Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Her Town Too
Non classifié
60
Piano & claviers
2 Pianos, 4 mains
21
Piano, Voix
21
Piano seul
9
Piano, Voix et Guitare
9
Instruments en Do
5
Piano grosses notes
3
Piano Facile
1
Accordéon
1
1 Piano, 4 mains
1
+ 4 instrumentations
Retracter
Guitares
Paroles et Accords
2
Ukulele
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
Voix
Chorale SATB
7
Chorale 2 parties
4
Chorale 3 parties
1
Vents
Saxophone (partie séparée)
3
Flûte traversière et Piano
2
2 Saxophones (duo)
2
Clarinette
2
2 Flûtes traversières (duo)
2
2 Clarinettes (duo)
1
Saxophone Alto
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Saxophone et Orgue
1
Ensemble de Flûtes
1
Saxophone Tenor
1
Flûte, Clarinette (duo)
1
2 Hautbois (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Soprano
1
3 Clarinettes (trio)
1
Flûte traversière
1
+ 12 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette (partie séparée)
2
Trombone (partie séparée)
1
Trompette, Piano
1
Trio de Cuivres
1
Trombone
1
Trompette
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
3
Trio à Cordes: violon, alto, violoncelle
2
Violon
2
4 Violoncelles
2
4 Contrebasses
1
Quatuor à cordes : 4 altos
1
Contrebasse (partie séparée)
1
2 Altos (duo)
1
Quatuor à cordes: 4 violons
1
Violon et Piano
1
Trio à Cordes: 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
35
Orchestre de chambre
14
Orchestre à Cordes
5
Ensemble Jazz
4
Ensemble de cuivres
3
Cloches
2
Percussion (partie séparée)
2
Fanfare
1
Batterie
1
Orchestre
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
60
Librairie Musicale
733
Matériel de Musique
1
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Her Town Too
Partitions à imprimer
60 partitions trouvées
<
1
26
51
When the World Drops In to Town
#
David Kai
#
David Kai
#
When the World Drops In to Tow
#
David Kai
#
SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Ce...
(+)
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
Santa Claus Is Comin' to Town
#
John Frederick Coots
#
Jay Althouse
#
Movement and Staging
#
Santa Claus Is Comin' to Town
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chorus - SKU: AX.00-PO-0002320 Santa Claus Is Comin' to Town - TTB. Composed by John Frederick Coots. Arranged by Jay Althouse. Choral. 11 pages....
(+)
Chorus - SKU: AX.00-PO-0002320 Santa Claus Is Comin' to Town - TTB. Composed by John Frederick Coots. Arranged by Jay Althouse. Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0002320. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002320). UPC: 038081340654. Haven Gillepsie.Certainly there's not a Christmas season that goes by that one doesn't hear Bruce Springsteen's popular rock and roll version of this holiday staple. Now any or all of your choirs can enjoy singing it, too! Staging featured on Shine! movement DVD 00-34720.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.10
Santa Claus Is Comin' To Town
#
Jazz
#
Steve Tyrell
#
Edwin Sung
#
Santa Claus Is Comin' To Town
#
Edwin Sung
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.731373 By Steve Tyrell. By John Frederick Coots. Arranged by Edwin Sung. Jazz. Score and...
(+)
Instrumental Duet Instrumental Duet,Piccolo - Level 2 - SKU: A0.731373 By Steve Tyrell. By John Frederick Coots. Arranged by Edwin Sung. Jazz. Score and parts. 5 pages. Edwin Sung #2893367. Published by Edwin Sung (A0.731373). 2016 Holiday Contest EntryThis duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the majority of the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. In addition to that, melodies and harmonies do cross over occasionally to gain a balance of roles between the players. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!
$6.99
On the Ground Where We Live
#
Greg Bartholomew
#
On the Ground Where We Live
#
Burke & Bagley
#
SheetMusicPlus
SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemporary. Full Performance. Duration 727. Burke & Bagley #2880415. Published by Burke & B...
(+)
SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemporary. Full Performance. Duration 727. Burke & Bagley #2880415. Published by Burke & Bagley (A0.1071145). On the Ground Where We Live evokes the sense of walking through the community of an old town or city, where new sights and experiences are discovered around each corner. We sense a generally benign social-political environment in which individuals and small groups may interact harmoniously, although at times the world becomes ominous or chaotic. Individual voices are at turns confident, reflective, insistent or celebratory. As the ensemble builds, we may be entering a popular plaza. When the crowd gets too boisterous, we follow a pair of individual voices as they retreat for refuge in a quiet passage, but soon the larger forces return and build to a climatic conclusion.ERM Media awarded On the Ground Where We Live the Masterworks Prize. The work was recorded by the Czech Philharmonic in October 2005 for Volume 10 of the Masterworks of the New Era CD series. Duration approximately 12 minutes.For more information: www.gregbartholomew.com/groundindex.html  
$3.99
The World is Too Big
#
Michael Matlock
#
The World is Too Big
#
Michael Matlock
#
SheetMusicPlus
Small Ensemble Piano,Violin,Voice - Level 5 - SKU: A0.1014249 Composed by Michael Matlock. Contemporary,Folk. Score and parts. 32 pages. Michael Matlock...
(+)
Small Ensemble Piano,Violin,Voice - Level 5 - SKU: A0.1014249 Composed by Michael Matlock. Contemporary,Folk. Score and parts. 32 pages. Michael Matlock #6205073. Published by Michael Matlock (A0.1014249). The World Is Too Big is a song cycle initially written for a performance at Earth Day 2017 by the TangleTown Trio. The song cycle has four tunes. Mother Earth, the first, is a humorous attempt to answer the question of what our relationship is with nature. Next is What Do You See When You See The Mountains? which asks us to look beyond the thing we’re looking at and see what it really means. This is followed by Behold The Mighty River, an Ogden Nash-y poem that says the opposite. Finally, the cycle ends with If I Had Just One Complaint, a total rip-off of a Stephen Sondheim tune I’m sure. Range is not specified, but this was origianlly performed by mezzo-soprano.
$7.00
Santa Claus Is Comin' to Town: Score
#
Methodes
#
John Frederick Coots
#
Jay Althouse
#
Movement and Staging
#
Santa Claus Is Comin' to Town:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
SKU: AX.00-PR-0002640 Score. Composed by John Frederick Coots. Arranged by Jay Althouse. Instructional. Score. 20 pages. Alfred Music - Digital S...
(+)
SKU: AX.00-PR-0002640 Score. Composed by John Frederick Coots. Arranged by Jay Althouse. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0002640. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002640). UPC: 038081340685.Certainly there's not a Christmas season that goes by that one doesn't hear Bruce Springsteen's popular rock and roll version of this holiday staple. Now any or all of your choirs can enjoy singing it, too! Staging featured on Shine! movement DVD 00-34720. Includes parts for a. sax., t. sax., 2 tpt., tbn., rhy., synth., sleigh bells.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$8.00
Santa Claus Is Comin' to Town: Guitar
#
Methodes
#
John Frederick Coots
#
Jay Althouse
#
Movement and Staging
#
Santa Claus Is Comin' to Town:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Guitar - SKU: AX.00-PC-0014321_G Guitar. Composed by John Frederick Coots. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music -...
(+)
Guitar - SKU: AX.00-PC-0014321_G Guitar. Composed by John Frederick Coots. Arranged by Jay Althouse. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014321_G. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014321_G). UPC: 038081340685.Certainly there's not a Christmas season that goes by that one doesn't hear Bruce Springsteen's popular rock and roll version of this holiday staple. Now any or all of your choirs can enjoy singing it, too! Staging featured on Shine! movement DVD 00-34720. Includes parts for a. sax., t. sax., 2 tpt., tbn., rhy., synth., sleigh bells.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$3.00
Mysterious Moment for oboe and string trio
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for oboe and
#
David Warin Solomons
#
SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
(+)
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Songs - Jonathan Townes
#
Jonathan Townes
#
Songs - Jonathan Townes
#
Giglaeoplexis Publishing
#
SheetMusicPlus
Small Ensemble - SKU: A0.1006787 Composed by Jonathan Townes. Contemporary,Jazz. Score and parts. 100 pages. Giglaeoplexis Publishing (ASCAP) #2003057. ...
(+)
Small Ensemble - SKU: A0.1006787 Composed by Jonathan Townes. Contemporary,Jazz. Score and parts. 100 pages. Giglaeoplexis Publishing (ASCAP) #2003057. Published by Giglaeoplexis Publishing (ASCAP) (A0.1006787). A collection of original compositions in lead sheet format. Contents: Asa Atlantis Black of Cassandra's Heart The Blues for M Blue Modal Minor Bolling Gryn Cerullian Rose Children Convolution Cracks Cumulonimbus Draff Euridice Everything is for You Fantaloma Fluid Visual Flytime Four Score Four Score and Seven Freddie's Real Blues Giglaeoplexis Home is Where Hule Tide Carroll Innocent Robert Blowstone John's Cafe Juxtapostivie Kobuton KT Lax Littel Magneto! Martin's Dash Mercurachrome Desert Modus Interruptus Mome Raths Outgrabe Moth and the Flame Mudcat Swang Muse My Heart Only Cries at Christmas Old Man Oneworld Penterra Prosperity Qadr Queens English The Sequre Demeter Shikari Skipsy Daisy Sky Song for a Lonely Daughter Song for Jennifer Sunday Sermon Tangential Tears for a Friend Trio Phono Visigoths Took My Hat The Why Are You So Beautiful Wind Winter Summer Zygote.
$99.99
Fanny Hünerwadel – Sonntagsfrühe for piano, voice and flute
#
Classique
#
Helene Schulthess
#
Helene Schulthess
#
Fanny Hünerwadel –
#
Helene Schulthess
#
SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 5 - SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged by Helene Schul...
(+)
Small Ensemble Flute,Piano,Voice - Level 5 - SKU: A0.1073271 By Helene Schulthess. By Fanny Hünerwadel (1826 – 1854). Arranged by Helene Schulthess. Classical,Romantic Period. Score and parts. 24 pages. Helene Schulthess #677536. Published by Helene Schulthess (A0.1073271). The composer Fanny Hünerwadel (1826 in Lenzburg - 1854 in Rome) came from a long-established family of the town of Lenzburg. She was the eldest child of the doctor Johann Friedrich Hünerwadel and Regula Speerli, who were both enthusiastic music lovers. After first being taught by her mother, Hünerwadel learned to play the piano in Lenzburg with Philipp Tietz, Joseph Breitenbach, and Ludwig Kurz and belonged to the local singing society. From 1846 she studied piano, singing, music theory and composition with Hans Nägeli and with Wagner's friend Alexander Müller in Zurich. During her time in Zurich she made the acquaintance of Johann W. Kalliwoda, Richard Wagner, Ferdinand Huber, Franz Liszt, Franz Abt, Wilhelm Baumgartner and Henri Vieuxtemps. In 1852, she played Johann Nepomuk Hummel's Rondo brillant in a subscription concert of the Zurich General Music Society, which became the current Zurich Tonhalle Orchestra. For further studies, she traveled to Florence and Rome in 1853. In Florence she took singing lessons with Romani. In Rome in 1853 she was the guest of the artistic families Corrodi and Imhof and took lessons with the singing teacher Parisotti. Hünerwadel died of typhoid fever in Rome on April 27, 1854, and was buried there on April 30. Six of Hünerwadels seven preserved piano songs were published posthumously (in 1854). Her great-nephew was the composer, painter, and publicist Peter Mieg (1906-1990) Source: Wikipedia.
$20.00
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
#
Noël
#
Connie Boss
#
They Saw a Star - Epiphany/Chr
#
Connie Boss
#
SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #9125...
(+)
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
I Wonder As I Wander
#
Folklorique/Traditionel
#
John Jacob Niles
#
Donald A
#
I Wonder As I Wander
#
Donald A Mills
#
SheetMusicPlus
String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Don...
(+)
String Ensemble,String Quintet - Level 5 - SKU: A0.928964 Composed by John Jacob Niles. Arranged by Donald A. Mills. Folk. Score and parts. 7 pages. Donald A Mills #3400179. Published by Donald A Mills (A0.928964). 2017 CHAMBER MUSIC CONTEST ENTRYI Wonder as I Wander is a Christian folk hymn, typically performed as a Christmas carol, written by American folklorist and singer John Jacob Niles. The hymn has its origins in a song fragment collected by Niles on July 16, 1933.While in the town of Murphy in Appalachian North Carolina, Niles attended a fundraising meeting held by evangelicals who had been ordered out of town by the police. In his unpublished autobiography, he wrote of hearing the song:A girl had stepped out to the edge of the little platform attached to the automobile. She began to sing. Her clothes were unbelievably dirty and ragged, and she too was unwashed. Her ash-blond hair hung down in long skeins.... But, best of all, she was beautiful, and in her untutored way, she could sing. She smiled as she sang, smiled rather sadly, and sang only a single line of a song.The girl, named Annie Morgan, repeated the fragment seven times in exchange for a quarter per performance, and Niles left with three lines of verse, a garbled fragment of melodic material-and a magnificent idea. (In various accounts of this story, Niles hears between one and three lines of the song.) Based on this fragment, Niles composed the version of I Wonder as I Wander that is known today, extending the melody to four lines and the lyrics to three stanzas. His composition was completed on October 4, 1933. Niles first performed the song on December 19, 1933, at the John C. Campbell Folk School in Brasstown, North Carolina. It was originally published in Songs of the Hill Folk in 1934.This arrangement of I Wonder As I Wander is a five-part string ensemble, revised 12.12.17. It was arranged specifically for the 2017 Chamber Music Contest on www.SheetMusicPlus.com. Used by permission.
$12.99
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
#
Noël
#
Connie Boss
#
They Saw a Star - Epiphany/Chr
#
Connie Boss
#
SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Ch...
(+)
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
Sunday
#
Comédie Musicale
#
Ukelele Ike
#
Jim Ivy
#
Sunday
#
Jim Ivy
#
SheetMusicPlus
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. Th...
(+)
Choral Piano and Keyboard,Ukulele,Voice (4-Part) - Level 3 - Interactive Download SKU: A0.1033592 By Ukelele Ike (Cliff Edwards). Arranged by Jim Ivy. This edition: Interactive Download. Musical/Show,Standards. Octavo. Duration 133. Jim Ivy #bLtl7pcHmOevED0xqdd2w. Published by Jim Ivy (A0.1033592). Key: C major.Am I the only one here who remembers Saturday morning at the movies? No one had air conditioning or TV sets when I was a boy. The only way to cool off during those long, hot Alabama summers was to either jump in the creek for a swim, or go into town to the movie theater! On Saturday mornings we would pedal our bikes into town, where for a dime, we could spend half the day in refrigerated air comfort. There was always a double feature on Saturday and between the two movies, there was newsreel about the important events of the day, the weekly installment of the serial, one or two cartoons, and always a bouncing ball sing-a-long! Here is an arrangement that reminds me very much of those Saturday mornings. I had to figure out some new things (at least new to me) but I'm rather pleased with the way it turned out. It reminds me very much of those Saturday mornings long ago!
$2.99
Pretty how town for chamber orchestra (mp3)
#
Contemporain
#
Classique
#
Jeremiah Bornfield
#
Colin Bayliss
#
Pretty how town for chamber or
#
David Warin Solomons
#
SheetMusicPlus
Strings Flute - Level 4 - SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Perfor...
(+)
Strings Flute - Level 4 - SKU: A0.1431980 By Jeremiah Bornfield. By David Warin Solomons. Arranged by Colin Bayliss. Classical,Contemporary. Full Performance. Duration 184. David Warin Solomons #1012458. Published by David Warin Solomons (A0.1431980). This realisation by Jeremiah Bornfield is based on Colin Bayliss' chamber orchestra arrangement of my composition.(The original version was for recorder orchestra)The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
$5.00
Pretty how town for recorder orchestra (mp3)
#
Contemporain
#
Classique
#
Manchester recorder orchestra
#
Pretty how town for recorder o
#
David Warin Solomons
#
SheetMusicPlus
Recorder - Level 4 - SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. ...
(+)
Recorder - Level 4 - SKU: A0.1431988 By Manchester recorder orchestra. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 188. David Warin Solomons #1012466. Published by David Warin Solomons (A0.1431988). Work for recorder orchestra written for and performed by Manchester Recorder Orchestra in February 2015.The music is inspired by a poem of e e cummings:anyone lived in a pretty how town(with up so floating many bells down)spring summer autumn winterhe sang his didn’t he danced his did.women and men (both little and small)cared for anyone not at allthey sowed their isn’t they reaped their samesun moon stars rainchildren guessed (but only a fewand down they forgot as up they grewautumn winter spring summer)that noone loved him more by morewhen by now and tree by leafshe laughed his joy she cried his griefbird by snow and stir by stillanyone’s any was all to hersomeones married their everyoneslaughed their cryings and did their dance(sleep wake hope and then) they said their nevers they slept their dreamstars rain sun moon(and only the snow can begin to explainhow children are apt to forget to rememberwith up so floating many bells down)one day anyone died i guess(and noone stooped to kiss his face)busy folk buried them side by sidelittle by little and was by wasall by all and deep by deepand more by more they dream their sleepnoone and anyone earth by aprilwish by spirit and if by yes.women and men (both dong and ding)summer autumn winter springreaped their sowing and went their camesun moon stars rain
$4.00
Personet Armonia (clarinets)
#
Classique
#
Anonymous
#
Drake Mabry
#
Personet Armonia
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - SKU: A0.799485 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and part...
(+)
Small Ensemble B-Flat Bass Clarinet,B-Flat Clarinet - Level 3 - SKU: A0.799485 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079033. Published by Drake Mabry (A0.799485). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. This trio also exists in my adapted versions for either recorders or trombones. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.
$4.99
Personet Armonia (trombones or sackbuts)
#
Classique
#
Anonymous
#
Drake Mabry
#
Personet Armonia
#
Drake Mabry
#
SheetMusicPlus
Brass Ensemble Trombone - SKU: A0.799487 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079037. Publ...
(+)
Brass Ensemble Trombone - SKU: A0.799487 Composed by Anonymous. Arranged by Drake Mabry. Classical. Score and parts. 7 pages. Drake Mabry #3079037. Published by Drake Mabry (A0.799487). Personet Armonia comes from a collection of music composed in Cyprus during the beginning of the 15th century. Many French musicians and composers were active at the Cypriot court, and the town of Nicosia became one of the most important centers of the Ars Subtilior style. This piece provides a perfect introduction to the beautiful and mysterious world of this 14th and 15th century musical style. The duration is 3'50. The King, Janus I de Lusignan (1374-1432), was one of the most important figures in the music life of Cyprus. His daughter Anna, upon her marriage to Louis, Count of Geneva, took with her a thick manuscript, written between 1413 and 1426. It consists of 159 folios containing over two hundred polyphonic compositions both sacred and secular. Two peculiarities make this manuscript unique: first, not a single composer is mentioned by name; and second, each work is without exception a unique copy: not one has ever been found in any other manuscript. This, then, is the only record of the Cypriot Ars Subtilior style. The central compositional concern of those working in the Cypriot Ars Subtilior style was the logical, consistent attainment of the polyphonic ideal. Each voice is completely independent of the others, and moves through the polyphonic fabric to form a contour of its own. As to rhythm, Cypriot compositional technique is extremely complex. Ample use was made of rhythmic novelties such as syncopation, color and proportion, and new note symbols permitted the representation of note values that had previously defied graphical rendering. Thus, metric accents in the different voices almost never coincide, and the laws of rhythm were at times out of joint. In fact, a rhythm that was regular and without syncopation would stand out immediately as particularly conspicuous detail. I have also adapted this trio in versions for either clarinets or recorders. Paul Van Nevel has recorded a version for three sackbuts with his Huelgas Ensemble.
$4.99
Glorious Hill
#
Gavin Bryars
#
Glorious Hill
#
Schott Music - Digital
#
SheetMusicPlus
4 male voices (CtenTTBar) - SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 ...
(+)
4 male voices (CtenTTBar) - SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q19219. Published by Schott Music - Digital (S9.Q19219). Latin.Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. Gavin Bryars.
$6.99
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 2 "Strange
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Conno...
(+)
Piano Trio,String Ensemble - Level 5 - SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 2 "Strange
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Conno...
(+)
Piano Trio,String Ensemble - Level 5 - SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206133. Published by Mark O'Connor Musik International (A0.861896). Piano Trio No. 2 Strange Rims (violin part – piano, vln, cel) MO166BViolin Part (score and parts available)Music by Mark O’Connor24 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166BCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 2 "Strange
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Conno...
(+)
Piano Trio,String Ensemble - Level 5 - SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206137. Published by Mark O'Connor Musik International (A0.861897). Piano Trio No. 2 Strange Rims (cello part – piano, vln, cel) MO166CCello Part (score and parts available)Music by Mark O’Connor23 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166CCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
Pura Alegria for Trumpet Sextet and Keyboard
#
Eddie Lewis
Spice up yo
#
Eddie Lewis
#
Pura Alegria for Trumpet Sexte
#
Tiger Music
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and part...
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone,Trumpet - Level 4 - SKU: A0.750374 Composed by Eddie Lewis. Multicultural,World. Score and parts. 35 pages. Tiger Music #6635933. Published by Tiger Music (A0.750374). Pura Alegria Brass Sextet and Keyboard 3 Trumpets, 3 Trombones and Keyboard Composed for the Stirling High School Brass Ensemble, in East London, South Africa MBR 3430 By Eddie Lewis Spice up your brass program with this Latin tinged composition for three trumpets, three trombones and keyboard. Pura Alegria is one of Eddie Lewis’ en clave compositions, where every rhythm from every phrase in the piece is derived from the clave. The clave is a rhythm from west Africa that came to the tropical islands with the slaves. From there, hundreds of years later, the rhythm became the underlying groove for a number of modern Latin dance music styles. Eddie Lewis was exposed to the clave rhythms during a period of twenty years when he was making his living primarily as a salsa trumpet player. While Eddie’s compositions are not salsa, his writing has been forever influenced by that music and the people. And that influence is not limited to only the rhythms. We are only emphasizing the rhythms here because of the prominence of the clave in Pura Alegria. Stirling High School, East London, South Africa Eddie composed Pura Alegria for the students in the brass ensemble at Stirling High School in East London, South Africa. The students prepared it as part of a presentation and Eddie was honored to contribute something for them to work on and perform. The request came from Eddie’s good friend, Leonard Brandt. Leonard is a professional trumpet player in South Africa and also teaches applied brass at the high school. When Eddie was in South Africa for the jazz festival in Grahamstown (2016), Leonard arranged a personal performance of Pura Alegria for him in one of the empty classrooms. The composition was a smashing success and the students and the audience all enjoyed it! Skill Level When Eddie does a commission, he goes to great lengths to map out the skills of the individual players. Often times, his method’s skill levels don’t apply. Please keep in mind that skill levels in published music are not about how good the students are. Students will always have mixed skill sets. That’s part of what it means to be human. We are good at some things and bad at others. So the skills of the individual parts in Pura Alegria are varied, not only from part to part, but from skill to skill. That said, the highest note in the first trumpet part is written high C, and the rhythms are syncopated (because of the clave influence). We would put most of that first part in our Trumpet Pro skill level. The highest note in the second part is written A above the staff. The highest note in the third trumpet part is top line F. Practice Recommendations Pay special attention to the articulations, which can feel a little awkward, but really make the piece. Sometimes the eighth-notes are long and the quarter-notes are short. Other times the quarter-notes are long and the eighth-notes are short. Also be careful with the dynamics. There will be a tendency to play the entire piece too loud. Because it feels like that kind of piece. However, if you play it that way, it will ruin some of the compositional effects. This is especially true for the keyboard. If you are performing with a keyboard, not an acoustic piano, then what’s the amplification that it doesn’t bury the rest of the ensemble. You cannot have the keyboard set to the same volume as you would for a full jazz ensemble class. Other than that, have fun with this piece. The name, Pura Alegria, in English means Pure Joy! The rhythms are delightful and the melodies are infectious.
$31.34
<
1
26
51
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Her Town Too
