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Vous avez sélectionné:
Good As Hell
Partitions à imprimer
34 partitions trouvées
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Good As Hell
Small Ensemble - Level 4 - Digital Download SKU: A0.993759 By Bad Royale. By Eric F…
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Small Ensemble - Level 4 - Digital Download SKU: A0.993759 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Kalin Peña. Hip-Hop. Score and parts. 27 pages. Kaliente Soundworks #5222489. Published by Kaliente Soundworks (A0.993759). This arrangement of Lizzo's hit song reflects the marching feel that her 2019 video release conveyed, in a jam combo arrangement for wind and rhythm instruments. The 5 main parts are included in additional transpositions to allow for various combo formations.
$25.00
22.96 €
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Bad Royale
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Kalin Peña
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Good As Hell
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Kaliente Soundworks
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SheetMusicPlus
Good As Hell
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510092 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Andrea La Rose. Hip-Hop. Score and parts. 6 pages. Published by Andrea La Rose (A0.510092). Transcription of lead and backing vocals, suitable for clarinet, bass clarinet, trumpet, soprano saxophone, and tenor saxophone. Chords included.
$4.99
4.58 €
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Bad Royale
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Andrea La Rose
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Good As Hell
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Andrea La Rose
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SheetMusicPlus
Good As Hell
Small Ensemble Alto Saxophone,Clarinet,Flute,Piano,Trumpet,Tuba - Level 3 - Digital Downlo…
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Small Ensemble Alto Saxophone,Clarinet,Flute,Piano,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.934001 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Nick Mazuk. Hip-Hop. Score and parts. 26 pages. Mazuk Music #6866243. Published by Mazuk Music (A0.934001).
$12.99
11.93 €
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Bad Royale
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Nick Mazuk
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Good As Hell
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Mazuk Music
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SheetMusicPlus
Good As Hell
Large Ensemble Bass Guitar,Drums,Hand Percussion,Piano Accompaniment,Tenor Saxophone,Tromb…
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Large Ensemble Bass Guitar,Drums,Hand Percussion,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Intermediate - Digital Download SKU: A0.510087 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Andrea La Rose. Hip-Hop. Score and parts. 25 pages. Published by Andrea La Rose (A0.510087). Lizzo's hit, lovingly transcribed and arranged based on the original instrumentation: lead vocals, backing vocals, tenor sax, trumpet, trombone, piano, bass guitar, conga, and drum set.
$30.00
27.55 €
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Bad Royale
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Andrea La Rose
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Good As Hell
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Andrea La Rose
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SheetMusicPlus
Good As Hell
Large Ensemble Bass Guitar,Drum Set,Hand Percussion,Piano Accompaniment,Tenor Saxophone,Tr…
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Large Ensemble Bass Guitar,Drum Set,Hand Percussion,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet,Voice - Digital Download SKU: A0.510096 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Andrea La Rose. Hip-Hop. Score and parts. 25 pages. Published by Andrea La Rose (A0.510096). Transcription of Lizzo's hit song in score form.
$12.99
11.93 €
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Bad Royale
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Andrea La Rose
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Good As Hell
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Andrea La Rose
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SheetMusicPlus
Good As Hell
Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone,Tuba - Intermediate - Digital …
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Small Ensemble Bassoon,Cello,Double Bass,Euphonium,Trombone,Tuba - Intermediate - Digital Download SKU: A0.510093 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Andrea La Rose. Hip-Hop. Score and parts. 6 pages. Published by Andrea La Rose (A0.510093). Transcription of lead and backing vocals, suitable for bassoon, cello, bass, trombone, euphonium, tuba. Chords included.
$4.99
4.58 €
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Bad Royale
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Andrea La Rose
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Good As Hell
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Andrea La Rose
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SheetMusicPlus
Good As Hell
Small Ensemble Flute,Oboe,Recorder,Violin - Intermediate - Digital Download SKU: A0.510…
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Small Ensemble Flute,Oboe,Recorder,Violin - Intermediate - Digital Download SKU: A0.510089 By Bad Royale. By Eric Frederic, Lizzo, Marshall Jefferson, and Melissa Jefferson. Arranged by Andrea La Rose. Hip-Hop. Score and parts. 6 pages. Published by Andrea La Rose (A0.510089). Transcription of lead and backing vocals, suitable for flute, recorder, oboe, violin, and mallet instruments. Chords included.
$4.99
4.58 €
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Bad Royale
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Andrea La Rose
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Good As Hell
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Andrea La Rose
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SheetMusicPlus
Pals, Good Old Pals
Piano and voice [solo and TTBB chorus] - Digital Download SKU: LV.14852 Composed by…
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Piano and voice [solo and TTBB chorus] - Digital Download SKU: LV.14852 Composed by Thurland Chattaway. Children, Baseball, Sports, Equipment, Friendship. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14852). Pals, Good Old Pals. By Thurland Chattaway. Published 1905 by G.W. Setchell, 633 Washington St. in Boston. Composition of strophic with chorus with piano and voice [solo and ttbb chorus] instrumentation. Subject headings for this piece include Children, Baseball, Sports, Equipment, Friendship. First line reads In a school yard two lads were playing Jack.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Thurland Chattaway
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Thurland Chattaway
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Pals, Good Old Pals
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Michelle
Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1090971 By T…
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Acoustic Guitar,Instrumental Solo - Level 2 - Digital Download SKU: A0.1090971 By The Beatles. By John Lennon and Paul McCartney. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,Folk,Jazz,Pop,Standards. Individual part. 6 pages. ToRa Swarna Diva #695120. Published by ToRa Swarna Diva (A0.1090971). Michelle, written by Lennon & McCartney, was the first song to be arranged by Tondi Rangkuti a.k.a Tondi. FR at the age of 13 years. Namely after studying guitar for approximately 3 years. This song is arranged with original harmonization. But it's good enough for teachers who want to teach 'Walking Bass' in 'Minor Key' for Beginner to intermediate level students. In addition, this legendary song has a beautiful melody and is easy for anyone to like quickly. This arrangement is also interesting enough to be performed at a small concert or as warm-up music for those of you who are at an advanced level. Download for only $6. Midi Audio is available to help you learn it.
$11.00
10.1 €
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The Beatles
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Tondi Rangkuti a
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Michelle
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ToRa Swarna Diva
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SheetMusicPlus
Michelle
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.…
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.1161009 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bill Malcolm. 20th Century,Instructional,Standards,Traditional. 12 pages. Bill Malcolm #761327. Published by Bill Malcolm (A0.1161009). This arrangement begins and ends with a misterious almost sinister mood but opens into the the beautiful Beatles love song between. A 2nd bassoon part is included as an alternative for the contrabassoon. Analogous arrangements for other wind combinations are available on sheetmusicplus.com. This is a good arrangement for introducing children to double reed instruments. The sound sample starts at measure 70.
$20.00
18.37 €
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The Beatles
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Bill Malcolm
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Michelle
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Bill Malcolm
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SheetMusicPlus
They Were Not Here (Downloadable)
Children - Medium - Digital Download SKU: MQ.56-0042-E Composed by Howard Goodall. …
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Children - Medium - Digital Download SKU: MQ.56-0042-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0042-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0042-E). English.Commissioned by The Voices Foundation in commemoration of the 50th anniversary of the ending of World War II, this most somber and dramatic piece uses texts from David Geraint Jones and William Shakespeare to chronicle the recollections and reflections of a soldier, which are not for the faint of heart. Thinking back on a more carefree past, the “speaker†assures his love that the future will again hold quiet and wonder. However, the price to be paid in between the past and the future is in blood and death. The soldier predicts poppies swaying over him as he lies freed of pain, yes, but also of passion. And he concludes, “Your peace is bought with mine, if but the echo of your laughter reaches me in hell.â€.
$3.35
3.08 €
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Howard Goodall
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They Were Not Here
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.83 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.69 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Fine Knacks for Ladies (mp3)
Choir - Digital Download SKU: A0.1059405 Composed by John Dowland. Arranged by Davi…
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Choir - Digital Download SKU: A0.1059405 Composed by John Dowland. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 142. David Warin Solomons #3383555. Published by David Warin Solomons (A0.1059405). Score:http://www.sheetmusicplus.com/title/21204418?aff_id=175705Arrangement for men's voices created and sung by David Warin SolomonsFine knacks for ladies, cheap, choice, brave and new,Good pennyworths but money cannot move,I keep a fair but for the fair to view,A beggar may be liberal of love.Though all my wares be trash, the heart is true.Great gifts are guiles and look for gifts again,My trifles come as treasures from my mind,It is a precious jewel to be plain,Sometimes in shell the Orient's pearls we find.Of others take a sheaf, of me a grain.Within this pack pins, points, laces and gloves,And divers toys fitting a country fair,But in my heart, where duty serves and loves,Turtles and twins, Court's brood, a heav'nly pair.Happy the man that thinks of no removes.
$2.00
1.84 €
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John Dowland
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David Warin Solomons
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Fine Knacks for Ladies
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David Warin Solomons
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SheetMusicPlus
The Firebird (L'Oiseau de feu / Der Feuervogel)
2 Picc. · 3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 (3. auch…
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2 Picc. · 3 (3. auch Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 (3. auch ì Kfg.) · Kfg. - 4 · 3 · 3 · 1 - P.S. (Trgl. · Beck. · Tamt. · Schellentr. · ì gr. Tr. · Glspl. · Xyl.) (4 Spieler) - 3 Hfn. · Klav. · Cel. - Str. (16 · 16 ì · 14 · 8 · 6) orchestra - Digital Download SKU: S9.Q47203 Suite for orchestra (1919). Composed by Igor Stravinsky. This edition: study score. Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q47203. Published by Schott Music - Digital (S9.Q47203). German • English.Igor Stravinsky's musical setting of the Slavic fable The Firebird is one of the most ground-breaking orchestral works of the early 20th century. The reviews of the world premiere of the ballet at the Théâtre National de l’Opéra in Paris lauded Stravinsky's 'dazzling music in all shades of colour'; as a consequence, he composed two orchestral suites of his ballet. The version of 1919 is now published as a new edition with a modern notation and new orchestral material.Writing music to heighten dramatic situations, such as battle and crisis, was a speciality of Igor Stravinsky. In his ballet, The Firebird, premiered in 1910, the 27 year old composer surpassed many of today’s film composers by depicting a breathtaking battle between good and evil. With music written for large orchestra, this is carefully thought out and precisely choreographed battle music that could not be more exciting!
$23.99
22.03 €
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Igor Stravinsky
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The Firebird
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Schott Music - Digital
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SheetMusicPlus
Let's Stay Together
Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 2 - Digital Download
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Instrumental Duet Bass Guitar,Double Bass,Instrumental Duet - Level 2 - Digital Download SKU: A0.917912 By Al Green. By Al Green, Al Jackson, Jr., and Willie Mitchell. Arranged by Zulhilmy Zulkifli. Soul. Score and parts. 13 pages. ZZ Music Solutions #5769383. Published by ZZ Music Solutions (A0.917912). Let’s Stay Together is a song by American singer, Al Green. It was released as a single in 1971 and later, as the first track of Al Green's 1972 album with the same title. Leroy Hodges recorded the bass, and it features similarities to James Jamerson style of playing. This transcription is based on the album version and arranged to be played on a 4-string bass with standard tuning.This song is in the key of F major and is about 3’19 long. The tempo is at 102 bpm and suitable for an early-intermediate player. Do take note, at bar 16, 20, 32, 36, 54 and 58, you are required to let the F# note to ring (sustain) while playing the D note, resulting in an interval of major thirds apart, but an octave higher, which is a voicing in major tenth to be more precise. The song ends in a fade-out manner, so, I have transcribed similarly to let you to play along with the album version. If you are playing with a band, do listen to the live version for some idea on the ending. This transcription includes 3 parts ; 1)both notation and TAB (4 pages) 2)notation-only (3 pages) 3)TAB-only (3 pages). I made these options available for any bassist with different preferences. I know we are unique, as I am a bassist as well. Have fun and good luck. Do visit me at www.zulhilmyzulkifli.com>www.zulhilmyzulkifli.com for any inquiries. Thank you for your purchase, and I hope you enjoy the music.
$4.99
4.58 €
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Al Green
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Zulhilmy Zulkifli
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Let's Stay Together
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ZZ Music Solutions
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SheetMusicPlus
I Am The Walrus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SK…
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 10 pages. RayThompsonMusic #379309. Published by RayThompsonMusic (A0.771667). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Transposed into Ab Arranged brass quartet: 2 tpt, tbn and tuba. Alt horn in F part for tbn. You tube link is the clarinet quartet arrangement, but will give you an idea as to how the wq will sound.
$17.95
16.48 €
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Shake Your Money Maker
Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.882907 By Fleetwood Mac. By Elmore James. Arranged by Caleb Murray. Pop,Rock. Score and parts. 60 pages. Caleb Murray #5988843. Published by Caleb Murray (A0.882907). Hello again! I arranged a version of Elmore James' blues jam, Shake Your Money Maker, an upbeat, simple blues meant to make you feel alright! This chart features the trumpets and saxophones mostly, with a guitar solo as the main feature in the song. The backgrounds for the guitar solo are meant to really rock the party, as the intensity builds and builds as the guitarist continues to wail on his or her solo. Highest note is a high E (concert D) for trumpets. That being said, I'd still say this is an intermediately difficult tune and could be played well be a good high school group. Perfect for learning about the blues and showing off a great guitarist.
$50.00
45.91 €
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Fleetwood Mac
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Caleb Murray
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Shake Your Money Maker
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Caleb Murray
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SheetMusicPlus
Inspired By Masters
Drum Set - Level 3 - Digital Download SKU: A0.1314716 Composed by Aaron Staebell. J…
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Drum Set - Level 3 - Digital Download SKU: A0.1314716 Composed by Aaron Staebell. Jazz. Educational Exercises. 24 pages. Aaron Staebell #903489. Published by Aaron Staebell (A0.1314716). This collection of eight solos aims to capture the styles and vocabulary of 10 masters of jazz drumming, and present that material in an accessible way. Much of the music available for drum set solos is difficult and geared towards those with a good amount of experience. These solos can be played by students as early as their first year of study on the drumset. It will give them exposure to material grounded in the jazz tradition, while hopefully remaining playable and generating interest and inspiration to forge deeper into the jazz drumming tradition.The eight solos are:NASHTY is inspired by Lewis Nash, and his intro on Say Hello to Calypso from a Jim Hall record called Grand Slam.ILADELPH is inspired by the classic vocabulary of Philly Joe Jones.CHILD'S PLAY brings to mind the carefree playing of both Paul Motian and Jorge Rossy.BREAKTHROUGH is inspired by the masterful vocabulary of Billy Higgins, particularly on Hank Mobley's The Break Through.THE TWISTED BARON tries to capture the vamp-oriented solos and sonic variety of Joey Baron.SOME TASTY STEW comes from the worlds of both Bill Stewart and Nasheet Waits, particularly Nasheet's intro on Kinda Dukish with Jason Moran.THANK YOU MATT WILSON! is based on the melodic soloing of Matt Wilson, specifically on his own tune, Thank You Billy Higgins!.BLAKEY’S TRY is inspired by the ferocious drumming of the great Art Blakey.
$15.99
14.68 €
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Aaron Staebell
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Inspired By Masters
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Aaron Staebell
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.66 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.77 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.77 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Kesh Jig (Irish Traditional) - Lead sheet (key of C)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859024 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6294575. Published by Stephen Bulat Publishing (A0.859024). This traditional Irish folk song used in the epic film Titanic has been performed by many recording artists including Gaelic Storm, Bothy Band, Eamon Mitchell Group, The Triskells, James Thurgood, The Greencastle Band, The Wyndbreaker Band and Ron Kavana & The Alias Acoustic Band. A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.75 €
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Irish Traditional
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Stephen Bulat
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The Alias Acoustic Band
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Kesh Jig
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Stephen Bulat Publishing
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SheetMusicPlus
Kesh Jig (Irish Traditional) - Lead sheet in original key of G
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guit…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - Digital Download SKU: A0.859022 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6294565. Published by Stephen Bulat Publishing (A0.859022). This traditional Irish folk song used in the epic film Titanic has been performed by many recording artists including Gaelic Storm, Bothy Band, Eamon Mitchell Group, The Triskells, James Thurgood, The Greencastle Band, The Wyndbreaker Band and Ron Kavana & The Alias Acoustic Band. A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99
2.75 €
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Irish Traditional
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Stephen Bulat
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The Alias Acoustic Band
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Kesh Jig
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Stephen Bulat Publishing
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SheetMusicPlus
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