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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Long? Romantic
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15
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98
Piano seul
28
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17
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5
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3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
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1
Piano Trio: piano, violon, violoncelle
1
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Voix
Voix Alto, Piano
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Chorale SATB
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Vents
Flûte traversière et Piano
7
Saxophone Alto et Piano
5
Clarinette et Piano
5
Saxophone Soprano et Piano
5
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4
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Cor Anglais
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2
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2
Ensemble de Flûtes
1
2 Saxophones (duo)
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1
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1
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5
Trompette
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trombone et Piano
3
Euphonium, Piano (duo)
2
Cor Anglais
2
Euphonium
2
Tuba
2
Cor anglais, Piano
2
Cor et Piano
2
Cor
2
Tuba et Piano
2
Trombone
2
Ensemble de Trombones
1
+ 9 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle, Piano
6
Violon et Piano
6
Alto, Piano
5
Alto seul
2
Violon
2
Contre Basse
2
Violoncelle
2
2 Violoncelles (duo)
1
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Marimba
4
Ensemble de cuivres
3
Orchestre à Cordes
3
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2
Xylophone
2
Orchestre
2
Orchestre d'harmonie
1
Orchestre de chambre
1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMPETTE
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How Long? Romantic
Partitions à imprimer
15 partitions trouvées
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1
“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophon…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - Digital Download SKU: A0.565975 By Sharon Wilson. By James M. Black. Arranged by Sharon Wilson Music. Children,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 38 pages. Sharon Wilson #6612669. Published by Sharon Wilson (A0.565975). NOTE: This song has many eighth notes and may take beginners longer to learn and master. Those with a little music experience will probably have an easier time learning this arrangement and have a lot of fun with the quick tempo. For beginning musicians or for introducing new players to Handbells and Boomwhackers®, I recommend starting with an easy song which uses only quarter notes and rests in the score such as God Is So Good for 8-note Bells and Boomwhackers®. This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided. To aid in the learning and teaching of this song or for use with other instruments (such as a Ukulele), chord names are included on the Boomwhackers® staff and score. Lyrics are provided on the grand staff for sing along enjoyment or when using this arrangement as the accompaniment for a unison choir. In addition, a complete set of scores for 4 ringers and 4 whackers is provided. Though there are multiple combinations for the number of ringers and whackers needed for any given performance, this extra set of scores is specifically designed for 8 performers with 1 to 3 notes assigned to each player. For each ringer and whacker, the 1-staff score shows only the notes they are assigned. This alternate score format may be easier to sight-read since the only notes on the staff are the assigned notes allowing the player to focus on rhythm. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. Only filled noteheads are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. All sharps and flats are displayed as well (shown in the key of C); a helpful reminder for beginning musicians. Note assignment suggestions are provided. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groupsPermission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations. Boomwhackers® is a registered trademark of Rhythm Band Instruments LLC. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$10.00
9.22 €
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Sharon Wilson
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Sharon Wilson Music
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“When the Roll Is Called Up Yonder” for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
Reverie, op. 24 by A. Glazunov
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931260 Composed by A. Glaz…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931260 Composed by A. Glazunov. Arranged by Alessandro Macrì. Instructional,Romantic Period,Standards. Score and parts. 22 pages. Music Macri Editions #5798447. Published by Music Macri Editions (A0.931260). As a composer, Alexander Glazunov was as at home in the late Romantic symphony as he was in chamber music forms. His shorter solo pieces impress on account of their enchanting melodies and their attention to detail, which is also true of the Rêverie for horn and piano. Glazunov was himself a good horn player and played in several orchestras as a young student. It was at this time that Glazunov composed this highly romantic work in which he showed off the melodious qualities of this instrument to their best advantage. It is an effective recital piece, even for advanced pupils, and is being published for the first time as an Urtext edition; alongside the first edition we also consulted Glazunov’s autograph in the National Library of Russia in St Petersburg for the first time.
$12.00
11.06 €
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A
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Alessandro Macrì
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Reverie, op. 24 by A. Glazunov
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Music Macri Editions
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SheetMusicPlus
Madrigal Pavane / Timburibá
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. A…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
7.33 €
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Abendlied Op. 85, nº 12 - Score Only
Level 3 - Digital Download SKU: A0.1232222 By Robert Schumann. By Robert Schumann. …
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Level 3 - Digital Download SKU: A0.1232222 By Robert Schumann. By Robert Schumann. Arranged by Javier MARTÃNEZ CAMPOS. 19th Century,Chamber,Classical,Romantic Period,Wedding. 2 pages. Javier MARTÃNEZ CAMPOS #827907. Published by Javier MARTÃNEZ CAMPOS (A0.1232222). How would you feel about playing the Bb Clarinet alongside a string quartet in a beautifully intimate piece like Robert Schumann's Abendlied Op. 85, nº 12?Experience the pure romance for yourself with this unique opportunity to play and be swept away.
$4.99
4.6 €
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Robert Schumann
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Javier MARTÃNEZ CAMPOS
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Abendlied Op. 85, nº 12 - Score Only
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Javier MARTÃNEZ CAMPOS
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SheetMusicPlus
Abendlied Op. 85, nº 12 - Score Only
Level 3 - Digital Download SKU: A0.1232214 By Robert Schumann. By Robert Schumann. …
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Level 3 - Digital Download SKU: A0.1232214 By Robert Schumann. By Robert Schumann. Arranged by Javier MARTÃNEZ CAMPOS. 19th Century,Chamber,Classical,Romantic Period,Wedding. 2 pages. Javier MARTÃNEZ CAMPOS #827899. Published by Javier MARTÃNEZ CAMPOS (A0.1232214). How would you feel about playing the oboe alongside a string quartet in a beautifully intimate piece like Robert Schumann's Abendlied Op. 85, nº 12?Experience the pure romance for yourself with this unique opportunity to play and be swept away.
$4.99
4.6 €
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Robert Schumann
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Javier MARTÃNEZ CAMPOS
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Abendlied Op. 85, nº 12 - Score Only
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Javier MARTÃNEZ CAMPOS
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ) - Score Only
Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by …
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Level 3 - Digital Download SKU: A0.1401951 Composed by Franz Schubert. Arranged by Roar Kvam. 19th Century,Classical,Latin,Praise and Worship,Romantic Period. 123 pages. KVAMusic Edition #985149. Published by KVAMusic Edition (A0.1401951). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$20.00
18.44 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS In G Major D-167 (Version for SSAA choir, SSA soli, strings and organ)
Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz…
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Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.768510 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Octavo. 123 pages. KVAMusic Edition #5321075. Published by KVAMusic Edition (A0.768510). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$55.00
50.71 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS In G Major D-167
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KVAMusic Edition
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SheetMusicPlus
Schubert: MASS in G Major (Version for SSAA choir, SAA soli, strings and organ) set of orchestra par
Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schube…
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Small Ensemble - Level 3 - Digital Download SKU: A0.768512 Composed by Franz Schubert. Arranged by Roar Kvam. Romantic Period,Sacred. Score and parts. 98 pages. KVAMusic Edition #5321083. Published by KVAMusic Edition (A0.768512). The Mass no. 2 in G major by Franz Schubert, D 167, was composed in 1815. This is the best known of the three shorter mass compositions which Schubert composed between the more elaborate first and fifth masses. In addition, the later Deutsche Messe or German Mass, D 872,and the ultimate sixth mass would be longer. The mass no. 2, commonly referred to as Schubert's Mass in G, was composed in less than a week (March 2 to 7, 1815), the year after his first mass had been successfully performed in Schubert's home parish.The second mass was originally more modestly scored than the first, requiring only a string orchestra and organ in addition to the soloists and choir. However, in the 1980s a set of parts for the mass were discovered at Klosterneuburg which are dated later than Schubert's full score.They not only include minor changes throughout the work, which would apparently represent Schubert's final intentions,they also include trumpet and timpani parts. Apart from some passages for the soprano soloist, the solistic interventions are very modest. Characteristically for Schubert, he is more interested in an overall devotional mood of a religious composition than in individualistic romantic text-expression. In this edition for women's voices, I use Schubert's first version for strings and organ which fits excellently to the sound of the women's choir.
$25.00
23.05 €
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Franz Schubert
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Roar Kvam
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Schubert: MASS in G Major
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KVAMusic Edition
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
44.24 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
O Mio Babbino Caro - for celesta solo (with chords)
Celesta,Instrumental Solo - Level 2 - Digital Download SKU: A0.1377164 Composed by …
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Celesta,Instrumental Solo - Level 2 - Digital Download SKU: A0.1377164 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961605. Published by Rodrigo Faleiros (A0.1377164). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo celesta. This beloved aria, known for its tender expression of love and longing, is now reimagined for celesta, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Celesta Showcase: Tailored for a solo celesta, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for celesta offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.83 €
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for celesta solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for glockenspiel solo (with chords)
Bells Solo,Glockenspiel - Level 2 - Digital Download SKU: A0.1377157 Composed by Gi…
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Bells Solo,Glockenspiel - Level 2 - Digital Download SKU: A0.1377157 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961589. Published by Rodrigo Faleiros (A0.1377157). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo glockenspiel. This beloved aria, known for its tender expression of love and longing, is now reimagined for glockenspiel, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features:Glockenspiel Showcase: Tailored for a solo glockenspiel, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download.Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for glockenspiel offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.83 €
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for glockenspiel solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for celesta solo
Celesta,Instrumental Solo - Level 2 - Digital Download SKU: A0.1377115 Composed by …
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Celesta,Instrumental Solo - Level 2 - Digital Download SKU: A0.1377115 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961723. Published by Rodrigo Faleiros (A0.1377115). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo celesta. This beloved aria, known for its tender expression of love and longing, is now reimagined for celesta, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience. Key Features: Celesta Showcase: Tailored for a solo celesta, allowing for a captivating and expressive performance of the iconic aria. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for celesta offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.83 €
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for celesta solo
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Rodrigo Faleiros
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SheetMusicPlus
O Mio Babbino Caro - for glockenspiel solo
Bells Solo,Glockenspiel - Level 2 - Digital Download SKU: A0.1377530 Composed by Gi…
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Bells Solo,Glockenspiel - Level 2 - Digital Download SKU: A0.1377530 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961712. Published by Rodrigo Faleiros (A0.1377530). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo glockenspiel. This beloved aria, known for its tender expression of love and longing, is now reimagined for glockenspiel, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience.Key Features: Glockenspiel Showcase: Tailored for a solo glockenspiel, allowing for a captivating and expressive performance of the iconic aria. Instant Digital Download: Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for glockenspiel offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99
1.83 €
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for glockenspiel solo
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Rodrigo Faleiros
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SheetMusicPlus
Skater's Waltz [short]
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823636 Composed by …
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823636 Composed by Emile Waldteufel (1837-1915). Arranged by Richard Giszczak. Christmas,Romantic Period. Individual part. 6 pages. Singing Winds Music Company #5210077. Published by Singing Winds Music Company (A0.823636). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of the waltz, comprised of an introduction, waltz sections 1 and 2, and a shortened Coda. Waltz section 3 and 4 are omitted. The French name is LES PATINEURS. It was written in 1882. Though it is a winter-time theme, it is often associated with Christmas. This is the shorter, simpler version. There is also a longer, complete, more difficult version available.
$2.00
1.84 €
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Emile Waldteufel
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Richard Giszczak
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Skater's Waltz [short]
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Singing Winds Music Company
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SheetMusicPlus
Moon River
Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By…
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Cello,Double Bass,Drums,Viola,Violin - Level 3 - Digital Download SKU: A0.746789 By Henry Mancini. By Henry Mancini. Arranged by Keith Terrett. Jazz. 12 pages. Keith Terrett #3530209. Published by Keith Terrett (A0.746789). An arrangement of Moon River for String Orchestra and optional drum kit. Moon River is a song composed by Henry Mancini with lyrics by Johnny Mercer. It was originally performed by Audrey Hepburn in the 1961 American movie Breakfast at Tiffany's, winning an Academy Award for Best Original Song.The song also won the 1962 Grammy Awards for Record of the Year and Song of the Year. 「ムーンリãƒãƒ¼ã€ã¯ã€ãƒ˜ãƒ³ãƒªãƒ¼ãƒ»ãƒžãƒ³ã‚·ãƒ¼ãƒ‹ãŒä½œæ›²ã—ã€ã‚¸ãƒ§ãƒ‹ãƒ¼ãƒ»ãƒžãƒ¼ã‚µãƒ¼ãŒæŒè©žã‚’書ã„ãŸæ›²ã§ã™ã€‚ã‚‚ã¨ã‚‚ã¨ã¯1961å¹´ã®ã‚¢ãƒ¡ãƒªã‚«æ˜ 画「ティファニーã§æœé£Ÿã‚’ã€ã§ã‚ªãƒ¼ãƒ‰ãƒªãƒ¼ãƒ»ãƒ˜ãƒ—ãƒãƒ¼ãƒ³ãŒæŒã„ã€ã‚¢ã‚«ãƒ‡ãƒŸãƒ¼è³žã®æŒæ›²è³žã‚’å—賞ã—ã¾ã—ãŸã€‚ã¾ãŸã€1962å¹´ã®ã‚°ãƒ©ãƒŸãƒ¼è³žã®æœ€å„ªç§€ãƒ¬ã‚³ãƒ¼ãƒ‰è³žã¨æœ€å„ªç§€æ¥½æ›²è³žã‚‚å—賞ã—ã¾ã—ãŸã€‚ It became the theme song for Andy Williams, who first recorded it in 1961 and performed it at the Academy Awards ceremony in 1962. He sang the first eight bars of the song at the beginning of each episode of his eponymous television show and named his production company and venue in Branson, Missouri after it. His autobiography is called Moon River and Me. Williams' version was never released as a single, but it charted as an LP track that he recorded for Columbia on a hit album of 1962. Cadence Records' president Archie Bleyer disliked Williams' version, as Bleyer believed it had little or no appeal to teenagers. Forty years later in 2002, a 74-year-old Williams sang the song at the conclusion of the live telecast of the NBC 75th Anniversary Special to a standing ovation. The song's success was responsible for relaunching Mercer's career as a songwriter, which had stalled in the mid-1950s because rock and roll had replaced jazz standards as the popular music of the time. The song's popularity is such that it has been used as a test sample in a study on people's memories of popular songs. Comments about the lyrics have noted that they are particularly reminiscent of Mercer's youth in the Southern United States and his longing to expand his horizons. Robert Wright wrote in The Atlantic Monthly, This is a love sung to wanderlust. Or a romantic song in which the romantic partner is the idea of romance. An inlet near Savannah, Georgia, Johnny Mercer's hometown, was named Moon River in honor of him and this song. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comARRANGERS
$14.99
13.82 €
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Henry Mancini
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Keith Terrett
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Moon River
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Keith Terrett
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SheetMusicPlus
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