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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
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AMERICANA
ASIE
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CLASSIQUE - BAROQUE …
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Note4Piano
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Non classifié
2362
PIANO & CLAVIERS
Piano seul
1163
Piano, Voix et Guitare
480
Piano, Voix
345
Piano Facile
340
Orgue
109
Instruments en Do
98
Accordéon
39
2 Pianos, 4 mains
28
Accompagnement Piano
27
1 Piano, 4 mains
26
Piano grosses notes
23
Piano Trio: piano, violon, violoncelle
11
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
2
Orgue, Trompette (duo)
2
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GUITARES
Basse electrique
310
Guitare notes et tablatures
187
Piano, Guitare (duo)
114
Guitare
102
Ligne De Mélodie, (Paroles) et Accords
85
Ukulele
48
Paroles et Accords
31
2 Guitares (duo)
20
4 Guitares (Quatuor)
13
3 Guitares (trio)
8
Guitare (partie séparée)
5
Mandoline
4
Dulcimer
4
Banjo
4
Ensemble de guitares
3
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
491
Chorale 3 parties
191
Chorale 2 parties
105
Chorale TTBB
91
Voix duo, Piano
66
Chorale Unison
43
Chorale SSAA
40
Voix duo
14
Voix seule
10
Chorale
10
Voix haute
8
Voix Soprano, Piano
6
Voix Alto, Piano
5
Voix Tenor, Piano
4
Voix moyenne, Piano
3
Voix Baryton, Piano
2
Chorale SSATB
1
Voix basse, Piano
1
Voix basse
1
Voix Tenor
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
241
Quintette de Saxophone: 5 saxophones
226
Flûte traversière et Piano
223
Clarinette et Piano
216
Saxophone Alto et Piano
164
Saxophone Tenor et Piano
161
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
156
Quatuor de Saxophones: 4 saxophones
120
Ensemble de saxophones
110
Clarinette
98
Flûte, Hautbois, Clarinette, Basson
96
Flûte traversière
95
2 Flûtes traversières (duo)
74
2 Saxophones (duo)
64
Ensemble de Clarinettes
64
Saxophone Alto
55
Saxophone Tenor
49
Hautbois (partie séparée)
49
Saxophone (partie séparée)
47
Quatuor de Clarinettes: 4 clarinettes
40
Ensemble de Flûtes
33
Saxophone
32
Flûte et Guitare
28
Quintette de Flûte : 5 flûtes
27
Saxophone Soprano et Piano
23
2 Clarinettes (duo)
22
Quatuor de Flûtes : 4 flûtes
22
Saxophone, Clarinette (duo)
19
3 Clarinettes (trio)
16
Quintette de Clarinettes: 5 clarinettes
16
Clarinette (partie séparée)
15
Flûte, Clarinette (duo)
14
Saxophone Baryton, Piano
14
Cor anglais, Piano
13
3 Saxophones (trio)
13
Clarinette, Violon (duo)
12
Trio de Flûtes: 3 flûtes
12
Flûte à bec Soprano
11
Hautbois, Basson (duo)
10
Flute (partie séparée)
10
Clarinette, Trompette (duo)
10
Hautbois, Clarinette (duo)
8
2 Hautbois (duo)
8
Clarinette et Alto
7
Clarinette, Guitare (duo)
7
Clarinette Basse, Piano
6
Cor Anglais
5
Flûte, Saxophone (duo)
5
Hautbois, Guitare (duo)
5
Flûte, Alto (duo)
4
Hautbois, Flûte
4
Flûte, Trompette (duo)
4
Cor anglais, Guitare (duo)
4
Hautbois
4
Ocarina
4
Clarinette, Basson (duo)
4
Flûte, Violon
4
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte à Bec
3
Clarinette, Harpe (duo)
3
Harmonica
3
Flûte à bec Alto
3
Ensemble à vent
2
Saxophone Soprano
2
Flûte à bec Soprano, Piano
2
Piccolo
2
Flûte, Hautbois, Clarinette (trio)
2
Saxophone et Orgue
2
2 Clarinettes, Piano
2
Saxophone et Harpe
2
Flûte à bec Tenor
2
2 Flûtes traversières, Piano
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Ensemble De Flûte à bec
1
Hautbois, Harpe
1
Flûte et Quatuor à Cordes
1
Flûte, Clarinette et Basson
1
Instruments en Mib
1
Clarinette Basse
1
Flûte à Bec, Piano
1
Flûte, Hautbois (duo)
1
Flute, harpe et violon
1
Flûte traversière, Orgue (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle, Piano (trio)
1
2 Hautbois, Piano
1
Flûte irlandaise
1
Clarinette, Orgue
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Piano
1
5 Flûtes à bec
1
Flûte, Harpe et Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
224
Trombone et Piano
180
Trompette
158
Quatuor de Cuivres : 2 trompettes, trombone, tuba
141
Trompette, Piano
101
Ensemble de Trompettes
90
Trombone
78
Ensemble de Trombones
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
46
Trompette (partie séparée)
38
Quatuor de Cuivres
32
Cor et Piano
31
Trombone (partie séparée)
27
Cor
23
Quatuor de cuivres: 4 trombones
19
2 Trompettes (duo)
18
2 Trombones (duo)
17
Trompette, Trombone (duo)
15
Tuba
15
Cor anglais, Piano
13
Euphonium, Piano (duo)
12
Trio de Cuivres
10
Tuba et Piano
10
Trompette, Saxophone (duo)
9
Cor (partie séparée)
9
Ensemble de Cors
7
2 Cors (duo)
6
Cor Anglais
5
Quatuor de cuivres: 4 cors
5
Euphonium
5
Tuba (partie séparée)
4
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Quatuor de cuivres: 4 trompettes
3
Trombone, Orgue
3
3 Trompettes (trio)
3
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
2
3 Cors (trio)
2
Bass Clef Instruments
2
Cor et Basson (duo)
1
Euphonium, Tuba (duo)
1
4 Tubas
1
2 Cors, Piano
1
Trompette, Euphonium (duo)
1
Trombone, Tuba (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Tubas
1
Instruments en Sib
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
465
Violon et Piano
237
Violon, Violoncelle (duo)
215
Violon
215
Alto, Piano
204
Violoncelle, Piano
174
Trio à Cordes: violon, alto, violoncelle
167
Violoncelle
93
Quintette à cordes: 2 violons, alto, violoncelle, basse
74
Harpe
66
2 Violons (duo)
55
Alto seul
37
2 Harpes (duo)
34
Trio à Cordes: 2 violons, violoncelle
32
Ensemble de Violons
29
Ensemble d'Altos
28
Violon, Alto (duo)
26
2 Violoncelles (duo)
25
Alto (partie séparée)
18
2 Altos (duo)
15
Contre Basse
11
Contrebasse, Piano (duo)
10
Violon (partie séparée)
9
Quatuor à cordes: 4 violons
9
Trio à cordes: 3 altos
8
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
6
Contrebasse (partie séparée)
6
Alto et Harpe
6
4 Violoncelles
6
Harpe, Voix
6
Violon, Guitare (duo)
5
Harpe, Violoncelle (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
4
Violoncelle , Guitare (duo)
4
Alto, Violoncelle (duo)
3
Quatuor à cordes : 4 altos
3
Violoncelle (partie séparée)
2
2 Altos, Piano
2
4 Contrebasses
2
Violoncelle, Orgue
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
2 Violons, Piano
1
Harpe, Trombone (duo)
1
Violoncelle, Contrebasse (duo)
1
Violon, Tuba (duo)
1
Trio à cordes
1
Piano Trio: Violon, Alto, Piano
1
Alto, Orgue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
284
Orchestre d'harmonie
259
Orchestre
127
Ensemble Jazz
93
Ensemble de cuivres
65
Orchestre de chambre
48
Cloches
26
Ensemble de Percussions
21
Jazz combo
20
Marimba
19
Batterie
19
Fanfare
17
Percussion (partie séparée)
7
Batterie (partie séparée)
3
Xylophone, Piano
2
Percussion
2
Ensemble d'École
1
Vibraphone
1
Xylophone
1
Instrumentations suivantes
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AUTRES
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For You I Will
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2351
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.02 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
9.91 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
10 Boil Them Cabbage Down Solos for Beginning Violin (+ 9 BONUS VARIATIONS)
Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.…
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Instrumental Duet Fiddle,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.885660 Composed by Heather Figi. Arranged by Heather Figi. Country,Folk. Score and parts. 27 pages. Music for Young Violinists #2852285. Published by Music for Young Violinists (A0.885660). 10 Boil Them Cabbage Down Solos for Beginning Violin + 9 BONUS VARIATIONS 25 page *eBook available as an instant PDF download. This is the sweetest collection of melodies & playful challenges for both:Your youngest musicians who are just starting their violin journey.Fiddle players of all ages who love the joy of this catchy tune.To learn more about this collection and download FREE sample please visit: https://www.musicforyoungviolinists.com/HOW TO USE THIS BOOK - 1- Assign individual solos to specific students for a group performance to showcase individual musicians.2- As a reading book - the variations help build on existing skills and aural templates while teaching the musician slight changes in the music notation.3- Special assignment for any student who has an affinity for fiddle music.4- Special assignment for summer/winter breaks because the consistency of material allows for independent learning.5- Note reading practice by writing in the pitch above the note (one of the many perks for printing out your music is that you can write in it and still have access to a new, fresh part).6- Fiddle party or workshop material.7- For FUN!!! Play music in the true sense of the word play.* Please note this is a digital download. Once you order this collection, you will be re-directed to a link that allows you to download 10 Boil Them Cabbage Down Solos for Beginning Violin.* Remember to adjust your printer settings to LANDSCAPE when printing this out.A friendly reminder that integrity starts with you.I offer a very generous bulk discount if you need more than a single copy of this product. Click HERE https://www.musicforyoungviolinists.com/violin-sheet-music.html to learn more.
$18.00
16.24 €
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Heather Figi
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Heather Figi
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10 Boil Them Cabbage Down Solos for Beginning Violin
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Music for Young Violinists
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SheetMusicPlus
What Will We Say?
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed …
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
18.03 €
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.58 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.58 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Follow You, Follow Me
Guitar - Level 3 - Digital Download SKU: A0.1365180 By Genesis. By Mike Rutherford,…
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Guitar - Level 3 - Digital Download SKU: A0.1365180 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Derek Hasted. Pop,Rock. 28 pages. Derek Hasted #949492. Published by Derek Hasted (A0.1365180). FOLLOW YOU, FOLLOW ME (Genesis) - 4 or 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes My arrangement of this classic Genesis song makes a great concert item.It will suit many types of guitar ensembles...The music in this edition will work just fine in a guitar quartet. With five or more players, there is an extra Guitar 5 line that carries the original’s countermelody.Guitar 4 is supplied in treble and bass clefs - either or both versions can be played.And finally, Guitar 2 is supplied in two versions - one for an advanced intermediate player and one to suit an intermediate player.On the Sheet Music Plus website there is a 30-second sound clip which has the simpler guitar 2 line.The tune is down low, and will benefit from strong rest strokes and plenty of vibrato to make it sing like a ’cello.There is a small amount of fingering. The original is very much devoid of dynamics - you may wish to add your own to make the performance “yoursâ€.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
4.5 €
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Genesis
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Derek Hasted
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Follow You, Follow Me
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Derek Hasted
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SheetMusicPlus
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed b…
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99
1.8 €
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's Forty - in C major
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Kim Kirkman
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SheetMusicPlus
He Leadeth Me with I Have Decided to Follow Jesus
Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R …
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Large Ensemble Flute Solo - Level 4 - Digital Download SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
4.06 €
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Stephen R Dalrymple
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He Leadeth Me with I Have Decided to Follow Jesus
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Stephen R Dalrymple
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SheetMusicPlus
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download …
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.587861 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031037. Published by David McKeown (A0.587861). 16 Favourite Easter Hymns for Double Reed Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Oboes, one Cor Anglais/English Horn and one Bassoon. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Double Reed Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Double Reed Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.01 €
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Various
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David McKeown
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16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
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David McKeown
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SheetMusicPlus
16 Favourite Easter Hymns for Oboe and Cor Anglais Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.587846 Composed by Various. Arranged by David McKeown. Easter,Sacred,Standards. Score and parts. 17 pages. David McKeown #5025811. Published by David McKeown (A0.587846). 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet is a beautiful collection of well-known traditional Easter hymns. They are arranged in two parts for Oboe and Cor Anglais. You can watch and listen to two of the hymns (the Alto Saxophone version), via the YouTube link above.16 Favourite Easter Hymns for Oboe and Cor Anglais Duet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Oboe and Cor Anglais Duet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.99
8.11 €
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Various
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David McKeown
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16 Favourite Easter Hymns for Oboe and Cor Anglais Duet
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David McKeown
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SheetMusicPlus
Great is Thy Faithfulness - Accompaniment track with no piano I
Bass Voice,Drum Set,Guitar,Saxophone - Level 3 - Digital Download SKU: A0.1378435 C…
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Bass Voice,Drum Set,Guitar,Saxophone - Level 3 - Digital Download SKU: A0.1378435 Composed by Thomas Chisholm & William Runyan. Arranged by Deborah Johnson. Christian,Easter,Jazz,Praise & Worship,Spiritual. Accompaniment. Duration 192. Deborah Johnson #963058. Published by Deborah Johnson (A0.1378435). This is an MP3 accompaniment track that begins at measure 16 of this beautiful classic hymn Great is Thy Faithfulness, arranged by Deborah Johnson. The first 15 measures can be performed with a pianist and there is a drum lead-in to measure 16 with the swing style and the tempo change. This accompaniment track includes Piano II, which includes 4 measures 2x in the arrangement. (mm.81 and 127) It's sure to become a favorite with a timeless message as well as upbeat and inspiring arrangement. The song had its beginnings as a poem written by Thomas Chisholm (1923), who sent to his friend William Runyan, then putting it to music. It soon became an unofficial theme song for the Moody Bible Institute. It became even more popular when sung by George Beverly Shea and the choirs at the Billy Graham Crusades. The arrangement begins in a straightforward style with a simple piano theme then bursts into an easy swing arrangement with a solo vocal. In the sheet music, optional saxophone can double the piano melody line. There are also 2 short 4-measure sections for a Piano 2 part which can also be performed on a variety of C instruments and with or without saxophone. It is arranged for piano I and II with vocal solo and rhythm chords. It’s a contemporary arrangement of a timeless favorite! Medium difficulty. Can be performed with or without vocals with a solo instrument performiing the vocal solo. The full sheet music and other MP3 accompaniment tracks are also available in multiple combinations, without piano or vocals. On the album up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here:https://www.amazon.com/music/player/albums/B008O86FQII There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ or https://DJWorksMusic.com/products/ YouTube link: https://youtu.be/b790NCTkxYo.
$8.99
8.11 €
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Thomas Chisholm & William Runyan
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Deborah Johnson
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Great is Thy Faithfulness - Accompaniment track with no piano I
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Deborah Johnson
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SheetMusicPlus
15 Chorale Studies for Tuba-Euphonium Quartet
About Digital …
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About Digital Downloads Digital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List: 1. Das walt mein Gott 2. Ist Gott mein Schold und Helfersmann 3. Guide Me, O Thou Great Jehovah 4. Freu dich sehr, o meine Seele 5. Home and Family 6. Herr Jesu Christ, du hochstes Gut 7. Jesus, Thou Art Mine Forever 8. O Ewigkeit, du Donnerwort 9. The Newborn Children 10. Nun ruhen alle Walder 11. Thou Knowest Lord 12. Thy Word Like Gentle Dews 13. Werde Munter 14. O Haupt voll Blut und Wunden 15. Repentance and Faith
$23.00
20.75 €
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15 Chorale Studies for Tuba-Euphonium Quartet
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SheetMusicPlus
I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
Voice - Digital Download SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary …
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Voice - Digital Download SKU: A0.1056243 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 278. The Lanier Company #5033957. Published by The Lanier Company (A0.1056243). I'M HERE FOR YOU is a beautiful, inspirational song written and sung by Composer/Arranger, Gary Lanier. There are times when everything seems to be falling apart and people have disappointed you. It is during times like this that God wants you to remember that He has given you a Comforter, the Holy Spirit, and He is ALWAYS there for you. He will comfort and lead you, never deceive you. That's what this song is all about... God is saying to you, I'M HERE FOR YOU. Add this to your MP3 Music Library.The following other products are available on Sheet Music Plus for I'M HERE FOR YOU:Lead Sheet, listed as: I'M HERE FOR YOU by Gary Lanier (Lead Sheet included Melody, Chords and Lyrics).MP3 Accompaniment Track, listed as: I'M HERE FOR YOU by Gary Lanier, MP3 Accompaniment Track.
$1.99
1.8 €
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Gary Lanier
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Gary Lanier
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I'M HERE FOR YOU - Artist, Gary Lanier - Listening MP3
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The Lanier Company
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SheetMusicPlus
How Far I'll Go
Alto Flute,Instrumental Solo - Level 3 - Digital Download SKU: A0.593599 By Takida.…
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Alto Flute,Instrumental Solo - Level 3 - Digital Download SKU: A0.593599 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496737. Published by David McKeown (A0.593599). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Alto Flute with chord symbols for piano or guitar accompaniment in concert pitch. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
How Far I'll Go
Small Ensemble Trombone Solo - Level 3 - Digital Download SKU: A0.593609 By Takida.…
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Small Ensemble Trombone Solo - Level 3 - Digital Download SKU: A0.593609 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496757. Published by David McKeown (A0.593609). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Trombone, (Treble Clef in B Flat), with chord symbols for piano or guitar accompaniment in concert pitch. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
How Far I'll Go
E-Flat Tenor Horn,Instrumental Solo - Level 3 - Digital Download SKU: A0.593602 By …
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E-Flat Tenor Horn,Instrumental Solo - Level 3 - Digital Download SKU: A0.593602 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Individual part. 3 pages. David McKeown #6496743. Published by David McKeown (A0.593602). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a solo for Tenor Horn in E Flat with chord symbols for piano or guitar accompaniment in concert pitch. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full performance of How Far I'll Go played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
4.5 €
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
Always Thinking of You
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Downlo…
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95
29.72 €
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
How Far I'll Go
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download…
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.593644 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Score and parts. 4 pages. David McKeown #6497309. Published by David McKeown (A0.593644). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a Duet for one Trumpet and one Tenor Horn in E Flat. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.4 €
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
How Far I'll Go
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.593616 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by David McKeown. Film/TV,Pop. Score and parts. 4 pages. David McKeown #6497247. Published by David McKeown (A0.593616). How Far I’ll Go is one of the best loved songs from the 2016 Disney film Moana. This version is arranged as a Duet for one Clarinet and one Alto Clarinet. Written by Lin-Manuel Miranda, two versions were recorded for the film, one by the lead actress Auliʻi Cravalho and the other by Alessia Cara. How Far I’ll Go won a Grammy in 2018 and has been consistently the most streamed song in the Disney canon since its release.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. This is the full length version as sung in the film, with the verse, bridge and chorus performed twice and a final chorus a semitone higher. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.4 €
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Takida
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David McKeown
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How Far I'll Go
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David McKeown
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SheetMusicPlus
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