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52
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50
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47
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46
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38
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34
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32
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28
2 Flûtes traversières, Piano
27
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4
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Cor Anglais
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CUIVRES
Trompette, Saxophone (duo)
114
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58
2 Trompettes (duo)
54
Trompette, Trombone (duo)
53
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Trombone et Piano
26
Cor et Piano
19
Trompette
17
Tuba et Piano
13
Trombone
11
Quatuor de Cuivres
10
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor anglais, Piano
6
Ensemble de Trombones
5
Tuba
5
Ensemble de Trompettes
4
3 Trompettes (trio)
3
Ensemble de Cors
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Trombone (partie séparée)
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Cor (partie séparée)
1
Euphonium
1
Cor Anglais
1
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CORDES
2 Altos (duo)
60
2 Violons (duo)
59
Violon, Alto (duo)
58
Violon, Violoncelle (duo)
56
2 Violoncelles (duo)
56
Violon et Piano
48
Alto, Piano
34
Violoncelle, Piano
32
Quatuor à cordes: 2 violons, alto, violoncelle
31
Harpe
23
Violon
20
Contrebasse, Piano (duo)
17
Violoncelle
16
Trio à Cordes: violon, alto, violoncelle
16
Alto seul
12
Violon (partie séparée)
4
Trio à cordes: 3 violins
4
Contre Basse
4
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Alto, Orgue
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et mandoline
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
76
Fanfare
76
Orchestre à Cordes
36
Ensemble de cuivres
17
Orchestre
13
Cloches
10
Xylophone, Piano
8
Ensemble Jazz
8
Orchestre de chambre
8
Batterie
3
Percussion (partie séparée)
2
Ensemble de Percussions
1
Timbales (partie séparée)
1
Xylophone
1
Percussion
1
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AUTRES
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Half The Man
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Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervais…
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Wold Meridian
#
SheetMusicPlus
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainer…
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
10.97 €
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Wold Meridian
#
SheetMusicPlus
The Midsummer Marriage
2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Di…
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2 (2pic).2.2.2-4.2.3.0-timp.2perc (s.d., b.d., cym., tri., gng, tub.bells)-hp.cel-str - Digital Download SKU: S9.Q40439 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 150 minutes. Schott Music - Digital #Q40439. Published by Schott Music - Digital (S9.Q40439). English.Like few other theatre works—The Magic Flute, A Midsummer Night’s Dream—Tippett’s first opera creates a wholly other place, one where human actions can be seen as in a tilted mirror. Since this is indeed an opera, the place, or dreamspace, is conjured by music: by luminescent music that, in its flowing abundance, radiant harmonies and evocative wind colourings, represents the natural world within which the characters have to integrate themselves. The central couple, those whose marriage is at first subverted and then gloriously celebrated, are Mark and Jenifer: he a young man of the earth and the senses, she a young woman of lofty spirituality. Each is only half a person, and before they can be united they have to be made whole, have to find within themselves an understanding of the other. Overseeing their mythic initiation and psychic healing are two Ancients, votaries of a temple on a wooded hilltop.As in the Mozart precedent, which the composer certainly had in mind, there is also a more workaday couple, Jack and Bella. The other principals are Jenifer’s businessman father King Fisher, who wants to stop the wedding for reasons of his own, and an Erda-like seer. There is also a dancer, Strephon, leading the exuberant ballet in which the orchestra completes the story of enlightenment and passion. It is ultimately a victory of love and, before love, self-knowledge.(Paul Griffiths).
$75.99
69.47 €
#
Sir Michael Tippett
#
The Midsummer Marriage
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Schott Music - Digital
#
SheetMusicPlus
Two For The Road
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1083633 Composed by Henry Mancini and Leslie Bricusse. Arranged by Uwe Roessler / Rössler / Rassler. Film/TV,Jazz,Pop,Standards,Wedding. Score and parts. 13 pages. Uwe Roessler #687840. Published by Uwe Roessler (A0.1083633). Another Mancini Classic: “Two For The Road†- an all time great! This arrangement follows the form of the original soundtrack (hence the youtube link). Original keys: Starting in C Major, going to G Major. Starts with an optional intro (bars 1-7) from another Mancini version. You can skip this intro, and start the song in bar 8. Form of the song is: (A) theme in violin, (B) theme in cello, (A) theme in violin, (A) first half of the theme in piano, second half joined by tutti. Duration: approx 3.00 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve arranged quite a lot of Mancini songs, as well as other Movie Themes and classic Pop songs for this kind of instrumentation. And I´m working on other Mancini classics, as well. Browse ;-) Have fun with my arrangements!
$20.00
18.28 €
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Henry Mancini and Leslie Bricusse
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Two For The Road
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Uwe Roessler
#
SheetMusicPlus
Walking In The Air
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.589399 Composed by Howard Blake. Arranged by David McKeown. Christmas,Contemporary,Film/TV,Holiday. Score and parts. 4 pages. David McKeown #6066999. Published by David McKeown (A0.589399). Walking in the Air is the flying theme from the animated film, The Snowman. Written by Howard Blake for the film in 1982, a new version sung by Aled Jones, was a top 5 hit in the UK in 1985. It has been a permanent fixture on Christmas playlists ever since. This version is arranged as a duet for one Clarinet and one Alto Clarinet.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward though there are extended quaver passages at medium tempo. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Howard Blake
#
David McKeown
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Walking In The Air
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David McKeown
#
SheetMusicPlus
Walking In The Air
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589408 Composed by Howard Blake. Arranged by David McKeown. Christmas,Contemporary,Film/TV,Holiday. Score and parts. 4 pages. David McKeown #6067021. Published by David McKeown (A0.589408). Walking in the Air is the flying theme from the animated film, The Snowman. Written by Howard Blake for the film in 1982, a new version sung by Aled Jones, was a top 5 hit in the UK in 1985. It has been a permanent fixture on Christmas playlists ever since. This version is arranged as a duet for one Oboe and one Violin.Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward though there are extended quaver passages at medium tempo. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
#
Howard Blake
#
David McKeown
#
Walking In The Air
#
David McKeown
#
SheetMusicPlus
Walking In The Air
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589406 Composed by Howard Blake. Arranged by David McKeown. Christmas,Contemporary,Film/TV,Holiday. Score and parts. 4 pages. David McKeown #6067019. Published by David McKeown (A0.589406). Walking in the Air is the flying theme from the animated film, The Snowman. Written by Howard Blake for the film in 1982, a new version sung by Aled Jones, was a top 5 hit in the UK in 1985. It has been a permanent fixture on Christmas playlists ever since. This version is arranged as a duet for one Oboe and one Cor Anglais, (or English Horn).Musicians at an intermediate level and above will find this ideal for formal and informal Christmas performances. The rhythms are straightforward though there are extended quaver passages at medium tempo. The overall performance time is around two and a half minutes. The short audio sample is from the Clarinet and Alto Saxophone version while the full length performance on the youtube link is the Clarinet duet.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Howard Blake
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David McKeown
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Walking In The Air
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David McKeown
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SheetMusicPlus
Half Man Half Goat
Cl.pft - Intermediate - Digital Download SKU: F2.FM424 Composed by David Osbon. Cla…
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Cl.pft - Intermediate - Digital Download SKU: F2.FM424 Composed by David Osbon. Clarinet and Piano. Score and part. 14 pages. Forton Music - Digital #FM424. Published by Forton Music - Digital (F2.FM424). ISBN 9790570483235.In the early 1990s I composed a work for clarinet and piano entitled 'The Revenge of Marsyas' which was a very political work inspired by the ancient Greek legend of Apollo, Marsyas and the theft of the 'gift' of music. All of which I discovered whilst working as Music Director on 'The Trackers of Oxyrinchus' at the National Theatre Studio. What I loved about this play, by Tony Harrison, was the brilliant use of comedy for dramatic effect. And that is what I've tried to bring to these two works. In Cabaret Song we have the rather comic antics of Marsyas and his fellow Satyrs then, in Marsyas Dances, the main protagonist - represented by the clarinet - performs a dance that celebrates the liberation of music from the Gods, so that it can be shared amongst the rest of society. It didn't end well for Marsyas, but at least the rest of us get to keep the music!
$7.95
7.27 €
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David Osbon
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Half Man Half Goat
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Forton Music - Digital
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SheetMusicPlus
Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital …
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Mixed Percussion Bassoon,Clarinet,Double Bass,Trombone,Trumpet,Violin - Level 5 - Digital Download SKU: A0.1435098 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. 240 pages. Stanleymhoffman.com #1015206. Published by stanleymhoffman.com (A0.1435098). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$60.00
54.85 €
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto - Chamber Version: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Ungaresca and Almande Poussinghe (Pierre Phalèse Jnr, 1583) for Wind Instruments
Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arr…
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Small Ensemble - Level 2 - Digital Download SKU: A0.522186 Composed by Unknown. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance. Score and parts. 27 pages. Colin Kirkpatrick Publications #6363609. Published by Colin Kirkpatrick Publications (A0.522186). These are two charming dances taken from a collection entitled Recueil de danseries, contenant presque toutes sortes de danses (“Collection of dances, containing almost all kinds of dancesâ€) published in Antwerp in 1583 by Pierre Phalèse Jnr (c.1545-1629). He was continuing the work of his father Pierre Phalèse the Elder (1510-1575) the most important publisher in the Low Countries during the 16th century and who published his First Book of Dances in Leuven in 1571. The Antwerp publication of 1583 contains about half the dances from the original 1571 edition, together with some new titles, making a total of about seventy numbers.The 1583 collection contains a large selection of gaillardes, almandes and bransles which were all popular courtly dances of the time. The lively and well-known piece entitled Ungaresca appears on page 24 of the original publication. The drone accompaniment that Phalèse provides suggests the sound of the peasant bagpipes. The name Ungaresca is a term used outside Hungary to denote a dance in the Hungarian style and this particular one probably first appeared in a 1578 dance collection for viol consort - Mainerio's Primo libro de balli. As a result, the music is sometimes attributed to Mainerio.In this arrangement, Ungaresca is paired with the delightful Almande Poussinghe which appears on page 16 of the original. This wonderful music of the 16th century still speaks to us today and this arrangement would be an ideal concert item, playable by virtually any combination of conventional wind instruments with optional percussion and keyboard parts. The optional keyboard part enables you to use the piece as a solo or duet and trio for mixed instruments. Some minor changes have been made to the inner parts to facilitate performance.This 4-part arrangement is presented in a single PDF file which includes the Full Score; Part 1 (C, B flat, E flat); Part 2 (C, B flat, E flat); Part 3 (C, F, B flat, E flat), Part 4 (C, B flat, E flat); Keyboard and Percussion. Most electronic keyboards have a harpsichord option. The score and set of parts come in a single PDF file.
$9.99
9.13 €
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Unknown
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Colin Kirkpatrick
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Part 1 (C, B flat, E flat)
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Ungaresca and Almande Poussinghe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Down…
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - Digital Download SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
2.88 €
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Howard Goodall
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Beatitude IV: Beati qui lugent
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
On come the dancers of the mind for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387476 By András Csák…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1387476 By András Csáki (guitar) and Viola Thurnay (alto). By David Waarin Solomons. Contemporary. Full Performance. Duration 228. David Warin Solomons #971330. Published by David Warin Solomons (A0.1387476). Composed in 1979 for the dancer Siobhán DaviesThe words are:On come the dancers of the mindTheir bodies are incarnate devotionA silent hymn on behalf of mankindTo thank their god for the gift of motion ...See them in your mind.
$6.00
5.49 €
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András Csáki
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On come the dancers of the mind for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Away in a Manger, Jazz Style, for Flute and Trumpet Duet
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594185 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560225. Published by David McKeown (A0.594185). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Flute and one Trumpet. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
$3.99
3.65 €
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William J Kirkpatrick
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David McKeown
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Away in a Manger, Jazz Style, for Flute and Trumpet Duet
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David McKeown
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SheetMusicPlus
Away in a Manger, Jazz Style, for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.594202 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560261. Published by David McKeown (A0.594202). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
$3.99
3.65 €
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William J Kirkpatrick
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David McKeown
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Away in a Manger, Jazz Style, for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Away in a Manger, Jazz Style, for Oboe and Cor Anglais Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.594191 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560237. Published by David McKeown (A0.594191). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Cor Anglais (or English Horn). Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
$3.99
3.65 €
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William J Kirkpatrick
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David McKeown
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Away in a Manger, Jazz Style, for Oboe and Cor Anglais Duet
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David McKeown
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SheetMusicPlus
Away in a Manger, Jazz Style, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594192 Composed by William J Kirkpatrick. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6560239. Published by David McKeown (A0.594192). Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited. With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.
$3.99
3.65 €
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William J Kirkpatrick
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David McKeown
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Away in a Manger, Jazz Style, for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Legends & Tales of the Renaissance II (of Romance) - 1. A Hawkes-up for a Hunts-up! (Trumpet 1)
Brass Ensemble Trumpet - Digital Download SKU: A0.837060 Composed by Thomas Ravensc…
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Brass Ensemble Trumpet - Digital Download SKU: A0.837060 Composed by Thomas Ravenscroft. Arranged by R.R.Cardo. Renaissance. Score and parts. 1 pages. SBQUSA. Publications #2029511. Published by SBQUSA. Publications (A0.837060). A Hawkes-up for a Hunts-up! A metaphor for pursuing relationships, in the first half, hawks are scouting, and in the second half, the hunters pursue their prey on horseback.
$1.99
1.82 €
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Thomas Ravenscroft
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R
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Legends & Tales of the Renaissance II
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SBQUSA. Publications
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooma…
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Small Ensemble - Level 5 - Digital Download SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
59.38 €
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.84 €
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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jmsgu3
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SheetMusicPlus
Nowhere Man
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588906 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Score and parts. 5 pages. David McKeown #5335013. Published by David McKeown (A0.588906). Nowhere Man by the Beatles, was released on the 1965 album, Rubber Soul. Primarily written by John Lennon, he later described the song as autobiographical. The phenomenal success of the band had led to immense pressures on all of them. Nowhere Man later featured memorably in the film Yellow Submarine, personified as the lonely cartoon character, Jeremy Hillary Boob.This version of Nowhere Man is arranged as a duet for one Oboe and one Cor Anglais. Musicians at an intermediate level will find this ideal for formal and informal concert performance. The overall performance time is around two and a half minutes. The full YouTube performance linked above is the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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The Beatles
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David McKeown
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Nowhere Man
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David McKeown
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SheetMusicPlus
The Tulip Ch'Boogie for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.591357 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292209. Published by David McKeown (A0.591357). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Trumpet and one Tenor Horn in E Flat. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Tulip Ch'Boogie for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
The Tulip Ch'Boogie for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.591348 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292185. Published by David McKeown (A0.591348). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Cor Anglais (or English Horn). The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Tulip Ch'Boogie for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
The Tulip Ch'Boogie for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.591349 Composed by David McKeown. Blues,Easter,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6292187. Published by David McKeown (A0.591349). The Tulip Ch’Boogie is a fun and original duet written by David McKeown for one Oboe and one Violin. The Tulip Ch’Boogie is one in a series of ten Easter-themed duets each written in a different American dance style. Boogie originally referred to the piano style found in Southern State bars where the driving swung bass-line, often double in octaves, cut through the noise. These bass-line patterns were adapted by Big Bands in the ‘30s, and later by Jump bands like that of Louis Jordan. Later still Boogie was quickly incorporated into Rockabilly and Rock’n’Roll. The Tulip Ch’Boogie is suitable for players at an intermediate level and above, with the accessible key and range balanced by the fast tempo and syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, The Tulip Ch’Boogie is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.73 €
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David McKeown
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The Tulip Ch'Boogie for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
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