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Vous avez sélectionné:
Heritage March
Partitions à imprimer
6 partitions trouvées
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St. Louis Blues March - Score
By W C Handy. Arranged by Robert Woods. For conductor's score. Jazz. Grade 2. Published by…
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By W C Handy. Arranged by Robert Woods. For conductor's score. Jazz. Grade 2. Published by Heritage Music Press
$7.50
6.8 €
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W C Handy
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Robert Woods
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St. Louis Blues March - Score
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Heritage Music Press
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SheetMusicPlus
Stars and Stripes - Download Accomp MP3
Digital Download SKU: LX.99-1490H A Patriotic Salute. Composed by John Phili…
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Digital Download SKU: LX.99-1490H A Patriotic Salute. Composed by John Philip Sousa. Arranged by Linda Spevacek. Patriotic. Download Accomp MP3. Heritage Music Press - Digital #e99/1490H. Published by Heritage Music Press - Digital (LX.99-1490H). This ingenious choral arrangement of the classic John Philip Sousa march will set toes tapping and flags waving! Highlighted by an original text, clever part-writing, and a dynamite accompaniment, this is destined to become a patriotic standard. Also available: Three-part Mixed (15/1533H),and Two-part (15/1546H).
$14.95
13.56 €
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John Philip Sousa
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Linda Spevacek
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Stars and Stripes - Download Accomp MP3
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Heritage Music Press - Digital
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SheetMusicPlus
St. Louis Blues
Jazz Band - Grade 3 - Digital Download SKU: LX.60-1054H Composed by Tom Davis. Jazz…
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Jazz Band - Grade 3 - Digital Download SKU: LX.60-1054H Composed by Tom Davis. Jazz Band. 84 pages. Heritage Music Press #e60/1054H. Published by Heritage Music Press (LX.60-1054H). UPC: 000308059069.Arranger Tom Davis has pulled out all the stops to turn this easy blues tune into a terrific concert of festival work that will really give your students a chance to strut their stuff. There's a New Orleans' style march, a Gene Krupa 40's dance band section, some really swinging ensemble writing and a unique solo section. Best of all, this chart sounds harder than it is-so it will sound excellent without a lot of rehearsal time.
$50.00
45.34 €
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Tom Davis
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St. Louis Blues
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Heritage Music Press
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SheetMusicPlus
Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download S…
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3024441. Published by William Pagan-Perez (A0.933818). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: the MP3 Sound is from the flute and piano arrangement...
$8.95
8.11 €
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
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William Pagan-Perez
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SheetMusicPlus
Symphonie Fastnachtique Part 1
Small Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.977346
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Small Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.977346 Composed by Trad, Hermann Sutter. Arranged by Des McNutty. 20th Century,Baroque,Easter,Renaissance,World. Score and parts. 16 pages. Des Press #4847605. Published by Des Press (A0.977346). Symphonie Fastnachtique Part 1 (Four Tunes from the Basler Fasnacht, a Swiss Carnival) Der Arabi Nr 1, 2 & 3 (Trad) Wettstein Marsch by Hermann Suter 1870-1926 Arranged by Des McNutty The Basler Fasnacht, known locally in Basel Stadt (CH) as D’ drey scheenschte Dääg (the three loveliest days), is a world-famous carnival where the Zeitgeist animates centuries of tradition. Local folks celebrate together with a good-humoured satire of current events through costumes, masks, poetry and visual art on carnival floats and lanterns. Amongst many other activities, participants decorate the city and open ad-hoc bars to sustain everyone with drinks and characteristic foods, all of which led to the Basler Fasnacht being included on the Unesco Representative List of the Intangible Cultural Heritage of Humanity in 2017. Central to the whole experience is the music played on the streets, without electronic amplification, by two types of group: Gugge, with brass and percussion and Clique , with piccolos and side-drums made and played according to local custom. Symphonie Fastnachtique, part 1 contains four melodies from the Cliques: Der Arabi Nr 1, 2 and 3, followed by the Wettstein Marsch by Swiss composer Hermann Huber (1870-1926). The melodies in Der Arabi may sound familiar but the chances are that they pre-date their more famous versions. For example, Der Arabi Nr 1 is now better known as The British Grenadiers from the early 1700s but can be traced as far back as the 1560s, when the Basler Fasncacht was already centuries old and the Schweizerpfeife (Swiss Flute), with drums, supplied the de rigueur regimental music for foot-soldiers all over Europe. This version for oboe band is a mixture of original piccolo voicings and indulgence by the arranger. Some of the part for English Horn (or Taille) is based on an optional 4th voice, the Zierstimm. Fasnacht is a glorious celebration laced with a melancholy reflected by the marching tempi of the Cliques: often slower than 90 BPM. A standard march is around 120 BPM. Vyyl Gniege! (Enjoy!)
$8.99
8.15 €
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Trad, Hermann Sutter
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Des McNutty
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Symphonie Fastnachtique Part 1
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Des Press
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SheetMusicPlus
Plead My Cause, O Lord (Revised Version)
Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E
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Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8084-E Composed by James McCullough. Advanced/Collegiate. African American Heritage. Octavo. 8 pages. Duration 3 minutes, 9 seconds. E. C. Schirmer Music Company - Digital #8084-E. Published by E. C. Schirmer Music Company - Digital (MQ.8084-E). English. Psalms 35.Plead My Cause, O Lord was composed for my brother, Robert Louis McCullough, in 1971. It received its first performance by the Old South Church Choir, Copley Square, in Boston, during the Sunday Morning Service of March 7, 1972. Mr. Alfred Nash Patterson was the conductor, and the composer was the tenor soloist. Many other performances followed. A memorable one was given by The Marsh Chapel Choir of Boston University on Sunday, March 21, 1993. Julian James Wachner was the conductor and Frank Martinez was the tenor soloist. This piece uses the sprechstimme (or sprechgesang) technique appearing within an unaccompanied sacred work. This technique employs speech and singing without any specific pitch intonation. The first example of this technique appears in Pierrot Lunaire, the groundbreaking 1912 composition by Arnold Schoenberg (1874–1951). -James McCulloughDuration: 3:09.
$1.95
1.77 €
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James McCullough
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Plead My Cause, O Lord
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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