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Horizon of Harmony
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Vous avez sélectionné:
Horizon of Harmony
Partitions à imprimer
7 partitions trouvées
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View me, Lord
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Alan Smith
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View me, Lord
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193703018 Composed by Alan Smith. New Horizons. Score. 8 pages. Oxford University Press Digital #9780193703018. Published by Oxford Universi...
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SKU: OX.9780193703018 Composed by Alan Smith. New Horizons. Score. 8 pages. Oxford University Press Digital #9780193703018. Published by Oxford University Press Digital (OX.9780193703018). ISBN 9780193703018.For SSAATTBB unaccompanied. A setting of a text by Thomas Campion, this beautiful anthem features word-painting, a rich use of harmony, fluid melodic lines, and expansive textures, combining the old and new. This anthem is suitable for services throughout the church year.
$3.25
Key West Sunrise for horn, harp, vibraphone, cello, and bassoon
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Jing Liu
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Key West Sunrise for horn, har
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Jing Liu
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Harp,Horn,Vibraphone - Level 4 - SKU: A0.1010610 Composed by Jing Liu. 20th Century,Contemporary,Jazz. Score and parts. 8 p...
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Large Ensemble Bassoon,Cello,Harp,Horn,Vibraphone - Level 4 - SKU: A0.1010610 Composed by Jing Liu. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Jing Liu #550749. Published by Jing Liu (A0.1010610). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition I heard someone describe Key West as a conglomeration of the weirdest, most eccentric individuals in America. Add in the quirky shops, the feral roosters roaming the streets, the beautiful city beaches, and the relaxed island attitude prevalent in the Keys, and you’ve got something truly special. I’ve been to Key West twice, and decided to write this piece to capture the indescribable aura this place emits. The unconventional instrumentation was chosen to represent a group of random people come together, yet thriving in perfect harmony. Key West Sunrise starts slow and atmospheric, watching the sun peak over the horizon. The horn, cello, and bassoon sustain long notes while the vibraphone and harp provide flourishes of activity, before rooster calls rudely interrupt. And then we’re off-the morning is in full force, with jazzy ostinatos in the vibe, glisses in the harps, and the main theme being passed around. It builds and builds, and ends on a strong note-but with the feeling that there’s more to come. Because in Key West, there always is. JL, August 2014.
$9.99
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publica...
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Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
Sonett
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Benjamin Schweitzer
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Sonett
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Schott Music - Digital
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SheetMusicPlus
Mixed choir and bassoon - difficult - SKU: S9.Q53828 For mixed choir (SSAATTBB) and bassoon solo. Composed by Benjamin Schweitzer. This edition: ...
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Mixed choir and bassoon - difficult - SKU: S9.Q53828 For mixed choir (SSAATTBB) and bassoon solo. Composed by Benjamin Schweitzer. This edition: solo part. Schott Chamber Choir. Downloadable, Solo part. Duration 12 minutes. Schott Music - Digital #Q53828. Published by Schott Music - Digital (S9.Q53828). The text of this ‘small sound piece’ combines material from Petrarch’s well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between – and sometimes mixing – Italian and German. The choir and solo bassoon oscillate between fore and background, creating an ‘echo space’ in which sounds are repeated and developed. The horizontal structure of the bassoon part thereby develops a harmonic vertical plane and, conversely, linear structures detach themselves from the harmony of the choral texture and enter the bassoon part. Benjamin Schweitzer.
$6.99
Sonett
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Benjamin Schweitzer
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Sonett
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Schott Music - Digital
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SheetMusicPlus
Mixed choir and bassoon - difficult - SKU: S9.Q53827 For eight-part mixed choir and solo bassoon. Composed by Benjamin Schweitzer. This edition: ...
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Mixed choir and bassoon - difficult - SKU: S9.Q53827 For eight-part mixed choir and solo bassoon. Composed by Benjamin Schweitzer. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 12 minutes. Schott Music - Digital #Q53827. Published by Schott Music - Digital (S9.Q53827). Italian.The text of this ‘small sound piece’ combines material from Petrarch’s well-known Sonnet No. 132 and its Baroque adaptation by Martin Opitz, alternating between – and sometimes mixing – Italian and German. The choir and solo bassoon oscillate between fore and background, creating an ‘echo space’ in which sounds are repeated and developed. The horizontal structure of the bassoon part thereby develops a harmonic vertical plane and, conversely, linear structures detach themselves from the harmony of the choral texture and enter the bassoon part. Benjamin Schweitzer.
$12.99
First Rag for Double Reed Quintet MP3
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Cristiano Vecchi
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String Quartet.
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First Rag for Double Reed Quin
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Cristiano Vecchi
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SheetMusicPlus
Bassoon,English Horn,Oboe - SKU: A0.1066304 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 63. Cris...
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Bassoon,English Horn,Oboe - SKU: A0.1066304 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Standards. Full Performance. Duration 63. Cristiano Vecchi #4897485. Published by Cristiano Vecchi (A0.1066304). An original ragtime using quantistic counterpoint (multiple octave counterpoint with the same set for horizontal and vertical relations), harmonized following the principles of extended weighted harmony. Version for: Oboes 1&2, English Horn, Bassoons 1&2.Duration: 59. Score and parts also available on this website.Also available for Woodwind Quintet, Clarinet & String Quartet.
$1.99
First Rag for Double Reed Quintet
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Cristiano Vecchi
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String Quartet.
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First Rag for Double Reed Quin
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Cristiano Vecchi
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.963375 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Ra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,English Horn,Oboe - Level 3 - SKU: A0.963375 Composed by Cristiano Vecchi. Contemporary,Instructional,Jazz,Ragtime,Standards. 10 pages. Cristiano Vecchi #4897481. Published by Cristiano Vecchi (A0.963375). An original ragtime using quantistic counterpoint (multiple octave counterpoint with the same set for horizontal and vertical relations), harmonized following the principles of extended weighted harmony. The roots line must not be played.Version for: Oboes 1&2, English Horn, Bassoons 1&2. Transposing instruments are not written in actual pitches.SCORE and PARTS.MP3 also available on this website.Also available for Woodwind Quintet, Clarinet & String Quartet.
$5.99
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Horizon of Harmony
