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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From The Beginning
Non classifié
611
Piano & claviers
Piano grosses notes
547
Piano seul
336
Piano Facile
306
Orgue
198
Piano, Voix
44
Piano, Voix et Guitare
40
1 Piano, 4 mains
18
Accompagnement Piano
16
2 Pianos, 4 mains
12
Instruments en Do
12
Piano Trio: piano, violon, violoncelle
8
Accordéon
2
Clavier
2
Piano (partie séparée)
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Accordéons
1
2 Pianos, 8 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare
69
Guitare notes et tablatures
42
Ukulele
29
Banjo
10
Mandoline
9
4 Guitares (Quatuor)
8
Dulcimer
7
Basse electrique
6
Guitare (partie séparée)
6
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
3
3 Guitares (trio)
3
2 Guitares (duo)
3
Ensemble de guitares
3
Paroles et Accords
2
Guitare Pedal Steel
2
2 Mandolines (duo)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
181
Chorale 3 parties
52
Chorale 2 parties
27
Chorale Unison
23
Chorale SSAA
15
Chorale TTBB
13
Voix Soprano, Piano
8
Voix seule
6
Voix duo, Piano
5
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix duo
1
Voix Alto, Piano
1
+ 11 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
42
Flûte, Hautbois, Clarinette, Basson
37
2 Saxophones (duo)
34
Clarinette
34
Flûte traversière
32
Flûte traversière et Piano
25
Quintette de Saxophone: 5 saxophones
21
Clarinette et Piano
19
Saxophone (partie séparée)
18
Quatuor de Flûtes : 4 flûtes
17
Hautbois, Piano (duo)
15
2 Clarinettes (duo)
14
Ensemble de Clarinettes
14
Ensemble de Flûtes
13
Ensemble de saxophones
12
Saxophone Alto et Piano
12
Saxophone Alto
12
Quatuor de Clarinettes: 4 clarinettes
10
Hautbois
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
10
Hautbois (partie séparée)
8
3 Saxophones (trio)
8
Flûte, Clarinette (duo)
6
Saxophone Tenor
6
2 Flûte à bec (duo)
5
2 Hautbois (duo)
4
Saxophone, Clarinette (duo)
4
Flûte à Bec
4
Hautbois, Basson (duo)
4
Clarinette, Violon (duo)
4
Hautbois, Clarinette (duo)
4
Clarinette, Basson (duo)
4
Flûte à bec Soprano
4
Clarinette (partie séparée)
3
Clarinette, Trompette (duo)
3
4 Hautbois
3
Saxophone Baryton, Piano
3
Quintette de Flûte : 5 flûtes
3
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto, Piano
2
Flûte, Violon, Piano
2
Quatuor de Flûtes à bec
2
Cor Anglais
2
Saxophone
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois (duo)
2
Cor anglais, Piano
2
Clarinette et Alto
2
Hautbois, Flûte
2
Flûte, Violon
2
Saxophone Soprano
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Flûte et Trio à cordes
1
Flute (partie séparée)
1
Flûte à bec Soprano, Piano
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Trompette (duo)
1
Flûte à bec Alto
1
Clarinette, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Hautbois, Basson et Piano
1
3 Clarinettes (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Harmonica
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec Tenor
1
Flûte à bec, Guitare (duo)
1
Ensemble de Hautbois
1
Ensemble à vent
1
Flûte, Alto (duo)
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
42
Trompette
33
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
17
Quatuor de Cuivres: 2 trompettes, Cor, trombone
17
Trombone
15
Cor
15
Trompette, Piano
12
Trompette (partie séparée)
12
Trombone et Piano
11
Tuba
10
Cor et Piano
10
2 Trompettes (duo)
9
Trompette, Trombone (duo)
8
2 Trombones (duo)
6
Ensemble de Trombones
6
Quatuor de cuivres: 4 trombones
5
2 Tubas (duo)
5
Quatuor de Cuivres
5
2 Cors (duo)
5
Trompette, Cor (duo)
5
Tuba et Piano
4
Trompette, Saxophone (duo)
4
Cor (partie séparée)
4
Ensemble de Trompettes
4
Trombone, Tuba (duo)
3
Quatuor de cuivres: 4 trompettes
3
Tuba (partie séparée)
3
Ensemble de Cors
3
Trombone, Cor (duo)
2
3 Tubas (trio)
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
2
Cor, Tuba (duo)
2
3 Trombones (trio)
2
3 Cors (trio)
2
Trompette, Tuba (duo)
2
2 Euphoniums et 2 Tubas
2
Cor anglais, Piano
2
Trombone basse
1
4 Euphoniums
1
Tuba et Orgue
1
Trombone basse et Piano
1
Euphonium, Piano (duo)
1
+ 39 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
83
Violon
59
Violon et Piano
56
Violoncelle
44
Harpe
37
Alto seul
31
Violoncelle, Piano
24
Trio à Cordes: violon, alto, violoncelle
18
Violon, Violoncelle (duo)
18
Alto, Piano
16
Contrebasse (partie séparée)
13
2 Violons (duo)
12
Violon (partie séparée)
11
2 Violoncelles (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
6
2 Altos (duo)
6
Violon, Alto (duo)
5
Alto (partie séparée)
4
4 Violoncelles
3
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
3
Violon, Guitare (duo)
3
Trio à cordes: 3 altos
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
2 Violons, Piano
2
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
Ensemble d'Altos
1
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Autoharp
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
614
Orchestre à Cordes
89
Orchestre
68
Cloches
51
Ensemble Jazz
36
Ensemble de cuivres
19
Orchestre de chambre
19
Batterie
13
Fanfare
7
Percussion (partie séparée)
7
Ensemble de Percussions
6
Batterie (partie séparée)
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Jazz combo
1
Orchestre, Violon
1
Percussion
1
Piano et Orchestre
1
3 Marimbas
1
+ 13 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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ORGUE
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TROMPETTE
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From The Beginning
Partitions à imprimer
611 partitions trouvées
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601
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
#
SheetMusicPlus
Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804...
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Clarinet - SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
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Howard Goodall
#
Beatitude IV: Beati qui lugent
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes...
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
16th Century Motets and Anthems Arranged for Strings
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Renaissance
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Many
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Curtis Hanson
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16th Century Motets and Anthem
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Curtis Hanson
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. ...
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String Ensemble - Level 3 - SKU: A0.719745 Composed by Many. Arranged by Curtis Hanson. Renaissance. Score and parts. 49 pages. Curtis Hanson #4839405. Published by Curtis Hanson (A0.719745). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are arranged for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired. The audio example is of the first piece in the collection.
$24.99
Promised Land Early American Hymns from the Shape-Note Tradition
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Promised Land Early American H
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Vocal - Beginning - SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Pu...
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Vocal - Beginning - SKU: M0.30856EB Christian. Woodwinds. E-book. 37 pages. Mel Bay Publications - Digital Sheet Music #30856EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30856EB). ISBN 9781513470801. 8.75x11.75 inches.With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or “singings†are not easily accessible. The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
Song List
: All Is Well Bozrah Consolation (Morning Song) David's Lamentation Dundee (Norwich Tune) Evening Shade Fairfield GREENLAND Holy Manna Idumea Jesus Wept (When) Kedron Lone Pilgrim Middlebury Nativity New Britain (Amazing Grace) O Come, Come Away Promised Land Quapah Restoration Star In The East Tender Thought Union Vernon Wayfaring Stranger Wondrous Love
$9.99
The Gathering Clouds
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Contemporain
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Simeon Goode
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The Gathering Clouds
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Simeon Goode
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.917387 Composed by Simeon Goode. 20th Century,Contemporary. Score and p...
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Piano Quintet,String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.917387 Composed by Simeon Goode. 20th Century,Contemporary. Score and parts. 19 pages. Simeon Goode #4764285. Published by Simeon Goode (A0.917387). This piece for Piano Quintet evokes several feeling before it's ending. It depicts a tumultuous storm with a melody that begins simply minor, and grows into a flurry of confusion by the end of the first section. The middle section is much calmer, with slow and methodical excerpts derived from the first section and some new material, depicting the eye of the storm. Finally, the third section features a return to the beginning, albeit heavily reharmonized.The piece makes use of several keys, as well as some more complex scales. For example, near the end of the first section, the piano part features the octatonic scale, otherwise known as the diminished scale. The piece is tricky at times, and particularly challenges an ensembles ability to stay together in the transition to the third and final section, but is rewarding to the players who weather the storm with a truly evocative and gripping experience.
$9.99
Beatitude I: Beati pauperes (Blessed are the poor) (Downloadable)
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Howard Goodall
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Beatitude I: Beati pauperes
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
2 soloists, SSA choir, cello, organ, and synthesizer - Moderately Easy - SKU: MQ.56-0023-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 10 s...
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2 soloists, SSA choir, cello, organ, and synthesizer - Moderately Easy - SKU: MQ.56-0023-E Composed by Howard Goodall. 9 pages. Duration 4 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0023-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0023-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For two soprano soloists and SA treble chorus (marked Soprano I and Soprano II in the score), cello, organ, and synthesizer, the music has a light, ethereal feeling. The Beatitudes text is set here entirely in Latin. Beginning in a meditative chant-like style, the music moves to a sort of dialogue duet, sometimes between the two soprano sections and sometimes between the two soloists. The music is sweet, lyrical, and calm. Duration 4:10Instrumentalists play from the choral score.
$3.15
And Then We See (Arranged for Flugelhorn)
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New Age
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Contemporain
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Ho Fong Leong
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And Then We See
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Marco leong
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SheetMusicPlus
Flugelhorn,Piano,Violin - Level 4 - SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published ...
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Flugelhorn,Piano,Violin - Level 4 - SKU: A0.1284795 Composed by Ho Fong Leong. Classical,Contemporary,New Age. 17 pages. Marco leong #875974. Published by Marco leong (A0.1284795). Alternate arrangement for Violin, Flugelhorn and Piano, Aug 2023.Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
And Then We See
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New Age
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Contemporain
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Ho Fong Leong
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And Then We See
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Marco leong
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Mar...
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Small Ensemble Horn,Piano,Violin - SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see†is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.
$6.99
A Dossan of Heather
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Stephen Jones
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A Dossan of Heather
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle, tin whistle, flute or other traditional instruments - Beginning-Intermediate - SKU: M0.98635MEB Irish traditional music from Packie Manus Byr...
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Fiddle, tin whistle, flute or other traditional instruments - Beginning-Intermediate - SKU: M0.98635MEB Irish traditional music from Packie Manus Byrne of Donegal. Composed by Stephen Jones. Edited by Stephen Jones and Jean Duval. Flute, Fife and Oboe, World. Celtic / Irish. E-book and online audio. Mel Bay Publications - Digital Sheet Music #98635MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.98635MEB). ISBN 9781619116382. 8.75x11.75 inches.This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935; the collection is thus something of a time capsule with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The online audio download includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments.
$24.99
Guthrie: The Tuba Choir Christmas Book
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Noël
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Traditional
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James M
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Guthrie: The Tuba Choir Christ
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jmsgu3
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SheetMusicPlus
Tuba - Level 2 - SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Pub...
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Tuba - Level 2 - SKU: A0.550704 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Sacred,Standards. 68 pages. Jmsgu3 #4777043. Published by jmsgu3 (A0.550704). The Tuba Christmas BookChristmas Reharmonizations by James M. Guthrie. The Tuba Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your tuba choir can perform the Tuba Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. tubas read from the score on one stand, while the Euphoniums each use the parts on separate stands. The Tuba Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Tuba Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Tuba Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$38.95
Guthrie: The Flute Choir Christmas Book
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Noël
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Traditional
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James M
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Guthrie: The Flute Choir Chris
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.550706 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. ...
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Woodwind Ensemble - Level 2 - SKU: A0.550706 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4780493. Published by jmsgu3 (A0.550706). The Flute Christmas BookChristmas Reharmonizations by James M. Guthrie. The Flute Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your flute choir can perform the Flute Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. flutes read from the score on one stand, while the alto & bass flutes each use the parts on separate stands. The Flute Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Flute Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Flute Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the flutes.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Guthrie: The French Horn Choir Christmas Book
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Noël
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Traditional
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James M
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Guthrie: The French Horn Choir
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jmsgu3
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SheetMusicPlus
Horn - Level 2 - SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #47856...
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Horn - Level 2 - SKU: A0.550710 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785609. Published by jmsgu3 (A0.550710). The French Horn Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The French Horn Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Horn choir can perform the French Horn Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. I & III read from the score on one stand, while the II & IV use the parts on a separate stand. The French Horn Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the French Horn Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the French Horn Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of brasswind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Guthrie: The Double Reed Choir Christmas Book
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Noël
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Traditional
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James M
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Guthrie: The Double Reed Choir
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - SKU: A0.550711 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Ch...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - SKU: A0.550711 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 64 pages. Jmsgu3 #4785741. Published by jmsgu3 (A0.550711). The Double Reed Choir Christmas BookChristmas Reharmonizations by James M. Guthrie. The Double Reed Choir Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your Double Reed Choir can perform the Double Reed Choir Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. oboes read from the score on one stand, while the Bassoon and English Horn use the parts on separate stands. The Double Reed Choir Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Double Reed Choir Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Double Reed Choir Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Guthrie: The Saxophone Choir Christmas Book
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Noël
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Traditional
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James M
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Alto
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Guthrie: The Saxophone Choir C
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, AS...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.550709 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 68 pages. Jmsgu3 #4784649. Published by jmsgu3 (A0.550709). The Saxophone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Saxophone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your sax choir can perform the Saxophone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible: e.g. Soprano & Alto read from the score on one stand, while the Tenor & Bass uses the parts on a separate stand. The Saxophone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Saxophone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Saxophone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of wind instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
The Great Appetite of Garuda - for Brass Ensemble
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Jason McChristian
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The Great Appetite of Garuda -
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Jason Gary McChristian
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SheetMusicPlus
Small Ensemble Timpani - Level 4 - SKU: A0.886133 Composed by Jason McChristian. Contemporary,Standards. Score and parts. 72 pages. Jason Gary McChristi...
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Small Ensemble Timpani - Level 4 - SKU: A0.886133 Composed by Jason McChristian. Contemporary,Standards. Score and parts. 72 pages. Jason Gary McChristian #2930515. Published by Jason Gary McChristian (A0.886133). Inspired by the Hindu story of Garuda, a deity who swallowed a tortoise and an elephant to gain strength, The Great Appetite of Garuda portrays great weight and power. A four-note motif enters clumsily tripping over itself. It gradually gains momentum as it is passed between different groups of instruments. A softer, muted section follows, slowly introducing a new theme that is marked by a rising fourth then falls a minor sixth. This rising figure and the four-note motif from the beginning of the work continue locked-in-combat to the end of this aggressive work.
$40.00
Guthrie: The Trombone Choir Christmas Book
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Noël
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Traditional
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James M
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Guthrie: The Trombone Choir Ch
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jmsgu3
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SheetMusicPlus
Trombone - Level 2 - SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4...
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Trombone - Level 2 - SKU: A0.550705 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christmas,Instructional,Standards. 66 pages. Jmsgu3 #4777875. Published by jmsgu3 (A0.550705). The Trombone Christmas BookChristmas Reharmonizations by James M. Guthrie. The Trombone Christmas Book is a collection of the 18 Most Famous Christmas Songs of all time with new and surprising harmony.FormatFirst of all, your trombone choir can perform the Trombone Christmas Book directly from the score. This is easy because each song is only two pages long, hence there are no page turns. Alternatively, this download includes a full set of parts. So various combinations are also possible. The Trombone Christmas Book is available in whatever format works best for your particular ensemble.PerformanceThis collection of the most famous 18 Christmas songs can be performed as a medley as written. Moreover, selected songs from the Trombone Christmas Book could be chosen as the last verse of a hymn presentation. In this case, just play the usual arrangement from the hymnal for the first verses, then switch to this arrangement for the final verse. This adds a great deal of energy and unexpected adventure to your performance. Each song could be repeated depending upon the length of time required. This is a very versatile collection. Suitable for Christmas parties or receptions, church services, and receptions, nightclubs, and school presentations. Also, they are very easy to perform or even sight-read.MusicEach song in the Trombone Christmas Book is adventurously reharmonized, but the melody always remains perfectly intact. This makes it easy for anyone to sing along. Moreover, the songs end properly in the correct key so as to add an element of familiarity and closure. Tempo markings occur at the beginning of each song, but you can adjust these to your liking. Articulations are carefully calculated to emphasize the characteristics of the low brass instruments.ContentsVeni, veni, Emmanuel (O Come, O Come, Emmanuel)Helmsley (Lo! He Comes with Clouds Descending)Antioch (Joy to the World)Carol (It Came Upon a Midnight Clear)Es ist ein Ros (Lo, How a Rose)GloriaGod Rest You MerryGreensleevesIn dulci jubilo (In Thee is Gladness)Mendelssohn (Hark the Herald Angels Sing)Personet hodieThe First NoelSalzburg (At the Lamb’s High Feast We Sing)Three Kings of OrientAdeste Fideles (O Come All Ye Faithful)St Louis (O Little Town of Bethlehem)Away in a MangerStille Nacht (Silent Night)Score: 36 pages, Total duration with no repeats: ca. 14:00
$34.95
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
In the Garden-MP3 accompaniment
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Musique Sacrée
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Austin Miles
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Deborah Johnson
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In the Garden-MP3 accompanimen
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Deborah Johnson
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SheetMusicPlus
Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Debora...
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Choir,Piano - SKU: A0.1068170 Composed by Austin Miles. Arranged by Deborah Johnson. Easter,Praise & Worship,Sacred. Accompaniment. Duration 166. Deborah Johnson #6733707. Published by Deborah Johnson (A0.1068170). This is the MP3 accompaniment track for In the Garden, one of our top sellers because it is such a beloved song for so many. There is no piano or vocals included in the accompaniment track, but a easy-to-follow accompaniment guide to where you can just play along with one or two pianos and add the beautiful vocal oohs and ahs with your small ensemble or choir. NOTE: the track picks up at measure 27. The beginning of the piece is performed acoustically and the instrumental track adds a wonderful build to the arrangement.Our family performed In the Garden for both my grandparent’s memorial services as they loved the song. This arrangement is for piano I and II, octave unison and vocal chorus.In the Garden is arranged as a flowing ballad with piano as the focus. Simple ooh and ah vocals are added for color on a countermelody in this reflective arrangement. Piano II adds an octave melody in a higher register to add more color and can be played by even a beginner pianist. The whole arrangement is easy Intermediate level.Up for a GRAMMY Award, My Father’s Favorite Hymns album is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B008O86FQI There is also a beautiful spiral-bound devotional guide available with the amazing stories and life principles gained from these timeless classics, as well as all the music arrangements in one spiral-bound volume. Both are available on Amazon or direct from here: https://goalsforyourlife.com/gods-music-hymns/ In the Garden was written by Austin Miles (1912), a pharmacist who became an editor of hymnals and songbooks as well as a popular music director. His hobby was photography and he composed the beginning of this song as he waited for some film to develop.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
The Flying Dutchman
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Classique
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der ...
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
Op. 6 Psalm 23 (The Lord is My Shepherd) - High Voice
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Musique Sacrée
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Matthew Alan Edwards
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Op. 6 Psalm 23
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Matthew Alan Edwards
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SheetMusicPlus
Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - SKU: A0.898553 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts....
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Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - SKU: A0.898553 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts. 13 pages. Matthew Alan Edwards #4985413. Published by Matthew Alan Edwards (A0.898553). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-6 !This setting of the 23rd Psalm drew its initial inspiration from the John Rutter setting. Taking a cue from Psalm 23, this piece features an ABA form and subtle text painting throughout. In the A sections, the voice and right hand or oboe follow each other in canon while the left hand or harp undulate gently underneath as a meadow in the breeze. The B section starts out dissonantly apprehensive but soon rises to a place of comfort and confidence before bubbling out in joy. The instrumental coda echoes the phrase The Lord is my shepherd from the beginning as a final affirmation.While originally scored for tenor, this piece may be sung by a bass, baritone, alto/mezzo, or soprano. Three different ranges are available for purchase to accommodate different vocal ranges. This piece will present a good challenge for vocalists of all abilities since it has a low tessitura but a high range on brief passages.
$3.99
Op. 6 Psalm 23 (The Lord is My Shepherd) - Medium Voice
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Musique Sacrée
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Matthew Alan Edwards
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Op. 6 Psalm 23
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Matthew Alan Edwards
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SheetMusicPlus
Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - SKU: A0.898555 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts....
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Small Ensemble Harp,Oboe,Organ,Voice - Level 4 - SKU: A0.898555 Composed by Matthew Alan Edwards. Christian,Contemporary,Jewish,Sacred. Score and parts. 13 pages. Matthew Alan Edwards #4985415. Published by Matthew Alan Edwards (A0.898555). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-6 !This setting of the 23rd Psalm drew its initial inspiration from the John Rutter setting. Taking a cue from Psalm 23, this piece features an ABA form and subtle text painting throughout. In the A sections, the voice and right hand or oboe follow each other in canon while the left hand or harp undulate gently underneath as a meadow in the breeze. The B section starts out dissonantly apprehensive but soon rises to a place of comfort and confidence before bubbling out in joy. The instrumental coda echoes the phrase The Lord is my shepherd from the beginning as a final affirmation.While originally scored for tenor, this piece may be sung by a bass, baritone, alto/mezzo, or soprano. Three different ranges are available for purchase to accommodate different vocal ranges. This piece will present a good challenge for vocalists of all abilities since it has a low tessitura but a high range on brief passages.
$3.99
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