lord is upon us. Send your Spirit upon us in this time and place, the Spirit who gives us comfort, the Spirit who brings light to our eyes, the Spirit who helps us say yes to your summoning Word.Bless us, Father, as you have done before, with the gift of your Spirit that he may stir new life within us.Blest are you in ev'rything that your Spirit makes new, now and for all ages to come.The source of this text is unknown. Though appropriate for Pentecost there is no direct connection to the scripture readings or sacramentary prayers for that Feast. The composition was written in the early years succeeding Vatican II (October 11, 1962 – December 8, 1965), a time of creative freedom. The language is period specific to that time, yet the music is universal.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
1.81 €
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Cathy Lundeen, Vocal / Dr
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Dr
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The Spirit of the Lord
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School Sisters of St. Francis
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SheetMusicPlus
Christmas Carols (Coventry and Wexford) SSAA Flute or Cello or Violin and piano
Small Ensemble Alto Voice,Flute,Piano,Soprano voice - Level 2 - Digital Download SKU: A…
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Small Ensemble Alto Voice,Flute,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1097719 Composed by Unknown. Arranged by Connie Boss. Christmas,Holiday. Score and parts. 13 pages. Connie Boss #701660. Published by Connie Boss (A0.1097719). I have combined two beautiful pieces from England and Ireland into one piece. This is for SSAA, flute and piano. I have other arrangements on here as well. For requests or questions email cdboss@cvalley.net Lyrics: Christmas Carols (The Coventry Carol and Wexford Carol) Arranged by Connie Boss (Solo) Lullay thou little tiny child, By by lully lullay Lullay thou little tiny child, By by lully lullay Verse 1: Good people all this Christmas time Consider all and bear in mind, What our good God for us has done In sending His beloved Son With Mary holy, we should pray to God with love To God with love this Christmas Day. Verse 2: The night before that happy tide, The noble virgin while with her guide, Were long time seeking up and down, To find a lodging in the town. But mark how all things had come to pass From ev’ry door repelled at last As long foretold their refuge all Was but a humble, oxen’s stall Verse 3: Near Bethlehem did shepherds keep Their flocks of lamb and feeding sheep To whom God’s angels did appear Which put the shepherds in great fear. “Prepare and go the Angel’s said To Bethlehem, be not afraid†For there you’ll find this happy morn A princely babe, sweet Jesus born. Ending: By by lully lullay.
$5.99
5.44 €
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by lully lullay Lullay thou little tiny child,
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Unknown
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Connie Boss
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Christmas Carols
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Connie Boss
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SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
31.77 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Pray for the People
Rhythm - Digital Download SKU: H1.C5541RDP Composed by Pepper Choplin. Piano with O…
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Rhythm - Digital Download SKU: H1.C5541RDP Composed by Pepper Choplin. Piano with Optional Rhythm parts. Hope's Recent Best Sellers Series. General Worship, Comfort, Encouragement, Prayer, Worship. Rhythm parts. 9 pages. Hope Publishing - Digital #C5541RDP. Published by Hope Publishing - Digital (H1.C5541RDP). Acts 2:42 - Romans 12:1 - Romans 12:2 - Romans 12:3 - Romans 12:4 - Romans 12:5 - Romans 12:6 - Romans 12:7 - Romans 12:8 - Romans 12:12 - Ephesians 6:18 - Philippians 4:6 - Colossians 4:2 - 1 Timothy 2:8 - James 5:16.Original ballad This soulful ballad calls us to lift each other up as we pray for the person on our right and our left. The text says it all: They may seem strong, but we don't know all of the struggles and the burdens they hold. Choirs will enjoy the hushed, intense gospel-feel captured by composer Pepper Choplin, allowing for a truly authentic worship moment with the poignant closing line, pray. . . and as you do, people all around are praying for you. The rhythm packet contains parts for: Electric Bass, Keyboard & Drums.
$34.95
31.73 €
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Pepper Choplin
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Pray for the People
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Hope Publishing - Digital
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SheetMusicPlus
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