Partitions Numériques de Frank M

Frank M

6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band

6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band

Clarinet,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1371643 Compose…(+)

Clarinet,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1371643 Composed by Frank M. Davis. Arranged by Aaron Hettinga. 19th Century,Chamber,Classical,Folk,Multicultural,World. 29 pages. Aaron Hettinga #955893. Published by Aaron Hettinga (A0.1371643). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s â€œHungry Fiveâ€ polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players. The â€œBlue Birdâ€™s Callâ€ Polka (originally published in 1876) contains onomatopoeic chirps in the clarinet parts that make for a light and fun addition to any program. â€œGood Enoughâ€ Polka (originally published in 1874) is an example of Davisâ€™ standard composition form used throughout most of this collection. â€œHarvest Homeâ€ Waltz (originally published in 1873) adds a pleasant waltz to the collection. Its melody is first presented simply,then embellishments are added as the piece continues. Davisâ€™ aptly-titled â€œJolly Friendâ€ Polka (originally published in 1874) is a jovial tune with a bouncy melody that moves the clarinetists nimbly around a bit! â€œLake-Sideâ€ Polka (originally published in 1874) has more participation in the Trumpet and Trombone parts than are found in much of the rest of this collection. â€œNimble Toeâ€ Polka (originally published in 1874) passes the melodic and accompaniment elements around the ensemble for a bit of variety for the players. This downloadable PDF package contains a set of full scores and a set of folio-sized parts (2 songs per page) that are ready to go for your German band's Oktoberfest OomPah gig!Also available individually as linked above.
$34.99 31.7 € #Frank M #Aaron Hettinga #6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band #Aaron Hettinga #SheetMusicPlus

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#6-Song Frank M. Davis Polka Collection - for “Hungry Five” Polka Band

Happy Birthday Amapiano Music

Level 1 - Digital Download SKU: A0.1121359 By Frank M Muller. By Frank M Muller. Ar…(+)

Level 1 - Digital Download SKU: A0.1121359 By Frank M Muller. By Frank M Muller. Arranged by Frank M Muller. Early Music,Instructional,Latin,Multicultural,New Age,World. Full Performance. Duration 388. FrankMmuller #722532. Published by FrankMmuller (A0.1121359). Amapiano.
$8.00 7.25 € #Frank M Muller #Frank M Muller #Happy Birthday Amapiano Music #FrankMmuller #SheetMusicPlus

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Happy Birthday Amapiano Music

Level 1 - Digital Download SKU: A0.1121361 By Frank M Muller. By Frank M Muller. Br…(+)

Level 1 - Digital Download SKU: A0.1121361 By Frank M Muller. By Frank M Muller. Broadway,Instructional,Latin,Multicultural,Musical/Show,New Age,World. Accompaniment. Duration 388. FrankMmuller #722534. Published by FrankMmuller (A0.1121361). Amapiano.
$8.00 7.25 € #Frank M Muller #Happy Birthday Amapiano Music #FrankMmuller #SheetMusicPlus

Good Enough - Polka - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782009 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056781. Published by Aaron Hettinga (A0.782009). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be
$9.99 9.05 € #Frank M #Aaron Hettinga #Good Enough - Polka - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

Lake-Side Polka - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782012 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056789. Published by Aaron Hettinga (A0.782012). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.Lake-Side Polka (originally published in 1874) has more participation in the Trumpet and Trombone parts than are found in much of the rest of this collection.This downloadable PDF package contains a full score and a set of folio-sized parts that are ready to go for your German Band's Oktoberfest gig!
$9.99 9.05 € #Frank M #Aaron Hettinga #Lake-Side Polka - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

Nimble Toe - Polka - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782013 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056791. Published by Aaron Hettinga (A0.782013). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.
$9.99 9.05 € #Frank M #Aaron Hettinga #Nimble Toe - Polka - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

Harvest Home - Waltz - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782010 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056783. Published by Aaron Hettinga (A0.782010). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.
$9.99 9.05 € #Frank M #Aaron Hettinga #Harvest Home - Waltz - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

Jolly Friend - Polka - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782011 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056787. Published by Aaron Hettinga (A0.782011). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.
$9.99 9.05 € #Frank M #Aaron Hettinga #Jolly Friend - Polka - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

The Blue Bird's Call - Polka - for "Hungry Five" Polka Band

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…(+)

Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782008 Composed by Frank M. Davis. Arranged by Aaron Hettinga. Folk,Multicultural,Traditional,World. Score and parts. 9 pages. Aaron Hettinga #6056777. Published by Aaron Hettinga (A0.782008). Professor Frank Marion Davis (1839-1896) was an American educator, singer, and composer of both hymns and secular works. Among his secular works were a number of collections of polkas and waltzes written for solo piano. This series of works presents arrangements of a number of Davisâ€™ compositions prepared for the instrumentation of Alfordâ€™s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns. All parts should remain accessible to most intermediate-level players.
$9.99 9.05 € #Frank M #Aaron Hettinga #The Blue Bird's Call - Polka - for "Hungry Five" Polka Band #Aaron Hettinga #SheetMusicPlus

Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.

Say Yes To Heaven

Guitar - Level 2 - Digital Download SKU: A0.1254381 By Lana Del Rey. By Elizabeth G…(+)

Guitar - Level 2 - Digital Download SKU: A0.1254381 By Lana Del Rey. By Elizabeth Grant and Richard Nowels. Arranged by Vincent Frank. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Chords/Lyrics. 3 pages. Vincent Frank Music #847953. Published by Vincent Frank Music (A0.1254381). Chord sheet arrangement of Say Yes to Heaven by Lana Del Rey. Includes chords, main riff as standard notation and tab, and lyrics. Easy to learn, simple 3-chord song. Key of F#m, 3 pages.
$4.99 4.52 € #Lana Del Rey #Vincent Frank #Say Yes To Heaven #Vincent Frank Music #SheetMusicPlus

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