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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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Note4Piano
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SheetMusicPlus
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Non classifié
3575
PIANO & CLAVIERS
Piano seul
2878
Piano, Voix
2058
Piano, Voix et Guitare
1549
Piano Facile
975
Instruments en Do
231
Orgue
205
Accompagnement Piano
194
Piano Trio: piano, violon, violoncelle
146
Accordéon
74
1 Piano, 4 mains
63
Piano grosses notes
57
2 Pianos, 4 mains
48
Piano Quatuor: piano, 2 violons, violoncelle
40
Orgue, Trompette (duo)
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano (partie séparée)
9
Piano Quintette: piano, 2 violons, alto, violoncelle
8
Orgue, Piano (duo)
6
Accordéon, Voix
4
Clavier
4
Ligne De Mélodie, Piano
4
Clavecin
3
2 Accordéons
1
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GUITARES
Guitare notes et tablatures
883
Guitare
445
Ligne De Mélodie, (Paroles) et Accords
362
Paroles et Accords
137
Basse electrique
93
Ukulele
86
2 Guitares (duo)
75
Guitare (partie séparée)
20
4 Guitares (Quatuor)
16
Dulcimer
16
Mandoline
15
Piano, Guitare (duo)
12
Banjo
8
Basse électrique (partie séparée)
7
3 Guitares (trio)
6
Ensemble de guitares
6
Partitions De Groupes
4
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
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VOIX
Chorale SATB
1185
Chorale 3 parties
383
Chorale TTBB
257
Chorale 2 parties
203
Chorale SSAA
143
Voix seule
112
Chorale
101
Chorale Unison
67
Voix Soprano, Piano
47
Voix duo, Piano
39
Voix Alto, Piano
37
Voix Tenor, Piano
32
Voix Tenor
30
Voix duo
30
Voix haute
26
Voix Soprano
25
Voix basse, Piano
17
Voix moyenne, Piano
11
Voix Mezzo-Soprano, Piano
7
Chorale SSAATTBB
7
Soli, choeur mixte et accompagnement
4
Voix Baryton, Piano
3
Chorale SSAB a cappella
3
Chorale SSATB
2
Voix basse
2
Chorale SSATTB
2
Voix, Guitare
2
Voix haute, Piano
1
Chorale SSAB, Piano
1
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VENTS
Flûte traversière
526
2 Saxophones (duo)
494
Saxophone Alto
414
Clarinette
403
Flûte traversière et Piano
388
Saxophone (partie séparée)
386
Saxophone Alto et Piano
366
2 Flûtes traversières (duo)
336
Clarinette et Piano
302
Saxophone
260
Saxophone Tenor et Piano
258
Quatuor de Saxophones: 4 saxophones
243
Flûte, Hautbois, Clarinette, Basson
239
2 Clarinettes (duo)
227
Hautbois, Piano (duo)
226
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
223
Flûte, Clarinette (duo)
160
Hautbois (partie séparée)
154
Quatuor de Clarinettes: 4 clarinettes
123
2 Saxophones, Piano
108
Clarinette (partie séparée)
89
Saxophone Tenor
87
Quintette de Saxophone: 5 saxophones
85
Saxophone Soprano et Piano
77
Hautbois
72
3 Saxophones (trio)
63
Quatuor de Flûtes : 4 flûtes
57
Saxophone Soprano
46
Flute (partie séparée)
44
2 Hautbois (duo)
40
Flûte et Guitare
35
3 Clarinettes (trio)
35
Flûte à Bec
30
Saxophone Baryton, Piano
28
2 Flûte à bec (duo)
25
Quintette de Clarinettes: 5 clarinettes
25
Harmonica
24
Ensemble de Clarinettes
24
Quatuor de Flûtes à bec
23
Ensemble de saxophones
23
Flûte à bec Soprano
22
Trio de Flûtes: 3 flûtes
21
Flûte, Violon
18
Hautbois, Basson (duo)
17
2 Flûtes traversières, Piano
17
Saxophone Baryton
15
Ensemble de Flûtes
15
Hautbois, Clarinette (duo)
14
Cor anglais, Piano
14
Flûte, Clarinette et Basson
13
Clarinette Basse, Piano
13
Saxophone, Clarinette (duo)
12
Flûte à bec Alto
12
Flûte à bec Soprano, Piano
11
Instruments en Mib
11
Flûte, Hautbois, Clarinette (trio)
10
Hautbois, Clarinette, Basson (trio d'anches)
10
Clarinette, Basson (duo)
10
Flûte à bec Alto, Piano
9
Clarinette, Trompette (duo)
8
Flûte, Hautbois (duo)
8
Flûte, Hautbois, Basson
8
2 Clarinettes, Piano
8
Cor Anglais
7
3 Hautbois
7
Clarinette, Guitare (duo)
7
Clarinette, Violon (duo)
7
Clarinette Basse
7
Ocarina
7
Ensemble De Flûte à bec
6
Hautbois, Flûte
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette, Piano (trio)
5
Piccolo
5
Clarinette et Alto
5
3 Flûtes à bec (trio)
5
Flûte, Saxophone (duo)
5
Flûte, Violoncelle
5
Hautbois, Violoncelle
5
Flûte, Alto (duo)
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Cor, Basson (Quartet)
4
Clarinette, Violoncelle (duo)
4
4 Hautbois
4
Flûte, Violon, Piano
4
Flûte à bec Alto, Basse continue
3
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
3
Flûte à bec Tenor
3
Flûte à Bec, Piano
3
Flute, harpe et violon
3
2 Hautbois, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Violon (trio)
3
Flûte, Violon, Violoncelle et Piano
2
Flûte, Violon et Violoncelle
2
Flûte, Trombone (duo)
2
Hautbois, violon (duo)
2
Saxophone et Guitare
1
Hautbois et alto (duo)
1
Flûte, Hautbois, Violon
1
Hautbois, Violoncelle et Piano
1
Flûte traversière, Basse continue
1
Ensemble de Hautbois
1
Harmonica, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Basson et Piano
1
Piccolo, Piano
1
2 Flûtes traversières, Guitare
1
Flûte et Quatuor à Cordes
1
Flûte et Trio à cordes
1
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CUIVRES
Trompette
528
Trombone
365
Trompette, Piano
329
Trompette, Trombone (duo)
293
2 Trompettes (duo)
247
Trombone et Piano
236
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
217
2 Trombones (duo)
177
Cor
174
Quatuor de Cuivres : 2 trompettes, trombone, tuba
158
Trompette (partie séparée)
135
Trombone (partie séparée)
133
Cor et Piano
133
Tuba
96
Quatuor de Cuivres: 2 trompettes, Cor, trombone
91
Tuba et Piano
64
Quatuor de Cuivres
45
Euphonium
41
Cor (partie séparée)
38
Tuba (partie séparée)
36
Quatuor de cuivres: 4 trombones
31
2 Cors (duo)
25
2 Trompettes, Clavier (piano ou orgue)
17
Trompette, Cor (duo)
16
Euphonium, Piano (duo)
15
Cor anglais, Piano
14
Quatuor de cuivres: 4 cors
13
Trompette, Trombone, Piano
12
Bass Clef Instruments
12
Trompette, Saxophone (duo)
10
4 Tubas
10
Instruments en Sib
10
2 Tubas (duo)
10
Cor Anglais
7
Trio de Cuivres
7
Tuba ou Euphonium ou Saxhorn
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 trompettes
5
2 Cors, Piano
4
Ensemble de Cors
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Ensemble de Trompettes
3
Trombone basse et Piano
3
3 Trompettes (trio)
3
Instruments en Fa
3
Trombone, Cor (duo)
3
3 Trombones (trio)
3
Tuba et Orgue
3
2 Trombones, Piano
2
Cor, Violoncelle (duo)
2
3 Cors (trio)
2
3 Tubas (trio)
2
Trompette, Tuba (duo)
2
4 Euphoniums
2
Trompette, Violoncelle et Piano
1
Trombone basse
1
Ensemble de Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Euphoniums et 2 Tubas
1
Cor et Basson (duo)
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
3 Euphoniums
1
Trombone et orchestre
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
805
Violon et Piano
580
Violon
512
Violoncelle, Piano
461
Violoncelle (partie séparée)
321
2 Violons (duo)
311
Alto, Piano
295
2 Violoncelles (duo)
281
Violon, Violoncelle (duo)
281
Alto seul
276
2 Altos (duo)
169
Violoncelle
125
Violon, Alto (duo)
124
Trio à Cordes: violon, alto, violoncelle
104
Harpe
98
Quintette à cordes: 2 violons, alto, violoncelle, basse
96
Piano Trio: Violon, Alto, Piano
77
Contre Basse
73
Alto (partie séparée)
70
Violon (partie séparée)
62
Contrebasse (partie séparée)
36
Trio à Cordes: 2 violons, violoncelle
33
Contrebasse, Piano (duo)
22
Alto, Violoncelle (duo)
16
Violoncelle , Guitare (duo)
16
Violon, Guitare (duo)
15
2 Violons, Piano
14
2 Violoncelles, Piano
13
Trio à Cordes: 3 violoncelles
12
Harpe, Voix
11
4 Violoncelles
11
Trio à Cordes: 2 violons, alto
10
Violoncelle, Contrebasse (duo)
7
Trio à cordes
7
Harpe, Flûte (duo)
7
Trio à cordes: 3 violins
7
Trio à cordes: 3 altos
5
2 Altos, Piano
4
Alto, Guitare (duo)
4
2 Contrebasses (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
2 Harpes (duo)
3
Harpe, Violon (duo)
3
Violon, Basson (duo)
3
Quatuor à cordes: 4 violons
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violon, Clarinette, Piano (trio)
2
Harpe et Piano
2
Violon, Basse continue
2
Alto et Basson
2
Harpe (partie séparée)
2
Violoncelle, Orgue
2
5 Harpes
2
Violon, Orgue
2
3 Harpes
2
Harpe, Violon, Violoncelle
1
3 Contrebasses
1
Ensemble de Violoncelles
1
Ensemble de Violons
1
4 Contrebasses
1
Ensemble d'Altos
1
Violoncelle, Basse continue
1
Alto et Harpe
1
Flûte, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
535
Ensemble Jazz
280
Orchestre à Cordes
252
Orchestre
226
Batterie
187
Ensemble de cuivres
114
Cloches
88
Orchestre de chambre
69
Fanfare
56
Percussion (partie séparée)
45
Jazz combo
45
Percussion
44
Ensemble de Percussions
37
Marimba
24
Batterie (partie séparée)
22
Timbales
10
Timbales (partie séparée)
9
Xylophone
8
Caisse Claire
7
Vibraphone
4
Xylophone, Piano
2
Big band
2
Quintette de Cuivres: autres combinaisons
1
Cajon
1
Ensemble d'École
1
3 Marimbas
1
Orchestre, Violon
1
Quintette à Vent
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
2
Théorie de la musique
1
Vous avez sélectionné:
For Ben
Partitions à imprimer
3 575 partitions trouvées
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3551
A Blessing for Bendigeidfran
Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Ed…
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Digital Download SKU: OX.9780193566965 Bendith Bendigeidfran. Composed by Edward-Rhys Harry. In the deep. Score. 10 pages. Oxford University Press Digital #9780193566965. Published by Oxford University Press Digital (OX.9780193566965). ISBN 9780193566965.For TTBB and piano. A Blessing for Bendigeidfran' is the third movement of Four Welsh Psalms. It was recorded by the London Welsh Male Voice Choir, and this was chosen as one of Classic FM's 'Platinum Performances' in 2022. The stirring melody illuminates the inspiring lyrics in both English and Welsh by Grahame Davies.
$3.65
3.37 €
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Edward-Rhys Harry
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A Blessing for Bendigeidfran
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Oxford University Press Digital
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SheetMusicPlus
Barbecue for Ben
Sacred Musical for Young Voices A musical for young voices which will bring to life th…
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Sacred Musical for Young Voices A musical for young voices which will bring to life the Biblical story of the Prodigal Son. Performance time approx. 32 minutes
Song List: What's "Prodigal"? As Prodigal as Can Be Woops! My Pocketbook's Empty Who's That Diggin' in my Garbage Can? Let Me Be a Servant Look Who's Comin' Down the Street We'll Have a Barbecue for Ben N'ya, N'ya, Johnny's Jealous Lost And Found Reprise: 'Barbecue for Ben' and 'Lost and Found' That's the Way God's Love Is
$12.95
11.96 €
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Barbecue for Ben
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SheetMusicPlus
Abendlied op 69 no 3
Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Jo…
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Double Reed Ensemble - Intermediate - Digital Download SKU: F2.FM154 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Score and parts. 12 pages. Forton Music - Digital #FM154. Published by Forton Music - Digital (F2.FM154). ISBN 9790570480531.Double Reed Ensemble - 3 oboes, Oboe 4 or Cor Anglais, Cor Anglais or Bassoon, Bassoon A relatively simple yet beautiful arrangement of a choral piece by Rheinberger with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Oboe 1 up to top D, bassoon up to top G so maybe grade 4/5 standard.
$12.95
11.96 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied Op69 no 3
2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Jose…
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2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Brass Quintet - 2 Trumpets, Horn, Trombone, Tuba. Score and Parts. 8 pages. Forton Music - Digital #FM341. Published by Forton Music - Digital (F2.FM341). ISBN 9790570482405.A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$10.95
10.12 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied Op69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied op 69 no 3
Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058
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Flute Ensemble - 4 flutes, alto, bass - Intermediate - Digital Download SKU: F2.FM058 Composed by Josef Reinberger. Arranged by Robert Rainford. Score and parts. 10 pages. Forton Music - Digital #FM058. Published by Forton Music - Digital (F2.FM058). ISBN 9790708085577.4 flutes, alto flute, bass flute. A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. G major with an andante tempo marking. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.
$9.95
9.19 €
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Josef Reinberger
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Robert Rainford
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Abendlied op 69 no 3
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Forton Music - Digital
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SheetMusicPlus
Abendlied
Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Compo…
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Ssax, 2 Asax, 2 Tsax, Bar Sax - Intermediate - Digital Download SKU: F2.FM789 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Alternating chordal and contrapuntal passages make a short, attractive concert piece. Score and Parts. 10 pages. Forton Music - Digital #FM789. Published by Forton Music - Digital (F2.FM789). ISBN 9790570486885.
$12.95
11.96 €
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Josef Gabriel Rheinberger
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Robert Rainford
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Abendlied
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Forton Music - Digital
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SheetMusicPlus
Sången om Bagar Bengtsson
SA chorus ad lib. & piano - Digital Download SKU: BJ.1029 Composed by Stefan ForssÃ…
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SA chorus ad lib. & piano - Digital Download SKU: BJ.1029 Composed by Stefan Forssén. Children. Octavo. 18 pages. Bo Ejeby Forlag - Digital #1029. Published by Bo Ejeby Forlag - Digital (BJ.1029). 8.27 x 11.7 inches.The song about Bengtsson the baker is an absurd story about a man who’s eventually is buried in a loaf of bread. Here in a musical setting by jazz pianist Stefan Forssén. Lennart Hellsing was Sweden’s most original author of children’s books and poems.
$6.00
5.54 €
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Stefan Forssén
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Sången om Bagar Bengtsson
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Sonata for Flute (or Violin) And Piano - Opus 6
Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Compo…
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Small Ensemble Flute,Piano,Violin - Level 5 - Digital Download SKU: A0.918710 Composed by Daniel Carr. 20th Century,Contemporary,Romantic Period. Score and parts. 86 pages. Daniel Carr #30873. Published by Daniel Carr (A0.918710). The Sonata for Flute and Piano is the longest and most complex work I have composed for Flute and Piano. My goal for this piece was to push myself as a composer, and to push both flautist and pianist to their absolute limits – both musically and technically. The flute is capable of much more than just being pretty – and in this work it depicts violence, drama, joy, sorrow and heroism. Extended techniques are used throughout the sonata (aire, percussive tonguing, pitch bends, harmonics and flutter tonguing) but always within a tonal framework. The first movement starts out peacefully, as if beginning a legend, with a folk-like and serene melody. The second and third themes are more percussive and rhythmical – the flute and piano engaging in a violent, interlaced dance in a section marked Allegro Swordfight. In the recapitulation, the first theme reappears in much more dramatic form. The second movement begins with a forceful march before a darker and more cabalistic middle section emerges. The movement builds to a formidable climax in the final measures. The third movement begins simply and quietly, offering a respite from the energy of the first two movements, and quoting themes from both of them. It then leads attacca (without pause) into the final movement, which surges forward relentlessly before a lyrical section provides the flute an opportunity to soar above wave-like arpeggios in the piano. The piece ends on an ethereal note, with flute and piano hovering near silence in their upper ranges.
$10.00
9.24 €
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Daniel Carr
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Sonata for Flute
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Daniel Carr
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SheetMusicPlus
Dorian Album For String Trio
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
12 €
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Harvey S
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Sieben Abgesänge auf eine tote Linde
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718
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Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
53.57 €
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Joerg Widmann
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Sieben Abgesänge auf eine tote Linde
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Schott Music - Digital
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SheetMusicPlus
Sonata for 6 Players
Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - …
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Fl. (auch Altfl. u. 2 Sistr.) · Klar. (auch Bassklar., Kb.-Klar. ad lib. u. Handgl.) - S. (P. · Crot. · Marimba · chin. Glöckchen · Beck. · Gong · 2 Tamt. · gr. Tr. · Log Drum) - Klav. (auch Cel.) - Vl. (auch Va. u. Handgl.) · Vc. (auch Handgl.) ensemble - difficult - Digital Download SKU: S9.Q2922 Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 12 minutes. Schott Music - Digital #Q2922. Published by Schott Music - Digital (S9.Q2922). Hans Werner Henze used original music by Scarlatti, Handel and Vivaldi to evoke the baroque lifestyle for a TV film of José Montes-Baquer based on the novella Concierto Barocco by the Cuban Alejo Carpentier; the film music of L’amour àmort by the French master director Alain Resnais was turned into a sonata by Henze.Filmmusik zu Alain Resnais‘ Film „L’amour àmort Alain Resnais hatte mich gebeten, das Vor-, Zwischen- und Nachspiel der Filmmusik so zu schreiben, daß diese den drei Hauptabschnitten, Sätzen bzw. Strukturen untergeordnet wären: Das Vor-spiel war sonatenförmig, das Zwischenspiel als Arie angelegt und das Nachspiel schließlich eine Passacaglia. Die Form sowie das Fortschreiten dieser drei Sätze stehen im direkten Zusammenhang mit der Struktur des Films. Die Sonate enthält zwei kontrastierende Hauptelemente. Hiervon be-zieht sich das eine auf Elisabeth und ihre Ekstase der Liebe und Furcht; das andere verkörpert Bedrohung, Angst und tonales Symbol, das mit der ständig wachsenden Zahl von den Tod betref-fenden Bildern sowie der Faszination, die diese auf Simon aus-üben, in Zusammenhang steht. Der Sonatensatz endet mit dem Tod von Simon. Der zweite Satz, die MELODIE voller tragischer Akzente und versteckter Anspielungen auf Symbole und Gestik der Oper des 18. Jahrhunderts, enthält Hinweise auf den thematischen Stoff des ersten Satzes. Resnais bezeichnet dies als „la separation (die Trennung). Hierbei geht es um die Zeit zwischen Simons Tod und Elisabeths Entscheidung, ihm zu folgen. Im Film wird die MELODIE (deren Zeilen eine fast buchstäbliche Umsetzung des gesprochenen Textes sind, wie z.B. „je te promets (ich verspreche Dir), durch die Handlung und die Dialoge in regelmäßigen Abständen durchbrochen, jedoch dann immer wieder aufgenommen. Vom Konzept her soll sie durchgängig gespielt werden. Die MELODIE verklingt ganz allmählich und nähert sich dem Rezitativ, ja Ausruf, so als wolle sie Elisabeth in ihrem Klagen und ihren Schmerzensschreien unterstützen und mit ihr sagen: „Je déteste la vie sans Simon (Ich verabscheue ein Leben ohne Simon). Die Passacaglia am Schluß stellt „le départ (den Abschied) dar. Der Bass, in der Regel von der Pauke gespielt, besteht aus den hohen Noten des Themas, das (von der Bassklarinette) im 1. Satz eingeführt worden war, um Simon im Reich der Toten zu zeigen. Fragmente und Erinnerungen an vorausgegangene Ereignisse werden durch den beharrlichen Bass im Herzschlag Rhythmus eingeworfen, wobei die Musik aus dem Reich der Toten allmählich von den untersten Registern, gleichsam einer Flut, aufsteigt, den gesamten Raum einnimmt und letztlich alles andere überdeckt und auslöscht. -Hans Werner Henze.
$34.99
32.32 €
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Hans Werner Henze
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Sonata for 6 Players
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Schott Music - Digital
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SheetMusicPlus
Thinking Händel for Baroque Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'universitàdi Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una societàmusicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
2.77 €
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Alessandro Macrì
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Thinking Händel for Baroque Horn Quartet
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Music Macri Editions
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, No. 16 Sebben crudele
Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.981214 Compo…
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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.981214 Composed by Judith Cloud. Contemporary,Standards. 3 pages. Judith Cloud #6689657. Published by Judith Cloud (A0.981214). 24 Italian Songs and Arias for 21st-Century Singers, No. 16 Sebben crudele The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.
$4.99
4.61 €
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Judith Cloud
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24 Italian Songs and Arias for 21st-Century Singers, No. 16 Sebben crudele
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Judith Cloud
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SheetMusicPlus
Selected Duets for Violin - Volume 2
Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arran…
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Violin; Violin Duet - Grade 4 SKU: HL.4472670 Advanced First Position. Arranged by Harvey S. Whistler. Ensemble Collection. Concert, Contest, Instruction. 40 pages. Rubank Publications #RUBL168. Published by Rubank Publications (HL.4472670). ISBN 9781540001757. UPC: 073999726701. 9.0x12.0x0.11 inches.This classic series of duets is recognizable to nearly everyone who has ever studied an instrument. Duet playing is often a student's first form of ensemble experience - technique, tone quality, intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playing leads easily and naturally to competent performance in larger ensembles. These volumes written specifically for violin duet are carefully edited and bowed. (Vol. I – First Position [Medium]; Vol. II – First Position [Advanced]).
Song List: Dramatic Episode Abendlied (Tours) Allegro (Sym.Duo) Kalliwoda A Mirage (Mazas) Bal Masque (Dancla) Beau Soir (Dancla) Caprice-Elegante (Henning) Dialogue No. 1 (Eichberg) Dialogue No. 2 (Eichberg) Duo Chromatic (Eichberg) Duo De Concours (Wohlfahrt) Duo Processional (Wohlfahrt) Etude De Concert (Spohr) Eudoxa (Mazas) Finale (Concert.E Flat) Spohr Grand Duo De Salon (Kalliwoda) Guitare (Dancla) Intro & Scherzo-Capricc. (Weiss) La Capricieuse (Mazas) La Fileuse (Alard) Le Papillon (Mazas) Marche Melisande (Dancla) Menuet(2nd Duettino) Pleyel Poeme D'amour (De Beriot) Polka De Concert (Dancla) Promenade (Eichberg) Reveuse (De Beriot) Rondo (Duo In D) Mazas Scene De Danse (Kalliwoda) Theme & Var. (4th Duo) Pleyel Wellenspiel (L.Schubert)
$9.99
9.23 €
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Harvey S
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Selected Duets for Violin - Volume 2
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Rubank Publications
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Piano
Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU…
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Small Ensemble Clarinet,Oboe,Piano Accompaniment,Voice - Level 4 - Digital Download SKU: A0.882260 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5723713. Published by Adrian D Biggs (A0.882260). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Oboe or Clarinet precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and parts included.
$8.00
7.39 €
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Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Piano
Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Compos…
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Small Ensemble Flute,Piano,Voice - Level 4 - Digital Download SKU: A0.882258 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723707. Published by Adrian D Biggs (A0.882258). Agnus dei for high or medium Voice, Flute Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.47 €
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Agnus Dei for High or Medium Voice, Flute Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Organ
Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.882269
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Small Ensemble Clarinet,Oboe,Organ,Voice - Level 4 - Digital Download SKU: A0.882269 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 13 pages. Adrian D Biggs #5970719. Published by Adrian D Biggs (A0.882269). Agnus dei for high or medium Voice, Oboe or Clarinet Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB, SAB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for the singer, oboe or clarinet and organ. Suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.47 €
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Agnus Dei for High or Medium Voice, Oboe or Clarinet Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Flute Solo and Organ
Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Compos…
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Small Ensemble Flute,Organ,Voice - Level 4 - Digital Download SKU: A0.882268 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5970695. Published by Adrian D Biggs (A0.882268). Agnus dei for high or medium Voice, Flute Solo and Organ uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Flute precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring the addition of Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, flute, and organ and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available in a piano version.
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6.47 €
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Agnus Dei for High or Medium Voice, Flute Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Violin Solo and Piano
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882257 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5723155. Published by Adrian D Biggs (A0.882257). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. A solo instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SATB) as well as featuring, in place of Violin, Solo Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, violinist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included.
$7.00
6.47 €
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Agnus Dei for High or Medium Voice, Violin Solo and Piano
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Adrian D Biggs
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SheetMusicPlus
Agnus Dei for High or Medium Voice, Violin Solo and Organ
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.882266 Composed by G. F. Handel. Arranged by A. Douglas Biggs. Contemporary,Easter,Sacred. Score and parts. 11 pages. Adrian D Biggs #5728915. Published by Adrian D Biggs (A0.882266). Agnus dei for high or medium Voice, Violin Solo and Piano uses as an inspiration the melody from the aria Ombra mai fú from Handel’s opera Serse. The long, lyrical melody borne forward by the steady, quiet, powerful accompaniment conveys a tranquil sacredness. The sense of entreaty and desire for benediction expressed in the Agnus Dei seems a natural fit with Handel’s famous melody. An introduction featuring Solo Violin precedes the voice calling out agnus dei, qui tollis peccata mundi. An instrumental meditation follows leading back to the conclusion of the piece. Arrangements for other ensembles are also available (Vocal Solo, SSA, SAB, SATB) as well as featuring, Solo Violin, Flute, Oboe or Clarinet and soloist with chorus. Difficulty is moderate for both the singer, instrumental soloist and pianist and is suitable for a sacred setting or the concert hall. Duration approximately 4 minutes. Score and part included. Also available with Piano accompaniment
$7.00
6.47 €
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Agnus Dei for High or Medium Voice, Violin Solo and Organ
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Adrian D Biggs
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SheetMusicPlus
Gifts for the Child of Winter
Tenor voice solo and SATB chorus divisi unaccompanied - Digital Download SKU: OX.978019…
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Tenor voice solo and SATB chorus divisi unaccompanied - Digital Download SKU: OX.9780193554139 Composed by Bob Chilcott. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193554139. Published by Oxford University Press Digital (OX.9780193554139). ISBN 9780193554139.For tenor solo and SATB (with divisions) unaccompanied. This reflective winter carol features a prominent melody line, taken in two verses by the tenor soloist, which is supported by a gentle accompanying figure in the other voices. The minor tonality reflects the sentiments of a newly written text by Charles Bennett.
$3.65
3.37 €
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Bob Chilcott
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Gifts for the Child of Winter
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Oxford University Press Digital
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SheetMusicPlus
Songs of Africa for Upper Voices Set 1
SA chorus (plus lead voice) and percussion - Digital Download SKU: OX.9780193702776…
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SA chorus (plus lead voice) and percussion - Digital Download SKU: OX.9780193702776 Arranged by Fred Onovwerosuoke. Octavo. 16 pages. Oxford University Press Digital #9780193702776. Published by Oxford University Press Digital (OX.9780193702776). ISBN 9780193702776.For SA (plus lead voice) and percussion. Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in two small collections - this set for SA and the second for SSA - the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Republic of Benin.
$4.00
3.7 €
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Fred Onovwerosuoke
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Songs of Africa for Upper Voices Set 1
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Oxford University Press Digital
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SheetMusicPlus
Songs of Africa for Upper Voices Set 2
SSA chorus (plus lead voice) and percussion - Digital Download SKU: OX.9780193702769
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SSA chorus (plus lead voice) and percussion - Digital Download SKU: OX.9780193702769 Arranged by Fred Onovwerosuoke. Octavo. 16 pages. Oxford University Press Digital #9780193702769. Published by Oxford University Press Digital (OX.9780193702769). ISBN 9780193702769.For SSA (plus lead voice) and percussion. Fred Onovwerosuoke presents six authentic arrangements of African songs. Published in two small collections - set 1 for SA and this set for SSA - the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Republic of Benin.
$4.00
3.7 €
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Fred Onovwerosuoke
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Songs of Africa for Upper Voices Set 2
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Oxford University Press Digital
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SheetMusicPlus
24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - Digital Download SKU: …
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Instrumental Duet High Voice,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.981196 Composed by Judith Cloud. Contemporary. Score and parts. 5 pages. Judith Cloud #6591239. Published by Judith Cloud (A0.981196). The iconic Italian songs have served as the foundation for countless singers for over a hundred years. My settings are an accessible alternative and will provide teachers with new tools for their students’ technical and musical advancement. They offer a welcome change both melodically and harmonically and many have a limited range with a comfortable tessitura. Most of the songs are brief, lasting around two minutes. Another attractive feature is the inclusion of a literal English translation directly above the Italian. I believe these songs will be successful for auditions and in recital settings, both informal and formal. My hope is that over time, these 24 Italian Songs and Arias for 21st Century Singers will take their place beside the originals for the establishment of a solid vocal technique.The complete volume is available from Classical Vocal Reprints (www.classicalvocalrep.com)Model #5273
$4.99
4.61 €
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Judith Cloud
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24 Italian Songs and Arias for 21st-Century Singers, no. 22 Caro mio ben
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Judith Cloud
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SheetMusicPlus
Brass Recital (for Brass Sextet)
Brass (Score) SKU: HL.4474530 Full Score. Ensemble Collection. Classical, Co…
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Brass (Score) SKU: HL.4474530 Full Score. Ensemble Collection. Classical, Contest. 88 pages. Published by Rubank Publications (HL.4474530). UPC: 073999992700. 9.0x12.0x0.202 inches.Scored for 1st and 2nd cornet/trumpet, F horn, trombone, baritone and tuba (optional parts also available: 3rd/4th cornet/trumpet, 2nd/3rd F horn and 2nd/3rd trombone) This great collection of grade 3 music for brass choirs appears on many state contest lists and includes pieces of varying lengths and styles to suit any performance opportunity. The thirteen works in this series include classics as well as contemporary pieces by the original Rubank composers. A must for your school or church library.
Song List: Intrada No. 7 Canciones Mexicanas The Earle Of Oxford's Marche Canzone No. 4 Two Dialogues Retrospection A Day Of Joy Op. 63, No. 5 Andante And Allegro (K. 188) Scherzino Processional For Brass Passamezzo Brillante Ecce Sacerdos Cordoba Op.232 No.4 (Albeniz)
$12.99
12 €
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Brass Recital
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Rubank Publications
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SheetMusicPlus
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