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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Fun piece for all.
Non classifié
1 208
Piano & claviers
Piano seul
616
Piano Facile
250
Piano, Voix
113
Orgue
89
1 Piano, 4 mains
38
Piano Trio: piano, violon, violoncelle
36
Instruments en Do
29
Accompagnement Piano
25
Piano, Voix et Guitare
21
2 Pianos, 4 mains
7
1 Piano, 6 mains
3
Orgue, Trompette (duo)
3
Piano grosses notes
3
Clavecin
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavier
2
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
2 Accordéons
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
39
Guitare
33
Ukulele
10
4 Guitares (Quatuor)
9
Piano, Guitare (duo)
8
2 Guitares (duo)
7
Basse electrique
6
3 Guitares (trio)
4
Dulcimer
3
Ensemble de guitares
3
Mandoline
3
Guitare (partie séparée)
2
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
187
Chorale 3 parties
69
Chorale 2 parties
59
Chorale TTBB
33
Chorale Unison
29
Chorale SSAA
19
Voix duo, Piano
4
Chorale SSATTB
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
Voix haute
1
+ 7 instrumentations
Retracter
Vents
2 Saxophones (duo)
97
Quatuor de Clarinettes: 4 clarinettes
95
Quatuor de Saxophones: 4 saxophones
84
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
67
2 Flûtes traversières (duo)
65
Flûte, Hautbois, Clarinette, Basson
60
Clarinette et Piano
53
Saxophone Alto et Piano
50
Flûte traversière et Piano
50
2 Clarinettes (duo)
45
Hautbois, Piano (duo)
40
Quatuor de Flûtes : 4 flûtes
40
Clarinette
38
Saxophone Tenor et Piano
36
Ensemble de Flûtes
34
Quintette de Saxophone: 5 saxophones
30
Saxophone, Clarinette (duo)
29
Ensemble de Clarinettes
29
Quatuor de Flûtes à bec
25
2 Hautbois (duo)
24
Clarinette, Violon (duo)
23
3 Saxophones (trio)
23
Hautbois, Basson (duo)
22
3 Clarinettes (trio)
21
Flûte traversière
20
Saxophone Alto
18
Quintette de Clarinettes: 5 clarinettes
16
Flûte, Violon et Violoncelle
15
Flûte, Clarinette et Basson
14
Flûte, Clarinette (duo)
13
Hautbois (partie séparée)
13
Flûte, Violon
12
Saxophone (partie séparée)
12
Trio de Flûtes: 3 flûtes
12
Clarinette, Trompette (duo)
12
Clarinette et Alto
11
Flûte à bec Soprano
11
2 Flûte à bec (duo)
10
3 Flûtes à bec (trio)
10
Quintette de Flûte : 5 flûtes
9
Flûte, Alto (duo)
9
Flûte, Saxophone (duo)
9
Hautbois, Clarinette (duo)
9
Saxophone Soprano et Piano
8
Flûte, Trompette (duo)
7
Flûte, Violon, Piano
7
Saxophone Baryton, Piano
7
Hautbois, Flûte
7
Saxophone Tenor
7
Flûte, Violoncelle
7
Flûte, Hautbois, Basson
6
Clarinette, Basson (duo)
6
Flûte et Guitare
6
Clarinette, Violoncelle (duo)
5
Flûte à Bec
5
5 Flûtes à bec
5
Cor anglais, Piano
4
4 Hautbois
4
Ensemble de saxophones
4
Clarinette Basse, Piano
4
Flûte, Hautbois, Clarinette (trio)
4
Hautbois
3
Clarinette, Trombone (duo)
3
2 Clarinettes, Basson
3
Flûte à bec Soprano, Piano
3
Flûte, Hautbois (duo)
3
Piccolo
2
3 Hautbois
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Trombone (duo)
2
Hautbois, violon (duo)
2
Hautbois, Violoncelle
2
Cor Anglais
2
Flûte à bec Alto
1
Flûte à Bec, Piano
1
Hautbois et alto (duo)
1
Ensemble De Flûte à bec
1
Cor anglais et Harpe (duo)
1
Clarinette Basse
1
3 Flûtes à bec, Piano
1
Flûte irlandaise
1
Flûte à bec Alto, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Clarinette, Guitare (duo)
1
Clarinette (partie séparée)
1
Flute (partie séparée)
1
Ensemble à vent
1
+ 84 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
60
Trombone et Piano
43
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Piano
31
Cor et Piano
27
Trompette, Saxophone (duo)
25
Trombone
23
2 Trombones (duo)
23
Trompette
22
2 Trompettes (duo)
21
Trompette, Trombone (duo)
17
Quatuor de cuivres: 4 trombones
16
Euphonium, Piano (duo)
15
Cor
15
3 Trombones (trio)
14
Tuba et Piano
13
Quatuor de cuivres: 4 cors
13
Quatuor de Cuivres
12
2 Cors (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette (partie séparée)
8
Tuba
7
3 Trompettes (trio)
6
4 Tubas
5
Trombone (partie séparée)
5
Ensemble de Trombones
5
Cor anglais, Piano
4
Ensemble de Trompettes
4
2 Tubas (duo)
4
2 Euphoniums et 2 Tubas
3
Euphonium, Tuba (duo)
3
Ensemble de Cors
2
Cor, Tuba (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Cor Anglais
2
2 Euphoniums (duo)
2
3 Euphoniums
1
Cor anglais et Harpe (duo)
1
Trompette, Violoncelle et Piano
1
Trombone basse et Piano
1
2 Cors, Piano
1
Cor et Orgue
1
2 Cors Anglais Et Pianoforte
1
Cor (partie séparée)
1
Trombone, Alto (duo)
1
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Tuba et Orgue
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
133
Violon et Piano
91
Harpe
82
2 Violons (duo)
45
Alto, Piano
44
Violoncelle, Piano
43
Violon, Violoncelle (duo)
43
Violoncelle
41
Violon
38
2 Violoncelles (duo)
32
Violon, Alto (duo)
32
Quatuor à cordes : 4 altos
30
Quatuor à cordes: 4 violons
30
Alto seul
30
Trio à Cordes: violon, alto, violoncelle
25
2 Altos (duo)
24
4 Contrebasses
17
Trio à Cordes: 2 violons, violoncelle
17
Violon (partie séparée)
16
4 Violoncelles
14
Trio à cordes: 3 altos
14
3 Contrebasses
11
Alto, Violoncelle (duo)
10
Contrebasse, Piano (duo)
10
Alto (partie séparée)
10
Contre Basse
8
Trio à cordes: 3 violins
8
2 Harpes (duo)
6
Trio à Cordes: 3 violoncelles
5
Harpe, Flûte (duo)
4
Contrebasse (partie séparée)
4
Trio à Cordes: 2 violons, alto
3
Violon, Violoncelle, Clarinette
3
Violon, Basson (duo)
3
Violoncelle, Contrebasse (duo)
2
Ensemble de Violons
2
Alto et Basson
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Violon, Orgue
2
Violoncelle (partie séparée)
1
2 Violons, Piano
1
2 Contrebasses (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle, Basse continue
1
Harpe et Piano
1
3 Harpes
1
2 Violoncelles, Piano
1
Violon, Guitare (duo)
1
4 Harpes
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
269
Orchestre à Cordes
224
Orchestre
74
Ensemble de cuivres
60
Cloches
59
Ensemble Jazz
58
Jazz combo
45
Orchestre de chambre
35
Ensemble de Percussions
30
Batterie
12
Fanfare
11
Xylophone, Piano
5
Vibraphone
5
Xylophone
4
Ensemble d'École
4
2 Xylophones
2
3 Marimbas
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
1
Vibraphone et Marimba
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Orchestre, Violon
1
Marimba
1
2 Caisses Claires (duo)
1
+ 19 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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1201
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
#
Classique
#
Johann Sebastian Bach
#
Luis Anjos Teixeira
#
edited by Wilhelm Rust. 
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Gottes Zeit ist die allerbeste
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet
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Thomas Van Dyke Wiesenthal
#
Brittany Sommerville
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Behold you island afar
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Cheer Up, Pull Away: A Duet fo
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Brittany Sommerville
#
SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.857506 Composed by Thomas Van Dyke Wiesenthal. Arranged by Brittany Sommerv...
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Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.857506 Composed by Thomas Van Dyke Wiesenthal. Arranged by Brittany Sommerville. Classical,Contest,Festival,Multicultural,Renaissance,Traditional,World. Score and parts. 2 pages. Brittany Sommerville #463969. Published by Brittany Sommerville (A0.857506). Cheer Up, Pull Away: A Duet for Oboe and Bb Clarinet is inspired by the travels of Thomas Forrest (1729-1802). Forrest was a captain in the British Royal Navy and a captain for the British East India Company. During his travels to Indonesia, he recorded his adventures in a journal. The Maluku islands are a province in Indonesia, west of New Guinea. The islands were known for their production of nutmeg and cloves. During Forrest's time in the Maluku islands, he came across a local fishing vessel. There, he noticed that when the sailors on the ship became fatigued, the first-mate would begin a call of motivation to the men at the oars. The men would respond back with a melody, which lighted their drowsy spirits enough to continue rowing for the whole night. Forrest recorded one of these locals songs. Translated into English, the chants contain, What fishes abound in its main; Behold you island afar; Haste, Haste and the fishes obtain. In 1818, Thomas Van Dyke Wiesenthal of the United States Navy composed a chorus and piano arrangement based on Forrest's journals; Cheer up! Pull away! The song featured calls and responses as similar to the sea chanties from the Maluku sailors. The melody in this arrangement of Cheer Up, Pull Away is passed between the oboe and the Bb clarinet; resembling the call and response of the Maluku sea chanties. The dynamically loud and abrupt sixteenth note arpeggios throughout the piece represent abrupt transition from drowsy and fatigued sailors to alert and motivated crew after participating in the chanty. This arrangement is suggested for those in grades 8, 9 and 10. Students will gain experience working with a six-eight time signature and controlling dynamics without being distracted with difficult fingerings and octaves. This piece may be used in solo and ensemble competitions throughout the United States of America, or as a fun piece for students to become comfortable in a six-eight time signature. There are 68 measures in this piece. The tempo is set to be dotted quarter note = 80 BPM; students should perform the piece in any tempo best suited to their needs. This piece will be 104 seconds long at quarter note = 80 BPM. Bb Concert Key.
$4.99
Fanfare for Changing Times
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Liz Sharma
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Fanfare for Changing Times
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Forton Music - Digital
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SheetMusicPlus
4tpt - Intermediate-Advanced - SKU: F2.FM324 Composed by Liz Sharma. Quartet for Trumpets. Score and Parts. 16 pages. Forton Music - Digital #FM324. Pub...
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4tpt - Intermediate-Advanced - SKU: F2.FM324 Composed by Liz Sharma. Quartet for Trumpets. Score and Parts. 16 pages. Forton Music - Digital #FM324. Published by Forton Music - Digital (F2.FM324). ISBN 9790570482238.A repeating ostinato figure drives this piece forwards with great energy and though a wide range of exciting keys. All parts participate equally in the fun. About 40 bars long, a manageable challenge.
$9.95
FOUR ARABIC SKETCHES - FLEXIBLE 4 PARTS WITH OPTIONAL PERCUSSION FOR BEGINNERS ENSEMBLE
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Wajdi Abou Diab
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Wajdi Abou Diab
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FOUR ARABIC SKETCHES - FLEXIBL
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W. Abou Diab
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SheetMusicPlus
Large Ensemble - Level 1 - SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,W...
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Large Ensemble - Level 1 - SKU: A0.1129904 Composed by Wajdi Abou Diab. Arranged by Wajdi Abou Diab. Children,Classical,Folk,Multicultural,Traditional,World. Score and parts. 215 pages. W. Abou Diab #730313. Published by W. Abou Diab (A0.1129904). This collection of four short concert pieces for beginners is intended to introduce the new musicians, as well as the audience, to the world of Arabic music in a fun and enjoyable way, and is designed to make the ensemble practice easy and productive. Every piece introduces a scene from Arabic folklore, inviting the little musicians to discover the beauty of Arabic traditions and cultures. In some pieces, the musicians will be asked to perform some simple body percussion, and say some Arabic words, which will add some magic to the music! The first piece titled Dabkeh is a traditional Levantine dance that is still performed at weddings and public events in Arabic countries, in which the dancers hold their hands together and form a circle showing a scene of solidarity and unity. It is a high-energy dance that demands a great amount of physical effort and is usually performed by both men and women. The second piece takes us to a very special period for Arab people, called Ramadan. For a complete month, people enjoy gathering for the Iftar when the sun sets, after long fasting, then attending public events, and organizing cultural gatherings. The third piece is titled Raqsa, which means simply A Dance. The Arabic dance, mainly performed by a female dancer, is full of energy and beauty. Usually accompanied by hand clapping and percussion instruments, and sometimes singing too. The fourth piece takes us to the traditional Arabic wedding ceremonies, which sometimes continue for more than 5 consecutive days. At an Arabic traditional wedding, all the village gathers in the bride's or groom's home, participating in all the details of the preparations for the wedding, bringing food and gifts, and celebrating joyfully with music, songs, and dances.
$80.00
First Concert Pieces
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Jack Fitzgerald
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First Concert Pieces
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Forton Music - Digital
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SheetMusicPlus
Hn in F. pft - Intermediate-Advanced - SKU: F2.FM570 Composed by Jack Fitzgerald. Horn in F and Piano. Score and part. 28 pages. Forton Music - Digital ...
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Hn in F. pft - Intermediate-Advanced - SKU: F2.FM570 Composed by Jack Fitzgerald. Horn in F and Piano. Score and part. 28 pages. Forton Music - Digital #FM570. Published by Forton Music - Digital (F2.FM570). ISBN 9790570484690.Five pieces that explore a wide range of musical influences and more advanced technical demands for the instrument. Cattle Train - A driving (sort of) blues for horn that will build stamina whilst being great fun to play. Dancing with the Polar Bear - Sentimentality aplenty here. Great for the young, but advancing student. Night Walk - Based on the Bossa Nova style, but in 7/8. This piece offers challenges that are both musical and technical, but all of this will be rewarding...just get in the groove. Galliard - A contemporary take on an old dance style, requiring careful attention to articulation, dynamics and teh interplay between solist and accompaniment. Reflections - The last hurrah in this series of pieces. Take all you have learnt from the previous pieces in the series, find an accompanist and take it to the stage!
$9.95
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Ballets - Dances 268 and 2
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score and parts. 25 p...
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Small Ensemble - Level 2 - SKU: A0.522159 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3912497. Published by Colin Kirkpatrick Publications (A0.522159). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Two Ballets are well-known and elegant dances and sure to add some sparkle to any concert event. They would make excellent partners for other dances in this series. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Five Ragtime Solos by Scott Joplin for Tenor Horn and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Instrumental Solo,Piano,Tenor Horn - Level 3 - SKU: A0.1118312 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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Instrumental Solo,Piano,Tenor Horn - Level 3 - SKU: A0.1118312 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719830. Published by David McKeown (A0.1118312). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Tenor Horn in E Flat with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Five Ragtime Solos by Scott Joplin for Alto Flute and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.1118298 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and...
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Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.1118298 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719817. Published by David McKeown (A0.1118298). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Alto Flute with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Five Ragtime Solos by Scott Joplin for Descant Recorder and Piano
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Ragtime
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Scott Joplin
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David McKeown
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Five Ragtime Solos by Scott Jo
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David McKeown
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SheetMusicPlus
Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1118296 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Sco...
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Descant Recorder,Instrumental Solo,Piano - Level 3 - SKU: A0.1118296 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and individual part. 33 pages. David McKeown #719814. Published by David McKeown (A0.1118296). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Descant Recorder with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
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Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for two violins, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for two
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1...
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Level 2 - SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for violin, cello and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for viol
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Colin Kirkpatrick Publications
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SheetMusicPlus
Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Pu...
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Piano Trio - Level 2 - SKU: A0.1474945 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 17 pages. Colin Kirkpatrick Publications #1052537. Published by Colin Kirkpatrick Publications (A0.1474945). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The violin top note is E6 (the E above the treble staff) and the cello top note is G4 (the G above the bass staff). This arrangement would make a splendid encore piece for a recital.
$11.99
The Terrifically Terrifying Toboggan Trek
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Brian Monroe
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The Terrifically Terrifying To
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BLM Music Publications
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SheetMusicPlus
Percussion Ensemble Sleigh Bells - Level 1 - SKU: A0.1113251 Composed by Brian Monroe. Contemporary,Contest,Festival,Holiday. Score and parts. 17 pages....
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Percussion Ensemble Sleigh Bells - Level 1 - SKU: A0.1113251 Composed by Brian Monroe. Contemporary,Contest,Festival,Holiday. Score and parts. 17 pages. BLM Music Publications (https://brianmonroemusic.com) #715195. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1113251). Riding a toboggan down a hill on a cold, winter afternoon is always fun, but at night make for a terrifically terrifying time. It's cold, and dark and you never know what's around the next banking turn. Excitement and Terror combine to create an adventure you will always remember. The Terrifically Terrifying Toboggan Trek is my second piece for very easy percussion ensemble with the beginning percussionists in mind. The piece has been scored by utilizing patterns which are relatively easy to learn. Layering and varying the patterns makes a fun and interesting piece to learn and perform. In addition, the use of the Alphanotes allows the new percussionist to review reading notes as they learn a piece which is most likely more difficult than they would normally perform. This will allow the students to focus on time keeping and listening. All the pattern as found on the back of each part. I also recommend the director play the sleighbells part as a way to be a part of the ensemble and so he/she can set a steady beat for everyone to follow Instrumentation: Part 1: Bells Part 2: Bells Part 3: Bells Part 4: Bells or Vibraphone Using a vibraphone will give you more of a bass note sound..
$10.00
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
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Classique
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Roma...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
'Lachrimae' Book Two (8-14) - guitar quintet
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Classique
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John Dowland
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Clive Lane
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'Lachrimae' Book Two
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Clive Lane
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SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pag...
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Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047870. Published by Clive Lane (A0.1470122). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book Two - three pavans and four galliards:1. Pavan: “Semper Dowland, semper Dolens”2. Sir Henry Umpton’s Funeral3. Mr John Langton’s Pavan4. The King of Denmark’s Galliard5. The Earl of Essex Galliard6. Sir John Souch, his Galliard7. Mr Henry Noell, his Galliard(See Book One and Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
Celtiberian Fantasy For Harp and Strings
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Luis Anjos Teixeira
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Celtiberian Fantasy For Harp a
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889414 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 40 pages. Luis Anjos Teixeira #3478441. Published by Luis Anjos Teixeira (A0.889414). Celtiberian Fantasy For Harp And Strings written for the - 2018 Chamber Music Contest Entry. Dear music Lovers and Friends. Celtiberian Fantasy was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. The harp part can also be performed as a solo piece. When performing the piece solo and according to the size of the harp or the needs of the artist of course, it is possible to transpose the left hand part an octave lower and to open many of its chords or adding a bass without damaging the caracter of the music. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it is written. The double bass is a soloist but it can be reenforced with a cello. Otherwise the cello joins the ensemble only in the „Tutti. However in the absence of a Double bass, than should the cello take its part. A Cello should always be present in the case that a little stringed orquestra performs the piece. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform by experienced artists. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is a Harp Quintet with a Double Bass instead of a Cello. Another audio version with the full orquestra will be found in sound cloud at „Anjos Teixeira Music. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$28.99
Gnome`s Dream For Harp And Strings
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Luis Anjos Teixeira
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Gnome`s Dream For Harp And Str
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and...
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Small Ensemble Cello,Double Bass,Harp,Viola,Violin - Level 3 - SKU: A0.889415 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 18 pages. Luis Anjos Teixeira #3479405. Published by Luis Anjos Teixeira (A0.889415). Dear music Lovers and Friends. Gnome`s Dream revealed in the2018 Chamber Music Contest Entry. Gnome`s Dream was designed to be performed by a group of five artists, or even seven, nine, one thousand or more! Any kind of diatonic Harp can be used to perform this piece. When playing the harp with the rest of the ensemble it might be better to perform it mostly as it was written. In the absence of a Double bass, than should the cello take its part. In the case of an ensemble with more artists where we have already formed a bowed stringed orquestra, The double bass while playing the introduction of the piece remains a soloist and it will than be reenforced with a cello while the other bowed instruments are also playing. It would be good to tune the E string of the double bass down to a D but if this is not possible than simply play the lower „D notes one octave higher. It is a perfect piece for a mixed group of early beginners and „early soloists, it is very easy to perform. It can be played by a group of five artists, as well as a complete string orquestra with harp. Some interpretation symbols where used in the score as a performance suggestion. Most of the score is left virgin to the interpretation of the artists involved, particularly the use of bowing and fingering. It is a very flexible piece that can be used in all kinds of events. The score For the 2018 Chamber Music Contest Entrywas written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was produced with samplers from Garritan, conceived as an audio support for the presentation of the score. It is here presented as a Harp Quintet. Thank you very much for taking your time to read this text and to listen to the file. This is the first time that it has been published in Sheet Music Plus. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Thanks to Stray Queen Mimi for my Family, all the Love and Compassion. Special thanks to my feline Family for all the Patience, Love and Compassion. Luis Anjos Teixeira
$16.44
Forest Path
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Jeanne Allie
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Forest Path
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Jeanne Allie
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SheetMusicPlus
Instrumental Solo - Level 1 - SKU: A0.1380928 Composed by Jeanne Allie. Instructional. Individual part. 3 pages. Jeanne Allie #965709. Published by Jean...
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Instrumental Solo - Level 1 - SKU: A0.1380928 Composed by Jeanne Allie. Instructional. Individual part. 3 pages. Jeanne Allie #965709. Published by Jeanne Allie (A0.1380928). A fun piece for left hand alone. Use the duet setting to play with someone else!
$2.99
RUSSIAN DANCE (Accompaniment Track for STRING or WIND Instruments)
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Classique
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Peter Ilyich Tchaikovsky
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Dr Jerry Nelson
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RUSSIAN DANCE
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Jerry Nelson
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SheetMusicPlus
SKU: A0.1067386 Composed by Peter Ilyich Tchaikovsky. Arranged by Dr Jerry Nelson. Children,Christmas,Instructional,Standards. Accompaniment. Duration 8...
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SKU: A0.1067386 Composed by Peter Ilyich Tchaikovsky. Arranged by Dr Jerry Nelson. Children,Christmas,Instructional,Standards. Accompaniment. Duration 80. Jerry Nelson #3680565. Published by Jerry Nelson (A0.1067386). Maybe the most fun piece from The Nutcracker is this one. Jerry Nelson's unique Dual Staff Arrangements allow you to move back-and-forth at will between the Lower Basic Staff and the Upper Advanced Staff. IMPORTANT: We offer a unique set of four specially-priced Accompaniment tracks for the Russian Dance. The tracks are identical except for tempo. You'll probably want to order all four which makes for more fun as your increasing ability allows. Here are the four tempos and order Item numbers: SLOW–125 bpm (#SO.410843) MED–137 bpm (#SO.410845) FAST–150 bpm (#SO.410847) VERY FAST–165 bpm (#SO.410851). This preview of the track is at very fast tempo. Have Fun!!!
$2.50
Break Forth, O Beauteous, Heavenly Light
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Break Forth, O Beauteous, Heav
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Luis Anjos Teixeira
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Chri...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 1 - SKU: A0.889423 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Instructional. Score and parts. 8 pages. Luis Anjos Teixeira #3692949. Published by Luis Anjos Teixeira (A0.889423). The clarinet quartet arrangement of Break Forth, O Beauteous, Heavenly Light, was made for the 2018 Holiday Contest Entry. Martin Luther developed the Lutheran chorale, a religious hymn sung in four-part harmony by the congregation as part of the service. Break Forth, O Beauteous, Heavenly Light was written by Johann Rist and Johann Schop in the mid-17th century, so that by 1734, when Bach included it in his Christmas Oratorio, it was well known to congregations. The harmonization, however, is Bach ‘s own. The arrangement remains faithful to the original facsimile of Bach. It is transposed for a modern clarinet quartet. Variations in loudness and the duration of musical notes are the basic elements to musical expression. A few interpretation symbols where added to shorten some of the notes. Breathing between music phrases is notated. and the final was stretched with one more bar for a ralentando effect. This details are only suggestions for an interpretation. The piece is appropriate for beginner students or amateurs and without any doubt very pleasant to listen when played by an experienced ensemble. It can be used in concerts and all sorts of spiritual or religious events. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! I wish you a Merry Christmas! „Brich an, o schönes Morgenlicht „Brich an, o schönes Morgenlicht, und lass den Himmel tagen! Du Hirtenvolk, erschrecke nicht, weil dir die Engel sagen: Dass dieses schwache Knäbelein soll unser Trost und Freude sein, Dazu den Satan zwingen und letzlich Frieden bringen. Words: Johann Rist (1607-1677), 1641; Verse 1 translated from German to English by John Troutbeck, circa 1885, et. al. Verse 2 translated by Arthur Tozer Russell, 1806-1874. Music: Ermuntre Dich or Schop, Johann Schop (1590-1667), 1641; Harmony by Johann Sebastian Bach, 1734. 1. Break forth, O beauteous heavenly light, And usher in the morning; O shepherds, shrink not with afright, But hear the angel's warning. This Child, now weak in infancy, Our confidence and joy shall be, The power of Satan breaking, Our peace eternal making. All blessing, thanks and praise to thee, Lord Jesus Christ, be given; Thou hast our brother deigned to be, Our foes in sunder riven. O grant us through our day of grace With constant praise to seek Thy face; Grant us ere long in glory With praises to adore thee. Thanks to Claudia Eppelt for the wonderful illustration, the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for my Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.95
Three Gavottes from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Pierre-Francisque Caroubel
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Three Gavottes from Terpsichor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance,Standards. Scor...
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Small Ensemble - Level 2 - SKU: A0.522158 Composed by Pierre-Francisque Caroubel (1556-1611). Arranged by Colin Kirkpatrick. Renaissance,Standards. Score and parts. 25 pages. Colin Kirkpatrick Publications #3907943. Published by Colin Kirkpatrick Publications (A0.522158). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These Three Gavottes are well-known and lively dances and sure to add some sparkle to any concert event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. There are separate parts in various transpositions. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$11.99
Two Voltas - Dances 201 and 210 from Terpsichore (Praetorius) for Wind Instruments
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the time Michael Praetorius pu
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Various
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin...
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Small Ensemble - Level 3 - SKU: A0.522161 Composed by Various. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 4 pages. Colin Kirkpatrick Publications #3928085. Published by Colin Kirkpatrick Publications (A0.522161). By the time Michael Praetorius published his extensive dance collection entitled Terpsichore (terp-SIH-cory) in 1612, he was one of the most famous musicians in Germany. These two Voltas are well-known and lively dances and sure to add some sparkle to any event. This piece is arranged for virtually any combination of conventional wind instruments and percussion, with optional keyboard part. The first Volta uses interesting and catchy syncopation, giving the impression that it’s in duple time time but it’s written in triple time.In this series, Renaissance Hits for Wind Instruments, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too. The flexible arrangement makes them playable by all sorts of non-standard ensembles. The keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. The optional keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.The percussion instruments used are similar to those found in elementary school music rooms and usually include a hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Nocturne for Left Hand Alone (Opus 9 Number 2)
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Classique
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Stephen R Dalrymple
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Nocturne for Left Hand Alone
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Design...
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Instrumental Solo - Level 5 - SKU: A0.1121045 By Stephen R Dalrymple. By Alexander Scriabin. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Classical. Individual part. 14 pages. Stephen R Dalrymple #722236. Published by Stephen R Dalrymple (A0.1121045). Nocturne for Left Hand Alone (Classical Music for Tablet Series) by Alexander Scrià bin (Opus 9 Number 2) Classical Music for Tablet Series ♫ Alexander Nikolayevich Scriabin [1871 – 1915] was a Russian composer and virtuoso pianist. Before 1903, Scriabin was greatly influenced by the music of Frédéric Chopin and composed in a relatively tonal, late Romantic idiom. Later, and independently of his influential contemporary, Arnold Schoenberg, Scriabin developed a much more dissonant musical language that had transcended usual tonality but was not atonal. He composed almost exclusively for solo piano and for orchestra. [condensed from Wikipedia October 2022] ♫ I was introduced to this piece by my piano teacher, Jenny Wong, after injuring my right arm and needing to rest it. ♫ Nocturne for Left Hand Alone belongs to the earlier period of his work. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Performed by the Editor. Compositions for left hand alone are valuable in developing and testing phrasing in the left hand. The most beautiful tone quality will be elusive if the left hand is weak in technique or phrasing. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Gaillarde (La Rocque), First Book of Dances (Pierre Phalèse, 1571) for Wind Instruments
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Pierre Phalèse
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Gaillarde
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Colin Kirkpatrick Publications
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.522179 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. ...
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Small Ensemble - Level 2 - SKU: A0.522179 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 25 pages. Colin Kirkpatrick Publications #6097857. Published by Colin Kirkpatrick Publications (A0.522179). Pierre Phalèse (1510-1575) was a Flemish publisher and his First Book of Dances, an extensive collection of dances in four parts, was published in Leuven in 1571. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. During the sixteenth and seventeenth centuries, the gaillarde (or galliard) was a popular dance and a favorite of Queen Elizabeth I of England. This is the 11th dance in a set of 20 gaillardes in the original publication. The title might be a reference to a French surname (Larocque) or it might refer to the small town on the island of Jersey (La Rocque) in the Channel Islands. From the Middle Ages, the its harbour was a refuge for fishing boats. This arrangement is scored for virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The flexible arrangement makes them playable by non-standard ensembles. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option. The percussion instruments used are similar to those found in elementary school music rooms and two or three players are usually required. Other percussion instruments may be added as desired. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$10.99
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