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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gabrieli-Giovanni
Non classifié
139
Piano & claviers
Orgue
1
Guitares
Voix
Chorale SATB
17
Chorale
5
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Ensemble de Clarinettes
14
Flûte, Hautbois, Clarinette, Basson
8
Quintette de Saxophone: 5 saxophones
7
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Ensemble de saxophones
6
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4
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Quatuor de Flûtes à bec
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Flûte, Hautbois, Clarinette (trio)
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5 Flûtes à bec
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Flûte traversière
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+ 10 instrumentations
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
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13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Quatuor de Cuivres
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Trombone (partie séparée)
6
Ensemble de Trombones
6
Cor (partie séparée)
5
4 Tubas
5
Tuba (partie séparée)
5
Trio de Cuivres
4
Ensemble de Tubas
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
2
Cor
2
2 Euphoniums et 2 Tubas
1
Trombone basse et Piano
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Orchestre & Percussions
Ensemble de cuivres
43
Quintette à Vent
5
Orchestre
2
Orchestre d'harmonie
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Orchestre à Cordes
2
Ensemble Jazz
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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Vous avez sélectionné:
Gabrieli-Giovanni
Partitions à imprimer
139 partitions trouvées
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Gabrieli: Quem Vidistis Motet à 15 (6 male voices and instruments)
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Giovanni Gabrieli
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Roar Kvam
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Gabrieli: Quem Vidistis Motet
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KVAMusic Edition
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SheetMusicPlus
Large Ensemble Choir,Double Bass,High Voice,Low Voice,Medium Voice,Organ,Trombone,Trumpet - Level 4 - SKU: A0.768485 Composed by Giovanni Gabrieli. Arra...
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Large Ensemble Choir,Double Bass,High Voice,Low Voice,Medium Voice,Organ,Trombone,Trumpet - Level 4 - SKU: A0.768485 Composed by Giovanni Gabrieli. Arranged by Roar Kvam. Christian,Christmas,Praise & Worship,Renaissance. Score and parts. 127 pages. KVAMusic Edition #1791767. Published by KVAMusic Edition (A0.768485). This is a new edition of Gabrielis superb motet for male voices (ad lib choir) and instruments divided in two groups.
$43.00
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
Canzon a 7 by Giovanni Gabrieli for 7 Recorders SSAATBB
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Renaissance
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Giovanni Gabrieli
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Emmett Anglin
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1608)
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Canzon a 7 by Giovanni Gabriel
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OTBM
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SheetMusicPlus
Small Ensemble Recorder - Level 4 - SKU: A0.990619 Composed by Giovanni Gabrieli. Arranged by Emmett Anglin. Renaissance. Score and parts. 22 pages. OTB...
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Small Ensemble Recorder - Level 4 - SKU: A0.990619 Composed by Giovanni Gabrieli. Arranged by Emmett Anglin. Renaissance. Score and parts. 22 pages. OTBM #3369969. Published by OTBM (A0.990619). This is typical of the Giovanni Gabrieli canzons published in Venice in 1615 although it may be from one of the other two collections (15 97 & 1608). Requires some technique but is not antiphonal.
$10.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
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Giovanni Gabrieli
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J
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Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792953 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. E...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792953 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879095. Published by Estes Music Publishers (A0.792953). Group 2 trombone part to Giovanni Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Canzon Duodecimi Toni by Giovanni Gabrieli for 8 cellos
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Renaissance
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Classique
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Giovanni Gabrieli
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Bill Alves
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Canzon Duodecimi Toni by Giova
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Bill Alves
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SheetMusicPlus
String Ensemble - SKU: A0.963870 Composed by Giovanni Gabrieli. Arranged by Bill Alves. Baroque,Renaissance. Score and parts. 18 pages. Bill Alves #4629...
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String Ensemble - SKU: A0.963870 Composed by Giovanni Gabrieli. Arranged by Bill Alves. Baroque,Renaissance. Score and parts. 18 pages. Bill Alves #4629461. Published by Bill Alves (A0.963870). Giovanni Gabrieli famously composed for spatially separated ensembles. This lively canzon has been arranged for two groups of four cellos each that alternate and answer each other from opposite sides of a stage.
$3.99
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
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Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Trumpet - SKU: A0.792948 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music ...
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Brass Ensemble Trumpet - SKU: A0.792948 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879071. Published by Estes Music Publishers (A0.792948). Trumpet 2 group 2 part to Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
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Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Trumpet - Level 4 - SKU: A0.792947 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Es...
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Brass Ensemble Trumpet - Level 4 - SKU: A0.792947 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879073. Published by Estes Music Publishers (A0.792947). 2nd Trumpet Group 1 part to Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon. .
$3.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
#
Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792951 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. E...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792951 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879091. Published by Estes Music Publishers (A0.792951). First trombone group 1 part to Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
#
Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Horn - Level 4 - SKU: A0.792952 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes...
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Brass Ensemble Horn - Level 4 - SKU: A0.792952 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879087. Published by Estes Music Publishers (A0.792952). Group 2 Horn part to Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
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Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
#
SheetMusicPlus
Brass Ensemble Horn - SKU: A0.792949 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Pub...
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Brass Ensemble Horn - SKU: A0.792949 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879081. Published by Estes Music Publishers (A0.792949). Horn 1 Group 1 part to Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Giovanni Gabrieli's Jubilate Deo - Double Brass Quartet
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Renaissance
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Giovanni Gabrieli
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J
#
Giovanni Gabrieli's Jubilate D
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Estes Music Publishers
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SheetMusicPlus
Brass Ensemble Trumpet - SKU: A0.792950 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music ...
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Brass Ensemble Trumpet - SKU: A0.792950 Composed by Giovanni Gabrieli. Arranged by J. Richard Dixon. Renaissance. Score and parts. 3 pages. Estes Music Publishers #3879079. Published by Estes Music Publishers (A0.792950). First trumpet group 2 part of Gabrieli's Jubilate Deo arranged for brass by J. Richard Dixon.
$3.00
Gabrieli: Jubilate Deo Ch. 136 for Cello Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.549194 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pa...
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String Ensemble Cello - Level 3 - SKU: A0.549194 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457527. Published by jmsgu3 (A0.549194). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 9 cellos. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for French Horn Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Horn - Level 3 - SKU: A0.549197 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457...
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Horn - Level 3 - SKU: A0.549197 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457627. Published by jmsgu3 (A0.549197). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 9 cellos. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Bassoon Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Level 3 - SKU: A0.549198 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458283. Pu...
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Level 3 - SKU: A0.549198 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458283. Published by jmsgu3 (A0.549198). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 8 bassoons and contrabassoon. Note: If a contrabassoon is unavailable, the part can be performed by a regular bassoon. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms.
$47.95
Gabrieli Sonata Pian e Forte - Arrangement for Woodwind Octet
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Giovanni Gabrieli
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Isabella Mayne
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Gabrieli Sonata Pian e Forte -
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Isabella Mayne
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1001491 Composed by Giovanni Gabrieli. Arranged by Isabella Mayne. Renaissance,Sacred....
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1001491 Composed by Giovanni Gabrieli. Arranged by Isabella Mayne. Renaissance,Sacred. 26 pages. Isabella Mayne #6201177. Published by Isabella Mayne (A0.1001491). Arrangement for woodwind octet of Giovanni Gabrieli's Sonata pian e forte. Instrumentation is 2 flutes, 2 clarinets, 2 oboes and 2 bassoons, however included is two alternative clarinet parts if have no bassoons and the oboe parts can also be played on flute. File includes score and parts.
$6.99
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. P...
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Level 3 - SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95
Canzon II a 4 Ch.187 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon II a 4 Ch.187
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594784 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 19 pages. Adrian Wagner #3431519. Publis...
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Woodwind Ensemble Flute - SKU: A0.594784 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 19 pages. Adrian Wagner #3431519. Published by Adrian Wagner (A0.594784). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$7.50
Canzon I a 4 Ch.194 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon I a 4 Ch.194
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594780 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 19 pages. Adrian Wagner #3431509. Publis...
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Woodwind Ensemble Flute - SKU: A0.594780 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 19 pages. Adrian Wagner #3431509. Published by Adrian Wagner (A0.594780). Complete List Of Sheet Music arr. Adrian Wagner
$7.50
Canzon IV a 4 Ch.189 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon IV a 4 Ch.189
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594788 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431527. Publis...
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Woodwind Ensemble Flute - SKU: A0.594788 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431527. Published by Adrian Wagner (A0.594788). Complete List Of Sheet Music arr. Adrian Wagner
$7.50
Vagi amorosi e fortunati allori (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Vagi amorosi e fortunati allor
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594795 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431535. Publis...
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Woodwind Ensemble Flute - SKU: A0.594795 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431535. Published by Adrian Wagner (A0.594795). Complete List Of Sheet Music arr. Adrian Wagnerhttps://www.dropbox.com/sh/k646fgdx7hzpihc/AABEmFTPvXXAkZPhuWH_KEdHa?dl=0
$7.50
Canzon III a 4 Ch.188 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon III a 4 Ch.188
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594786 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431523. Publis...
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Woodwind Ensemble Flute - SKU: A0.594786 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 12 pages. Adrian Wagner #3431523. Published by Adrian Wagner (A0.594786). Complete List Of Sheet Music arr. Adrian Wagner
$7.50
Canzon I a 5 Ch.195 (Giovanni Gabrieli) Flute Choir arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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Canzon I a 5 Ch.195
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.594782 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 14 pages. Adrian Wagner #3431515. Publis...
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Woodwind Ensemble Flute - SKU: A0.594782 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 14 pages. Adrian Wagner #3431515. Published by Adrian Wagner (A0.594782). https://m.youtube.com/watch?v=zI-xxg8Qyxo
$7.50
"Canzon I a 4 Ch.194" (Giovanni Gabrieli) Flute Quartet (B.Fl.) arr. Adrian Wagner
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Renaissance
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Giovanni Gabrieli
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Adrian Wagner
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"Canzon I a 4 Ch.194"
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Adrian Wagner
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SheetMusicPlus
Woodwind Ensemble Flute - SKU: A0.595871 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 18 pages. Adrian Wagner #4354311. Publis...
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Woodwind Ensemble Flute - SKU: A0.595871 Composed by Giovanni Gabrieli. Arranged by Adrian Wagner. Renaissance. 18 pages. Adrian Wagner #4354311. Published by Adrian Wagner (A0.595871). Complete List Of Sheet Music arr. Adrian Wagner
$7.50
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