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1 Piano, 4 mains
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Voix duo
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Voix seule
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Chorale
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Voix Tenor
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Voix haute
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Voix, Guitare
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Flûte traversière
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Saxophone Alto
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2 Saxophones (duo)
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Clarinette
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62
2 Flûtes traversières (duo)
51
Flûte, Hautbois, Clarinette, Basson
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Saxophone
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Saxophone Alto et Piano
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2 Clarinettes (duo)
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Clarinette et Piano
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Quintette de Saxophone: 5 saxophones
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Flute (partie séparée)
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2 Hautbois (duo)
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3 Saxophones (trio)
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Flûte à bec Soprano
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Flûte, Violoncelle
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Flûte, Alto (duo)
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Hautbois, Clarinette (duo)
9
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Clarinette et Alto
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Hautbois
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Clarinette, Harpe (duo)
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Flûte à bec Alto
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Quintette de Flûte : 5 flûtes
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2 Clarinettes, Piano
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Flûte à Bec
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Flûte irlandaise
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Flûte à bec Tenor
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Saxophone et Harpe
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Flûte, Hautbois, Piano (trio)
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Harmonica
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Clarinette, Tuba
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Ocarina
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Flûte, Tuba (duo)
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Flûte, Violon, Piano
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3 Hautbois
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Hautbois, violon (duo)
2
Hautbois, Violoncelle
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Flûte traversière, Orgue (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, trompette et piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois et alto (duo)
1
2 Saxophones, Piano
1
Cor anglais, Piano
1
3 Flûtes à bec (trio)
1
Flute, harpe et violon
1
Cor Anglais
1
Flûte, Violoncelle, Guitare
1
Ensemble à vent
1
Flûte, trombone et piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Instruments en Mib
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Trombone (partie séparée)
146
Trompette (partie séparée)
106
Trompette
72
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Trombone
56
Cor
46
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette, Piano
31
Trombone et Piano
31
Tuba
29
Euphonium
25
Cor (partie séparée)
25
Quatuor de Cuivres
23
2 Trompettes (duo)
22
Tuba (partie séparée)
19
2 Trombones (duo)
18
Trompette, Trombone (duo)
16
Quatuor de cuivres: 4 trombones
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
14
2 Cors (duo)
11
2 Tubas (duo)
10
Trompette, Saxophone (duo)
10
Tuba et Piano
7
Quatuor de cuivres: 4 cors
6
Ensemble de Trombones
5
Instruments en Sib
4
3 Trombones (trio)
4
Trompette, Cor (duo)
3
Ensemble de Trompettes
3
Trompette, Tuba (duo)
3
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 trompettes
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Cor et Harpe
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
2
Trombone, Violon (duo)
2
Euphonium, Piano (duo)
2
Trompette, Trombone, Piano
2
Trio de Cuivres
2
Bass Clef Instruments
2
3 Tubas (trio)
1
4 Tubas
1
Ensemble de Tubas
1
Cor anglais, Piano
1
Cor Anglais
1
Euphonium, Tuba (duo)
1
Trompette, Harpe
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
185
Violon
81
Violon et Piano
77
Harpe
64
2 Violons (duo)
60
Violoncelle (partie séparée)
51
Violon, Violoncelle (duo)
46
Violoncelle, Piano
42
2 Violoncelles (duo)
40
Alto, Piano
38
Alto seul
36
Contrebasse (partie séparée)
36
Trio à Cordes: violon, alto, violoncelle
35
2 Altos (duo)
34
Violon, Alto (duo)
26
Violoncelle
24
Alto (partie séparée)
20
Quintette à cordes: 2 violons, alto, violoncelle, basse
19
Alto, Violoncelle (duo)
16
Trio à Cordes: 2 violons, violoncelle
13
2 Contrebasses (duo)
10
Violon (partie séparée)
10
Trio à Cordes: 3 violoncelles
9
Contrebasse, Piano (duo)
9
Trio à cordes: 3 violins
8
4 Violoncelles
7
Violoncelle, Contrebasse (duo)
6
Violon, Guitare (duo)
6
Harpe, Flûte (duo)
6
2 Harpes (duo)
6
Violon, Basson (duo)
4
Violoncelle , Guitare (duo)
4
4 Harpes
3
Violon, Tuba (duo)
3
Harpe, Violon (duo)
3
Contre Basse
3
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Trio à cordes
1
Alto et Harpe
1
Quatuor à cordes : 4 altos
1
3 Contrebasses
1
Ensemble de Violons
1
2 Violoncelles, Piano
1
Harpe, Trombone (duo)
1
Harpe, Voix
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
285
Ensemble Jazz
164
Orchestre à Cordes
98
Ensemble de cuivres
70
Orchestre
63
Cloches
43
Batterie (partie séparée)
29
Batterie
28
Jazz combo
26
Ensemble de Percussions
16
Percussion (partie séparée)
15
Fanfare
15
Orchestre de chambre
14
Marimba
5
Xylophone
2
Xylophone, Piano
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Percussion
1
Xylophone ou Marimba ou Vibraphone
1
Instrumentation Flexible
1
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Phyllis the Photobombing Phantom, Halloween Duet for Trumpet and Tenor Horn
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.592237 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355707. Published by David McKeown (A0.592237). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
#
David McKeown
#
Phyllis the Photobombing Phantom, Halloween Duet for Trumpet and Tenor Horn
#
David McKeown
#
SheetMusicPlus
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.592226 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355685. Published by David McKeown (A0.592226). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
#
David McKeown
#
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Cor Anglais
#
David McKeown
#
SheetMusicPlus
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.592227 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6355687. Published by David McKeown (A0.592227). Phyllis the Photobombing Phantom is a fun and original duet written by David McKeown for one Oboe and one Violin. Phyllis the Photobombing Phantom is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.You have probably met Phyllis. Before tripping over a coat-hanger and becoming a phantom, Phyllis was a successful model and she still loves the camera. Since you need good light for photography she isn’t nocturnal like the other phantoms. If you’ve ever had those annoying light spots and flares in your pictures, that’s Phyllis photobombing your shot.Phyllis the Photobombing Phantom is suitable for players at an advanced intermediate level and above, with the accessible range balanced by some faster whole-tone passages. With a playing-time of around three and a half minutes, Phyllis the Photobombing Phantom is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
#
David McKeown
#
Phyllis the Photobombing Phantom, Halloween Duet for Oboe and Violin
#
David McKeown
#
SheetMusicPlus
"Sister Selena's Bluesy Minuet in F Minor, Pt. I (For Piano, Violin and Violoncello)
Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1025083 Composed by…
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Piano Trio,String Ensemble - Level 3 - Digital Download SKU: A0.1025083 Composed by Shawn Roney. Arranged by Phyllis Hopper. Blues,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 7 pages. Gregory Shawn Roney #5740247. Published by Gregory Shawn Roney (A0.1025083). Inspired by the Selena Gomez track Good For You and featured (in solo excerpt form) in the monthly podcast series Ray County Voices, this instrumental composition is the first part of a three-part piece. As piano solo performances of Sister Selena at St. Luke's Episcopal Church in Excelsior Springs, Missouri, have demonstrated, it works well as prelude music for liturgical church services. It also is well-suited for relaxed secular programs, such as recitals.To listen to the track, listen to the for-piano version, posted on YouTube.Because of the key signature, Sister Selena is best suited for intermediate students/ensembles. .
$7.99
7.44 €
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Shawn Roney
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Phyllis Hopper
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"Sister Selena's Bluesy Minuet in F Minor, Pt. I
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Gregory Shawn Roney
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SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn
Instrumental Duet Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.592397…
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Instrumental Duet Instrumental Duet,Trumpet - Level 4 - Digital Download SKU: A0.592397 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358911. Published by David McKeown (A0.592397). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Horn.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
#
David McKeown
#
Walter the Weary Werewolf, Halloween Duet for Trumpet and Tenor Horn
#
David McKeown
#
SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Oboe and Cor Anglais (or English Horn)
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.592386 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358889. Published by David McKeown (A0.592386). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Cor Anglais (or English Horn).Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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David McKeown
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Walter the Weary Werewolf, Halloween Duet for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Walter the Weary Werewolf, Halloween Duet for Oboe and Violin
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.592387 Composed by David McKeown. Concert,Contemporary,Halloween,Standards. Score and parts. 4 pages. David McKeown #6358891. Published by David McKeown (A0.592387). Walter the Weary Werewolf is a spooky and original duet written by David McKeown for one Oboe and one Violin. Walter the Weary Werewolf is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Oboe and Violin.Walter has a young family and a responsible job as a vet, so he needs a good night’s sleep. When there’s a full moon he sprouts fangs, claws and body hair like all the other werewolves, but rather than howling, he scratches the back of his neck with his leg and goes back to sleep with a whimper. His wife was surprised the first time, but she’s used to it now.Walter the Weary Werewolf is suitable for players at an advanced intermediate level and above. The main melody has many accidentals and challenging timing, while the faster middle section features irregular metre. The range is accessible for both players. With a playing-time of just under four minutes, Walter the Weary Werewolf is a perfect spooky addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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David McKeown
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Walter the Weary Werewolf, Halloween Duet for Oboe and Violin
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 4 - Digital Download SKU: A0.594081 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537273. Published by David McKeown (A0.594081). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 4 - Digital Download SKU: A0.594071 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537253. Published by David McKeown (A0.594071). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.594070 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6537251. Published by David McKeown (A0.594070). Good King Wenceslas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Good King Wenceslas is Finnish in origin and dates back to the thirteenth century. The Christmas lyrics we know and love were added much later by English hymn-writer John Mason Neale and were first published in 1853. With a performance time a little over three minutes, this version of Good King Wenceslas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Good King Wenceslas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several chromatic passages to keep players on their toes. The melody is played four times, each version different from the last, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Traditional
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David McKeown
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Good King Wenceslas, Jazz Style, for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Were You There When They Crucified My Lord? [Guitar Chord Version]
Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stace…
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Guitar - Level 1 - Digital Download SKU: A0.1380647 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Chords/Lyrics. 2 pages. Anastace #965426. Published by Anastace (A0.1380647). Here is a guitar-friendly version of Were You There When They Crucified My Lord? as heard on my YouTube channel. This version is in G major to make it easy for a beginner guitar player, and can be played capo 5 to match the key of the original recording.This arrangement of the classic Good Friday hymn has simple chords to accompany the solemn, beautiful melody and point towards the deep meaning and solemnity of Holy Week. This arrangement works well as a solo or congregational song for any Easter service, particularly for Good Friday or Maundy Thursday. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in C major to match the original recording Full piano and vocal arrangement in E Flat and G Major to match different vocal rangesFull complexity lead sheet version in C MajorSolo piano version for a prelude/postlude, or communion interludeFor other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$2.00
1.86 €
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Stacey Plays Hymns
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Anastace
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Were You There When They Crucified My Lord? [Guitar Chord Version]
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Anastace
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SheetMusicPlus
Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano
Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU…
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Instrumental Duet,Piano Recorder Solo,Soprano Recorder - Level 2 - Digital Download SKU: A0.587709 Composed by Gabriel Faure. Arranged by David McKeown. Contemporary,Romantic Period,Sacred,Standards. Individual part. 5 pages. David McKeown #4810607. Published by David McKeown (A0.587709). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Descant or Soprano Recorder with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
4.28 €
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requiem, for Soprano or Descant Recorder and Piano
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Flute and Viola Duet
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.588820 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019045. Published by David McKeown (A0.588820). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589053 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019079. Published by David McKeown (A0.589053). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.588930 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019059. Published by David McKeown (A0.588930). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Mazel Tov, Klezmer Wedding Tune for Oboe and Cor Anglais, (or English Horn), Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588926 Composed by Sigfrid Mogulesko. Arranged by David McKeown. Hanukkah,Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6019055. Published by David McKeown (A0.588926). Chosn Kale Mazel Tov, (Good Luck to the Bride and Groom), is a Jewish wedding tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais.Often shortened to Mazel Tov, it is thought that the song was written by Sigmund Zelig Mogulesko. Born in Romania, he was a larger than life character who dominated Yiddish theatre on both sides of the Atlantic in the late nineteenth century. Mogulesko was a childhood prodigy, equally adept as a composer, playwright, singer, comedian, actor and impresario. Mazel Tov was written for a wedding scene in one of his productions but has since become one of the best-known and loved Klezmer standards.Mazel Tov is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo, with constant variations in the accompaniment. Mazel Tov is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Mazel Tov is perfect for wedding and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.71 €
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Sigfrid Mogulesko
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David McKeown
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Mazel Tov, Klezmer Wedding Tune for Oboe and Cor Anglais,
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David McKeown
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SheetMusicPlus
Theme form Morning Mood for clarinets and saxophones
Small Ensemble - Level 3 - Digital Download SKU: A0.961156 Composed by Edvard Grieg…
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Small Ensemble - Level 3 - Digital Download SKU: A0.961156 Composed by Edvard Grieg. Arranged by Ho Pak Kei. Romantic Period. Score and parts. 15 pages. Ho Pak Kei #5745029. Published by Ho Pak Kei (A0.961156). It is a easy version of Grieg's Morning Mood from Peer Gynt, Op.23. Everything keep easy but effective. Good for young musicians. For 5 clarinets, alto saxophone, tenor saxophone and bass clarinet.
$4.99
4.64 €
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Edvard Grieg
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Ho Pak Kei
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Theme form Morning Mood for clarinets and saxophones
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Ho Pak Kei
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468186. Published by jmsgu3 (A0.552847). J. S. Bach BWV 508  Score: 5 pages, Solo part: 1 page. Piano part: 2 pages. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo. He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.67 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549238 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3469232. Published by jmsgu3 (A0.549238). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
30.67 €
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Piccolo & Piano
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jmsgu3
#
SheetMusicPlus
Good For You
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.898314 Composed by Benj …
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.898314 Composed by Benj Pasek and Justin Paul. Arranged by Maria Willsher. Contemporary. Octavo. 5 pages. Maria Willsher #5453919. Published by Maria Willsher (A0.898314). Transcription of the Original Broadway Cast Recording of 'Good For You' from the musical Dear Evan Hansen. Includes all vocal parts with accurate harmonies, lyrics and speech within the song. Written for mezzo-soprano, alto and 2x tenor parts - some solo, some two/three/four-part harmony sections.
$1.99
1.85 €
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Benj Pasek and Justin Paul
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Maria Willsher
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Good For You
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Maria Willsher
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SheetMusicPlus
“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565975 By Sharon Wilson. By James M. Black. Arranged by Sharon Wilson Music. Children,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 38 pages. Sharon Wilson #6612669. Published by Sharon Wilson (A0.565975). NOTE: This song has many eighth notes and may take beginners longer to learn and master. Those with a little music experience will probably have an easier time learning this arrangement and have a lot of fun with the quick tempo. For beginning musicians or for introducing new players to Handbells and Boomwhackers®, I recommend starting with an easy song which uses only quarter notes and rests in the score such as God Is So Good for 8-note Bells and Boomwhackers®. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 1 to 3 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Note assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00
9.31 €
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Sharon Wilson
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Sharon Wilson Music
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“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Think on for alto recorder and guitar
Instrumental Duet Alto Recorder,Guitar,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet Alto Recorder,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576906 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #512595. Published by David Warin Solomons (A0.576906). Instrumental arrangement of my song A latter-day Ronsard which is effectively a modern sonnet to a young lady, exhorting her to make the most of her youth (gather ye rosebuds while ye may). The pdf file contains the score and parts. The audio sample is an electronic preview The words of the original song (also available on this site) are: If you but think, Think on and on My little one. If you but think It will go on ... Going for ever, This time of love This time for lovers, You’re for a fall, My little girl, You’re for a fall If you maintain You will retain Fine blushing skin And waist cinched in Delicate arms Fine varnished nails Tender of thigh And fleet of foot, And if you think my sweet It will be true Going for you You're for a fall My little girl, You're for a fall. Gone the good days, Pleasure and holidays. Planets in orbit Circle around But you my sweet You will go straight Toward the unknown And overblown with sagging skin and treble chin Heavy with fat and flesh that's slack Come gather ye roses Look ye around, My little one Blossoms abound Let them repose On the slack tide Of every happiness. So, gather them all Or you'll be sure Pride comes before a fall.
$8.00
7.45 €
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David Warin Solomons
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Think on for alto recorder and guitar
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David Warin Solomons
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SheetMusicPlus
Nuttin' For Christmas
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.877914 Composed by Roy…
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.877914 Composed by Roy C. Bennett and Sid Tepper. Arranged by Rebecca Bogardus. Contemporary. 18 pages. Lillwy Publishing #3685267. Published by Lillwy Publishing (A0.877914). A novelty piece perfect for your youth flute choir or as an encore for your holiday performance! After a traditional upbeat iteration of the tune, bring out a large Naughty sign to get your audience chuckling before launching into a minor section underpinned by nothing less than the Dies irae in the alto and bass line. (Christmas presents are serious!) Just before the final chorus, flip the sign to Nice as the upbeat version returns, this time with a jubilant piccolo descant. Arranged for piccolo, four C flutes, alto flute, and bass flute, with an optional Beginning Flute part. The beginning flute part - a unique feature in the flute choir repertoire - will allow even first-year players to perform with your choir, where they will learn phrasing by mimicking more experienced flutists. It includes fingering and accidental reminders as well as tips to help establish good habits for your beginners. A community flute choir could easily learn this in a couple of rehearsals, and there are so many opportunities for fun dramatic additions! Key of C. Please view the rest of my arrangements at www.studiobogardus.com/arrangements.html and share your performance video with me. 2018 Holiday Contest Entry.
$12.99
12.09 €
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Roy C
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Rebecca Bogardus
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Nuttin' For Christmas
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Lillwy Publishing
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SheetMusicPlus
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged…
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Clarinet - Level 3 - Digital Download SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00
18.61 €
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Various
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Daniel Kelley
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Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Last Resort Music Publishing
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
23.22 €
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
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