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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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Hans Sitt
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4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
Hans Sitt
Partitions à imprimer
13 partitions trouvées
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1
Hans Sitt : Romance for Solo Viola and String Orchestra Op.72
Viola,String Orchestra,Chamber Orchestra
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Hans Sitt
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Amir Awad
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Hans Sitt : Romance for Solo V
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Amir Awad
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SheetMusicPlus
Composed by Hans Sitt (1850-1922). Arranged by Amir Awad. For Viola,String Orchestra,Chamber Orchestra. Repertoire. Intermediate. Published by Amir Awad ...
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Composed by Hans Sitt (1850-1922). Arranged by Amir Awad. For Viola,String Orchestra,Chamber Orchestra. Repertoire. Intermediate. Published by Amir Awad
$3.00
24 Etüden aus op. 32
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Hans Sitt
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Ernst Klemm
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24 Etüden aus op. 32
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Viola - SKU: S9.Q4185 12 Etüden in der 2. und 3. Lage und Lagenwechsel 1-3. Composed by Hans Sitt. Arranged by Ernst Klemm. This edition: Shee...
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Viola - SKU: S9.Q4185 12 Etüden in der 2. und 3. Lage und Lagenwechsel 1-3. Composed by Hans Sitt. Arranged by Ernst Klemm. This edition: Sheet music. Downloadable. Op. Heft 1. Ernst Eulenburg & Co. GmbH - Digital #Q4185. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4185).
$11.99
24 Etüden aus op. 32
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Hans Sitt
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Ernst Klemm
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24 Etüden aus op. 32
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Viola - SKU: S9.Q4186 12 Etüden in der 4. und 5. Lage und Lagenwechsel 1-5. Composed by Hans Sitt. Arranged by Ernst Klemm. This edition: Shee...
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Viola - SKU: S9.Q4186 12 Etüden in der 4. und 5. Lage und Lagenwechsel 1-5. Composed by Hans Sitt. Arranged by Ernst Klemm. This edition: Sheet music. Downloadable. Op. Heft 2. Ernst Eulenburg & Co. GmbH - Digital #Q4186. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4186).
$12.99
15 Etudes
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Hans Sitt
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15 Etudes
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Viola - SKU: S9.Q4181 Composed by Hans Sitt. This edition: Sheet music. Downloadable. Op. 116. Ernst Eulenburg & Co. GmbH - Digital #Q4181. Published by...
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Viola - SKU: S9.Q4181 Composed by Hans Sitt. This edition: Sheet music. Downloadable. Op. 116. Ernst Eulenburg & Co. GmbH - Digital #Q4181. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4181).
$11.99
Grieg: 4 Norwegian Dances Op.35 No.III Allegro moderato alla Marcia - wind dectet/bass
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Classique
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Edvard Grieg
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Ray Thompson
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Grieg: 4 Norwegian Dances Op.3
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1310667 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romant...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1310667 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 18 pages. RayThompsonMusic #899645. Published by RayThompsonMusic (A0.1310667). Arranged wind dectet and bass.Edvard Grieg 4 Norwegian Dances Op.35Arranged wind dectet/bass.This is my arrangement of No 3Thanks to Runyon programm notes for the following extract..... (https://www.runyanprogramnotes.com)Grieg first wrote and published the Norwegian Dances as Piano duets in 1881.There are 4 Dance movements.The four movements are derived from traditional Norwegian folk tunes contained in a collection published in 1853 by Ludvig Mathias Lindemans, entitled, “Mountain Melodies Old and New.â€Â They were not orchestrated by Grieg, but later, in 1888, Hans Sitt, a distinguished Czech violinist, did the honors.  They have become orchestral chestnuts ever since.Almost everyone has heard the demure, sly and winsome second dance - available hereThis my arrangement of the third dance.Extract  from Runyon's programme notes:The third movement is shaped rather like the first, but is a march, rather than a halling, though.  Listen for the rather humorous interruption by the angry brass in frenzied triplets. My arrangement has the triplet figure played by  both clarinets,  1st horn and 1st bassoon.© 2015 William E. Runyan.
$14.95
Grieg: 4 Norwegian Dances Op.35 No.II Allegretto tranquillo e grazioso - wind dectet/bass
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Classique
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Edvard Grieg
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Ray Thompson
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Grieg: 4 Norwegian Dances Op.3
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1307519 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Folk...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1307519 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Folk,Romantic Period. 17 pages. RayThompsonMusic #896784. Published by RayThompsonMusic (A0.1307519). Edvard Grieg 4 Norwegian Dances Op.35Arranged wind dectet/bass.NB Clarinet parts are for CLARINET in A.This is my arrangement of No 2Thanks to Runyon programm notes for the following extract..... (https://www.runyanprogramnotes.com)Grieg first wrote and published the Norwegian Dances as Piano duets in 1881.There are 4 Dance movements.The four movements are derived from traditional Norwegian folk tunes contained in a collection published in 1853 by Ludvig Mathias Lindemans, entitled, “Mountain Melodies Old and New.†They were not orchestrated by Grieg, but later, in 1888, Hans Sitt, a distinguished Czech violinist, did the honors.  They have become orchestral chestnuts ever since.Almost everyone has heard the demure, sly and winsome second dance - this one -it’s ubiquitous.  A brief, but furious halling interrupts for just a few seconds, and then the familiar theme returns.© 2015 William E. Runyan
$14.99
A MALVA ROSE
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Lars Ek
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Lars Ek
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A MALVA ROSE
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration ...
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Accordion,Double Bass,Guitar - SKU: A0.1068891 By Lars Ek. By Pietro Frosini. Arranged by Lars Ek. Folk,Multicultural,World. Full Performance. Duration 220. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921483. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068891). Något häpnadsväckande har hänt i den svenska dragspelsvärlden de senaste åren, vi har fått en ny idol. Det är häpnadsväckande på två olika sätt: för oss som kan dragspelsvärlden är det ett faktum att Lars Ek har varit med som professionell dragspelare i snart 20 år, sedan han slutade skolan, för det andra: han har blivit en idol som spelar musik och i en stil som har sina rötter 50 år tillbaka i dragspelsmusikens historia. Man kan säga att Lars Ek, idag 35 år, borde ha varit 85 år, verksam på 30-talet. Själv erkänner han att han känner en slags hemlig längtan tillbaka till en tid då dragspelare var ekvilibrister, då dragspelare spelade på ett briljant sätt, den guldålder det var för all dragspelsmusik över hela världen, en tid som vi aldrig kommer att möta igen. Det är en typ av musik som är historisk men som inte hör hemma på museerna, inte död, det är en typisk musik fylld av liv. Mycket tack vare Lars Ek. Det är en ganska anmärkningsvärd situation. Lars Ek har spelat dragspel länge, han har spelat all typ av musik som kan spelas på dragspel. För bara några år sedan kom han i kontakt med Nils Lind och Ragge Sundquist (två legendariska svenska artister från 30- och 40-talen, båda döda sedan länge – de grundade båda en skola och en stil) och naturligtvis också Frosini. Och då, äntligen, kände Lars Ek att det var just här, i den här stilen, som han hörde hemma. Lars Ek kom äntligen hem. En del slarviga lyssnare säger att Lars Ek kopierar Nils Linds musik. Det är lyssnare som inte lyssnar. Andra säger att Lars är en galning - han spelar på ett dragspel av märket Raggie Sundquist från 1937 och sedan ett par år äger och spelar han också på ett dragspel som en gång ägdes av Pietro Frosini, tillverkat 1927. Det är inte mani. Stilen efterfrågar sådana instrument. Det är mest korrekt på det sättet. Lars Ek har blivit otroligt populär. Det finns många anledningar. Han har massor av personlighet, han är en scenpersonlighet, han visar entusiasm och glädje när han uppträder, han vet hur man lockar en publik (och tjejerna säger att han är väldigt snygg). En annan anledning är att musiken som Lars framför får mycket respons från publiken. Och snälla, tro inte att det bara är de gamla som var med på 30-talet som älskar musiken - det gör även de unga! Lars Ek x 2 heter skivan. Förklaringen är enkel. Lars kunde inte hitta någon andra dragspelare som kunde hjälpa honom. Så tack vare tekniken är han själv sin egen andra dragspelare i fem av de låtar som framförs. Det finns ytterligare en förklaring. Lars framför melodier kopplade till namn som Nils Lind, Ragge Sundquist och Frosini, men han spelar också fem egna kompositioner. Bara för att visa hur han vill att dragspelsmusik ska vara komponerad. Lars Ek behöver ingen rekommendation, hans skivor säljer ändå. Men du kommer att få några sista ord. Den här skivan är, stilmässigt, väldigt sällsynt att vara inspelad 1982, det gäller att blicka bakåt och att göra det med stor skicklighet, en tillbakablick på dragspelets guldålder. Det är också en väldigt personlig skiva. Inspirationskällan kan mycket väl vara Nils Lind, Ragge Sundquist och Pietro Frosini. Men det är Lars Ek som spelar. På sitt personliga sätt. Vilket gör att detta är en skiva som spelas på ett väldigt personligt sätt.
$1.99
Hymns from Childhood - Set 1 (solo)
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 1
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719761 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069327. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719761 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069327. Published by Curtis Hanson (A0.719761). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include He Leadeth Me, Savior, Like a Shepherd Lead Us, and O Master, Let Me Walk with Thee. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 2 (solo)
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 4 (solo)
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 4
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 3 (solo)
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 3
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719763 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069357. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719763 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069357. Published by Curtis Hanson (A0.719763). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include Holy, Holy, Holy, For All the Saints, and A Mighty Fortress Is Our God. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Hymns from Childhood - Set 6 (solo)
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Musique Sacrée
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Various
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Curtis Hanson
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Hymns from Childhood - Set 6
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - SKU: A0.719765 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069389. Published by Curtis...
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Vocal Solo,Voice - Level 1 - SKU: A0.719765 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069389. Published by Curtis Hanson (A0.719765). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include My Faith Looks Up to Thee, Dear Lord and Father of Mankind, and Nearer, My God, to Thee. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. ...
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Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
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