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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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AMERICANA
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PIANO & CLAVIERS
Piano seul
902
Piano, Voix et Guitare
449
Piano, Voix
363
Piano Facile
231
Orgue
48
Instruments en Do
34
1 Piano, 4 mains
29
Piano grosses notes
21
Accompagnement Piano
11
Accordéon
10
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
6
Piano (partie séparée)
4
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
1 Piano, 6 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavier
1
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GUITARES
Guitare notes et tablatures
222
Ligne De Mélodie, (Paroles) et Accords
152
Guitare
109
Ukulele
67
Paroles et Accords
34
2 Guitares (duo)
15
Guitare (partie séparée)
8
Basse electrique
7
Piano, Guitare (duo)
6
Banjo
4
Dulcimer
3
3 Guitares (trio)
2
Ensemble de guitares
1
Cithare
1
4 Guitares (Quatuor)
1
Mandoline
1
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VOIX
Chorale SATB
386
Chorale 3 parties
112
Chorale 2 parties
106
Chorale TTBB
50
Chorale Unison
29
Chorale SSAA
27
Voix seule
24
Voix duo, Piano
12
Chorale
10
Voix duo
8
Voix Soprano, Piano
8
Voix Tenor
3
Chorale SSATTB
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix basse
1
Voix Tenor, Piano
1
Voix Alto, Piano
1
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VENTS
Saxophone (partie séparée)
83
2 Saxophones (duo)
76
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
Flûte traversière
64
Flûte traversière et Piano
62
Clarinette
61
Quatuor de Saxophones: 4 saxophones
59
Saxophone Alto
50
2 Clarinettes (duo)
47
2 Flûtes traversières (duo)
44
Saxophone
42
Saxophone Alto et Piano
40
Quatuor de Clarinettes: 4 clarinettes
33
Clarinette et Piano
32
Saxophone, Clarinette (duo)
31
Hautbois, Piano (duo)
30
Saxophone Tenor et Piano
28
2 Flûtes traversières, Piano
25
Flûte, Hautbois, Clarinette, Basson
25
Quatuor de Flûtes : 4 flûtes
22
Saxophone Tenor
21
Clarinette, Violon (duo)
21
Clarinette, Trompette (duo)
19
Quintette de Saxophone: 5 saxophones
15
2 Hautbois (duo)
14
Hautbois (partie séparée)
14
Clarinette (partie séparée)
14
Flûte, Clarinette (duo)
13
Hautbois, Flûte
13
Flûte, Violon
13
Hautbois, Clarinette (duo)
12
Flûte, Saxophone (duo)
11
Flûte, Trompette (duo)
11
Hautbois, Basson (duo)
10
Ensemble de Clarinettes
10
3 Saxophones (trio)
10
Flûte, Alto (duo)
9
Quintette de Clarinettes: 5 clarinettes
9
Clarinette et Alto
8
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
8
Ensemble de saxophones
8
Saxophone Soprano et Piano
7
Flûte et Guitare
6
Flute (partie séparée)
6
Ensemble de Flûtes
5
Flûte, Clarinette et Basson
4
Flûte, Hautbois (duo)
4
Flûte à bec Soprano
4
Saxophone Baryton, Piano
3
Flûte à bec Alto
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte à Bec
2
Clarinette, Guitare (duo)
2
5 Flûtes à bec
2
Ocarina
2
Flûte, Violon, Piano
2
Flûte à bec Alto, Piano
2
Cor Anglais
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes à bec
2
Cor anglais, Piano
2
Flûte, Hautbois, Basson
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois
2
Clarinette, Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Hautbois, Violon
1
Clarinette, Basson (duo)
1
Hautbois, Guitare (duo)
1
Clarinette Basse
1
Harmonica, Piano
1
3 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Trombone (duo)
1
Flûte, Harpe et Violoncelle
1
Flûte irlandaise
1
Saxophone Baryton
1
Cornemuse
1
3 Flûtes à bec (trio)
1
Hautbois, violon (duo)
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûte à bec (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon et Violoncelle
1
Instruments en Mib
1
Flûte traversière, Basse continue
1
Harmonica
1
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CUIVRES
Trompette
65
Trombone
53
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
30
Trombone (partie séparée)
24
Trompette, Saxophone (duo)
23
Cor
22
Trompette (partie séparée)
21
2 Trombones (duo)
21
Cor et Piano
19
Trombone et Piano
19
2 Trompettes (duo)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trompette, Trombone (duo)
16
Tuba
10
Cor (partie séparée)
8
Quatuor de cuivres: 4 trombones
7
Euphonium
5
Euphonium, Piano (duo)
4
Tuba (partie séparée)
4
2 Cors (duo)
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
3
Cor Anglais
2
Quatuor de Cuivres
2
Cor anglais, Piano
2
Trio de Cuivres
2
Ensemble de Trombones
1
Ensemble de Trompettes
1
2 Euphoniums et 2 Tubas
1
Bass Clef Instruments
1
Tuba et Orgue
1
Trombone basse et Piano
1
2 Cors, Piano
1
Trompette, Cor (duo)
1
Instruments en Sib
1
3 Trombones (trio)
1
Instruments en Fa
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
328
Violon, Violoncelle (duo)
200
Violon
171
Trio à Cordes: violon, alto, violoncelle
137
Violon et Piano
129
Violoncelle, Piano
68
Harpe
53
Alto, Piano
49
Alto seul
36
2 Violons (duo)
36
Violoncelle (partie séparée)
31
Violoncelle
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
27
Violon, Alto (duo)
26
Trio à Cordes: 2 violons, violoncelle
24
2 Violoncelles (duo)
23
2 Altos (duo)
16
Contrebasse, Piano (duo)
8
Alto (partie séparée)
8
Violon (partie séparée)
7
Contre Basse
6
Contrebasse (partie séparée)
6
2 Harpes (duo)
4
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Trio à Cordes: 3 violoncelles
3
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
2
Trio à cordes: 3 violins
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Alto et Basson
1
Alto, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
317
Orchestre à Cordes
206
Ensemble Jazz
63
Orchestre
50
Ensemble de cuivres
37
Orchestre de chambre
30
Cloches
28
Fanfare
16
Batterie
12
Percussion (partie séparée)
11
Ensemble de Percussions
10
Jazz combo
10
Batterie (partie séparée)
7
Ensemble d'École
6
Marimba
2
Vibraphone
2
Percussion
1
Piano et Orchestre
1
Xylophone, Piano
1
Timbales (partie séparée)
1
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AUTRES
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
22.89 €
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Carson Cooman
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sonata for Flute (or Violin) And Piano - Opus 6
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Compo…
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00
9.17 €
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Daniel Carr
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Sonata for Flute
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Daniel Carr
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.08 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.8 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.8 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
For him all stars have shone
Unison chorus, SATB chorus, piano - Digital Download SKU: OX.9780193537729 Composed…
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Unison chorus, SATB chorus, piano - Digital Download SKU: OX.9780193537729 Composed by Bob Chilcott. Sheet music. Octavo. 9 pages. Oxford University Press Digital #9780193537729. Published by Oxford University Press Digital (OX.9780193537729). ISBN 9780193537729.For unison upper voices, SATB, and piano. The music is shared at first between the upper-voice and mixed choirs before they come together, the one a delicious countermelody to the other. The music is quite simply beautiful, in keeping with the words, and possesses that elusive quality of seeming to have always existed. The upper-voice part is available separately.
$3.65
3.35 €
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Bob Chilcott
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For him all stars have shone
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Oxford University Press Digital
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SheetMusicPlus
For him all stars have shone
Upper voices, SATB chorus, and piano - Digital Download SKU: OX.9780193705210 Compo…
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Upper voices, SATB chorus, and piano - Digital Download SKU: OX.9780193705210 Composed by Bob Chilcott. Sheet music. Octavo. 2 pages. Oxford University Press Digital #9780193705210. Published by Oxford University Press Digital (OX.9780193705210). ISBN 9780193705210.For upper voices, SATB, and piano. The music is shared at first between the upper-voice and mixed choirs before they come together, the one a delicious counter-melody to the other. The music is quite simply beautiful, in keeping with the words, and possesses that elusive quality of seeming to have always existed.
$2.85
2.61 €
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Bob Chilcott
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For him all stars have shone
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Oxford University Press Digital
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SheetMusicPlus
Five Traditional Folksongs for Wind Quartet
Fl. Ob. Cl. Bsn. - Intermediate - Digital Download SKU: F2.FM545 Composed by Malcol…
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Fl. Ob. Cl. Bsn. - Intermediate - Digital Download SKU: F2.FM545 Composed by Malcolm Crane. Wind Quartet - Flute, Oboe, Clarinet and Bassoon. Score and parts. 51 pages. Forton Music - Digital #FM545. Published by Forton Music - Digital (F2.FM545). ISBN 9790570484447.'Just As The Tide Was A'Flowin' is a simple arrangement which should be performed accordingly. Make sure the melody is always prominent whichever instrument takes it. 'The Salley Gardens' is of Irish origin with words by W.B. Yeats. I have tried to create a rather dream-like atmosphere; the quaver passages should flow smoothly with the phrasing well observed. 'The Wraggle-Taggle Gypsies' should rollick along with good contrast between the slurred and staccato notes. 'The Water Is Wide', although of Scottish origin, was included in Cecil Sharpe's 'Folk Songs from Somerset'. It's in a contemplative style; again, make sure the melody line is never over-powered by the other instruments. 'Drunken Sailor' should be played with great humour, preferably after a few tots of rum!
$14.95
13.71 €
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Malcolm Crane
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Five Traditional Folksongs for Wind Quartet
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Forton Music - Digital
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SheetMusicPlus
There's Always Time
Eb Cl. 3 Bb Cl. Eb Acl/ 4th Bb Cl. 2 Bb BCl. Bb CBCl. - Intermediate-Advanced - Digital Do…
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Eb Cl. 3 Bb Cl. Eb Acl/ 4th Bb Cl. 2 Bb BCl. Bb CBCl. - Intermediate-Advanced - Digital Download SKU: F2.FM788 Composed by Liz Sharma. Four movement suite for large clarinet ensemble. A great concert item. Score and Parts. 68 pages. Forton Music - Digital #FM788. Published by Forton Music - Digital (F2.FM788). ISBN 9790570486878.
$27.95
25.64 €
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Liz Sharma
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There's Always Time
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Forton Music - Digital
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.47 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mimi the Multicoloured Mummy, Halloween Duet for Trumpet and Tenor Horn
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.592195 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6354385. Published by David McKeown (A0.592195). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Mimi the Multicoloured Mummy, Halloween Duet for Trumpet and Tenor Horn
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David McKeown
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SheetMusicPlus
Mimi the Multicoloured Mummy, Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.592207 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6354579. Published by David McKeown (A0.592207). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Mimi the Multicoloured Mummy, Halloween Duet for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Mimi the Multicoloured Mummy, Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.592185 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6354365. Published by David McKeown (A0.592185). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for one Oboe and one Violin. Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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David McKeown
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Mimi the Multicoloured Mummy, Halloween Duet for Oboe and Violin
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David McKeown
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SheetMusicPlus
Always Thinking of You
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Downlo…
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95
30.22 €
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
Celtiberian Fantasy For Harp and Strings
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0…
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - Digital Download SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
26.59 €
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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SheetMusicPlus
Ta Maman for alto, cello and guitar
Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Compo…
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Small Ensemble Cello,Guitar,Voice - Level 3 - Digital Download SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
9.17 €
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David Warin Solomons
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Ta Maman for alto, cello and guitar
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David Warin Solomons
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SheetMusicPlus
I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
Voice - Digital Download SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary …
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Voice - Digital Download SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier Company #5033957. Published by The Lanier Company (A0.1056243). I'M HERE FOR YOU is a beautiful, inspirational song written and sung by Composer/Arranger, Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU. Add this to your MP3 Music Library.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Lead Sheet, listed as: I'M HERE FOR YOU by Gary Lanier (Lead Sheet included Melody, Chords and Lyrics).MP3 Accompaniment Track, listed as: I'M HERE FOR YOU by Gary Lanier, MP3 Accompaniment Track.
$1.99
1.83 €
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
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The Lanier Company
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SheetMusicPlus
I'M HERE FOR YOU (MP3 Accompaniment Track)
Digital Download SKU: A0.1056245 Composed by Gary Lanier. Arranged by Gary Lanier. …
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Digital Download SKU: A0.1056245 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier Company #5033967. Published by The Lanier Company (A0.1056245). I'M HERE FOR YOU is a beautiful, inspirational song written by Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Listening MP3, listed as: I'M HERE FOR YOU, Listening MP3 (Artist, Gary Lanier).Lead Sheet, listed as: I'M HERE FOR YOU by Gary Lanier (Lead Sheet includes Melody, Chords and Lyrics)
$4.99
4.58 €
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU
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The Lanier Company
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano
Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU…
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Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.587709 Composed by Gabriel Faure. Arranged by David McKeown. Contemporary,Romantic Period,Sacred,Standards. Individual part. 5 pages. David McKeown #4810607. Published by David McKeown (A0.587709). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Descant or Soprano Recorder with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.22 €
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano
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David McKeown
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SheetMusicPlus
Time for Singing
2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any …
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2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any Combination of Voices in Two Parts. Composed by Natalie Sleeth. Choral collection. Sacred, Choral. Sacred Music Press #45/1001. Published by Sacred Music Press (LO.45-1001). UPC: 000308018059.Choirs large and small have discovered the joy of performing Natalie Sleeth's music, as it always produces stunning results with any combination of voices. Each section of the choir receives the opportunity to sing her delightful melodies and counter themes while they are skillfully woven into full and rich choral textures.
Song List: Time For Singing Has Come The Jesus Brought Us Love All Good Gifts Let All The People Praise Thee Promised Land Hallelujah Glory Hallelujah Sing A New Song To The Lord
$12.95
11.88 €
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Natalie Sleeth
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Time for Singing
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Sacred Music Press
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SheetMusicPlus
Always Worthy of Praise - Accompaniment Download
Digital Download SKU: LX.E99-3737L Composed by Patricia Mock. Arranged by Faye Lope…
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Digital Download SKU: LX.E99-3737L Composed by Patricia Mock. Arranged by Faye Lopez. General. Sacred Anthem, General, Thanksgiving. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3737L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3737L). Downloadable accompaniment track for Always Worthy of Praise (10/4878L) This joyful, upbeat hymn of praise reminds us that God's glory is eternal and experienced in the wonders and beauty of creation. Holy in Your majesty, awesome in Your ev'ry deed, reflected in the world You made, You are worthy of praise.
$14.95
13.71 €
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Patricia Mock
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Faye Lopez
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Always Worthy of Praise - Accompaniment Download
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
People of the Living God for Mallet Percussion
Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.…
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Small Ensemble Marimba,Piano,Vibraphone,Xylophone - Level 3 - Digital Download SKU: A0.968518 Composed by E. J. Hopkins. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 11 pages. Lawrence H Underwood #6570957. Published by Lawrence H Underwood (A0.968518). Arranged by veteran performer and music educator, Lawrence Underwood, as the twelfth installment in his 2021 Hymn Song Collection series, this brand-new setting of People of the Living God is, at turns, lilting and playful, light and wistful, forceful and dynamic. . .but always compelling! Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite of performers and listeners alike!
$5.99
5.49 €
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E
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Lawrence H
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People of the Living God for Mallet Percussion
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Lawrence H Underwood
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SheetMusicPlus
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