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Vous avez sélectionné:
Gene Vincent
Partitions à imprimer
9 partitions trouvées
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Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent (Downloadable)
Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E…
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Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8849-E. Published by E. C. Schirmer Music Company - Digital (MQ.8849-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer, creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget! Duration: 12:00.
$12.00
10.95 €
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Juliana Hall
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Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Be-bop-a-lula
Large Ensemble Baritone Saxophone,Bass Voice,Drums,Guitar,Organ,Percussion,Piano,Tenor Sax…
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Large Ensemble Baritone Saxophone,Bass Voice,Drums,Guitar,Organ,Percussion,Piano,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.718223 By Gene Vincent. By Gene Vincent and Tex Davis. Arranged by Daryl McKenzie. Contemporary. Score and parts. 38 pages. Daryl McKenzie #5008579. Published by Daryl McKenzie (A0.718223). Arranged in the style of Billy Thorpe for Vocal (no voice part included) with Small Band (Tenor Sax, Bari Sax, 2 Trumpets, Trombone, Piano/Organ, Guitar, Bass, Drums, Percussion) Key of E
$39.99
36.5 €
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Gene Vincent
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Daryl McKenzie
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Be-bop-a-lula
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Daryl McKenzie
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SheetMusicPlus
Can The Circle Be Unbroken (Will The Circle Be Unbroken)
Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice …
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Acoustic Guitar,Banjo,Bass Guitar,Drums,Electric Guitar,Fiddle,Flute,Mandolin,Piano,Voice - Level 5 - Digital Download SKU: A0.1414993 By Nitty Gritty Dirt Band. By A.P. Carter. Arranged by Cascia Talbert. Christian,Country. 81 pages. Cascia Talbert #996726. Published by Cascia Talbert (A0.1414993). Can the Circle Be Unbroken (By and By) is a country/folk song reworked by A. P. Carter from the hymn Will the Circle Be Unbroken? by Ada R. Habershon and Charles H. Gabriel. The song's lyrics concern the death, funeral, and mourning of the narrator's mother.The song first gained attention due to the Carter Family. The song has been recorded by many groups and musicians: Blind James Campbell, Bob Dylan, The Band, The Staple Singers, Clara Ward Singers, John Fahey, Roy Acuff, Joan Baez, The Chieftains, Jerry Lee Lewis, Gene Vincent, Ralph Stanley, The Black Crowes, Kristin Hersh, John Lee Hooker, Bill Monroe, the Nitty Gritty Dirt Band, Pentangle, Spacemen 3, Country Joe McDonald, John Statz, Spirit of the West with The Wonder Stuff, Mavis Staples, The Felice Brothers, Johnny Cash, Gregg Allman, the Neville Brothers, Jeff Buckley, Moby, and Agnes Chan. Its refrain was incorporated into the Carl Perkins song Daddy Sang Bass and the Atlanta song Sweet Country Music. It is primarily performed in gospel, bluegrass and folk, but versions in other genres exist. Most versions of the song use the alternate title Will the Circle Be Unbroken. In 1998, it was inducted into the Grammy Hall of Fame.This arrangement is for a country/bluegrass band with flute and vocal.
$24.99
22.81 €
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Nitty Gritty Dirt Band
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Cascia Talbert
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Can The Circle Be Unbroken
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Cascia Talbert
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SheetMusicPlus
The Easter Egg Rock for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.591438 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293929. Published by David McKeown (A0.591438). The Easter Egg Rock is a fun and original duet written by David McKeown for one Trumpet and Tenor Horn in E Flat. The Easter Egg Rock is one in a series of ten Easter-themed duets each written in a different American dance style. Modern Rock music has its origins in Rock’n’Roll, with the first use of the word in 1951 by an Ohio DJ. The first big hit was Bill Haley’s Rock Around the Clockin 1955, but other artists such as Chuck Berry, Elvis Presley, Jerry Lee Lewis, Bo Diddley, Gene Vincent and Little Richard all have strong claims to being the first Rock’n’Roll artist.The Easter Egg Rock is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Egg Rock is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Easter Egg Rock for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
The Easter Egg Rock for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591428 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293907. Published by David McKeown (A0.591428). The Easter Egg Rock is a fun and original duet written by David McKeown for one Oboe and one Violin. The Easter Egg Rock is one in a series of ten Easter-themed duets each written in a different American dance style. Modern Rock music has its origins in Rock’n’Roll, with the first use of the word in 1951 by an Ohio DJ. The first big hit was Bill Haley’s Rock Around the Clockin 1955, but other artists such as Chuck Berry, Elvis Presley, Jerry Lee Lewis, Bo Diddley, Gene Vincent and Little Richard all have strong claims to being the first Rock’n’Roll artist.The Easter Egg Rock is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Egg Rock is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Easter Egg Rock for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
The Easter Egg Rock for Oboe and Cor Anglais Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591427 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6293905. Published by David McKeown (A0.591427). The Easter Egg Rock is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). The Easter Egg Rock is one in a series of ten Easter-themed duets each written in a different American dance style. Modern Rock music has its origins in Rock’n’Roll, with the first use of the word in 1951 by an Ohio DJ. The first big hit was Bill Haley’s Rock Around the Clockin 1955, but other artists such as Chuck Berry, Elvis Presley, Jerry Lee Lewis, Bo Diddley, Gene Vincent and Little Richard all have strong claims to being the first Rock’n’Roll artist.The Easter Egg Rock is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Easter Egg Rock is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Easter Egg Rock for Oboe and Cor Anglais Duet
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David McKeown
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SheetMusicPlus
Jazz Guitar Lines
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Co…
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Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
20.98 €
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Whispering
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download SKU: A0.96909…
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Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 3 - Digital Download SKU: A0.969094 Composed by Dick Coburn, John Schonberger, and Vincent Rose. Arranged by Dan Gabel. Contemporary. Score and parts. 2 pages. Daniel Clayton Gabel #6256055. Published by Daniel Clayton Gabel (A0.969094). A favorite of bands, jazz musicians, and dancers for one hundred years, Whispering has stood the test of time. It is a great tune, and one of great historic importance that deserves a place in your band's library!This is more than a lead sheet: it is an arrangement in Ab, including the lyrics, and the rarely-heard verse (with a second set of lyrics). This is ready to pass out to your combo: bass, guitar, drums, piano, voice, and some horns, too. The chart is professionally engraved and formatted for ease of reading. Optional Tag ending provides a nice arranged ending for your group as well.This arrangement is based on the stellar recording by Bing Crosby with Bob Scoby's Frisco Jazz Band on:Bing with a Beat (RCA Victor, 1957) - see history below.Whispering - a brief history:One of the first recordings made by a Big Band, it was a huge hit for Paul Whiteman and His Orchestra, selling over one-million copies in 1920. Benny Goodman's Trio recorded a famous version for Victor in 1936 featuring Teddy Willson on piano and Gene Krupa on drums. The pleasing chord changes are the basis for the famous contrafact by Dizzy Gillespie: Groovin' High. Revived once again with the original verse, Bing Crosby recorded it on one of the best jazz vocal albums of the 1950s: Bing with a Beat, with Bob Scoby's Frisco Jazz Band. Because of the historic importance and the great melody, Whispering was chosen by Dan Gabel (the arranger of this lead sheet) as his personal theme tune in 2010. Gabel opens every show with different arrangements of the song, featured by Dan Gabel's High Society Orchestra (Hot Jazz of the Roaring 20s), and recorded and featured with great success by Dan Gabel and The Abletones (Big Band).
$4.99
4.55 €
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Dick Coburn, John Schonberger, and Vincent Rose
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Dan Gabel
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Whispering
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Daniel Clayton Gabel
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SheetMusicPlus
Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied (Downloadable)
Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991…
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Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8991-E. Published by E. C. Schirmer Music Company - Digital (MQ.8991-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer (8849), creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget!
$12.00
10.95 €
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Juliana Hall
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Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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