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Honey and the Bee
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
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CHORALE - CHAN…
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Honey and the Bee
Partitions à imprimer
17 partitions trouvées
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1
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
People Need The Lord
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Gospel Spirituel
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Musique Sacrée
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christi...
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
WHERE HAVE YOU BEEN LOVE
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BUD LEECH
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Stephen Oliver
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WHERE HAVE YOU BEEN LOVE
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BUD LEECH
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SheetMusicPlus
Level 2 - SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by Stephen Oliver. Blues,Jazz,Latin,Singer/Songwriter,Standards. Accompaniment. Duration ...
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Level 2 - SKU: A0.1126622 By BUD LEECH. By BUD LEECH. Arranged by Stephen Oliver. Blues,Jazz,Latin,Singer/Songwriter,Standards. Accompaniment. Duration 162. BUD LEECH #727255. Published by BUD LEECH (A0.1126622). A FULL BAND INCLUDING A JAZZ SINGER WOULD ENHANCE THE APPEAL OF THIS SONG .,..,....,., ......,,.,... WHERE HAVE YOU BEEN LOVE WHERE HAVE YOU BEEN IT WOULD SEEM YOU HAVE LEFT ME I'M BEREFT AND SO LONELY I THINK ABOUT YOU CAN'T LIVE WITHOUT YOU OH BABY WHERE HAVE YOU BEEN MAYBE YOU'LL COME BACK TO ME AND THEN WE'LL SEE. HOW HAPPY WE COULD BE MY DEAR IT'S QUITE CLEAR YOU'VE FOUND ANOTHER LOVER AND I WONDER WHETHER HE'S ONE WHO'S AS SINCERE IT'S TRUE WE'VE BEEN THROUGH SOME WONDERFUL TIMES TOGETHER YOU MUST NEVER FORGET IT CAN GET EVEN BETTER SWEETHEART OH WHERE HAVE YOU BEEN WHEN WE ARE APART MY WORLD IS EMPTY BELIEVE ME BUT IF YOU COME BACK TO ME MY LIFE WOULD BE HEAVENLY HONEY IT ISN'T FUNNY WITHOUT YOU OH WHERE HAVE YOU BEEN.
$3.33
Extinction Events for Band Woodwind Section
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Contemporain
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John Gibson
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Extinction Events for Band Woo
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.582104 Composed by John Gibson....
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 5 - SKU: A0.582104 Composed by John Gibson. Contemporary. 134 pages. JB Linear #5298005. Published by JB Linear (A0.582104). Extinction Events by John Gibson Written for the woodwind choir of a concert band, it is a three movement work lasting about 8 minutes and is for advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, and Jaguar Surprise.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.The parts included are: Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Sax 1-2, Tenor Sax, and Baritone Sax.
$41.25
Carson Cooman: Pooh’s Serenade (2002) for bassoon, cello, and piano
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Carson Cooman
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Carson Cooman: Pooh’s Se
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and par...
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Instrumental Duet,Piano Bassoon,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.533705 Composed by Carson Cooman. Children,Contemporary. Score and parts. 16 pages. Musik Fabrik Music Publishing #3039007. Published by Musik Fabrik Music Publishing (A0.533705). I. Cloud SongII. Bear SongPooh’s Serenade (2002) for bassoon, cello, and piano was commissioned by hrCMEfor Arts First 2002. The work is dedicated to Lembit Beecher, in appreciation forwhat he has done for the ensemble. The “Pooh†of the title is, of course, Winnie-the-Pooh, the lovable bear from A. A. Milne’s books of stories, Winnie-the-Pooh (1926)and The House at Pooh Corner (1928).The work is cast in two short movements. The basic musical material is sharedbetween the movements. Each is inspired by a different one of Pooh’s “songs.†Thefirst movement, Cloud Song, was inspired by Pooh’s song as he pretends to be acloud, floating through the air tied to a balloon – attempting to fool some bees as hesteals their honey. The second movement, Bear Song, is inspired by one of Pooh’shappiness songs: “Sing Ho! for the life of a Bear!“This work may be performed in one of two ways: (1) The movements may be playedtogether as a chamber piece. The notes above should be printed in the program – andpossibly the texts as well. (2) A narrator could be used to read the poems before theplaying of each movement – and perhaps read also some extracts (to provide contextfor the poems) from the Milne stories.
$12.95
Honey Pie
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Rock
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The Beatles
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Paul Hemmer
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Patti, and
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Honey Pie
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PJMS MUSIC
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SheetMusicPlus
Small Ensemble - SKU: A0.798340 By The Beatles. By John Lennon and Paul McCartney. Arranged by Paul Hemmer. Rock. Score and parts. 18 pages. PJMS MUSIC ...
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Small Ensemble - SKU: A0.798340 By The Beatles. By John Lennon and Paul McCartney. Arranged by Paul Hemmer. Rock. Score and parts. 18 pages. PJMS MUSIC #5954639. Published by PJMS MUSIC (A0.798340). Honey Pie - from the Beatles White Album is a direct homage to the British music hall style. The song has been covered by Alan Klein (1969), Barbra Streisand, the King's Singers, Don Partridge,l the Golden Gate Quartet, Tuck & Patti, and John Pizzarelli, among others. This arrangement is in a neo-twenties style with each sax receiving a solo opportunity on the 2nd chorus. .
$24.00
I Can't Help Myself (sugar Pie, Honey Bunch)
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Contemporain
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The Four Tops
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Jim Farley www
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I Can't Help Myself
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Jim Farley arrangementsone.com
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.765493 By The Four Tops. By Brian Holla...
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Large Ensemble Alto Saxophone,Bass Guitar,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 2 - SKU: A0.765493 By The Four Tops. By Brian Holland, Edward Holland Jr., and Lamont Dozier. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score and parts. 42 pages. Jim Farley arrangementsone.com #6631559. Published by Jim Farley arrangementsone.com (A0.765493). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$49.99
Kiss Me Honey Honey
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Contemporain
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Ray Mcvay And His Orchestra
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Derek Hasted
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Kiss Me Honey Honey
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Derek Hasted
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SheetMusicPlus
Guitar Ensemble Guitar - Level 2 - SKU: A0.797732 By Ray Mcvay And His Orchestra. By Albon Timothy, Julien, Michael Julien, and Timothy. Arranged by Der...
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Guitar Ensemble Guitar - Level 2 - SKU: A0.797732 By Ray Mcvay And His Orchestra. By Albon Timothy, Julien, Michael Julien, and Timothy. Arranged by Derek Hasted. Contemporary. Score and parts. 15 pages. Derek Hasted #4320263. Published by Derek Hasted (A0.797732). KISS ME HONEY HONEY! for 3 GUITARS / LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a fun piece that many will know, as it's been covered countless times following the massive success enjoyed by Shirley Bassey.It's set in the same key as the Bassey arrangement and follows the pattern of verses and choruses, including a little instrumental break.This arrangement is for 3 guitars (or a large ensemble), and all the lines are suitable for players of limited experience. The tune is supplied with the instrumental break modelled on the trumpet break in Wally Stott's Orchestral accompaniment, and there is a second version of the tune with an easier-to-play instrumental section which will appeal to an ensemble with more modest technical means.
$4.99
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and ...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
Concerning the Doodle
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Contemporain
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Airplane Ears Music
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Concerning the Doodle
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Drum Set,Guitar,Piano,Voice - Level 5 - SKU: A0.1013065 Composed by Airplane Ears Music. 20th Century,Contempo...
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Large Ensemble Cello,Clarinet,Double Bass,Drum Set,Guitar,Piano,Voice - Level 5 - SKU: A0.1013065 Composed by Airplane Ears Music. 20th Century,Contemporary. Score and parts. 42 pages. Airplane Ears Music #5802127. Published by Airplane Ears Music (A0.1013065). Concerning the Doodle (2010, 14 minutes)clarinet, cello, bass, guitar, piano, percussionCommissioned by Bang on a Can People's Commissioning Fund. Accompanying animated film Canine Reverie by Clever Girl Collaborative: Amy Lovera, Christina Spangler, and Jessica Gidal.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$15.00
JAMU for Balinese chamber gamelan, cello, bass clarinet, piano and violin
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Christine Southworth
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JAMU for Balinese chamber game
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Gong,Piano,Violin - Level 3 - SKU: A0.1013049 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and...
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Small Ensemble Cello,Clarinet,Gong,Piano,Violin - Level 3 - SKU: A0.1013049 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 25 pages. Airplane Ears Music #5802067. Published by Airplane Ears Music (A0.1013049). JAMU (2013, 10 minutes)for bass clarinet, violin, cello, piano, and Balinese chamber gamelan: cengceng, 2 gangas, jegogan, penyeceh and reongAbout the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$15.00
Zap!
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Contemporain
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Christine Southworth
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Zap!
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th...
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00
Ann Lee Songs
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Christine Southworth
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Ann Lee Songs
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet High Voice,Instrumental Duet,Keyboard - Level 3 - SKU: A0.1013062 Composed by Christine Southworth. 20th Century,Contemporary,Sacred. ...
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Instrumental Duet High Voice,Instrumental Duet,Keyboard - Level 3 - SKU: A0.1013062 Composed by Christine Southworth. 20th Century,Contemporary,Sacred. Score and parts. 11 pages. Airplane Ears Music #5802113. Published by Airplane Ears Music (A0.1013062). Ann Lee Songs (2012, 20') for soprano, electronicsSong Cycle for Shaker Mother Ann Lee. Commissioned by soprano Anne Harley.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$10.00
Volcano
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Contemporain
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Christine Southworth
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Volcano
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble,Strings Drum Set,Piano - Level 3 - SKU: A0.1013058 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 18 pages...
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Small Ensemble,Strings Drum Set,Piano - Level 3 - SKU: A0.1013058 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 18 pages. Airplane Ears Music #5802097. Published by Airplane Ears Music (A0.1013058). Volcano (2009, 8') for string quartet + piano/percussion/sampler/voiceCommissioned by the Explorers Club for The Calder Quartet and Danny Holt. Premiered October 15, 2009 at Cipriani Wall Street.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$10.00
Joyride for Gigi
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Contemporain
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Christine Southworth
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Joyride for Gigi
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Double Bass,Piano,Vibraphone - SKU: A0.1013050 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 22 pages. Ai...
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Small Ensemble Double Bass,Piano,Vibraphone - SKU: A0.1013050 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 22 pages. Airplane Ears Music #5802071. Published by Airplane Ears Music (A0.1013050). Joyride for Gigi (2020, 5'30)For vibraphone, piano and bassCommissioned by Else If ElseAbout the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
Talek
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Christine Southworth
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Talek
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bagpipe,Clarinet,Viola - Level 3 - SKU: A0.1013061 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 8 ...
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Small Ensemble Bagpipe,Clarinet,Viola - Level 3 - SKU: A0.1013061 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 8 pages. Airplane Ears Music #5802117. Published by Airplane Ears Music (A0.1013061). Talek (2011, 3 minutes) for viola, Galician gaita, & clarinet Commissioned by Roger Michel.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00
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Honey and the Bee
