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Hollow Man
Partitions à imprimer
7 partitions trouvées
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Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: The Revelations
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #30254...
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Choral Choir (4-Part) - Level 5 - SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
A froggy would a wooing go (mp3)
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Traditional
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A froggy would a wooing go
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Cello,Double Bass,Viola,Violin - SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Childr...
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Alto Voice,Cello,Double Bass,Viola,Violin - SKU: A0.1059518 Composed by Traditional. Arranged by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 178. David Warin Solomons #3397199. Published by David Warin Solomons (A0.1059518). Jolly version of this famous nursery song by Lorin Nelson and David Warin SolomonsA frog he would a-wooing go, mm mm, mm mm, A frog he would a-wooing go, Whether his mother would let him or no, mm mm, mm mm. He rode right to Miss Mousie's den, mm mm, mm mm, He rode right to Miss Mousie's den, Said he, Miss Mousie are you within? mm mm, mm mm. Oh yes, Sir Frog, I sit and spin, mm mm, mm mm, Oh yes, Sir Frog, I sit and spin, So open the door and walk right in, mm mm, mm mm. He said, Miss Mousie I?ve come to see, mm mm, mm mm, He said, Miss Mousie I?ve come to see, If you, Miss Mousie, will marry me? mm mm, mm mm. I don't know what to say to that, mm mm, mm mm, I don't know what to say to that, 'Til I can see my Uncle Rat, mm mm, mm mm. When Uncle Rat came riding home, mm mm, mm mm, When Uncle Rat came riding home, Said he, Whose been here since I've been gone? mm mm, mm mm. A fine young gentleman has been here, mm mm, mm mm, A fine young gentleman has been here, Who wants to marry me, that is clear, mm mm, mm mm. So Uncle Rat, he rode to town, mm mm, mm mm, So Uncle Rat, he rode to town, And bought his niece a wedding gown, mm mm, mm mm. Where shall our wedding supper be, mm mm, mm mm, Where shall our wedding supper be? Down in the trunk of the hollow tree, mm mm, mm mm. The first to come was the Bumble Bee, mm mm, mm mm, The first to come was the Bumble Bee, He strung his fiddle over his knee, mm mm, mm mm. The next to come was a Crawley Bug, mm mm, mm mm, The next to come was a Crawley bug, He broke the bottle and smashed the jug, mm mm, mm mm. The next to come was the Captain Flea, mm mm, mm mm, The next to come was the Captain Flea, He danced a jig with the Bumble Bee, mm mm, mm mm. The Frog and Mouse, they went to France, mm mm, mm mm, The Frog and Mouse, they went to France, And this is the end of my romance, mm mm, mm mm
$2.00
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Pr...
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Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
Over The Garden Wall
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Brandon Michael Armstrong, Jos
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Bonnie Bao
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Over The Garden Wall
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enbnwindarr
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - SKU: A0.720912 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Is...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 3 - SKU: A0.720912 Composed by Brandon Michael Armstrong, Josh Ross Kaufman, Justin Isaac Rubenstein, and Patrick Nolen Mchale. Arranged by Bonnie Bao. Film/TV,Folk,Jazz,Pop,Video Game. 3 pages. Enbnwindarr #329277. Published by enbnwindarr (A0.720912). It is arranged for 1 flute 2 clarinet and 1 bassoon. It is really beautiful (the original composers work, ofcourse), but the hollow sounds of the winds really does bring out that layer, doesn't it? The low rythym hummings of the bassoon, the harmonic clarinets and the vivid flute. I love this piece!
$12.99
Moonlight Sound Design (Downloadable)
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Raimonds Tiguls
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Lee Nelson Choral Series
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Moonlight Sound Design
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; L...
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3 or 4 soprano voice soli, SATB choir (choir divisi), and piano - Moderately Easy - SKU: MQ.1.3502-E Composed by Raimonds Tiguls. Advanced/Collegiate; Lee Nelson Choral Series. Secular, Memorial, 21st Century, Creation/Nature. Octavo. 15 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3502-E. Published by Galaxy Music Corporation - Digital (MQ.1.3502-E). UPC: 600313135026. English.Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is composed for 3 or 4 Soprano Soli, SATB Chorus and Hang* but can be performed with Piano or Guitar accompaniment as well. The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Bass section should sing the octave E-flat in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
Moonlight Sound Design (Downloadable)
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Raimonds Tiguls
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Moonlight Sound Design
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Galaxy Music Corporation - Digital
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SheetMusicPlus
3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seco...
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3 or 4 soprano soli, SSAA choir (choir divisi), and piano - Medium - SKU: MQ.1.3564-E Composed by Raimonds Tiguls. 14 pages. Duration 4 minutes, 10 seconds. Galaxy Music Corporation - Digital #1.3564-E. Published by Galaxy Music Corporation - Digital (MQ.1.3564-E). English.The SATB version of Moonlight Sound Design was commissioned and premiered by the youth choir KamÄ“r conducted by MÄris Sirmais in Riga, Latvia in 2012. In the USA, it was performed by the Wartburg Choir conducted by Lee Nelson at the 2017 National Convention of the American Choral Directors Association in Minneapolis, Minnesota. Moonlight Sound Design is dedicated to my father who died by way of an accident. The title of the piece is inspired by the fact that the studio I have is in my father’s country house in an attic room, and the night moon shines directly into it.Moonlight Sound Design is here arranged for 3 or 4 Soprano Soli, SSAA Chorus and piano accompaniment. It can also be accompanied by Hang* (available as a free download, and adaptable to other instruments such as Guitar or Vibraphone). The piece should not sound sad, but rather ethereal. It is more about longing than sadness. To create a more ethereal mood, the soloists may be staggered throughout the audience, if possible. This will also provide more dimension to the sound. The Alto section should sing the pitches in bars 5–23 and bars 38–56 with a “didgeridoo†effect.*The Hang (pronunced haÅ‹ in German) is a musical instrument created by Felix Rohner and Sabina Schärer in Bern, Switzerland. Its name comes from the Bernese-German word for “hand.†The instrument is constructed from two half-shells of deep-drawn, nitrided steel sheets glued together at the rim, leaving the inside hollow, and creating a distinct “UFO†shape. The top (“Dingâ€) side has a center “note†hammered into it, and seven “tone fields†hammered around the center. -Raimonds TigulsDuration: 4:10.
$2.85
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