Partitions Numériques de Fragmented

Fragmented

"Phillipy is Fragmented" (from The Book of I OST)

#"Phillipy is Fragmented"

Cry Trojans Cry

Mixed Percussion Cello,Clarinet,Flute,Piano,Soprano voice,Violin - Level 5 - Digital Downl…(+)

Mixed Percussion Cello,Clarinet,Flute,Piano,Soprano voice,Violin - Level 5 - Digital Download SKU: A0.1380767 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Opera. 71 pages. Barabba Music #965554. Published by Barabba Music (A0.1380767). Fragmented texts from William Shakespeareâ€™s Troilus and Cressida. For soprano with Pierrot ensemble (flute, clarinet, violin, cello, piano) plus percussion. Purchase includes a complete set of parts.For more information, visit www.jasonbarabba.com.
$43.65 39.75 € #Jason V #Cry Trojans Cry #Barabba Music #SheetMusicPlus

Dreams in War Time: V (Downloadable)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-5E Composed …(+)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-5E Composed by Juliana Hall. Secular, 21st century. 6 pages. E. C. Schirmer Music Company - Digital #8575-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-5E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$3.75 3.41 € #Juliana Hall #Dreams in War Time: V #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Dreams in War Time: VII (Downloadable)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-7E Composed …(+)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-7E Composed by Juliana Hall. Secular, 21st century. 12 pages. E. C. Schirmer Music Company - Digital #8575-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-7E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$8.25 7.51 € #Juliana Hall #Dreams in War Time: VII #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Dreams in War Time: III (Downloadable)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed …(+)

Mezzo soprano voice and piano - Medium - Digital Download SKU: MQ.8575-3E Composed by Juliana Hall. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8575-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8575-3E). English.Based on a set of seven poems created as a group by Boston imagist poet Amy Lowell, and they effectively convey the grim sense of unease felt in a time of war or strife. While they never depict the mundane details of war in a visual manner, they capture the types of fragmented images, bizarre thoughts, and deep anxieties experienced in our worst dreams during such times. Duration: 19:00Contents:1. I wandered through a house of many rooms 2. I dug a grave under an oak-tree 3. I gambled with a silver money 4. I painted the leaves of bushes red5. I followed a procession of singing girls6. I wished to post a letter7. I had made a kite.
$6.00 5.46 € #Juliana Hall #Dreams in War Time: III #E. C. Schirmer Music Company - Digital #SheetMusicPlus

Easter Fanfare (Downloadable)

Brass quintet and organ, with optional timpani - Medium - Digital Download SKU: MQ.20-4…(+)

Brass quintet and organ, with optional timpani - Medium - Digital Download SKU: MQ.20-406-E Composed by Kevin Hildebrand. Easter. Full score & instrument parts. 30 pages. MorningStar Music Publishers - Digital Sheet Music #20-406-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-406-E). Perfect for a spirited Easter offering, this piece uses the melody from the hymn tune LLANFAIR in about every conceivable way: fragmented, ornamented, and as usual. Brass players and the organist each have their moments in the spotlight and plenty to do. Joyful fun for players and listeners alike!Included instrumental parts: Trumpets I and II in C and B-flat, Horn in F, Trombone, Tuba. (Organist plays from the full score.).
$35.00 31.87 € #Kevin Hildebrand #Easter Fanfare #MorningStar Music Publishers - Digital Sheet Music #SheetMusicPlus

Instrumental Duet Euphonium,Instrumental Duet - Digital Download SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315). â€ƒIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake! â€ƒThe initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes! â€ƒI only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent. â€ƒAs with those exercises, you can vary these as much as youâ€™d like. â€¢â€ƒChoose a tempo â€¢â€ƒChoose a dynamic. â€¢â€ƒChoose an articulation/style. â€ƒOne way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group. â€ƒPractice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key. â€ƒIf you want an additional challenge in terms of range, play them in different octaves to expand the set. â€ƒAdditionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes. â€ƒThe variations are endless! â€ƒAll Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2. â€ƒEnjoy!

Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons

Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: …(+)

Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - Digital Download SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312). â€ƒIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake! â€ƒThe initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!â€ƒI only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent. â€ƒAs with those exercises, you can vary these as much as youâ€™d like.â€¢â€ƒChoose a tempoâ€¢â€ƒChoose a dynamic. â€¢â€ƒChoose an articulation/style. â€ƒOne way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group. â€ƒPractice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key. â€ƒIf you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later.â€ƒAdditionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes. â€ƒThe variations are endless! â€ƒAll Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2. â€ƒEnjoy!
$10.00 9.11 € #Joshua Hauser #Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons #Slide Ride #SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Small Ensemble - Level 3 - Digital Download SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Small Ensemble Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Continuous Blossom

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.902524 Composed by …(+)

Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.902524 Composed by Michael Mills. Concert,Contemporary. Score and parts. 46 pages. Tom's Creek Publishing #5999931. Published by Tom's Creek Publishing (A0.902524). A challenging but stunningly beautiful piano trio. Continuous Blossom creates a breath taking sound world through the use of extended techniques, improvisational sections, fragmented melodies, and more. A fantastic piece to include in a contemporary chamber music concert.
$19.99 18.2 € #Michael Mills #Continuous Blossom #Tom's Creek Publishing #SheetMusicPlus

Only A Sinner

Brass trio - Grade 2.75 - Digital Download SKU: DX.145303 Composed by James M Gray.…(+)

Brass trio - Grade 2.75 - Digital Download SKU: DX.145303 Composed by James M Gray. Arranged by Dana F. Everson. Sacred instrumental music. Key of Eb, Bb. Traditional. Score and parts. 9 pages. David E. Smith - Digital Sheet Music #145303. Published by David E. Smith - Digital Sheet Music (DX.145303). A brass trio scored for trumpet, horn (opt. trp.) and trombone, (opt BHTC), The introduction opens with a motive that is passed amongst the three parts, The first presentation of the tune is likewise fragmented and passed around the ensemble giving a lot of interest- this carries on throughout the whole first section. The second section's emphasis is given to the trombone and later handed over to the upper voices. A modulation takes place where the style is much like the introduction. This continues on until the coda where it begins quietly and builds to a statement of affirmation.
$8.00 7.28 € #James M Gray #Dana F #Only A Sinner #David E. Smith - Digital Sheet Music #SheetMusicPlus

That Subtle Knot

2(2.pic).2.2(2.bcl).2(2.cbsn)-2.2.0.0-timp(b.d.)-str(8.6.4.4.2 minimum) violin, viola and …(+)

2(2.pic).2.2(2.bcl).2(2.cbsn)-2.2.0.0-timp(b.d.)-str(8.6.4.4.2 minimum) violin, viola and orchestra - Digital Download SKU: S9.Q40283 Double concerto for violin, viola and orchestra. Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 25 minutes. Schott Music - Digital #Q40283. Published by Schott Music - Digital (S9.Q40283). Caskenâ€™s inspired double concerto for violin and viola makes reference to a John Donne poem depicting two lovers on the bank of a river with their hands entwined. The dialogue between soloists is organic in its complexity with the orchestra providing a fragmented yet driving backdrop.
$30.99 28.22 € #John Casken #That Subtle Knot #Schott Music - Digital #SheetMusicPlus

Percussion-Quintett - Digital Download SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).

Small Ensemble Double Bass - Level 3 - Digital Download SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Donâ€™t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as youâ€™d like.Â· Choose a tempo.Â· Choose a dynamic.Â· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!

Movement for String Sextet

String Ensemble Cello,Viola - Level 4 - Digital Download SKU: A0.924843 Composed by…(+)

String Ensemble Cello,Viola - Level 4 - Digital Download SKU: A0.924843 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913597. Published by stanleymhoffman.com (A0.924843). This piece started its life a work for brass sextet. It was unsuccessful with that instrumentation because of the sustained notes, so the composer withdrew that version and transcribed it for string sextet. The musical language is atonal, and the musical style is intentionally fragmented. This piece is subtitled From a Prison. It sounds like a prisoner is trapped, wants out, and is banging on the bars of his or her cell.
$21.25 19.35 € #Stanley M #Movement for String Sextet #stanleymhoffman.com #SheetMusicPlus

Dawn to Dusk

Instrumental Duet Alto Saxophone,Instrumental Duet,Oboe - Level 4 - Digital Download SK…(+)

Instrumental Duet Alto Saxophone,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.982857 Composed by Filipe Leitao. 20th Century,Contemporary. Score and parts. 4 pages. Filipeleitao.com #6119047. Published by filipeleitao.com (A0.982857). A duo for oboe and alto saxophone inspired and influenced by the compositions of Claude Debussy, featuring fluid tonal centers, liquid rhythms, and exotic scales. Since it was written for two melodic instruments, it mainly incorporates Debussyâ€™s use of tone color, melodic construction, and writing style to evoke a sense of incompletion through fragmented ideas and harmonic movements that attenuate the sense of tonality, leaving to the listener a dreamlike atmosphere. The piece essentially features three sections, being the first and the last sections more lyrical, featuring a fluid rhythm, and the middle one more energetic. Recording available: Apple Music: http://www.bit.ly/dawntoduskapple Spotify: http://www.bit.ly/dawntoduskspotify Amazon: http://www.bit.ly/dawntoduskamazon Deezer: http://www.bit.ly/dawntoduskdeezer
$24.99 22.76 € #Filipe Leitao #Dawn to Dusk #filipeleitao.com #SheetMusicPlus