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1
The Trombonist's Toolkit Method book
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Brink, Philip
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The Trombonist's Toolkit Metho
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Go...
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00
Go Lotus Picking - A Chinese Tang Dynasty Poem
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Contemporain
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Jianren Li
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Go Lotus Picking - A Chinese T
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Jianren Li
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - SKU: A0.1025126 Composed by Jianren Li. Contemporary. Score and parts. 1 pages. Jianren Li #4346103. P...
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Instrumental Duet Instrumental Duet,Oboe,Violin - SKU: A0.1025126 Composed by Jianren Li. Contemporary. Score and parts. 1 pages. Jianren Li #4346103. Published by Jianren Li (A0.1025126). A poetic description of a summer morning in southern China in Ancient Tang Dynasty. The morning starts with the sun gradually rising, the bird's singing, and the cherishing of the natural beauty on the water margin. The lotus picking youngsters joyful dashing to the water edge follows. .
$3.99
Away in a Manager - Brass Band
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John van Gulik
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John van Gulik
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Away in a Manager - Brass Band
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John van Gulik
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1308907 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas,Contest,Festival,Holiday,Religious. Brass Band. 31 pages. John van Gulik #898165. Published by John van Gulik (A0.1308907). A new arrangement in time for Christmas using two of the most popular tunes for Away in a Manager. The first tune commonly known as Kirkpatrick, starts off with the Euphonium which is gradually joined in turn by all the instruments. Further into the piece, the also commonly used tune Mueller is introduced.Instrumentation :Soprano, 1st, and 2nd CornetsFlugel Horn1st and 2nd HornsBaritone1st, 2nd, and Bass TrombonesEuphonium, Eb and Bb BassPercussion (Timpani/Glock)Comes with full score in letter/landscape format for double sided printing and binding on short edge.  All parts included in letter/portrait format.Note: additional parts are included for horns in F and baritones to tubas in bass clef concert pitchSee https://jvgmusiconline.com for additional parts and other scores for brass band and other ensembles.
$20.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
Sonata Prima C major
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doing so, he gradually found h
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Saverio Mercadante
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Sonata Prima C major
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute (2. flute or violin ad libitum) - SKU: S9.Q589394 Composed by Saverio Mercadante. Flute romantic virtuoso. Downloadable. Musikverlag Zimmermann - ...
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Flute (2. flute or violin ad libitum) - SKU: S9.Q589394 Composed by Saverio Mercadante. Flute romantic virtuoso. Downloadable. Musikverlag Zimmermann - Digital #Q589394. Published by Musikverlag Zimmermann - Digital (S9.Q589394). Key: C major. German • English • French.Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instrument, Mercadante's teachers at the Neapolitan school also showed great interest in chamber music. In contrast to Rossini, Bellini and Donizetti, Mercadante continued to compose instrumental music after finishing his musical training. By doing so, he gradually found his own musical language which combined the pleasures of musical lyricism and instrumental bravura while also enlarging his knowledge of individual instruments. Both the sonata presented here and the Fantasia (cf.ZZM 31140) for solo flute with ad libitum accompaniment of a second flute or violin reflect the vast instrumental knowledge which Mercadante acquired over the years.
$11.99
Fantasia G major
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doing so, he gradually found h
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Saverio Mercadante
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Fantasia G major
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
Flute (2. flute or violin ad libitum) - advanced - SKU: S9.Q49544 Composed by Saverio Mercadante. This edition: Sheet music. Flute romantic virtuoso. Do...
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Flute (2. flute or violin ad libitum) - advanced - SKU: S9.Q49544 Composed by Saverio Mercadante. This edition: Sheet music. Flute romantic virtuoso. Downloadable. Duration 10 minutes, 30 seconds. Musikverlag Zimmermann - Digital #Q49544. Published by Musikverlag Zimmermann - Digital (S9.Q49544). Key: G major. German • English • French.Mercadante was highly respected by many composers of his time. As well as postulating the maxim that the effect of an entire orchestra should always be given priority over the effect of a single instrument, Mercadante's teachers at the Neapolitan school also showed great interest in chamber music. In contrast to Rossini, Bellini and Donizetti, Mercadante continued to compose instrumental music after finishing his musical training. By doing so, he gradually found his own musical language which combined the pleasures of musical lyricism and instrumental bravura while also enlarging his knowledge of individual instruments. Both the fantasia presented here and the sonata (cf ZZM 31150) for solo flute with ad libitum accompaniment of a second flute or violin reflect the vast instrumental knowledge which Mercadante acquired over the years.
$13.99
Music Reading for Beginners. Bass Clef
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Alejandro MartÃÂnez MondragÃ
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Music Reading for Beginners. B
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Alejandro MartÃÂnez Mondragón
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SheetMusicPlus
Level 1 - SKU: A0.1399809 Composed by Alejandro MartÃÂnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃÂnez Mondragó...
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Level 1 - SKU: A0.1399809 Composed by Alejandro MartÃÂnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃÂnez Mondragón #983061. Published by Alejandro MartÃÂnez Mondragón (A0.1399809). This course serves as an essential foundation for learning to read notes in the bass clef, catering to individuals with little to no prior musical knowledge.With a total of 40 lessons dedicated to each clef, our program offers a structured and progressive approach to note reading. Each lesson builds upon the previous one, gradually increasing in difficulty to ensure a smooth learning curve for students.
$4.99
Music Reading for Beginners. Treble Clef
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Alejandro MartÃÂnez MondragÃ
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Music Reading for Beginners. T
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Alejandro MartÃÂnez Mondragón
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SheetMusicPlus
Level 1 - SKU: A0.1399802 Composed by Alejandro MartÃÂnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃÂnez Mondragó...
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Level 1 - SKU: A0.1399802 Composed by Alejandro MartÃÂnez Mondragón. Instructional. Educational Method. 11 pages. Alejandro MartÃÂnez Mondragón #983054. Published by Alejandro MartÃÂnez Mondragón (A0.1399802). This course serves as an essential foundation for learning to read notes in the treble clef, catering to individuals with little to no prior musical knowledge.With a total of 40 lessons dedicated to each clef, our program offers a structured and progressive approach to note reading. Each lesson builds upon the previous one, gradually increasing in difficulty to ensure a smooth learning curve for students.
$4.99
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