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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hero Tale
Non classifié
14
Piano & claviers
Piano seul
16
Piano Facile
3
Piano, Voix et Guitare
2
Piano, Voix
2
1 Piano, 4 mains
1
Guitares
Voix
Chorale Unison
2
Chorale SATB
2
Voix Soprano, Piano
1
Voix Baryton
1
Chorale TTBB
1
Vents
Quatuor de Saxophones: 4 saxophones
9
Flûte, Hautbois, Clarinette, Basson
8
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Quintette de Saxophone: 5 saxophones
7
Trio de Flûtes: 3 flûtes
1
Flûte traversière
1
+ 1 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Violoncelle, Piano
1
Orchestre & Percussions
Orchestre
3
Orchestre d'harmonie
3
Orchestre de chambre
2
Orchestre à Cordes
1
Fanfare
1
Ensemble de cuivres
1
+ 1 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Vous avez sélectionné:
Hero Tale
Partitions à imprimer
14 partitions trouvées
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1
Tall Tales & Heroes
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Tall Tales And Heroes
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Tall Tales And Heroes
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Full Score - SKU: H1.1073DP Composed by Tall Tales And Heroes. Arranged by Tall Tales And Heroes. Musicals for Adults, Musicals for Youth. General Worsh...
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Full Score - SKU: H1.1073DP Composed by Tall Tales And Heroes. Arranged by Tall Tales And Heroes. Musicals for Adults, Musicals for Youth. General Worship. Full score. 48 pages. Hope Publishing - Digital #1073DP. Published by Hope Publishing - Digital (H1.1073DP). Tall Tales And Heroes.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
$18.95
Tall Tales & Heroes
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John F
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Actors Script - SKU: H1.1079DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors' Script. 13 pages. Hope Publishing - Digital #10...
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Actors Script - SKU: H1.1079DP Composed by John F. Wilson. Musicals for Adults. General Worship. Actors' Script. 13 pages. Hope Publishing - Digital #1079DP. Published by Hope Publishing - Digital (H1.1079DP). Grace Hawthorne.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
Song List
: A Lot of Tall Tales The Patriotic Maid Be Sure You're Right Halley's Comet As American as Apple Pie Calamity Jane Beat the Machine Lumberjacks Love Flapjacks A Lot of Tall Tales (Reprise) Anyone Can Be a Hero
$5.00
Tall Tales & Heroes
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John F
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Tall Tales & Heroes
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Hope Publishing - Digital
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SheetMusicPlus
Singpak (15) - SKU: H1.1072DP Composed by John F. Wilson. Musicals for Youth. General Worship. Song pack (15 choral parts). 17 pages. Hope Publishing - ...
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Singpak (15) - SKU: H1.1072DP Composed by John F. Wilson. Musicals for Youth. General Worship. Song pack (15 choral parts). 17 pages. Hope Publishing - Digital #1072DP. Published by Hope Publishing - Digital (H1.1072DP). Grace Hawthorne.School Musical Geared to the elementary level, these fanciful stories can be done separately or as a complete musical. Performance time approx. 35 minutes.
Song List
: A Lot of Tall Tales The Patriotic Maid Be Sure You're Right Halley's Comet As American as Apple Pie Calamity Jane Beat the Machine Lumberjacks Love Flapjacks A Lot of Tall Tales (Reprise) Anyone Can Be a Hero
$60.00
Wolf Skin
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Elizabeth Skola Davis
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Wolf Skin
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Elizabeth Ann Davis
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SheetMusicPlus
Double Bass,Piano Accompaniment,Tenor Voice - Level 4 - SKU: A0.826963 Composed by Elizabeth Skola Davis. Children,Contemporary. 19 pages. Elizabeth Ann...
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Double Bass,Piano Accompaniment,Tenor Voice - Level 4 - SKU: A0.826963 Composed by Elizabeth Skola Davis. Children,Contemporary. 19 pages. Elizabeth Ann Davis #2849785. Published by Elizabeth Ann Davis (A0.826963). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Baritone version also available.
$3.99
Wolf Skin
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Elizabeth Skola Davis
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Wolf Skin
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Elizabeth Ann Davis
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SheetMusicPlus
Double Bass,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.826962 Composed by Elizabeth Skola Davis. Children,Contemporary. 18 pages. Elizabeth An...
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Double Bass,Medium Voice,Piano Accompaniment - Level 4 - SKU: A0.826962 Composed by Elizabeth Skola Davis. Children,Contemporary. 18 pages. Elizabeth Ann Davis #2849783. Published by Elizabeth Ann Davis (A0.826962). Wolf Skin, an original song for male voice, upright bass, and piano, was written to accompany a prose poem of the same name by Mary McMyne, which originally appeared in the Los Angeles Review and was subsequently reprinted as the title poem in McMyne's Elgin-Award-nominated collection (Wolf Skin, Dancing Girl Press, 2014). The lyrics and music retell the Little Red Riding Hood folktale from the huntsman's perspective, putting the listener into the position of the hero in the Brothers Grimm variant as he enters the grandmother's house. Inside, the baritone sings, the shadows shape a riddle, a story. The half-burnt candle in the kitchen, the unwashed dishes. The cloth-covered basket by the door. With these lines, we travel into the grandmother's house with the huntsman, the bass conjuring the strange buzzing sound of the wolf's snores, the piano manifesting the huntsman's realization of what happened before he arrived. The discord between the three voices in the trio, like the poem, questions the classic tale, interrogating the familiar trope of huntsman as hero at the same time as it pays homage to Franz Schubert's Erlkönig with its driving rhythm and dark tone.Bass part may be played by cello.Tenor version also available.
$3.99
Momotaro - Director's Script
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Betsy Lee Bailey
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Momotaro - Director's Script
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.746015 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 31 pag...
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Small Ensemble - Level 1 - SKU: A0.746015 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 31 pages. Betsy Lee Bailey #3465954. Published by Betsy Lee Bailey (A0.746015). Momotaro – A Tale of Bravery is a retelling of the famous Japanese folktale Momotaro the Peach Boy. This Children's Musical for ages 5-9 calls for elements of Kibuki stylizations. The music is built around the pentatonic scale with western musical theater sensibilities. The main idea of the show is to reveal the Hero (Momotaro) as the real treasure. The Director's Script (31 pages) contains stage directions, suggestions for costuming, scenery, props, and choreography, Warm-ups and Acting games. Additional: The Production Kit (19 pages) includes Booklet Script, Song Sheets, Coloring Activity Page, foldable Invitation, and Performance License for two shows, and the Piano/Vocal Score downloadable in two groups: Part 1 (24 pages) Part 2 (26 pages) are valuable production guides and should be purchased and downloaded from SMP Press separately.  Accompaniment Mp3’s are also available for individual purchase from SheetMusicPlus. Songs lists, photos, guide vocal recordings and other helpful ideas for mounting a production may be viewed at BaileyKidsMusicals.com
$39.99
Momotaro - Production Kit
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Betsy Lee Bailey
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Momotaro - Production Kit
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Betsy Lee Bailey
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.746028 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 19 pag...
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Small Ensemble - Level 2 - SKU: A0.746028 Composed by Betsy Lee Bailey. Children,Contemporary,Instructional,Multicultural,World. Score and parts. 19 pages. Betsy Lee Bailey #3468758. Published by Betsy Lee Bailey (A0.746028). Momotaro - A Tale of Bravery is a Musical for Children ages 5-12.  It is based on the famous Japanese folktale about a baby brought to an old couple inside a peach who grows up to be the hero of their village. The Production Kit (19 pages) includes Booklet Script, Song Sheets, Coloring Activity Page, foldable Invitation, and Performance License for one series of shows.Additional: The Director's SCRIPT (31 pages) contains the script with stage directions and helps to mount the production as well as Acting Games, Piano/Vocal Score - Part 1 (24 pages) and Part 2 (26 pages) are valuable production guides and should be purchased and downloaded from SheetMusicPlus separately. Accompaniment MP3’s are also available for individual purchase from SheetMusicPlus. Songs lists, photos, guide vocal recordings and other helpful ideas for mounting a production may be viewed at BaileyKidsMusicals.com
$39.99
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
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Contemporain
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Po
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Novel Soundtrax
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Sou...
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
Sybil Ludington
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Comédie Musicale
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Melanie B
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Sybil Ludington
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Melanie B Guerin
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - SKU: A0.854328 Composed by Melanie B. Guerin. Broadway,Jazz,Musical/Show. 7 pages. Melanie B Guerin #4832161. Published by ...
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Vocal Solo,Voice - Level 3 - SKU: A0.854328 Composed by Melanie B. Guerin. Broadway,Jazz,Musical/Show. 7 pages. Melanie B Guerin #4832161. Published by Melanie B Guerin (A0.854328). This sassy solo in the style of Nina Simone's Feeling Good imagines a meeting between Revolutionary war heroes Sybil Ludington and Paul Revere. Ludington and Revere are both famous for heroic rides on horseback that helped spread the word of the impending arrival of British forces. Despite riding twice as far as Revere, avoiding capture by the British, and doing so at the age of sixteen, Ludington never achieved the legendary fame of her male counterpart. In this song, Sybil Ludington introduces herself her Paul Revere and warns him: once they've heard my tale I wonder if they'll think of you at all.
$4.75
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
FAIREST ISLE from King Arthur by H. Purcell
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Henry Purcell
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Alessandro Macrì
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FAIREST ISLE from King Arthur
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn - Level 1 - SKU: A0.931279 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Standards. Score and ...
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Brass Ensemble Horn - Level 1 - SKU: A0.931279 Composed by Henry Purcell. Arranged by Alessandro Macrì. Baroque,Concert,Film/TV,Standards. Score and parts. 10 pages. Music Macri Editions #6139975. Published by Music Macri Editions (A0.931279). King Arthur, or The British Worthy (Z. 628), is a semi-opera in five acts with music by Henry Purcell and a libretto by John Dryden. It was first performed at the Queen's Theatre, Dorset Garden, London, in late May or early June 1691.The plot is based on the battles between King Arthur's Britons and the Saxons, rather than the legends of Camelot (although Merlin does make an appearance). It is a Restoration spectacular, including such supernatural characters as Cupid and Venus plus references to the Germanic gods of the Saxons, Woden, Thor, and Freya. The tale centres on Arthur's endeavours to recover his fiancée, the blind Cornish Princess Emmeline, who has been abducted by his arch-enemy, the Saxon King Oswald of Kent.King Arthur is a dramatick opera or semi-opera: the principal characters do not sing, except if they are supernatural, pastoral or, in the case of Comus and the popular Your hay it is mow'd, drunk. Secondary characters sing to them, usually as diegetic entertainment, but in Act 4 and parts of Act 2, as supernatural beckonings. The singing in Act 1 is religious observance by the Saxons, ending with their heroic afterlife in Valhalla. The protagonists are actors, as a great deal of King Arthur consists of spoken text. This was normal practice in 17th century English opera. King Arthur contains some of Purcell's most lyrical music, using adventurous harmonies for the day.
$7.00
Castle Builder
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Lee Heritage
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Castle Builder
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Imagine Music - Digital
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SheetMusicPlus
Wind Ensemble - SKU: IZ.WEW191-S Composed by Lee Heritage. Score. 43 pages. Imagine Music - Digital #WEW191-S. Published by Imagine Music - Digital (IZ....
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Wind Ensemble - SKU: IZ.WEW191-S Composed by Lee Heritage. Score. 43 pages. Imagine Music - Digital #WEW191-S. Published by Imagine Music - Digital (IZ.WEW191-S). 9 x 12 in inches.The title Castle Builder was inspired by a poem of Henry Wadsworth Longfellow, The Castle-Builder, about the imaginary heroics of a young, dreamy boy. Written for The University of Toledo Wind Ensemble, I wanted my music to capture the exuberance and optimism of these talented young musicians. I hope my music inspires performers young and old to rise and reach upward to the skies, to build on and to keep faith in mysteries.
$20.00
The Passage of Orpheus for English Horn & String Trio
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Brett L
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The Passage of Orpheus for Eng
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Sonata Grendel Publishing
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SheetMusicPlus
Small Ensemble Cello,English Horn,Viola,Violin - Level 4 - SKU: A0.837500 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 25 pages. So...
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Small Ensemble Cello,English Horn,Viola,Violin - Level 4 - SKU: A0.837500 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 25 pages. Sonata Grendel Publishing #5800881. Published by Sonata Grendel Publishing (A0.837500). The Passage of Orpheus was originally composed as the second movement of a Suite for Wind Ensemble. The original suite, Mortals, Gods, and Heroes, consisted of three short tone poems depicting three tales from Greek mythology. The Passage of Orpheus depicts Orpheus’s trip to the underworld to bring back his wife, Eurydice. The music is composed as set of variations that intertwines Orpheus’s theme with each of the characters he meets along the way: Charon the ferryman, Cerberus the three-headed dog, Sisyphus forever rolling a boulder up a hill, Persephone the queen of the underworld, and finally, his beloved Eurydice. Tragically, he fails to bring her back. This version was arranged for my wife and the love of my life, Karen-for whom I would gladly march into hell.
$19.95
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