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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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Heinrich Bach
Non classifié
25
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11
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Piano Quatuor: piano, violon, alto, violoncelle
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1
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6
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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FLUTE A BEC
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FLUTE TRAVERSI…
FORMATION MUSI…
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Vous avez sélectionné:
Heinrich Bach
Partitions à imprimer
25 partitions trouvées
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1
Bist du bei mir (B flat version) by Stölzel and arranged by J S Bach (mp3)
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Classique
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David Warin Solomons
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Johann Sebastian Bach
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Bist du bei mir
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Organ - Level 3 - SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arranged by Johann ...
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Alto Voice,Organ - Level 3 - SKU: A0.1342745 By David Warin Solomons (alto) and Lorin Nelson (organ). By Gottfried Heinrich Stolzel. Arranged by Johann Sebastian Bach. Classical,Religious,Renaissance. Full Performance. Duration 175. David Warin Solomons #928251. Published by David Warin Solomons (A0.1342745). Performed by David Warin Solomons (alto) and Lorin Nelson (organ)Bist du bei mir, geh ich mit Freudenzum Sterben und zu meiner Ruh.Ach, wie vergnügt wär so mein Ende,es drückten deine schönen Händemir die getreuen Augen zu.If you are with me, I will go gladlyto my death and to my rest.Ah, what a delightful end would this be for me,if your lovely hands close my faithful eyes.The song comes from Gottfried Heinrich Stölzel's opera Diomedes, oder die triumphierende Unschuld (Diomedes or triumphant innocence) and was arranged by Johann Sebastian Bach for his Anna Magdalena Bach book.
$4.50
Sei Lob und Preis mit Ehren for flute and strings
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Philipp Heinrich Erlebach
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David Warin Solomons
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Sei Lob und Preis mit Ehren fo
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 2 - SKU: A0.578706 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Chri...
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Small Ensemble Cello,Flute,Viola,Violin - Level 2 - SKU: A0.578706 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Renaissance,Sacred. Score and parts. 19 pages. David Warin Solomons #2965207. Published by David Warin Solomons (A0.578706). Instrumental version of the choir and orchestra setting by Philipp Heinrich Erlebach (1657-1714), based on the melody published in Johannes Kugelmann's 1540 collection.
$15.00
Sei Lob und Preis mit Ehren for clarinet and strings
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Philipp Heinrich Erlebach
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David Warin Solomons
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Sei Lob und Preis mit Ehren fo
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Viola,Violin - Level 2 - SKU: A0.578708 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,C...
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Small Ensemble Cello,Clarinet,Viola,Violin - Level 2 - SKU: A0.578708 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Renaissance. Score and parts. 19 pages. David Warin Solomons #2965513. Published by David Warin Solomons (A0.578708). Instrumental version of the choir and orchestra setting by Philipp Heinrich Erlebach (1657-1714), based on the melody published in Johannes Kugelmann's 1540 collection.
$15.00
Sei Lob und Preis mit Ehren for cor anglais and strings
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Philipp Heinrich Erlebach
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David Warin Solomons
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Sei Lob und Preis mit Ehren fo
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,English Horn,Viola,Violin - Level 2 - SKU: A0.578709 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroq...
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Small Ensemble Cello,English Horn,Viola,Violin - Level 2 - SKU: A0.578709 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Renaissance. Score and parts. 19 pages. David Warin Solomons #2965515. Published by David Warin Solomons (A0.578709). Instrumental version of the choir and orchestra setting by Philipp Heinrich Erlebach (1657-1714), based on the melody published in Johannes Kugelmann's 1540 collection.
$15.00
Sei Lob und Preis mit Ehren (mp3)
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Musique Sacrée
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Philipp Heinrich Erlebach
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David Warin Solomons
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Sei Lob und Preis mit Ehren
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David Warin Solomons
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SheetMusicPlus
Choir,Violin - SKU: A0.1059478 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Praise & Worship. Fu...
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Choir,Violin - SKU: A0.1059478 Composed by Philipp Heinrich Erlebach. Arranged by David Warin Solomons. Baroque,Christian,Classical,Praise & Worship. Full Performance. Duration 174. David Warin Solomons #3387819. Published by David Warin Solomons (A0.1059478). sung by the dwsChorale
$2.50
Wer bin ich, Herr
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Philipp Heinrich Erlebach
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Wer bin ich, Herr
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (6 parts) - SKU: S9.Q11791 Composed by Philipp Heinrich Erlebach. This edition: choral score. Schott Choral Music. Downloadable, Choral scor...
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Mixed choir (6 parts) - SKU: S9.Q11791 Composed by Philipp Heinrich Erlebach. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q11791. Published by Schott Music - Digital (S9.Q11791). German.
$3.99
Air Arabe, Op. 77 for Oboe, Horn, and Piano
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Heinrich Molbe
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Air Arabe, Op. 77 for Oboe, Ho
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RēsFacta Editions
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SheetMusicPlus
Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.1514425 Composed by Heinrich Molbe. 19th Century,20th Century,Classical,Contest,Festival,Multicultural,W...
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Horn,Instrumental Duet,Oboe - Level 4 - SKU: A0.1514425 Composed by Heinrich Molbe. 19th Century,20th Century,Classical,Contest,Festival,Multicultural,World. 16 pages. RēsFacta Editions #1088908. Published by RēsFacta Editions (A0.1514425). Air Arabe, Op. 77 by Heinrich Molbe is a short, evocative musical piece that falls under the Romantic period's characteristic style of exoticism. Composed for oboe, horn, and piano, it reflects a fascination with Eastern cultures, common in 19th-century European art. The work is infused with what Western composers imagined as “Arabian” or “Oriental” sounds, featuring chromatic melodies, modal scales, and rhythmic patterns that evoke the mystique of the Middle East.Molbe’s use of lyrical, flowing lines and embellished ornamentation gives the piece an improvisational feel intended to mimic the Arabic musical traditions that inspired him. While not a well-known composer today, Heinrich Molbe (pseudonym for Heinrich Freiherr von Bach) captured the spirit of the time by blending European Romantic idioms with an exotic, foreign flair. The title itself, Air Arabe, suggests that the piece was meant to evoke a particular atmosphere rather than strictly adhere to authentic Arabic musical practices.
$12.00
Bist Du Bei Mir (Stölzel) (flute choir)
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Jon Raybould
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Jon Raybould
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Bist Du Bei Mir
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Jon Raybould Music
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1459381 By Jon Raybould. By Gottfried Heinrich Stölzel (1690 – 1749). Arranged by Jon Ray...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.1459381 By Jon Raybould. By Gottfried Heinrich Stölzel (1690 – 1749). Arranged by Jon Raybould. 19th Century,Baroque. 7 pages. Jon Raybould Music #1038326. Published by Jon Raybould Music (A0.1459381). This lovely melody was originally attributed to Johann Sebastian Bach, because he included it in his Notebook for Anna Magdalena Bach - a collection of keyboard pieces for his wife. Later, it was identified as an aria from Gottfried Heinrich Stölzel's opera Diomedes, which was first staged on 16 November 1718. Arranged by Jon Raybould. Scored for flute ensemble or flute choir : 2 flutes in C, alto flute, bass flute.
$12.00
Bist du bei mir (Low Voice and Keyboard with Optional Instruments)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.1076240 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Conte...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.1076240 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680391. Published by Jubal's Lyre Music Publishers (A0.1076240). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Low Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb Major), Medium-High Voice (D major), Medium Voice (C major), and Medium-Low Voice (Bb major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (Medium-High Voice and Keyboard with Optional Instruments)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.1076365 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classic...
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Medium-High Voice,Vocal Solo - Level 3 - SKU: A0.1076365 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Instructional,Sacred. 13 pages. Jubal's Lyre Music Publishers #680519. Published by Jubal's Lyre Music Publishers (A0.1076365). The beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook is offered here in a special 300th Anniversary Edition for Medium-High Voice and keyboard with optional instruments. Two keyboard parts are provided along with parts for C Instruments, Bb Instruments, and Cello/Bassoon. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. Other editions are available for High Voice (Eb major), Medium Voice (C major), Medium-Low Voice (Bb major), and Low Voice (A major). Instrumental editions are available in Bb and C major and contain parts for additional instruments. For more music and information, visit www.jubalslyre.com/music.
$4.99
Bist du bei mir (Instrumental Edition in Bb Major with Keyboard)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - SKU: A0.1076137 By Jubal's Lyre Music. ...
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Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - SKU: A0.1076137 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Instructional,Sacred,Standards. 17 pages. Jubal's Lyre Music Publishers #680307. Published by Jubal's Lyre Music Publishers (A0.1076137). Beginning, intermediate, and advanced players will enjoy playing the beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook. This aria is offered here in a special 300th Anniversary Instrumental Edition in Bb Major with parts for various solo instruments. Two keyboard parts are provided along with parts for Instruments in C, Instruments in Bb, Instruments in Eb, Instruments in F, Viola, Cello/Bassoon, and Bass Clarinet. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. There is another Instrumental Edition in C Major as well as five editions for voice including the Medium-Low Voice edition which is also in Bb major. For more music and information, visit www.jubalslyre.com/music.
$5.99
Bist du bei mir (Instrumental Edition in C Major with Keyboard)
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Classique
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Jubal's Lyre Music
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Martin Dicke
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Bist du bei mir
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - SKU: A0.918934 By Jubal's Lyre Music. B...
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Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Recorder,Saxophone,Trombone,Trumpet,Viola,Violin - Level 2 - SKU: A0.918934 By Jubal's Lyre Music. By Gottfried Heinrich Stolzel. Arranged by Martin Dicke. Baroque,Classical,Instructional,Sacred,Standards. 17 pages. Jubal's Lyre Music Publishers #6655627. Published by Jubal's Lyre Music Publishers (A0.918934). Beginning, intermediate, and advanced players will enjoy playing the beloved song Bist du bei mir (If You Are Near) from Anna Magdalena's 1525 Notebook. This aria is offered here in a special 300th Anniversary Instrumental Edition in C Major with parts for various solo instruments. Two keyboard parts are provided along with parts for Instruments in C, Instruments in Bb, Instruments in Eb, Instruments in F, Viola, Cello/Bassoon, and Bass Clarinet. Originally thought to have been composed by Johann Sebastian Bach, a recent discovery reveals that this song is from an opera by Gottfried Heinrich Stölzel (1690-1749). This aria became very popular, which is why Bach's second wife Anna Magdalena, a fine soprano herself, copied it into her music notebook. There is another Instrumental Edition in Bb Major as well as five editions for voice including the Medium Voice edition which is also in C major. For more music and information, visit www.jubalslyre.com/music.
$5.99
Bist du bei mir for Bass Trombone or Tuba and Piano
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Classique
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Johann Sebastian Bach
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Philip Brink
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Bist du bei mir for Bass Tromb
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.1270460 Composed by Johann Sebastian Bach. Arranged by Philip Brink. Baroque. Score and i...
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Bass Trombone,Instrumental Solo,Piano,Tuba - Level 3 - SKU: A0.1270460 Composed by Johann Sebastian Bach. Arranged by Philip Brink. Baroque. Score and individual part. 3 pages. Gordon Cherry #862844. Published by Gordon Cherry (A0.1270460). J. S. Bach's Bist du bei mir, BWV 508 is a tender and poignant aria that showcases the composer's mastery of vocal music. Originally attributed to Bach, it is now believed to have been composed by Gottfried Heinrich Stölzel. This beautiful piece, written in the 18th century, is sung in German and translates to If you are with me. Its simple yet heartfelt melody is accompanied by delicate piano or harpsichord chords, creating an intimate atmosphere. Bist du bei mir expresses deep love, longing, and a sense of comfort in the presence of a loved one, making it a cherished gem in the classical vocal repertoire.This mini masterpiece has been arranged for Bass Trombone or Tuba by Phil Brink and is perfect for intermediate level performers.
$12.50
Henkel: Drei Quartette für F-Hörner/Three Quartets for F horns
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Heinrich Henkel
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Edited by Roar Kvam
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Henkel: Drei Quartette fü
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.768513 Composed by Heinrich Henkel. Arranged by Edited by Roar Kvam. Concert,Romantic Period. Score and parts. 3...
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Brass Ensemble Horn - Level 3 - SKU: A0.768513 Composed by Heinrich Henkel. Arranged by Edited by Roar Kvam. Concert,Romantic Period. Score and parts. 35 pages. KVAMusic Edition #5359927. Published by KVAMusic Edition (A0.768513). Heinrich Henkel (16 February 1822 – 10 April 1899) was a German composer who studied with Johann Anton André at Offenbach am Main and became a figure of some importance for Mozart research. He was born in Fulda. In 1860, he founded the predecessor of Frankfurt's municipal music school. Henkel died in Frankfurt am Main. His brother Georg Andreas Henkel (1805–1871) was also a composer.
$13.00
Luther: Out of the Depths for Bass Flute & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Stand...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548712 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411731. Published by jmsgu3 (A0.548712). Out of the Depths I Cry to You by Martin Luther arranged for bass flute & piano. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Contrabassoon & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,St...
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Contrabassoon,Instrumental Solo,Piano - Level 1 - SKU: A0.548727 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411773. Published by jmsgu3 (A0.548727). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Baritone Horn & Piano
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Martin Luther
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James M
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piano
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standar...
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Baritone Horn TC,Euphonium,Piano - Level 1 - SKU: A0.552829 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411723. Published by jmsgu3 (A0.552829). Out of the Depths I Cry to You by Martin Luther arranged for baritone horn & piano. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. Piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Luther: Out of the Depths for Piano Trio
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Sc...
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Piano Trio,String Ensemble - Level 1 - SKU: A0.548730 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and parts. 8 pages. Jmsgu3 #3412105. Published by jmsgu3 (A0.548730). Out of the Depths I Cry to You by Martin Luther. First verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 4 pg. piano part 2 pg. violin part: 1 pg. cello part: 1 pg. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$42.95
Luther: Out of the Depths for Oboe d'Amore & Piano
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Sta...
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Instrumental Solo,Oboe d'Amore,Piano - Level 1 - SKU: A0.548718 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and individual part. 4 pages. Jmsgu3 #3411751. Published by jmsgu3 (A0.548718). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Ich steh an deiner Krippen hier
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Classique
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Johann Sebastian Bach
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Heinrich Pfannschmidt
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Ich steh an deiner Krippen hie
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Musikverlag Robert Lienau - Digital
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SheetMusicPlus
Soprano (tenor) or alto (baritone) and piano - SKU: S9.Q561514 Composed by Johann Sebastian Bach. Arranged by Heinrich Pfannschmidt. Hosianna. Downloada...
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Soprano (tenor) or alto (baritone) and piano - SKU: S9.Q561514 Composed by Johann Sebastian Bach. Arranged by Heinrich Pfannschmidt. Hosianna. Downloadable. Op 171/2. Musikverlag Robert Lienau - Digital #Q561514. Published by Musikverlag Robert Lienau - Digital (S9.Q561514). German.
$5.99
Let It Be
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Noël
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
Concerto II G Major
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Classique
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Wolfgang Amadeus Mozart
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Heinrich Wollheim
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Concerto II G Major
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Schott Music - Digital
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SheetMusicPlus
Cello/Double Bass - intermediate to advanced - SKU: S9.Q10780 After Piano sonatas of Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. ...
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Cello/Double Bass - intermediate to advanced - SKU: S9.Q10780 After Piano sonatas of Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. Arranged by Heinrich Wollheim. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q10780. Published by Schott Music - Digital (S9.Q10780). Key: G major.
$4.99
Concerto III E flat Major
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Classique
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Wolfgang Amadeus Mozart
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Heinrich Wollheim
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Concerto III E flat Major
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Schott Music - Digital
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SheetMusicPlus
Cello/Double Bass - intermediate to advanced - SKU: S9.Q49680 After Piano sonatas of Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. ...
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Cello/Double Bass - intermediate to advanced - SKU: S9.Q49680 After Piano sonatas of Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. Arranged by Heinrich Wollheim. This edition: separate part. Antiqua. Downloadable, Individual part. Schott Music - Digital #Q49680. Published by Schott Music - Digital (S9.Q49680). Key: E flat major.
$4.99
Concerto II G Major
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Classique
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Wolfgang Amadeus Mozart
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Heinrich Wollheim
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Concerto II G Major
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Schott Music - Digital
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SheetMusicPlus
Harpsichord (piano), 2 violins and bass (cello) - intermediate to advanced - SKU: S9.Q166 After Piano Sonatas by Johann Christian Bach. Composed ...
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Harpsichord (piano), 2 violins and bass (cello) - intermediate to advanced - SKU: S9.Q166 After Piano Sonatas by Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. Arranged by Heinrich Wollheim. This edition: score and parts. Antiqua. Downloadable, Score and parts. Schott Music - Digital #Q166. Published by Schott Music - Digital (S9.Q166). Key: G major.
$21.99
Concerto III Eb Major
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Classique
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Wolfgang Amadeus Mozart
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Heinrich Wollheim
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Concerto III Eb Major
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Schott Music - Digital
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SheetMusicPlus
Harpsichord (piano), 2 violins and bass (cello) - intermediate to advanced - SKU: S9.Q168 After Piano Sonatas by Johann Christian Bach. Composed ...
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Harpsichord (piano), 2 violins and bass (cello) - intermediate to advanced - SKU: S9.Q168 After Piano Sonatas by Johann Christian Bach. Composed by Wolfgang Amadeus Mozart. Arranged by Heinrich Wollheim. This edition: score and parts. Antiqua. Downloadable, Score and parts. Schott Music - Digital #Q168. Published by Schott Music - Digital (S9.Q168). Key: E flat major.
$23.99
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