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Vous avez sélectionné:
Give It Away
Partitions à imprimer
38 partitions trouvées
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Give It Away
Level 3 - Digital Download SKU: A0.1457435 By The Red Hot Chili Peppers. By Anthony…
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Level 3 - Digital Download SKU: A0.1457435 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Erik Chapman. Grunge,March,Pop,Punk,Rock. 7 pages. Erik Chapman #1036458. Published by Erik Chapman (A0.1457435). Is your drumline a fan of the Red Hot Chili Peppers? Check out this new arrangement of their classic hit Give It Away arranged for marching percussion by Erik Chapman.
$29.99
27.19 €
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The Red Hot Chili Peppers
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Erik Chapman
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Give It Away
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Erik Chapman
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SheetMusicPlus
Cold December Flies Away - Full Score and Instrumental Parts
Triangle,Tamb,Sleigh Bells,Chime tree,Hand Drum - Level 3 - Digital Download SKU: C7.CG…
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Triangle,Tamb,Sleigh Bells,Chime tree,Hand Drum - Level 3 - Digital Download SKU: C7.CGB701 En el FrÃo Invernal. Composed by Douglas R Boyer. Christmas. With Triangle, Tambourine, Sleigh Bells, Chime tree, Hand Drum. Score and parts. 20 pages. Chorister's Guild - Digital #CGB701. Published by Chorister's Guild - Digital (C7.CGB701). UPC: 749193016084.Level 4 * This programmatic original composition will be a unique addition to the concert repertoire, as it is reminiscent of movie music. Its descriptive style tells a tale of love and loss, adventure and peril, and mystery and drama. A free, mystical opening leads into a delicate main theme in a minor key, accompanied by finger cymbals and chime tree. The opening strains provide a transition into an energetic ride in 12/8 time with rhythmic, malleted bass bells under a strong treble melody and using tambourine for rhythmic support. The bass and middle bells are then given the melody in an antiphonal style, followed by a return to the malleted bass and the upper-treble melody with the addition of a tenor drum. The section closes in great triumph but gives way to randomly malleted bells and a return to the mysterious opening strains.
$12.95
11.74 €
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Douglas R Boyer
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Cold December Flies Away - Full Score and Instrumental Parts
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Chorister's Guild - Digital
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SheetMusicPlus
Give It Away
Bass Guitar,Bass Voice - Digital Download SKU: HX.1251631 By The Red Hot Chili Pepp…
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Bass Guitar,Bass Voice - Digital Download SKU: HX.1251631 By The Red Hot Chili Peppers. This edition: scorch. Funk,Pop,Rock. Score. 4 pages. Hal Leonard - Digital #987065. Published by Hal Leonard - Digital (HX.1251631).
$4.99
4.52 €
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The Red Hot Chili Peppers
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Give It Away
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Hal Leonard - Digital
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SheetMusicPlus
Away in a Manger - Silent Night
Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1116038 By Pol…
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Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1116038 By Polished Brass. By anonymous - Gruber. Arranged by Robert Coil. Chamber,Christmas,Holiday,Praise & Worship,Sacred. 12 pages. Polished Brass #717736. Published by Polished Brass (A0.1116038). This arrangement for brass quintet employs contemporary harmonies with the traditional melodies to provide a sound that is pleasing to the ear while making the pieces sound fresh. The top four voices take turns with the melody while the tuba sets a foundation with chromatic passing tones that should be given a little emphasis as they occur. Away in a Manger The first two verses are sometimes attributed to Martin Luther as “Cradle Hymnâ€, but definitive proof of Luther's authorship is missing. The most common version is based on words found in a Philadelphia Sunday School book by James Murray in 1885 titled “Luther's Cradle Songâ€. Silent Night Franz Gruber was an Austrian church organist at St Nicholas parish in Obernhof, a small town north of Salzburg. The priest at the church, Joseph Mohr wrote the poem Stille Nacht in 1816 and Gruber composed the music for guitar accompaniment for a Christmas eve service in 1818 because something, possibly a flood, had damaged the organ. So, rather than a keyboard composition, this was originally composed for guitar and voice. The composition was preserved by the man who fixed the organ and shared it with other churches as he traveled. Luckily a copy survived so that Mohr and Gruber could both be acknowledged for their creation.
$12.99
11.78 €
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Polished Brass
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Robert Coil
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Away in a Manger - Silent Night
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Polished Brass
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SheetMusicPlus
Never Let Her Slip Away
Choral Choir - Level 2 - Digital Download SKU: A0.1242064 By Andrew Gold. By Andrew…
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Choral Choir - Level 2 - Digital Download SKU: A0.1242064 By Andrew Gold. By Andrew Gold. Arranged by B.Fleet. Pop,Singer/Songwriter. Octavo. 14 pages. Barbara Fleet #837421. Published by Barbara Fleet (A0.1242064). This is a lovely, happy 70's pop song from the master American song writer, Andrew Gold. This flexible arrangement is in Cmajor, a tone higher than the original and gives each of the four parts some phrases of the melody. The majority of the melody is in the Alto line.Though this is a four part arrangement, with Soprano, Alto, Tenor/Alto2 and Bass, it works just as well without the Bass line and will also work with just the Soprano and Alto line. The whole choir sing together throughout the whole song, meaning that nobody is left standing about feeling bored or left out. Have a listen and see if you like it.
$1.99
1.8 €
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Andrew Gold
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B
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Never Let Her Slip Away
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Barbara Fleet
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SheetMusicPlus
Your Gift
Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.919389 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 3 - Digital Download SKU: A0.919389 Composed by Stephen C. Jones. Christian,Holiday,Pop,Wedding. Score and parts. 9 pages. Stephen Jones #6431881. Published by Stephen Jones (A0.919389). Your Gift is a vocal duet expressing thankfulness to a God that takes away but also gives. It is useful in both sacred and secular (non-religious) occasions, particularly weddings and anniversaries. It is truly a special love song and a perfect gift for your beloved. It is easily adaptable to be accompanied with piano, guitar, bass and drums (bassist can read the guitar chords). There is no written drum part but the music has an easy pop feel.
$4.99
4.52 €
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Stephen C
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Your Gift
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Stephen Jones
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SheetMusicPlus
Cupid for cor anglais and guitar
English Horn,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.576951 B…
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English Horn,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.576951 By András Csáki (guitar) and Ãgnes Jakab (cor anglais). By David Warin Solomons. 20th Century,Contemporary,Folk. 10 pages. David Warin Solomons #546501. Published by David Warin Solomons (A0.576951). Instrumental arrangement of my song Cupid shame yourself. Versions are available for flute and guitar, alto flute and guitar, clarinet and guitar and cor anglais and guitar. The sound sample is a performance by  Ãgnes Jakab (cor anglais) and András Csáki (guitar). The pdf file contains score and parts. Cupid, shame yourself, For you have touched marble.You broke a comfortable glacier with hottest arrows,You dared warm a frozen sea, alien to love,and showed it tenderness beyond just friendsCupid, shame yourself,For your whims have hurt me.Recall uncomfortable memories with coldest passion.You iceberg in human form, alien to love,Please show no tenderness beyond just friendsI was your guitar, I was the love of your sweet young yearsI was your guitarCupid, hide yourself,and keep away from me.Just let me walk away every time from all temptation.Not regard my friend's advice Give into loveand show it tenderness, oh no my friend.I was your guitar, I was the love of your sweet young yearsI was your guitarCupid, hide yourself,and keep away from mejust let me walk away every time from all temptationNot regard my friend's advice Give into loveand show it tenderness, oh no my friend.Give me time to grow wiseGive me time to forgetCupid!
$8.00
7.25 €
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András Csáki
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Cupid for cor anglais and guitar
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David Warin Solomons
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SheetMusicPlus
Red Hot Chili Peppers: Give It Away - bass solo
Instantly printable sheet music by Red Hot Chili Peppers for bass solo of MEDIUM skill lev…
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Instantly printable sheet music by Red Hot Chili Peppers for bass solo of MEDIUM skill level. / funk,pop,rock
$4.97
4.51 €
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Red Hot Chili Peppers
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Virtualsheetmusic
The Sundials
Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
6.35 €
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Matthew Scott Phillips
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a shadow
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) vocal trio, violin and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801775 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718235. Published by Connie Boss (A0.801775). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional violin accent instrument that can be played or not and has piano accompaniment. You can sing all the parts for each verse, or like the mp3, I added parts each verse. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
4.99 €
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) vocal trio, flute and piano
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801774 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. Contemporary,Easter,Sacred. Score. 7 pages. Connie Boss #6718233. Published by Connie Boss (A0.801774). This wonderful song is for a vocal trio with lyrics for Lent. It is for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. It also includes an optional flute accent instrument that can be played or not and has piano accompaniment. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
4.99 €
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Horatius Bonar, John B
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Connie Boss
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
I Heard the Voice of Jesus Say (Lent) Women's trio A Cappella
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801781 Composed by Horatius Bonar, John B. Dykes. Arranged by Connie Boss. A Cappella,Celtic,Easter,Irish,Sacred. Score. 2 pages. Connie Boss #6719735. Published by Connie Boss (A0.801781). This wonderful song is for a vocal trio with lyrics for Lent. It is an A Cappella piece for SSA with Alto carrying the melody and soprano having an echo part while the second soprano carries the high harmony. Lyrics Below. questions or requests email cdboss@cvalley.netI Heard the Voice of Jesus Say (Lent)I heard the voice of Jesus say,For you I gave my lifeIt was a choice, I had to make.My final sacrifice.I came to all of you as a manTo teach you how to liveI came to wash away your sinsThe price I had to give I heard the voice of Jesus sayBehold I freely giveThe living water thirsty oneStoop down and drink and liveI came to all of you and I healedThose of you who were in needI cured you ills and saved your soulsIt was my heavenly deed I heard the voice of Jesus say,I am this dark world’s lightLook unto me, thy morn shall riseAnd all my days be brightI came to all of you on that dayWhen darkness hid the sunAnd in the darkest hour that dayMy earthly days were done.
$5.50
4.99 €
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Horatius Bonar, John B
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Connie Boss
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Lyrics Below
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I Heard the Voice of Jesus Say
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Connie Boss
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SheetMusicPlus
"Three Labe Sonnets" for mezzo-soprano and piano
Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Compos…
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Small Ensemble Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.978194 Composed by Jason A. Heald. Contemporary. Score. 16 pages. Call of the Wild Publishing #6265333. Published by Call of the Wild Publishing (A0.978194). THREE LABE SONNETS for mezzo-soprano and piano is a collection of settings by Louise Labé, (1520-1566), a female French Renaissance poet. Labé was fluent in Latin and Italian, and a trained musician. She wrote twenty-four sonnets. TRANSLATION Sonnet VIII - I Live, I Die I live, I die, I burn with fire, I drown. It matters very little what I feel; All life is now too real, now too surreal; Joy comes and endless boredom weighs me down, And suddenly I laugh and then I cry; With grief and bliss I’m weeping for the past; Good feelings go away and yet they last, And suddenly I bleed and then I sigh. That’s how it goes. Strange, ever changing love Has worn me out. I wish I were removed From such a star-crossed fate! I need a truce With Lady Luck. Again and yet again, Her wheel is spinning madly to produce This wanton, wild, intense, exquisite pain. Sonnet XVIII - O Kiss Me O kiss me, kiss me, re-kiss me, and kiss! Be reckless, impudent, hot-headed, bold! O woo me! Pursue me! Kiss me like this: And I’ll give back fifty as hot as red coals. There, is it hurting? Come, let’s soothe the pain. I’ll give you sixty others just like these. And so we’ll kiss again and then again, While we enjoy each other at our ease. I know there’s fire within your unshaped clay, And so, allow me, love, to share my happiness: O let’s make burning passion rule today. I’m fond of doing what I love to do, Yet cannot feel supreme delight unless I have my other wild encounters, too. Sonnet XIV - As Long As Tears As long as tears can well up in my eyes I’m saddened that our nights are marked by pain. And now my voice expresses once again A plaintive melody I’ve improvised. As long as I can pluck the lute, I try To sing about your charms in my refrain. As long as I can think, my fevered brain Is burning with an ardent zeal. I cry And cry a hundred thousand times for you. But when I feel my whirling thoughts grow still, And when both hand and voice won’t work their will, Because your treachery is piercing through My heart, I’ll know there’s just one final way. I’ll ask for Death to darken that bleak day.
$4.50
4.08 €
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Jason A
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"Three Labe Sonnets" for mezzo-soprano and piano
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Call of the Wild Publishing
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SheetMusicPlus
Let Me Go
Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655
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Rhythm Section 3-Part Mixed Chorus,Voice - Level 5 - Digital Download SKU: A0.1426655 By Holiyo. By Holyone Tombari Dodoh. Blues,Contemporary,Jazz,Opera,Reggae. Vocal Jazz Ensemble. 81 pages. Holyone Tombari Dodoh #1007357. Published by Holyone Tombari Dodoh (A0.1426655). Lyrics:I want to be free,I want to begin,I want to be me,I want to be happy.I want to be like you,I want to be someone,I want to believe,That I'm ready,Because I'm ready.Trust in me,And believe in tomorrow,I need to sowA good seed nowSo I can reap.When it's time,You'll be happy,Don't make me bitter today,I don't like sadness.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on, you, let go,I'm not that little,This is so hurting,I want to be me.Please don't be offended,I'm asking for freedom,I want to be happy,Just like as you are.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.You're feeling so well,Please let me be,I want to feel well,Can't understand;Why don't you give meThe liberty to choose,How to run my life,Even when you see me,Doing better that way.I love you so much,I want you proud of me,Till the breaking of the day,Why can't you wait.And believe in my path,'Cause I won't let you down,You'd be happy,You'd tell me well done!Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.Come on please,Let me go,Let me liveThe way I want,Why do you takeAway my pride,Oh come on,Let me go.
$7.00
6.35 €
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Holiyo
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Let Me Go
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Holyone Tombari Dodoh
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SheetMusicPlus
Sanctus, Benedictus and Agnus Dei (with major 7th) for ATB choir and guitar (mp3)
Choir,Guitar - Level 4 - Digital Download SKU: A0.1387480 By András Csáki (gu…
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Choir,Guitar - Level 4 - Digital Download SKU: A0.1387480 By András Csáki (guitar) and Budapest Scoring Singers. By David Warin Solomons. Contemporary,Religious,Sacred. Full Performance. Duration 419. David Warin Solomons #971335. Published by David Warin Solomons (A0.1387480). Recently rediscovered work of mine from 1975 - with special thanks to Nigel Warner for discovering and returning my manuscript and to Alexandr Burikov for entering it on Finale notation for me. Sanctus, sanctus, sanctusDominus Deus SabbaothSanctus Sanctus Dominus SanctusPleni sunt caeli et terra gloria TuaOsanna in excelsisBenedictus qui venit in nomine DominiOsanna in excelsis.Agnus Dei qui tollis peccata mundiMiserere nobisAgnus Dei qui tollis peccata mundiDona nobis pacemAmen(Holy, holy holyLord God of HostsHoly holy Lord holyHeaven and earth are full of your gloryHosanna in the highestBlessed is he who comes in the name of the LordHosanna in the highestLamb of God who takes away the sins of the worldHave mercy on usLamb of God who takes away the sins of the worldGive us peaceAmen)Performed by:Altos -  Nagy Bernadett and Viola ThurnayTenors - Lajos Fodré and Péter Mészáros Basses -  Ãkos Borka and Béla Silló György Guitar - András Csáki.
$7.50
6.8 €
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András Csáki
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Sanctus, Benedictus and Agnus Dei
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David Warin Solomons
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SheetMusicPlus
Nothing Compares (Anthem) - Orchestration
Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christ…
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Large Ensemble Choir - Level 3 - Digital Download SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
45.33 €
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
The Butterfly
Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Dan…
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Flute,Vibraphone,Voice - Level 4 - Digital Download SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00
10.88 €
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Entre le boeuf et l'âne gris (Le someil de l'Enfant Jesus - Between the ox and the grey donkey)
Bass Voice,Bassoon,Choir,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.13467…
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Bass Voice,Bassoon,Choir,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.1346722 By French Traditional. By Marco Simoncini. Arranged by Marco Simoncini. Christian,Christmas,Early Music,Medieval,Traditional. 13 pages. MaestroSimoncini #931503. Published by MaestroSimoncini (A0.1346722). A little sweet carol, this lullaby for the newborn Jesus brings a whiff of peace and serenity with an archaic taste of far away lands. It's also very useful to give the strings a rest during a Christmas concert!
$30.00
27.2 €
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French Traditional
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Marco Simoncini
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Entre le boeuf et l'âne gris
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MaestroSimoncini
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SheetMusicPlus
Daddy’s Little Girl (The Wedding Song) – Original Recording
Double Bass,Drums,Guitar,Voice - Digital Download SKU: A0.1071251 Composed by Charl…
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Double Bass,Drums,Guitar,Voice - Digital Download SKU: A0.1071251 Composed by Charles A. Gravenhorst. Arranged by Charles A. Gravenhorst. Pop,Wedding. Full Performance. Duration 303. CG Publications #6418745. Published by CG Publications (A0.1071251). Performance of Daddy’s Little Girl (The Wedding Song) as originally recorded in 2014.Two sheet music versions of this song are available here through SMP Press at the following: a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-1-digital-sheet-music/20504842 a:link,a:visited { color: Blue; background-color: #FFFFFF; text-decoration: none; target-new: none; } a:hover { color: #0000FF; background-color: #FFFFC0; text-decoration: underline; target-new: none; } https://www.sheetmusicplus.com/title/daddy-s-little-girl-the-wedding-song-version-2-digital-sheet-music/20512593 LYRICS:I knew that it was gonna come someday, When I would give my little girl away,
$3.99
3.62 €
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Charles A
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Charles A
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background-color: #FFFFFF
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Daddy’s Little Girl
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CG Publications
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SheetMusicPlus
Deep River
Small Ensemble Flute,Harp,Recorder,Violin - Level 3 - Digital Download SKU: A0.797327
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Small Ensemble Flute,Harp,Recorder,Violin - Level 3 - Digital Download SKU: A0.797327 Arranged by Deborah Govenor. Christian,Folk,Sacred,Spiritual,Traditional. Score and parts. 39 pages. Afghan Press Music for the Harp #4803799. Published by Afghan Press Music for the Harp (A0.797327). Heart-felt Spirituals that are appropriate for worship and American historical events. Deep River is written for harp and recorder but are suitable for any C pitch melody instrument. Each song is around two to three pages long, in the keys of D and G major. Throughout each piece there are very few lever/pedal changes. Contains: Deep River, Ev’ry Time I Feel the Spirit, Give Me Jesus, Go Tell It On the Mountain, My Lord, What a Morning, Nobody Knows the Trouble I’ve Seen, Ride On, King Jesus, Standin’ in the Need of Prayer, Steal Away, Swing Low, Sweet Chariot, Were You There?
$16.00
14.51 €
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Deborah Govenor
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Deep River
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Afghan Press Music for the Harp
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SheetMusicPlus
Tubilation
Brass Band - Intermediate-Advanced - Digital Download SKU: F2.FM334 Composed by Kei…
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Brass Band - Intermediate-Advanced - Digital Download SKU: F2.FM334 Composed by Keiron Anderson. Brass Band. Score and Parts. 83 pages. Forton Music - Digital #FM334. Published by Forton Music - Digital (F2.FM334). ISBN 9790570482337.A fantastic tuba feature with brass band backing. Driving semiquaver rhythms push this piece forwards whilst remaining away from the centre of attention which is undoubtedly the big old tuba! Full of semiquavers and scales rushing up to the top of the range of the instrument, there can be no doubt that the tuba is the star of the show. The solo part is carefully thought through with enough rests to make it approachable, while the syncopatino in the other parts give the music an energy that is maintained to the very final flourish, instigated by a demisemiquaver scale run on the tuba! Intermediate and above ensemble parts, but the solo tuba part needs a fairly skilled and confident player to get the most out of this piece.
$40.95
37.13 €
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Keiron Anderson
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Tubilation
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Forton Music - Digital
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SheetMusicPlus
Four Favorite Hymns from the Movie - "Stars In My Crown"
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital …
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99
7.24 €
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John R
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Ginny Saltzman
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Four Favorite Hymns from the Movie - "Stars In My Crown"
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Ginny's House of Music
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SheetMusicPlus
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,…
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.07 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
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