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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
High Speed
Non classifié
40
Piano & claviers
Piano seul
23
Piano Facile
13
Piano, Voix et Guitare
4
Piano Trio: piano, violon, violoncelle
1
Piano, Voix
1
1 Piano, 4 mains
1
Instruments en Do
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Basse electrique
3
Guitare
3
Paroles et Accords
2
Voix
Chorale SATB
2
Chorale SSAA
1
Chorale TTBB
1
Chorale 3 parties
1
Vents
Saxophone Alto
6
Flûte traversière
4
Saxophone Tenor
4
Clarinette
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Saxophone Alto et Piano
3
Clarinette et Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone (partie séparée)
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone et Guitare
1
Saxophone Tenor et Piano
1
Hautbois (partie séparée)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte traversière et Piano
1
Quatuor de Saxophones: 4 saxophones
1
2 Flûtes traversières (duo)
1
+ 13 instrumentations
Retracter
Cuivres
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
2
Trombone
2
Euphonium, Tuba (duo)
1
2 Trombones (duo)
1
Trombone basse
1
+ 2 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon
3
Violoncelle, Piano
2
Harpe
1
Alto seul
1
Violoncelle
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre à Cordes
16
Ensemble de cuivres
3
Ensemble Jazz
2
Orchestre
2
Fanfare
1
Caisse Claire
1
Piano et Orchestre
1
Batterie
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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CLARINETTE
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COR
COR ANGLAIS
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CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
High Speed
Partitions à imprimer
40 partitions trouvées
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26
Groovin' High
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Charlie Parker
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Bronson Ferdinand Wright
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Groovin' High
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Bronson Ferdinand
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SheetMusicPlus
Guitar - SKU: A0.1471271 By Charlie Parker. By Dizzy Gillespie. Arranged by Bronson Ferdinand Wright. 20th Century,Instructional,Jazz,Ragtime,Standards....
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Guitar - SKU: A0.1471271 By Charlie Parker. By Dizzy Gillespie. Arranged by Bronson Ferdinand Wright. 20th Century,Instructional,Jazz,Ragtime,Standards. Guitar Tab. 2 pages. Bronson Ferdinand #1048933. Published by Bronson Ferdinand (A0.1471271). Guitar tab arrangement of the classic head by Dizzy Gillespie.This version includes detailed articulations and ergonomic shifts in position to facilitate the development of speed on the instrument.A great study piece for jazz guitar students learning the bebop language.
$5.99
Groovin' High
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Charlie Parker
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Bronson Ferdinand Wright
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Groovin' High
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Bronson Ferdinand
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SheetMusicPlus
Guitar - SKU: A0.1471918 By Charlie Parker. By Dizzy Gillespie. Arranged by Bronson Ferdinand Wright. 20th Century,Blues,Instructional,Jazz,Standards. G...
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Guitar - SKU: A0.1471918 By Charlie Parker. By Dizzy Gillespie. Arranged by Bronson Ferdinand Wright. 20th Century,Blues,Instructional,Jazz,Standards. Guitar Tab. 3 pages. Bronson Ferdinand #1049551. Published by Bronson Ferdinand (A0.1471918). Guitar tab arrangement of the classic bebop tune by Dizzy Gillespie.This version includes two chorus' in two different octaves to explore the full range of the guitar.Detailed articulations are notated to help in the development of speed on the instrument.A great study piece for jazz guitar students learning the bebop idiom.
$5.99
Kittinger's Descent - for 8 Trombones
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Contemporain
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Jason McChristian
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Kittinger's Descent - for 8 Tr
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Jason Gary McChristian
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SheetMusicPlus
Large Ensemble Bass Trombone - Level 3 - SKU: A0.886136 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #...
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Large Ensemble Bass Trombone - Level 3 - SKU: A0.886136 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #2937601. Published by Jason Gary McChristian (A0.886136). In August 1960, U.S. Air Force pilot Joe Kittinger ascended in a high-altitude balloon 102,800 feet above the surface of the earth. As he leapt out of the gondola, Mr. Kittinger felt little sensation of falling due to the lack of air in the stratosphere. Depicting just moments before the 614 mph free-fall, the work opens with slowly forming clusters. Gaining intensity, these chords signify the sensation one must feel looking up to the blackness of space then peering down to the clouds below. Throughout the piece, a subtle trembling effect suggests the buffeting that can occur at high speeds. Kittinger's Descent is a fast-paced, turbulent ride honoring the man who broke records for highest balloon ascent, highest parachute jump, and longest and fastest free-fall by a human without the aid of a machine.
$40.00
Ghost Dances (Wounded Knee, 1890) for Brass Band
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Contemporain
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Roland Barrett
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Benjamin (Benthoven) Lau
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Ghost Dances
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BenthovenMusic Publications
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.977644 Composed by Roland Barrett. Arranged by Benjamin (Benthoven) Lau. Contemporary. Brass Band. 76 pages. BenthovenMusic Publications #6306099. Published by BenthovenMusic Publications (A0.977644). Ghost Dances (Wounded Knee, 1890) for Brass BandOriginally Composed by Roland Barrett, Arranged by Benjamin LauInspired by the tragic story of the Lakota Sioux massacre at Wounded Knee in 1890, Roland Barrett's original work features a soft and peaceful entry, followed by aleatoric sections with musical fragments to convey the imagery of a Sioux ghost dance, and a menacing, ferocious section with high speed and intensity to keep the audience on their toes. This brilliant and inspiring work has been adapted for brass band by BenthovenMusic. This arrangement still captures the same peaceful and free opening along with the rhythmic intensity and drive of the original but with a reduced percussion section and more brass. This is an excellent work for high school/university bands that shows strong musical capability, technicality, and endurance of the player. Dur. 5'43Instrumentation:- Soprano Cornet- Solo Cornet 1- Solo Cornet 2- Solo Cornet 3- Solo Cornet 4- Repiano Cornet- 2nd Cornet- 3rd Cornet- Flugel- Solo Horn- 1st Horn- 2nd Horn- 1st Baritone- 2nd Baritone- 1st Trombone- 2nd Trombone- Bass Trombone- Euphonium 1- Euphonium 2- Eb Bass- Bb Bass- Percussion 1 (Timpani, Claves, Vibraslap, Tambourine)- Percussion 2 (Rainstick, Glockenspiel, Metal Wind Chimes, Drum Set)- Percussion 3 (Chimes, Suspended Cymbal)
$65.00
The Runaway Train
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Ryan Terry
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The Runaway Train
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Ryan Terry
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1440117 Composed by Ryan Terry. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pag...
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Brass Quintet Euphonium,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1440117 Composed by Ryan Terry. 21st Century,Chamber,Classical,Contemporary,Film/TV. 4 pages. Ryan Terry #1020066. Published by Ryan Terry (A0.1440117). An original piece by composer and clarinetist Ryan Terry. This fun, action-packed brass quintet piece paints the picture of a high speed train in the wild west. Fun fact: the main melody that you hear was composed on a train! This work was originally written for a Scoring and Arranging class at Brigham Young University-Idaho during the Fall 2022 semester, and has since been polished and revised, awaiting a new premiere performance. It is short and sweet, so I am willing to return to this piece to lengthen it out if anyone is interested in it being a few minutes longer.Estimated duration of piece: 1 min, 25 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.
$9.99
Cruel Summer
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Pop musique
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Taylor Swift
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Troy Hanson
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Cruel Summer
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Troy J Hanson
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SheetMusicPlus
Cello,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1267440 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Troy Hanso...
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Cello,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1267440 By Taylor Swift. By Annie Clark, Jack Antonoff, and Taylor Swift. Arranged by Troy Hanson. 21st Century,Chamber,Contemporary,Pop,Singer/Songwriter. 11 pages. Troy J Hanson #860001. Published by Troy J Hanson (A0.1267440). This is an arrangement of the Taylor Swift song “Cruel Summer†from her 2019 album Lover.It is for intermediate players on both Cello and Bass, some of the techniques used are: Double Stops (cello) Chained dotted quarter notes (bass) Syncopation A Major (3 #s [F#, C#, G#]) High speed- 160 bpm The music comes with a score and individual parts.I hope you enjoy it!
$9.99
Grand Prix for Trumpets
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Contemporain
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Paul Geraci
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Grand Prix for Trumpets
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Paul Geraci
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SheetMusicPlus
Brass Ensemble Trumpet - SKU: A0.1031958 Composed by Paul Geraci. Contemporary. Score and Parts. 33 pages. Paul Geraci #3877405. Published by Paul Gerac...
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Brass Ensemble Trumpet - SKU: A0.1031958 Composed by Paul Geraci. Contemporary. Score and Parts. 33 pages. Paul Geraci #3877405. Published by Paul Geraci (A0.1031958). Grand Prix for Trumpets is a humorous and imaginative piece for trumpet octet. In it, players use extended techniques to recreate sounds of an exciting auto race including: engine noises, cars racing by at high speeds, skids and crashes, car horns and ambulance sirens. This fantastic work is sure to be the centerpiece of any trumpet ensemble!
$20.00
Bydlo from "Pictures at an Exhibition"
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Classique
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Modest Mussorgsky
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Daniel S
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Bydlo from "Pictures at a
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Daniel S. Augustine
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SheetMusicPlus
Small Ensemble Euphonium,Tuba - Level 3 - SKU: A0.837240 Composed by Modest Mussorgsky (1839-1881). Arranged by Daniel S. Augustine. Romantic Period. Sc...
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Small Ensemble Euphonium,Tuba - Level 3 - SKU: A0.837240 Composed by Modest Mussorgsky (1839-1881). Arranged by Daniel S. Augustine. Romantic Period. Score and parts. 15 pages. Daniel S. Augustine #3558603. Published by Daniel S. Augustine (A0.837240). Modest Mussorgsky (1839-1881) composed his Pictures at an Exhibition -- A Remembrance of Viktor Hartmann in 1874 as a suite of ten pieces (with a recurring Promenade) for piano, representing paintings by Hartmann. The Bydlo section depicted cattle or oxen slowly pulling a cart with enormous wheels. Maurice Ravel orchestrated this section with the high solo given to the French tuba in C (pitched a whole step above the Bb euphonium). The present arrangement gives the melody to the euphoniums, and changes the key from the ungainly G# minor (five sharps) to Bb minor (5 flats). The tempo is very slow, with an eighth-note at 90, at which speed the piece takes about 3 minutes to play. The highest pitches are a high Bb for Euphoniums 1 and 2, and the Bb a step under middle C for Tuba 1. Good high school players should be able to handle this level, which is intermediate (perhaps advanced intermediate). This piece should be a crowd-pleaser, since it showcases the low-brass instruments rarely given solos. Also, it is a piece that welcomes extra players for both euphoniums and tubas. Parts for both treble- and bass-clef euphoniums are provided.
$19.95
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99
The Cornet's Reel
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Graham Hamilton
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The Cornet's Reel
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1440684 By Graham Hamilton. By Graham Hamilton. Celtic,Classical,Contest,Festival,Historic,Irish,Traditional. Brass Band. 21 pages. Hambone Music #1020662. Published by Hambone Music (A0.1440684). A high-energy, fun piece of music! Arranged for concert/school/symphonic/ brass bands of an intermediate level. A classic Scottish reel (similar to an Irish jig) sees a group of dancers getting together and starting to dance. It starts of quite stable and well controlled but as the energy (and whisky consumption!) increases the dance becomes increasingly frantic, with trombone glissandos providing bagpipe like drone-effects until the final movement where the tempo reaches 260bpm!! The dance finishes abruptly with everyone collapses in a big heap. The cornet's reel on the Thursday night of the Peebles Beltane Festival is one of the highlights of the week and something everyone loves to come along and watch. The crowds cheer and egg-on our principles to ever-increasing speed as they spin, ever faster during the reel.
$29.99
Mary Had A Baby - 6 guitars/large ensemble
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Traditional
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Derek Hasted
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Mary Had A Baby - 6 guitars/la
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Derek Hasted
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by ...
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Guitar - Level 2 - SKU: A0.797753 Composed by Traditional. Arranged by Derek Hasted. Christmas,Spiritual. 24 pages. Derek Hasted #4804965. Published by Derek Hasted (A0.797753). MARY HAD A BABY - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This American 19th Century Spiritual about the arrival of the Baby Jesus contains the words The people keep a-comin’ but the train done gone.It’s generally accepted that references to the train in afro-American Gospel Music often refer to The Gospel Train or The Way To A Better Life. But regardless of the actual interpretation for those words, this arrangement just wouldn’t be remotely authentic if it didn’t sound like a steam train. So hopefully, it does!This piece starts in the key of F, and the lower three parts generate a pulse which mimics the power-stroke of a steam locomotive. There’s a train whistle too - the top three parts sound an augmented chord - you might like to slide up into the chord, or fall down the neck after the chord is resolved. Or just play it as written...In the centre, the music rises a semitone then another semitone, picking up speed as it does so, playing the same music a tone higher. At the end of the piece, the music slows, and slows and slows to a standstill with a final bass G to tell the audience that the train has stopped...Before the train picks up speed, there is a gentle choral section, and the dynamic markings will show you where the tune moves about.The amount you choose to pick up speed is entirely your choice - the occasional strange number in the metronome mark is simply the result of my typesetting software performing a long, steady speed change.I hope you enjoy playing this piece!
$3.49
Butterfly Jig - Advanced for Harp
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Traditional Irish Jig
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Butterfly Jig - Advanced for H
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Learning the Harp
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SheetMusicPlus
Lever Harp - Level 5 - SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditio...
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Lever Harp - Level 5 - SKU: A0.1513472 Composed by Traditional Irish Jig. Arranged by Cara Smuts, Carrie Tollett, and Kevin Smuts. Celtic,Irish,Traditional. Score. 9 pages. Learning the Harp #1088346. Published by Learning the Harp (A0.1513472). This arrangement of Butterfly Jig is fun, upbeat and sounds REALLY impressive on the harp! It’s a great performance piece to show off your technical skills and speed. This level is the most complex out of the two with a faster speed, impressive intros at the beginning, and more complexity between the hands.Difficulty Level and Skills Required: Advanced. The right hand plays the melody with quick, repetitive fingerwork, grace notes, and a long series of overlapping brackets. The left hand consists of 4-2-1 patterns, 5th intervals, and octaves. This piece is fast with quite a bit of jumping between registers, quick dynamic changes, and tricky placing.Type of Harp: The big harp version is for 33 string harps and larger, but the small harp version works for 26 string harps and largerRange: For big harps: the lowest note is E one and a half octaves below middle C, and the highest note is D, just more than two octaves above middle C. For small harps: the lowest note is C one octave below middle C, and the highest note is D, just more than two octaves above middle C.Levers/Pedals: In the key of G major (F levers set to F sharp). No lever changes throughout.
$5.99
The Nutcracker Suite 1. Overture Miniature
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Classique
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Peter Ilyich Tchaikovsky
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Erik Cole
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The Nutcracker Suite 1. Overtu
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Erik Cole
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.996112 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 35 pages. Erik Cole #4792939....
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Woodwind Ensemble - Level 5 - SKU: A0.996112 Composed by Peter Ilyich Tchaikovsky. Arranged by Erik Cole. Romantic Period. 35 pages. Erik Cole #4792939. Published by Erik Cole (A0.996112). Scoring this movement for double reed ensemble was mostly a challenge in how high the general orchestration is. With all of the low registers of instruments omitted in the original, it left for some bassoon parts that were constantly in the high range, with the third bassoon and contra found in all of the other movements being omitted. The oboe parts also go quite high as a result, and although I considered it, I decided against lowering the key from the original in order to preserve the miniature aspect of the piece that Tchaikovsky intended from the high ranges. Otherwise, I quite like how this transcription turned out, though it is definitely a technical challenge to get up to speed. All oboe and bassoon parts are divisi.
$19.50
Crossroads of wind and waves for brass octet
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Classique
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nick hosa
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Crossroads of wind and waves f
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nick-music market
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1425833 Composed by nick hosa. Classical. 45 pages. Nick-music market #1006596. Published by ni...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1425833 Composed by nick hosa. Classical. 45 pages. Nick-music market #1006596. Published by nick-music market (A0.1425833). ``Wind and Wave Crossroad'' is a national highway that runs along the coastline from Shimonoseki City in Yamaguchi Prefecture to Tsunoshima.This song is a brass octet musical score based on my impressions of the scenery I had when I was sightseeing while driving through the Wind and Wave Crossroads.We hope that this song will give you a sense of the speed and the beauty of the scenery of the islands seen from the coast.
$30.00
Four on the floor
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Libby Larsen
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Four on the floor
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193203242 Composed by Libby Larsen. Score. 46 pages. Oxford University Press Digital #9780193203242. Published by Oxford University Press Di...
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SKU: OX.9780193203242 Composed by Libby Larsen. Score. 46 pages. Oxford University Press Digital #9780193203242. Published by Oxford University Press Digital (OX.9780193203242). ISBN 9780193203242.For violin, cello, contrabass, and piano. In the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the characteristic of this piece - fast, loud, wild, attention-grabbing, and huge fun!
$41.99
Chorale no. 8 ("Freuet euch, ihr Christen alle")
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Johann Sebastian Bach
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Matthew Nishimoto
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Chorale no. 8
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Matthew Nishimoto
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SheetMusicPlus
Guitar Ensemble - Level 2 - SKU: A0.1465166 Composed by Johann Sebastian Bach. Arranged by Matthew Nishimoto. Baroque,Chamber,Classical,Historic,Instruc...
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Guitar Ensemble - Level 2 - SKU: A0.1465166 Composed by Johann Sebastian Bach. Arranged by Matthew Nishimoto. Baroque,Chamber,Classical,Historic,Instructional. Score and Parts. 35 pages. Matthew Nishimoto #1043860. Published by Matthew Nishimoto (A0.1465166). Score and Parts for Guitar Quartet / Guitar Ensemble Including over 25 pages supplemental instructional materials for educators SCORE DETAILS Key & Time Signature: E minor, Common TimeTotal Measures: 20LENGTHOriginal Form & Tempo: 1m 30s (approx.)Adapted Tempo with Repeats: 3 mins (approx.) Score and Parts: 6 pagesInstructional Supplements: 25+ pagesSTYLEEra: Late BaroquePicking: Classical or PickstyleMonophonic staves on individual partsLEVELMiddle School: Intermediate - AdvancedHigh School: IntermediateCollege/Community Ensemble: IntroductoryPREQUISITE SKILLSTechnique: 2nd, 5th, 7th and 9th positions in Guitar 1 & 2Theory: Key of Em, slight chromaticism, basic accidentalsTempo/Speed: single subdivision at Andante (eighth notes)INSTRUCTIONAL SUPPLEMENTS- Position Refresh worksheets- Vocabulary acquisition activities (specific to piece)- Music Theory worksheet (specific to piece)- Interdisciplinary activities (specific to piece).
$13.99
Chromatic Agility Studies (Vol. 1-2)
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Matt Harper
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Chromatic Agility Studies
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420111 Composed by Matt Harper. Classical,Contemporary,Instructi...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420111 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 286 pages. Matt Harper #1001542. Published by Matt Harper (A0.1420111). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales. Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility. Gradually expanding intervals from minor seconds to octaves and even major tenths. A detailed method on how to effectively and efficiently learn challenging passages.
$49.99
Chromatic Agility Studies - Vol. 1
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Matt Harper
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Chromatic Agility Studies - Vo
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Matt Harper
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SheetMusicPlus
Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420113 Composed by Matt Harper. Classical,Contemporar...
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Baritone Horn TC/Euphonium,Cornet,Flugelhorn,Tenor Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1420113 Composed by Matt Harper. Classical,Contemporary,Instructional. Educational Exercises. 157 pages. Matt Harper #1001544. Published by Matt Harper (A0.1420113). The book is was written with trumpet/cornet players in mind but is suitable for any brass instrument and is suitable for anybody from early high school to seasoned professionals. My goal is to get away from over emphasizing on major chords and scales that is seen in countless other method books. Ultimately, I wanted more of a challenge from the method books I was playing out of in a way that was more conducive to practicing the music I saw in British style brass bands, but can still be useful to many aspects of orchestral, wind band, and chamber music. Some of the exercises in this book includes: Slurring straight up and down all in one rhythm, Unique studies to approach major, minor, and chromatic scales.Using major, minor, augmented, and diminished arpeggios to help aid in speed and flexibility.
$29.99
Take Me Home, Country Roads
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John Denver
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B
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Take Me Home, Country Roads
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Barbara Fleet
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SheetMusicPlus
Choral Choir - Level 3 - SKU: A0.604036 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by B. Fleet. Country,Folk,Pop,Spiritual....
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Choral Choir - Level 3 - SKU: A0.604036 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by B. Fleet. Country,Folk,Pop,Spiritual. Octavo. 16 pages. Barbara Fleet #212708. Published by Barbara Fleet (A0.604036). A Flexible choir arrangement which works beautifully for Soprano and Alto alone. The second Alto/ High Tenor vocal adds to the harmony and if you are lucky enough to have them the Basses will add depth to the rest of the sound. This starts with a slow hymn like introduction and then to speed for the first verse. In the key of F throughout.
$1.99
Le Coucou by DAQUIN for Brass Trio
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Classique
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Louis-Claude Daquin
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Derrick T
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Le Coucou by DAQUIN for Brass
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Derrick Thom. Lewis
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SheetMusicPlus
Brass Ensemble Trumpet,Tuba - Level 2 - SKU: A0.975901 Composed by Louis-Claude Daquin. Arranged by Derrick T. Lewis. Baroque,Instructional. Score and p...
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Brass Ensemble Trumpet,Tuba - Level 2 - SKU: A0.975901 Composed by Louis-Claude Daquin. Arranged by Derrick T. Lewis. Baroque,Instructional. Score and parts. 10 pages. Derrick Thom. Lewis #6362801. Published by Derrick Thom. Lewis (A0.975901). A famous piano (harpsichord) piece, it lends itself gratefully to an antiphonal treatment, with the two trumpets alternating at a high rate of speed. A really fun piece!
$17.00
Arirang (For Piano Trio)
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Contemporain
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90
Arirang (For Violin, Cello and S.Orchestra)
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Han-Ki Kim
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Inst...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 26 pages. Han-Ki Kim #799067. Published by Han-Ki Kim (A0.1200264). Arirang for Violin, Cello and String Orchestra “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€.Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$15.90
Local Hero - Wild Theme
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Film/TV
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Dire Straits
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Derek Hasted
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Local Hero - Wild Theme
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Derek Hasted
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SheetMusicPlus
Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1277982 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 16 pages....
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Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1277982 By Dire Straits. By Mark Knopfler. Arranged by Derek Hasted. Film/TV,Pop. 16 pages. Derek Hasted #869685. Published by Derek Hasted (A0.1277982). LOCAL HERO - WILD THEME - TENOR SAX and GUITAR DUETSuits Classical, Acoustic or Electric GuitarDerek Hasted writes Rightly described as an astonishingly beautiful piece, this music from the film Local Hero actually features twice on the soundtrack album, in different keys with different solo instruments.My arrangement for Tenor Sax and Classical Guitar exploits the sustain of the sax and the soft tones of nylon strings and works well at a slightly more modest pace compared to the original. I’ve taken the theme from the closing soundtrack version, where the melody is clear and powerful. My arrangement includes one or two little bits of Mark Knopfler’s quasi-improvised variations on the tune. Note that the guitar part is played with a Capo on the first fret so that both players can enjoy an accessible key signature. The guitar part goes up the neck, and the position numbers are relative to the Capo (ie one fret higher than if there was no Capo fitted).There are two arrangements here - one in the husky low register of the sax, to suit a less experienced player, and one an octave higher that has a few challenging notes at the top, but sings out in a gloriously powerful way. The sound clip on the SheetMusicPlus website has a little of both arrangements.There are no dynamics, but the changing texture of the accompaniment creates the illusion of dynamic changes and you are welcome to add phrasing and dynamics to make the performance “yoursâ€.The guitar part is a little challenging at speed but this will suit confident intermediate players.This enjoyable concert item has a wonderfully captivating melody that the audience will be humming all the way home...I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
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