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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de cuivres: 4 trombones
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Trompette
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Ensemble de Cors
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Cor
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
7
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5
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3
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Harpe
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Orchestre d'harmonie
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Marimba
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H · K · H
10 spoken voices (5 S/A - 5 T/B) and percussion (3 players) - Digital Download SKU: S9.…
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10 spoken voices (5 S/A - 5 T/B) and percussion (3 players) - Digital Download SKU: S9.Q589539 Le - sung für 10 Sprechstimmen und Schlagzeug. Composed by Heinz Holliger. Hermann Hesses Erzählung Knulp hat den Dichter Händl Klaus zu einem Zyklus von 11 Gedichten inspiriert, die Heinz Holliger für einen kleinen Sprechchor mit drei Schlagzeugern vertont hat: der Welt abhanden gekommen endet Knulp im Schnee. Downloadable, Vocal and performing score. Duration 13 minutes. Schott Music - Digital #Q589539. Published by Schott Music - Digital (S9.Q589539). German.Hermann Hesses Erzählung Knulp hat den Dichter Händl Klaus zu einem Zyklus von 11 Gedichten inspiriert, die Heinz Holliger für einen kleinen Sprechchor mit drei Schlagzeugern vertont hat: der Welt abhanden gekommen endet Knulp im Schnee.Schlagzeug: Tempelbl. · 3 Bong. · 3 Tomt. · kl. Tr. / Holztr. · gr. Tr. (t.) · Guiro (hell) · Gerte / Reibstock auf Holzkante · Fouet · Schwirrholz · Raintree · Geophon · Tambour à corde (Löwengebrüll) · 3 Beck. · Hi-Hat · 3 Gongs · chin. Operagong · 2 Tamt. (m./t.) · 3 Plattengl. · Flex. · Glass Chimes · 2 Sandbl. · Klavier (ohne Deckel) · Superball · Watergong.
$10.99
9.91 €
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Heinz Holliger
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H · K · H
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Schott Music - Digital
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SheetMusicPlus
Hosanna, Loud Hosanna - 12-Bell Ensemble
Small Ensemble Handbell - Level 3 - Digital Download SKU: A0.1047376 Composed by Je…
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Small Ensemble Handbell - Level 3 - Digital Download SKU: A0.1047376 Composed by Jeanette Threlfall and W. H. Monk. Arranged by Mark R Lewis. Easter,Holiday,Sacred,Standards. Score and parts. 2 pages. Mark R Lewis #651935. Published by Mark R Lewis (A0.1047376). Hosanna, Loud Hosanna is a well-known Palm Sunday hymn that celebrates Jesus' special relationship with children and his triumphal entry into Jerusalem at the beginning of Holy Week. Jeanette Threlfall wrote the text as a devotional poem in the mid-1800s. ​The tune most associate with the text, Ellacombe, comes from songbook of the Württemberg ducal court and was harmonized by W. H. Monk in the mid-1800s as well. The name Ellacombe is thought to be in honor of Henry Thomas Ellacombe, a specialist in bell ringing and an Anglican clergyman. This version was arranged by Mark R Lewis for 12-Bell ensemble. While the melody line for this arrangement is quite straightforward, the accompaniment part can be very active. Despite this, the piece should be quite manageable by most intermediate bell ringers. In the provided video of the performance, the bell tree is simply doubling the melody line and while this is a nice touch, it is not required for a faithful performance of the arrangement. Range: F#5-C7.
$8.49
7.66 €
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Jeanette Threlfall and W
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Mark R Lewis
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Hosanna, Loud Hosanna - 12-Bell Ensemble
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Mark R Lewis
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SheetMusicPlus
Danza húngara (Ungarischer Tanz) No 6 (WoO 1) por Johannes Brahms Nissen y Adolf Nittinger.
Small Ensemble - Level 3 - Digital Download SKU: A0.958760 Composed by Johannes Bra…
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Small Ensemble - Level 3 - Digital Download SKU: A0.958760 Composed by Johannes Brahms. Arranged by Juan Carlos Cortés A. Concert,Romantic Period,Standards,Traditional,World. Score and parts. 2 pages. Juan Carlos Cortés Aguirre #6452591. Published by Juan Carlos Cortés Aguirre (A0.958760). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Danza húngara (Ungarischer Tanz) No 6 (WoO 1) en re bemol mayor - VivaceBasada en la obra Rózsa Bokor por Adolf NittingerCibergrafÃa: https://ks4.imslp.info/files/imglnks/...(WoO = Sin número de opus) Por: Johannes Brahms Nissen (Hamburgo, 7 de mayo de 1833 - Viena, 3 de abril de 1897) Compositor, pianista y director de orquesta alemán del romanticismo. Danzas húngaras (En alemán: Ungarische Tänze) Serie musical de 21 danzas húngaras, donde 3 danzas son composiciones originales numeradas como 11, 14 y 16 y las restantes 18, adaptaciones musicales del Folklore húngaro. Originalmente compuestas para piano a cuatro manos, luego 10 arreglos para piano solo y orquestación original de las danzas 1, 3 y 10. Las demás han sido orquestadas por AntonÃn Dvořák, quién influenciado por estas obras, se inspiró para componer su serie de Danzas Eslavas.
$7.99
7.21 €
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Johannes Brahms
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Juan Carlos Cortés A
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Danza húngara
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Dragonborn (skyrim Theme)
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.851140 Composed by Jer…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.851140 Composed by Jeremy Soule. Arranged by Sophia Transistor. Contemporary. Score and parts. 11 pages. Sophia Transistor #6619947. Published by Sophia Transistor (A0.851140). Arrangement of epic famous game music Dragonborn - Skyrim Theme arranged for trombone quartet (trombone 1, 2, 3 & bass trombone) with chords & lyrics in dragon and english.A symphonic suite arranged for trombone brass players.This piece by Jeremy Soule and arranged by Sophia Transistor is part of The Elder Scrolls Game Music Series.Therefore it is like an epic medley of many familiar symphonic Elder Scrolls tunes as we all love them.It has been adapted specifically for t-bones. Special spherical effects are notated as well.Total play time is approximately 3 minutes and 38 seconds.Total: 16 pagesSuited for t-bone players.Score is available in trombone 1, trombone 2, trombone 3 and bass trombone notation (4 times bass clef).There are 4 parts available. Chord symbols are placed on top of the notation system in the score and each part. Lyrics are written down in dragon language and in english.Major high notes that are the climax of a tension bow sometimes end on a high: ringing B'' = B²But of course everything can be transposed one octave higher or lower.Thanks!YouTube Playalong: https://youtu.be/pbep0i9L-ysGerman Description:Dragonborn Skyrim Theme für Posaunenblasquartett.Arrangement mit Akkorden & Text in Drachensprache und EnglischArrangement der epischen und berühmten Spielemusik Dragonborn - Skyrim Theme arrangiert für Gesang 4-stimmiges Posaunenquartett mit Akkorden und Liedtext in Drachensprache und Englisch.Eine symphonische Suite arrangiert für Blechblasinstrumente im Bassschlüssel.Dieses Stück von Jeremy Soule und arrangiert von Sophia Transistor ist Teil der The Elder Scrolls Game Music Reihe.Daher ist es wie ein episches Medley aus vielen bekannten symphonischen Elder Scrolls-Melodien, wie wir sie alle lieben.Es wurde speziell für Bläser angepasst. Spezielle sphärische Effekte wurden ebenfalls notiert.Die Gesamtspielzeit beträgt ungefähr 3 Minuten und 38 Sekunden.Insgesamt 16 Seiten.Die Partitur ist in Posaune 1, Posaune 2, Posaune 3 und Bassposaune (viermal Bassschlüssel).Es sind 4 Teile vorhanden. Akkordsymbole wurden in der Partitur und in jeder Stimme über dem Notationssystem platziert. Die Texte sind in Drachensprache und in Englisch niedergeschrieben.Große hohe Töne, die den Höhepunkt eines Spannungsbogens darstellen, enden manchmal auf einem hohen klingenden H'' = H²Aber natürlich kann alles eine Oktave höher oder tiefer transponiert werden.Vielen Dank!#smppressmusic#skyrim#DragonbornArtists: Jeremy Soule © 2011 Zenimax Music Publishing All Rights Administered by PEN Music Group, Inc. All Rights Reserved Used by PermissionArranger: Sophia Johanna TransistorDanke fürs anschauen!Sheet Music / Score / Noten: https://www.sheetmusicplus.com/publishers/sophia-transistor-sheet-music/3007814
$14.99
13.52 €
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Jeremy Soule
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Sophia Transistor
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Dragonborn
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Sophia Transistor
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SheetMusicPlus
Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1229325
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Piano Trio Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1229325 Composed by Johann Sebstian Bach / Alexander Siloti. Arranged by Uwe Rössler Roessler Rassler. Baroque,Instructional,Praise & Worship,Religious,Wedding. 9 pages. Uwe Roessler #825231. Published by Uwe Roessler (A0.1229325). Originally written for piano solo (hence the video link) here comes our arrangement for piano trio/quartet/quintet. Two iterations: In the first one the emphasis is put on the 16th-passages in the piano while all strings play pizzicato. In the second iteration violin1 and cello change to arco for the theme while the piano plays pp and with sostenuto pedal. A very rewarding effect.Minimum instrumentation: violin1, piano. Can be enlarged to piano trio / quartet / quintet.Comes with full score an all individual parts. Professional sheet material!
$20.00
18.04 €
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Johann Sebstian Bach / Alexander Siloti
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Präludium h-Moll / Prelude b minor BWV 855a Bach / Siloti
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Uwe Roessler
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SheetMusicPlus
Sieben Abgesänge auf eine tote Linde
Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718
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Soprano, clarinet (in A and B), violin and piano - Digital Download SKU: S9.Q6718 On poems by Diana Kempff. Composed by Joerg Widmann. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6718. Published by Schott Music - Digital (S9.Q6718). German.Es war 1996, als mir Christoph Poppen, der damalige Leiter des Münchener Kammerorchesters, von einem kuriosen Konzert in Münsing (Ammerland) erzählte: während eines seiner Konzerte mit dem Orchester in der dortigen Kirche gab es, für alle hör- und sichtbar, eines der größten Unwetter, das die Region je gesehen hatte. Dabei schlug der Blitz ein in eine Art Wahrzeichen des Ortes, eine mehrere Jahrhunderte alte Linde. Unter den Zuhörern damals: die dort lebende Dichterin und Schriftstellerin Diana Kempff. Sie war unmittelbar erschüttert vom Tod der Linde und schrieb unter diesem Eindruck einige Gedichte. Christoph Poppen wiederum war – wie in vielen anderen Zusammenhängen auch – genialer Vermittler und stellte alsbald den Kontakt zu mir her. Die Idee: am Ort des Geschehens, in der Münsinger Kirche, solle ein Jahr später die Uraufführung einer Art Requiem für diesen Baum, der so vieles „gesehen“ hatte, erklingen. Im Rahmen der Holzhauser Musiktagen mit den Texten von Diana Kempff und meiner (noch zu schreibenden) Musik. Es gab bald eine wunderbare, sehr intensive Begegnung von Diana Kempff und mir, bei der sie etwas für Schriftsteller nicht gerade Typisches tat: sie stellte mir frei, aus den vorliegenden Gedichten nach Belieben lediglich Teile, sogar nur Zeilenfragmente zu verwenden und auch die Reihenfolge nach meinen Bedürfnissen anzuordnen und zu gestalten. Sie begriff sofort (und wünschte!), dass durch die Musik ohnehin etwas Drittes, etwas ganz Anderes entstehen würde. Die Tatsache, dass wir Monate später eine sichtlich bewegte Diana Kempff auf die Bühne holen durfte, freute uns alle besonders. Ihre Lyrik ist Ausdruck einer offenkundig zutiefst gequälten Seele und kommt uns oft wunderlich-versponnen entgegen. Einer zerbrechlichen Zartheit steht eine bisweilen fast brutale Härte unversöhnlich gegenüber. Das Schubert’sche „Fremd bin ich eingezogen“ gilt für sie in besonderer Weise und äußert sich in ihren Versen in einer Nähe zu allem Fremden (trotz des gleichzeitigen manischen Umkreisens des Eigenen und der eigenen Erinnerung), Abseitigen und auch (bei aller gleichzeitigen Skepsis) Übernatürlichen. Dieses geisterhaft-spukige Element versuchte ich durch meine Textauswahl und mit musikalischen Mitteln in diesen nun „Sieben Abgesängen“ zu verdeutlichen. Das erste Stück ist eine karge Studie über das Verrinnen der Zeit, das Nichts; das Zweite beschwört den Regen (den heilbringenden) herbei, der dann später – wenngleich mit entsetzlicher Wirkung – auch kommt. Den dritten Abgesang habe ich „Tanz der toten Seelen“ betitelt; es ist ein Zwiefacher, der jedoch durch seine düster-halbseidene „Wiener“ Chromatik alles Liebenswürdig-Oberbayerische längst verloren hat. Das klanglich vielleicht avancierteste und dichteste Stück ist der vierte Abgesang, der ganz aus der Perspektive der Linde selbst erzählt wird. Der fünfte Abgesang zu den Worten „Und wenn der Tod so kommen mag“ ist im Stile einer traurigen Volksweise bewusst schlicht gehalten. Während der sechste Satz in seinem expressionistischen Gestus nicht ungefährlich das Monodram streift, ist es schließlich die Seele (die ausgehauchte, die weiterexistierende?), die wörtlich den letzten Abgesang über die Bäume und die Seelen prägt. Diana Kempffs Gedichte, der Enthusiasmus Christoph Poppens, die phantastischen Uraufführungs-Interpreten, allen voran die Sängerin Juliane Banse, haben mich zur Komposition dieser „Sieben Abgesänge auf eine tote Linde“ angeregt. Die „Sieben Abgesänge“ sind nunmehr auch eine Erinnerung an die erst jüngst verstorbene Diana Kempff. Jörg Widmann, im Juni 2008.
$57.99
52.3 €
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Joerg Widmann
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Sieben Abgesänge auf eine tote Linde
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Schott Music - Digital
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SheetMusicPlus
"Les Toreadors" from Carmen Suite (Double Reed Ensemble)
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Digital Download SKU: A0.92…
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Digital Download SKU: A0.923901 Composed by Georges Bizet. Arranged by R. Hanna. Contemporary. 22 pages. Reed Hanna #6421251. Published by Reed Hanna (A0.923901). Les Toreadors from Carmen Suite No. 1, arr. for Double Reed Ensemble (2 oboes, 1 E.H., 2 bsn. 1 contra). Includes transcription of E.H. part for oboe (if no E.H.). Contrabassoon part can be played as a 3rd bassoon part (if no contra).
$4.99
4.5 €
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Georges Bizet
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R
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"Les Toreadors" from Carmen Suite
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Reed Hanna
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SheetMusicPlus
"Aragonaise" from Carmen Suite (Double Reed Ensemble)
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Digital Download SKU: A0.92…
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Digital Download SKU: A0.923902 Composed by Georges Bizet. Arranged by R. Hanna. Contemporary. 22 pages. Reed Hanna #6422275. Published by Reed Hanna (A0.923902). Aragonaise from Carmen Suite No. 1, arr. for Double Reed Ensemble (2 oboes, 1 E.H., 2 bsn. 1 contra). Includes transcription of E.H. part for oboe (if no E.H.). Contrabassoon part can be played as a 3rd bassoon part (if no contra).
$4.99
4.5 €
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Georges Bizet
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R
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"Aragonaise" from Carmen Suite
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Reed Hanna
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SheetMusicPlus
O SILENCIO
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068895 Composed by Pietro …
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068895 Composed by Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921531. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068895). Ska vi leka med det? Lars Ek pratar inte. Han spelar. En gång, när några dragspelare var osams om olika dragspel, modeller, märken och annat, så att bara dragspelare kan diskutera sådana saker, bröt Lasse med ett Ska vi leka om det. Det är Lars Ek i ett nötskal. Repliken är nu en klassiker. Det är musiken på den här skivan också. Musikmässigt var det som för länge sedan präglades av tre av de mest färgstarka dragspelsprofiler som någonsin funnits: Nisse Lind, Pietro Frosini och Ragge Sundquist. Lars Ek har många representanter. Om vi subtraherar den kvinnliga publikens entusiastiska kommentarer om utseendet och håller oss till musiken blir det bland annat.: en utmärkt teknik, rytmisk balans och gripande, en stor portion bra idé. Och det som gjorde djupast intryck på signed: en otrolig känsla för stil! Att spela Lind, Frosini och Sundquist är enormt svårt. Det är tekniskt svårt, var och en förstår, det är bara att lyssna. Men att fånga stilen är det svåraste av allt: att hela tiden vara Lars Ek in i minsta detalj för att samtidigt återge de tre andra mästarnas stil och manér utan att bara apa efter, det är fruktansvärt svårt. Att spela Lind, Frosini och Sundqvist så att de tre männen som förnöjt nickar i hans himmel medan vi lever idag får möta en levande dragspelare som väcker de gamla gudarna till liv och samtidigt är precis vad han är, nämligen Lars Ek, det är det som är märkvärdigt, finstämt och roligt har hänt under mången lång dag i dragspelslandet Sverige. Jag vet, för jag har hört alla andra dragspelsskivor också och kan jämföra. Tro mig! Ove Hahn Ordförande, Svenska Dragspelsförbundet, SDR.
$1.99
1.79 €
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Pietro Frosini
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Lars Ek
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O SILENCIO
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
A MALVA ROSE
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Piet…
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
1.79 €
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Lars Ek
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Master, the Tempest is Raging (Vocal Solo - Medium)
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.726919 Composed by H. …
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.726919 Composed by H. R. Palmer, Mary Ann Baker. Arranged by Rebecca Belliston. Christian,Contemporary,Religious,Sacred,Spiritual. 9 pages. Rebecca Belliston #5751647. Published by Rebecca Belliston (A0.726919). â–º Vocal Solo - Medium: Also available in high and low, as well as piano solo: bit.ly/MastertheTempestSMP
$4.99
4.5 €
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H
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Rebecca Belliston
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Master, the Tempest is Raging
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Rebecca Belliston
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SheetMusicPlus
Master, the Tempest is Raging (Vocal Solo - High)
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.726946 Composed by H. R.…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.726946 Composed by H. R. Palmer, Mary Ann Baker. Arranged by Rebecca Belliston. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. 9 pages. Rebecca Belliston #6292129. Published by Rebecca Belliston (A0.726946). â–º Vocal Solo - High: Also available in medium and low, as well as piano solo: bit.ly/MastertheTempestSMP
$4.99
4.5 €
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Rebecca Belliston
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Master, the Tempest is Raging
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Rebecca Belliston
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SheetMusicPlus
Sechs Chöre
Mixed choir (SAATB) with baritone solo - advanced - Digital Download SKU: S9.Q8788 …
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Mixed choir (SAATB) with baritone solo - advanced - Digital Download SKU: S9.Q8788 1. Hör zu, Geliebte. Composed by Harald Genzmer. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q8788. Published by Schott Music - Digital (S9.Q8788). Après le succès, consacré depuis de nombreuses années déjà , de ses „Chants d'Amérique du sud, le compositeur se consacra une nouvelle fois à la littérature américaine moderne, principalement de langue espagnole. Un cycle poétique, serein, de difficulté moyenne, pouvant également être présenté par des chœurs amateurs ambitieux.
$4.99
4.5 €
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Harald Genzmer
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Sechs Chöre
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Schott Music - Digital
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SheetMusicPlus
The Color Purple
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1450399 Composed by Allee Willis, Brenda Russell, and Stephen Bray. Arranged by Max Stannard. Broadway,Musical/Show,Soul,Spiritual. Brass Band. 29 pages. Max Stannard Music #1030129. Published by Max Stannard Music (A0.1450399). The Color Purple is a musical with music and lyrics by Brenda Russell, Allee Willis, and Stephen Bray, based on the 1982 novel The Color Purple by Alice Walker and its 1985 film adaptation. The musical follows the journey of Celie, an African American woman in the American South from the early to mid-20th century. This song, Color Purple features both in the Broadway musical and the 2023 film adaptation staring Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins, H.E.R., Halle Bailey, Phylicia Pearl Mpasi, and Fantasia Barrino in her film debut in the main role of Celie.
$24.99
22.54 €
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Allee Willis, Brenda Russell, and Stephen Bray
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Max Stannard
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The Color Purple
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Max Stannard Music
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SheetMusicPlus
Suzuki Violin School - Volume 1 - Orchestral Cello Companion
Composed by F.J.Gossec, Folk Songs, R.Schumann, T.H.Baily, and Johann Sebastian Bach …
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Composed by F.J.Gossec, Folk Songs, R.Schumann, T.H.Baily, and Johann Sebastian Bach (1685-1750). Arranged by Michele Galvagno. Baroque, Classical, Instructional, Standards. Score and parts. 19 pages. Artistic Score Engraving di Galvagno Michele #4767735. Published by Artistic Score Engraving di Galvagno Michele
$14.95
13.48 €
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F
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Michele Galvagno
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Suzuki Violin School - Volume 1 - Orchestral Cello Companion
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold M…
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Woodwind Ensemble - Level 2 - Digital Download SKU: A0.842552 Composed by Leopold Mozart. Arranged by B. Brennan. Classical,Concert,Instructional,Standards. 23 pages. Bl_music #5298655. Published by bl_music (A0.842552). Music book for W.A. Mozart by Leopold Mozart, for Descant and Treble Recorder (notation: treble/treble clef)The Notenbuch für Wolfgang Amadeus Mozart contains 32 easy to medium duos1. Menuet 2. Menuet de Sigr. Bach 3. Bourlesq 4. Polonaise 5. Menuet 6. Polonaise 7. Menuet 8. Menuet 9. Waldhorn ~ Stück10. Entrée 11. Bourrée 12. Schwaben ~ Tanz 13. Menuet 14. Musette 15. Polonaise 16. Menuet 17. Sarabande 18. Menuet 19. Angloise 20. Passepied 21. Aria 22. Menuet 23. Gavotte 24. March di Sigr. Bach 25. Polonaise 26. Menuet 27. Fantasia del Sigr. Telemann 28. Jägerlied 29. March30. Bourrée 31. Menuet 32. MenuetThis edition for descant and treble recorder is suitable for both experienced players (e.g. as encores) and advanced students who may find the pieces useful regarding technique.About Notenbuch für Wolfgang Amadeus MozartMeinem lieben Sohn Wolfgang Amadee zu seinem sechsten Namenstag von seinem Vater Leopold Mozart. Salzburg, den 31. Oktober 1762 (To my beloved son Wolfgang Amadeus for his sixth Name Day from his father Leopold Mozart.Salzburg,October 31st, 1962)This book had an important influence on Mozart’s early compositions.The pieces fall into three categories:The first category includes songs and dances of a folk nature such as Jägerlied, Schwabentanz Schmiedecourante, Waldhornstück. The second category provides examples of compositions by Scarlatti, Bach, Händel, e.g. Fantasias, Allegros, Arias. The third group presents contemporary dance movements in the French style like Minuets, Courantes, Polonaises and Rondi.Father Mozart included pieces in a variety of styles with the intention of helping Mozart not only to learn piano technique, but also elements of composition. The works are intentionally simple, one task for the boy being to fill out the incomplete harmonies. Overall, the technical standard is appropriate to the age and abilities of the player. Apart from its historical significance, the Notenbuch for Wolfgang Amadeus is a colourful collection of charming little pieces.
$12.99
11.72 €
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Leopold Mozart
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B
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Notenbuch für Wolfgang Amadeus Mozart - Music book for W.A. Mozart Soprano/Alto
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bl_music
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SheetMusicPlus
Der Josa mit der Zauberfiedel
3 P. S. (Xyl. · Trgl. · h. Bong. · Tamb. · 2 gr. Tr. · Clav. · 3 Tempelb…
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3 P. S. (Xyl. · Trgl. · h. Bong. · Tamb. · 2 gr. Tr. · Clav. · 3 Tempelbl. · 3 Holzbl. · Mark-Tree · Glashfe. [od. gestimmte Weingläser]) (1 Spieler) - Klav. - Solo-Vl. Narrator, Violin, Percussion and Piano - advanced - Digital Download SKU: S9.Q3002 Tänze auf dem Weg zum Mond. Composed by Wilfried Hiller. This edition: performance score. Downloadable, Performance score. Duration 40 minutes. Schott Music - Digital #Q3002. Published by Schott Music - Digital (S9.Q3002). German.Der kleine Josa ist viel zu klein und schwach, um Köhler wie sein Vater zu werden. Ein Vogel schenkt ihm eine Zauberfiedel: wenn man darauf eine Melodie vorwärts spielt, werden alle, die sie hören, größer – wenn man sie rückwärts spielt, werden alle kleiner ... Josa begibt sich auf eine lange Wanderschaft zum Mond; er will durch sein Spiel erreichen, dass der Mond ebenfalls größer und kleiner wird. Auf dem Weg dorthin erlebt er viel Elend, kann aber mit seinem Spiel helfen; den gierigen König kann er mit seiner Geige besiegen. Schließlich kommt er bis ans Ende der Welt. „Dort blieb er. Und wenn der Mond vorbeiwandert, dann spielt der Josa. Dann wird der Mond groß und klein. Das sieht der alte Köhler Jeromir in seinem Wald und weiß, das ist der Josa, sein Sohn, der das kann. Manchmal in der Nacht, wenn es ganz still ist und der Wind aus dieser Richtung kommt, dann kannst du ein, zwei oder drei wunderbare Töne hören, wie Musik. (aus: Janosch, Der Josa mit der Zauberfiedel) Der Josa mit der Zauberfiedel ist ein schönes Stück für Kinder- und Jugendkonzerte und bietet für Kinder und Jugendliche aller Altersstufen darüber hinaus reizvolle Möglichkeiten der szenischen Umsetzung (beispielsweise durch Schattenspiel, Puppenspiel oder Pantomime). Wenn ein technisch sehr versierter Sologeiger zur Verfügung steht, ist auch eine Aufführung mit Schulorchester möglich. Wilfried Hiller.
$35.99
32.46 €
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Wilfried Hiller
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Der Josa mit der Zauberfiedel
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Schott Music - Digital
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SheetMusicPlus
In dulci jublio
Piano or other keyboard instruments - intermediate - Digital Download SKU: S9.Q41314
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Piano or other keyboard instruments - intermediate - Digital Download SKU: S9.Q41314 Christmas Music. This edition: Sheet music. Advent - piano - christmas. Inhalt s. Rubrik Klavier. Downloadable. Schott Music - Digital #Q41314. Published by Schott Music - Digital (S9.Q41314). Der große Sammelband mit Weihnachtsmusik aus 5 Jahrhunderten: u.a. mit Werken von S. Scheidt, J. Pachelbel, A. Corelli, J.S. Bach, W.A. Mozart, L.v. Beethoven, R. Schumann, F. Liszt, M. Reger, C. Orff, H. Regner und vielen mehr!
$23.99
21.64 €
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In dulci jublio
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Schott Music - Digital
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SheetMusicPlus
Hört nur, wir singen gern!
Voice or children's choir (for one part) with piano - easy - Digital Download SKU: S9.Q…
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Voice or children's choir (for one part) with piano - easy - Digital Download SKU: S9.Q6462 Das Felix-Lied. Composed by Carsten Gerlitz and Reinhard Stollreiter. Arranged by Carsten Gerlitz. This edition: piano direction. Downloadable, Piano conductor. Schott Music - Digital #Q6462. Published by Schott Music - Digital (S9.Q6462). German.Ein Lied für Kinder, das Spaß macht und zum Singen animieren will. Es eignet sich besonders für das Singen im Kindergarten - ein Thema, dessen sich der Deutsche Sängerbund in seiner Aktion Felix annimmt.
$4.99
4.5 €
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Carsten Gerlitz and Reinhard Stollreiter
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Carsten Gerlitz
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Hört nur, wir singen gern!
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Schott Music - Digital
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SheetMusicPlus
Josquin: 22 Duets for French Horn & Bass Trombone
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 C…
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
29.72 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for French Horn & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trombone & Tuba
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 …
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
29.72 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone & Tuba
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Bassoon & Contrabassoon
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Compos…
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
29.72 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon & Contrabassoon
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Trumpet & Bass Trombone
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
29.72 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet & Bass Trombone
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1…
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
29.72 €
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Josquin des Prez
#
James M
#
Josquin: 22 Duets for Baritone Horn & Bass Trombone
#
jmsgu3
#
SheetMusicPlus
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