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--INSTRUMENTS--
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Harmonic Study I
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Crtitères actifs :
Harmonic Study I
Partitions à imprimer
11 partitions trouvées
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1
The Dreamer that Remains
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Harry Partch
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The Dreamer that Remains
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Schott Music - Digital
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SheetMusicPlus
Speakers, singers and orchestra - difficult - SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Pa...
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Speakers, singers and orchestra - difficult - SKU: S9.Q46168 A Study in Loving. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q46168. Published by Schott Music - Digital (S9.Q46168). The last major project of his life, The Dreamer That Remains, was composed while Harry Partch was being filmed from the beginning of his work until the world premiere in 1972. The resulting documentary offers a unique insight into the technical requirements of the musicians as well as the handling of the instruments designed by Partch himself, such as the Adapted Viola, New Harmonic Canon I, New Kithara I, Boo II and Mbira Bass Dyad.Adapted Viola · Adapted Guitar II · Harmonic Canon I (clear bass) · Harmonic Canon I (blue tined bass) · Harmonic Canon III (Blue Rainbow) · Kitahra I (new, 1972) · Chromelodeon II · Cloud-Chamber Bowls · Gourd Tree · Diamond Marimba · Quadrangularis Reversum · Boo II · Eucal Blossom · Mbira Bass Dyad · Small (1-string) Ektara · Large (2-string) Ektara.
$17.99
Delusion of the Fury
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having specially designed inst
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Harry Partch
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Delusion of the Fury
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q21969 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: study score. Downloadable, Study score. Duration 75' 0. Sc...
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SKU: S9.Q21969 A Ritual of Dream and Delusion. Composed by Harry Partch. This edition: study score. Downloadable, Study score. Duration 75' 0. Schott Music - Digital #Q21969. Published by Schott Music - Digital (S9.Q21969). English.Now, one of most unusual works of our time is available as study score in a facsimile edition: 'Delusion of the Fury'. At the time of creation, the great experimenter and sound researcher Harry Partch had fully developed his special scale system. By having specially designed instruments made, he created the prerequisites to bring his ideas of sound and harmony onto the stage. Using 25 of these special instruments, 'Delusion of the Fury' provides the opportunity to experience the musical universe of one of the most extraordinary American composers of the 20th century in all its nuances and hypnotic power.1. Small Hand Instruments: Alpha - Ugumbo, copy of a Zulu instrument · Beta - Bolivian double flute · Gamma - Rotating drum · Delta - First waving drum · Phi - Second waving drum · Epsilon - Six bamboo claves · Zeta - First bamboo ceremonial pole · Eta - Second bamboo ceremonial pole · Theta - Third bamboo ceremonial pole · Iota - First pair of eucal claves · Kappa - Second pair of eucal claves · Lambda - Third pair of eucal claves · Psi - Fourth pair of eucal claves · Xi - Thumb piano · Omicron - First belly drum · Pi - Second belly drum · Rho - Gourd drum · Sigma - Fiji rhythm boat · Omega - Gubagubi - 2. Stage Left and Center: Harmonic Canon I · Adapted Guitar I und II · Koto · Kithara I und II · Chromelodeon I und II · Blo-Boy · Castor & Pollux (Harmonic Canon II) · Blue Rainbow (Harmonic Canon III) · Surrogate Kithara · Crychord · Cloud-Chamber-Bowls · Spoils of war · Gourd Tree · Cone Gongs - 3. Stage Right: Mazda Marimba · Zyno-Xyl · Diamond Marimba · Quadrangularis Reversum · Eucal Blossom · Boo (Bamboo Marimba) · Bass Marimba · Marimba Eroica · Bass Drum.
$55.99
And on the Seventh Day Petals Fell in Petaluma (Version 1966)
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Harry Partch
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And on the Seventh Day Petals
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Schott Music - Digital
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SheetMusicPlus
Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This ...
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Ensemble - SKU: S9.Q47353 23 One-Minute Duets and Trios which later become 10 Quartets and Quintets and 1 Septet. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 36 minutes. Schott Music - Digital #Q47353. Published by Schott Music - Digital (S9.Q47353). Partchs Titel And on the Seventh Day Petals Fell in Petaluma ist eine Hommage an seine kalifornische Heimat. 4 Jahrzehnte verbrachte der Komponist – mit 2 jeweils 6-jährigen Unterbrechungen – in der Bucht von San Francisco, stets auf der Suche nach neuen Klangexperimenten. Die 23 Duett-Studien lassen sich zu größer besetzten kammermusikalischen Werken zusammenstellen und eignen sie sich auch als Konzertstücke - voll origineller Polyrhythmik, Polymetrik und Polytonalität.Zymo-Xyl · Mazda Marimba · Diamond Marimba · Bass Marimba · Boo · Marimba Eroica · Cloud-Chamber Bowls · Blue Rainbow · Crychord · Harmonic Canon I · Harmonic Canon II (Castor & Pollux) · Chromelodeon I & II · Kithara I & Kithara II · Surrogate Kithara · Guitar II · Adapted Viola · Koto · Spoils of War · Drone Devils · Gubagubi · Bloboy · Gourd Tree · Cone Gongs.
$21.99
Eleven Intrusions
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Harry Partch
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Eleven Intrusions
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Schott Music - Digital
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SheetMusicPlus
Solo Parts, Choir and Instruments - difficult - SKU: S9.Q46172 For voices, choir and ensemble. Composed by Harry Partch. This edition: study scor...
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Solo Parts, Choir and Instruments - difficult - SKU: S9.Q46172 For voices, choir and ensemble. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, study score. Duration 14 minutes. Schott Music - Digital #Q46172. Published by Schott Music - Digital (S9.Q46172). English.In 1950, Harry Partch completed his eleven-part collection, setting to music texts by his literary contemporaries, including Ella Young, Willard Motley, George Leite and Giuseppe Ungaretti, as well as old writings by Ki No Tsurayuki and Lao-Tse. His intention was that every word should be heard and understood clearly; he supports the text with evocative passages of the instruments many of which had only recently been built by him.1. Harmonic Canon · Bass Marimba - 2. Harmonic Canon · Bass Marimba - 3. Singstimme · Guitar II ·Diamond Marimba - 4. Singstimme · Guitar · Diamond Marimba - 5. The Waterfall Singstimme · Guitar · Diamond Marimba - 6. Singstimme · Harmonic Canon · Bass Marimba - 7. Singstimme · Harmonic Canon · Bass Marimba - 8. Singstimme · Soprano (Chrom.) · Guitar II + III · Cloud Chamber Bowls · Bass Marimba - 9. Singstimme · Harmonic Canon · Diamond Marimba · Bowls · Bass Marimba - 10. Singstimme · Guitar I,II,III - 11. Singstimme · Bass solo · Chor · Bowls · Adapted Viola · Guitar III · Kithara · Diamond Marimba · Bass Marimba · Indian deer-hoof rattlle.
$15.99
Ring around the Moon
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Harry Partch
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Ring around the Moon
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Schott Music - Digital
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SheetMusicPlus
Sprechstimme (auf Töne) · Guitar II · Kithara · Harmonic Canon · Chromelodeon I · Chromelodeon sub-bass · Bowls & 9/8 Eroica · Diamond M...
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Sprechstimme (auf Töne) · Guitar II · Kithara · Harmonic Canon · Chromelodeon I · Chromelodeon sub-bass · Bowls & 9/8 Eroica · Diamond Marimba · Bass Marimba spoken voice and ensemble - difficult - SKU: S9.Q47315 A Dance Fantasm for Here and Now. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q47315. Published by Schott Music - Digital (S9.Q47315). English.Ring Around the Moon ist eine in jeder Hinsicht ungewöhnliche Komposition, die Partchs satirische und ernsthafte Absichten ineinander vermischt und absurde, unsinnige Einwürfe der Sprechstimme intensiven und komplizierten Harmoniesequenzen gegenüberstellt. Obwohl Partch dieses Stück erst 1952 beendete, arbeitete er schon seit 1949 daran, wobei er jeweils verschiedene Titel benutzte. Zur ersten Fassung Tonality Flux sind keine Entwürfe überliefert; die zweite Fassung unter dem Titel Sonata Dementia wurde 1951 eingespielt.
$15.99
Daphne of the Dunes
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Harry Partch
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Daphne of the Dunes
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Schott Music - Digital
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SheetMusicPlus
Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls ...
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Adapted Viola · Kithara II (played from opposite side) · Surrogate Kithara · Harmonic Canons II and III · Chromelodeon I · Cloude-Chamber Bowls · Spoils of War · Gourd Tree · Diamond Marimba, Boo · Bass Marimba and Pre-recorded Tape ensemble - difficult - SKU: S9.Q46317 Soundtrack for Madeline Tourtelot’s film “Windsongâ€. Composed by Harry Partch. This edition: study score. The Harry Partch Edition. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q46317. Published by Schott Music - Digital (S9.Q46317). Partch composed and produced the music for the film Windsong by Madeline Tourtelot in 1958. In this film, the ancient legend of Daphne and Apollo was transferred to the dunes of Lake Michigan – as a reference to the sexual ethics of the Puritans in the USA. Later, the film music was turned into the ballet music Daphne of the Dunes. Contrasting tonalities and frequent changes of mood correspond to the fast cuts in the film. The music equally recalls images of nature including sand, water, snakes, and seagulls.
$15.99
The Bewitched
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Harry Partch
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The Bewitched
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Schott Music - Digital
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SheetMusicPlus
Tiefe Frauenstimme · B-Klarinette · Adapted Viola · Adapted Guitar II · Kithara II · Twin Harmonic Canons · Surrogate Kithara · Chromelodeo...
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Tiefe Frauenstimme · B-Klarinette · Adapted Viola · Adapted Guitar II · Kithara II · Twin Harmonic Canons · Surrogate Kithara · Chromelodeon I · Spoils of war (including Whang Gun) · Diamond Marimba · Bass Marimba · Marimba Eroica female voice and ensemble - SKU: S9.Q49146 A Ballet Satire. Composed by Harry Partch. This edition: study score. Ballet - esoteric - ethnology - magic - ritual - satire - dance. The Harry Partch Edition. Downloadable, Study score. Duration 30 minutes. Schott Music - Digital #Q49146. Published by Schott Music - Digital (S9.Q49146). English.Fasziniert von der Idee, es könne eine allwissende Hexe geben, schrieb Partch diese zehn Szenen für eine Sängerin und Ensemble. Dabei sind die Musiker und ihre Bewegungen Teil der Handlung, in der die Menschen durch eine Hexe von verschiedenen Problemen befreit werden. Die meisten der benötigten Instrumente sowie das verwendete Tonsystem wurden von Partch selbst entwickelt.
$22.99
Locke's Theatre
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Matthew Locke and Ryan Wiggles
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Ryan Wigglesworth
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Locke's Theatre
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Schott Music - Digital
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SheetMusicPlus
Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., t...
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Pic.2.2.3.2.cbsn-4.3.3.1-timp.4perc(glsp, vib(bow), xly, bells, tri, clash cym, 2 sus cym, Chinese cym(bow), Sizz cym, Antique cym, tam-t, clave, 4s.d., b.d., tamb, 4templeblck, 2 anvils, whip)-2hp.cel-str(12.10.8.6.6 min) orchestra - SKU: S9.Q45639 For orchestra. Composed by Matthew Locke and Ryan Wigglesworth. Arranged by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q45639. Published by Schott Music - Digital (S9.Q45639). Locke’s Theatre, an orchestral work in three short movements, takes as its departure point incidental music written for Shakespeare’s The Tempest by the seventeenth-century English composer Matthew Locke. Aspects of Locke’s idiosyncratic and daringly advanced harmonic and rhythmic language were to be adopted (some might say perfected) by his younger friend and protégé Henry Purcell. But it is the very rawness and directness of Locke’s theatre music that I wished to acknowledge and emulate. In each of my work's three movements – entitled respectively ‘The First Music’, ‘Rustic Music’, and ‘Curtain Music (with Storm)’ – the baroque originals, though very often submerged, remain a constant, shadowy presence. Locke’s Theatre was commissioned by the Aldeburgh Festival to mark the centenary of Benjamin Britten’s birth. Ryan Wigglesworth.
$23.99
Chord Progression Generator for Guitar
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Brian Streckfus
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Chord Progression Generator fo
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Brian Streckfus
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SheetMusicPlus
Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 page...
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Acoustic Guitar,Electric Guitar - Level 1 - SKU: A0.1488812 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Educational Exercises. 12 pages. Brian Streckfus #1065662. Published by Brian Streckfus (A0.1488812). Pages: 12Keys: 1. C Major2. A minor3. A Harmonic minor4. A minor (Jazz 7ths)5. A minor (Extreme Jazz extensions)6. The seven modesThis collection of PDFs is something I am very proud of and I believe it has been my most well recieved PDF upload on the internet. Finding chord charts that simply list chords are a dime a dozen, and can be found anywhere. It is much rarer for a chord sheet to try to explain what order they go in and even rarer still to find it for guitar. It's difficult because it is an art, and of course there really is no wrong answers in composing (especially on Halloween I always joke). I personally haven't seen anything else quite like this on the internet.Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. The aim is to memorize them so that you can understand them in all 12 keys. These chord progressions are of course a great composition aid. Tips:1. I find sheets like this to be excellent practice to play by ear. If the music is relaxing I play blue chords, if it is intense I play red chords. Once you get into the groove, and you know no one is changing key, it's as simple as that.2. When playing by ear, even if you get the exact chord wrong but you still get the correct color, it will still sound like you harmonizing the song correctly!!! See chords categorized by purpose rather than name will elegantly simplify how music actually works.3. The reason why we study the roman numerals is to be able to think about all of music in a single keyless key to allow for optimum clarity.4. One issue that needs to be fixed: what to do about the 11 other keys? One easy and quick fix is to use a guitar capo (or downtune) to get to all the other keys. I can't imagine giving out 56 pages of chord progressions to each of my students, it's way too much. Instead, I teach strategies on how these work in all 12 keys. 5. Order = Blue, Yellow, Red, Blue for stereotypical chord progressions that truely progress. These is such a thing called a chord succession where it is not the previous order. Again, try not to see music in terms of right and wrong. Everything expresses an emotion. For example, if there is a song devoid of red chords, it will result in more peaceful music. Lots of red would be great for metal music, etc...Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$4.99
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
Waltz In D Minor Variations (3 Variations)
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Classique
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Ethan Tai
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Waltz In D Minor Variations
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Ethan T.
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SheetMusicPlus
Harmonica,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1272979 Composed by Ethan Tai. This edition: Interactive Download. Classical. Indivi...
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Harmonica,Instrumental Solo - Level 1 - Interactive Download SKU: A0.1272979 Composed by Ethan Tai. This edition: Interactive Download. Classical. Individual part. 3 pages. Duration 179. Ethan T. #4VVFvFUmqr35mxPJInyzRe. Published by Ethan T. (A0.1272979). Key: F major.Dedicated to all students and teachers affected by the COVID Pandemic as well as everyone affected by the COVID Pandemic. This piece contains a main theme and 3 variations for studying or inspiration. Variation 1: Rhythm slightly changes with Eighth Notes added in place of some Quarter Notes in the main theme. Variation 2: Main Theme expect in Major Key Variation 3: Main Theme except in 6/8 Sorry for not posting this earlier! I thought I posted it since some pieces have very similar names to this one.
$2.99
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