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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hung Up:
Non classifié
30
Piano & claviers
Piano, Voix et Guitare
23
Piano seul
20
Piano Facile
11
Piano, Voix
3
Accompagnement Piano
3
Piano grosses notes
2
Instruments en Do
2
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
5
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
3
Guitare
1
Voix
Chorale SATB
11
Chorale 2 parties
3
Chorale Unison
2
Voix Alto, Piano
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Flûte traversière
3
Quatuor de Saxophones: 4 saxophones
2
Saxophone (partie séparée)
2
Flûte, Hautbois, Clarinette, Basson
2
Quintette de Saxophone: 5 saxophones
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte, Clarinette (duo)
1
+ 3 instrumentations
Retracter
Cuivres
Tuba (partie séparée)
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trombone (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
2 Tubas (duo)
1
Trompette (partie séparée)
1
Tuba
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
Cor (partie séparée)
1
Tuba et Piano
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5
Violon et Piano
3
Quatuor à cordes : 4 altos
1
Violoncelle
1
Violoncelle, Piano
1
Alto seul
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
39
Percussion (partie séparée)
2
Ensemble Jazz
1
Jazz combo
1
Timbales (partie séparée)
1
Ensemble de cuivres
1
Orchestre de chambre
1
Fanfare
1
+ 3 instrumentations
Retracter
Autres
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ACCORDEON
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COR ANGLAIS
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DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIOLE DE GA…
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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Crtitères actifs :
Hung Up:
Partitions à imprimer
30 partitions trouvées
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26
Hartland Polka - for "Hungry Five" Polka Band
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George Ferencz
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George Ferencz
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Hartland Polka - for "Hun
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Aaron Hettinga
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SheetMusicPlus
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782090 Composed by George Ferencz. Arranged by George Ferencz. Folk,Patriotic,Traditio...
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Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782090 Composed by George Ferencz. Arranged by George Ferencz. Folk,Patriotic,Traditional. Score and parts. 16 pages. Aaron Hettinga #6665989. Published by Aaron Hettinga (A0.782090). This fun polka is presented in the instrumentation of Alford’s Hungry Five series of Polka/German band books. Atypical to those classic publications, there are some lively 16th note runs featured in the tuba part during the opening strain (you may want your tuba player to set the tempo for this one). Across the rest of the ensemble, everybody gets a chance to take on the melody along with a number of other active lines and transitions to keep things interesting for players and listeners alike.This composition fits right in with the style of the other traditional Hungry Five pieces. There are no extreme range requirements (other than some lovely chalumeau register clarinet lines and a trombone part that briefly reaches its way up to 3rd ledger line G) and the technical challenges shouldn’t be out of reach for intermediate players so even fairly young ensembles could include this on a German band performance. Ready to go for adding a fine waltz to your Oktoberfest gig!
$19.99
Dawn of the Century March - Polka for “Hungry Five” Band
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E
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Aaron Hettinga
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Dawn of the Century March - Po
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Aaron Hettinga
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SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1371301 Composed by E. T. Paull. Arranged by Aaron Hettinga. 20th Century,Chamber,Folk,March,Multicul...
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Clarinet,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1371301 Composed by E. T. Paull. Arranged by Aaron Hettinga. 20th Century,Chamber,Folk,March,Multicultural,World. 16 pages. Aaron Hettinga #955511. Published by Aaron Hettinga (A0.1371301). Edward Taylor Paull (1858-1924) was an American composer of marches and rags who was successful in producing a large number of circus marches in the late 1800’s/early 1900’s. His “Dawn of the Century March†welcomed in the then-brand new Twentieth Century.This arrangement has been prepared for the instrumentation of Alford’s “Hungry Five†polka band books and serves as a fine addendum to those familiar pieces.  While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns that remain accessible to most intermediate-level players. Though the trumpet part does sneak up to some written high A’s and B-flats during the first strain, the remainder of the piece doesn’t surpass the G on top of the staff. At the risk of sounding sloppy, it may be better to take the tempo a little lesser than a circus march tempo to accommodate. Besides, if playing this piece to accompany Polka dancing, it would be best to take this at a more danceable tempo anyway.This downloadable PDF package contains a full score and a set of parts that are ready to go for adding some extra variety to your German Band’s Oktoberfest OomPah gig!
$19.99
Lenten Hymn Medley - for “Hungry Five” Polka Band
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Aaron Hettinga
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Aaron Hettinga
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Lenten Hymn Medley - for &ldqu
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Aaron Hettinga
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SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1371600 By Aaron Hettinga. By Various. Arranged by Aaron Hettinga. Chamber,Christian,Folk,Lent,March....
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Clarinet,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1371600 By Aaron Hettinga. By Various. Arranged by Aaron Hettinga. Chamber,Christian,Folk,Lent,March. 11 pages. Aaron Hettinga #955853. Published by Aaron Hettinga (A0.1371600). For something totally different, here are four traditional Lenten hymns presented in a medley arrangement for the same instrumentation as Alford’s “Hungry Five†series of Polka band books. The hymns included in this medley are: “Alas, and Did My Savior Bleed†“At The Cross†“I Hear the Master Say†“Jesus Paid It All†Ranges and technical passages for all instruments remain in reliable reach for even fairly young players. Parts have been prepared in 2 marching folio-sized pages per part, but are packaged onto single printable PDF pages. Ready to go for a change-up number on your German band's Oktoberfest OomPah gig or maybe in a Polka Mass!
$19.99
On The Franches Mountains (Price is Right “Cliff Hangers” Theme) - for “Hungry Five” Polka Band
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Traditional Swiss
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Aaron Hettinga
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On The Franches Mountains
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Aaron Hettinga
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SheetMusicPlus
Clarinet,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1114907 Composed by Traditional Swiss. Arranged by Aaron Hettinga. Comedy,Film/TV,Folk,Multicultural,...
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Clarinet,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1114907 Composed by Traditional Swiss. Arranged by Aaron Hettinga. Comedy,Film/TV,Folk,Multicultural,Traditional,World. 10 pages. Aaron Hettinga #716751. Published by Aaron Hettinga (A0.1114907). While the title may seem unfamiliar, your audience will light up upon reaching the TRIO when they realize that you’re playing the yodeling theme music from The Price Is Right’s “Cliff Hangers†game! This traditional swiss tune is presented here in an arrangement for the instrumentation of Alford’s “Hungry Five†series of Polka band books. Each of the 5 parts receives a moment or two to shine, either to take a run at the melody, counter lines, or other figures of interest. The tuba part is mostly in its straightforward support roles, but there are some small technical challenges throughout the rest of the ensemble that will reward advancing players as well as audiences for your German band. As a performance option, you may want to consider doing a complete D.C. al Fine to extend the performance time if a single pass doesn’t seem enough. Ready to go for your Oktoberfest gig!
$19.99
Hungarian Folksongs, - instruments in four parts
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instrum
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages....
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Small Ensemble,Strings - Level 3 - SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
Hungarian Dance No. 5 in G Minor - Flute, Harp, Violin, Viola & Cello
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Classique
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Johannes Brahms
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Andrew Middleton
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Hungarian Dance No. 5 in G Min
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Andrew Middleton
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.735592 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Sco...
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.735592 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 23 pages. Andrew Middleton #5033529. Published by Andrew Middleton (A0.735592). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have. (Whilst the music is originally composed for harp, it could easily be substituted for piano to fit your ensemble.)For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriberThe original key of the music is F sharp minor, however, G minor is a much friendlier key. If you are interested in the F sharp minor version then this link will take you to the music.
$8.99
Hung Up
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Madonna
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Daryl McKenzie
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Hung Up
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Daryl McKenzie
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SheetMusicPlus
Large Ensemble Bass Voice,Drums,Guitar,Saxophone,Synthesizer,Trombone,Trumpet - Level 3 - SKU: A0.717748 By Madonna. By Benny Andersson and Bjorn Ulvaeu...
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Large Ensemble Bass Voice,Drums,Guitar,Saxophone,Synthesizer,Trombone,Trumpet - Level 3 - SKU: A0.717748 By Madonna. By Benny Andersson and Bjorn Ulvaeus. Arranged by Daryl McKenzie. Dance,Pop. Score and parts. 49 pages. Daryl McKenzie #3514433. Published by Daryl McKenzie (A0.717748). As recorded by Madonna. Female Vocal (no vocal part included) with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano (Synth), Guitar, Bass, Drums) Key of D Minor. Also playable with just Rhythm Section.
$49.99
Improvisation Calendar
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Wil Offermans
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Improvisation Calendar
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Musikverlag Zimmermann - Digital
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SheetMusicPlus
SKU: S9.Q569310 Calendar with 52 weekly papers. One impulse for each week to be improvised freely by any instrument or part. Composed by Wil Offe...
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SKU: S9.Q569310 Calendar with 52 weekly papers. One impulse for each week to be improvised freely by any instrument or part. Composed by Wil Offermans. Gift - graphics - improvisation. Downloadable. Musikverlag Zimmermann - Digital #Q569310. Published by Musikverlag Zimmermann - Digital (S9.Q569310). Dutch • English • German.For every week of the year, the Improvisation calendar contains one sheet with a graphic illustration intended to provoke improvisation. This improvisation can be played on any instrument, even the voice can be used. On the sheets, you will find anything from situations to notes and pictures open to associations. Opening words in German, English, Dutch, Japanese, Spanish and French precede the graphic part. Offerman offers tips and rules for using the calendar which can be hung up on the wall for better visibility. Due to its spiral binding, the pages can be turned back. After one year, you can start all over again. An innovation which also makes an ideal present.
$17.99
Inspire Infinite Potential ( Saxophone Quintet mp3 )
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Stanley P
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Inspire Infinite Potential
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Stanley P. Hung
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1071753 Composed by Stanley P. Hung. Contemporary,Holiday. Full Performanc...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1071753 Composed by Stanley P. Hung. Contemporary,Holiday. Full Performance. Duration 293. Stanley P. Hung #6495931. Published by Stanley P. Hung (A0.1071753). Inspire Infinite Potential is the first original composition of Stanley P. Hung. It was composed for the Massachusetts Institute of Technology Concert Band 70th Anniversary in 2019. MIT Concert Band was founded by students in fall of 1948 and directed for 51 years by conductor John D. Corley. He directed the band from its inception in 1948 until his retirement last spring in 1999. Dr. Thomas E. Reynolds continued the job of music education at MITCB up to now about 20 years. He is the current music director and conducting the band together with co-conductor Collin Myers. (Reference: band.mit.edu) Mr. Hung had participated in a few public performances of MIT Concert Band and played trombone. His footprints not only appeared at MIT in Cambridge, but also in New York (2013), Maine (2014), and Philadelphia (2019) during spring tours. To come up with an idea by our originality then take it into practice was the spirit inspired by such ingenuity group. Therefore, Stanley tried to add this spirit into the music work Inspire Infinite Potential at creation stage. Its U.S. premiere was conducted by Dr. Reynolds and performed by the MIT Concert Band in campus (2019.12.10). The second edition is mostly based on the previous version. Some of notes, chords, articulations, and rhythms have been updated.
$1.99
Persecuted Then Crucified SATB flute or violin or cello with piano
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Connie Boss
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Connie Boss
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Persecuted Then Crucified SATB
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1343035 Composed by Connie Boss. Arranged by ...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1343035 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 34 pages. Connie Boss #928546. Published by Connie Boss (A0.1343035). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for SATB, flute or violin or cello and piano. Parts are included with purchase. I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
Persecuted Then Crucified solo and some harmony with piano key of G
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Connie Boss
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Connie Boss
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Persecuted Then Crucified solo
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Connie Boss
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SheetMusicPlus
Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1340300 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred....
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Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1340300 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. 12 pages. Connie Boss #925973. Published by Connie Boss (A0.1340300). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for a solo voice with a harmony voice and piano.  I have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$5.99
Persecuted Then Crucified duet and piano second soprano and alto low range
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Connie Boss
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Connie Boss
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Persecuted Then Crucified duet
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Connie Boss
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SheetMusicPlus
Alto Voice,Piano,Soprano voice - Level 3 - SKU: A0.1339742 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. 13 pages. Con...
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Alto Voice,Piano,Soprano voice - Level 3 - SKU: A0.1339742 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. 13 pages. Connie Boss #925407. Published by Connie Boss (A0.1339742). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is for mezzo soprano and alto and piano. It could also work for alto and tenor voices. I will have other voices posted as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$5.99
Persecuted Then Crucified duet and piano key of G for soprano and alto
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Connie Boss
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Connie Boss
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Persecuted Then Crucified duet
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Connie Boss
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SheetMusicPlus
Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1340202 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred....
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Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1340202 Composed by Connie Boss. Arranged by Connie Boss. Easter,Lent,Religious,Sacred. 13 pages. Connie Boss #925873. Published by Connie Boss (A0.1340202). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for soprano and alto and piano.  I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$5.99
Persecuted Then Crucified duet, flute or violin or piano with piano key of G
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Connie Boss
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Connie Boss
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Persecuted Then Crucified duet
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Connie Boss
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SheetMusicPlus
Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1342281 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Rel...
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Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 3 - SKU: A0.1342281 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 21 pages. Connie Boss #927797. Published by Connie Boss (A0.1342281). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for duet, flute or violin or cello and piano. Parts are included with purchase. I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics:Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
Persecuted Then Crucified Strings quintet with piano
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Connie Boss
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Connie Boss
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Persecuted Then Crucified Stri
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.1343621 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacre...
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Cello,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.1343621 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 45 pages. Connie Boss #929144. Published by Connie Boss (A0.1343621). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for strings quintet - three violins, a viola and a cello and piano. Parts are included for easier playing since the piece is a lot of pages long.questions or requests, email cdboss@cvalley.netLyrics are included on the violin parts to make it easier to follow along.  They are below as well.Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
Persecuted Then Crucified strings trio with piano key of G
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Connie Boss
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Connie Boss
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Persecuted Then Crucified stri
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1342288 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 27 ...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1342288 Composed by Connie Boss. Arranged by Connie Boss. Easter,Holiday,Lent,Religious,Sacred. 27 pages. Connie Boss #927805. Published by Connie Boss (A0.1342288). This song can be used for Lent or on Good Friday. Jesus was persecuted, then crucified to save us from our sins.This arrangement is in the key of G and is for strings trio - two violins and a cello and piano.  I will have it in a lower range in key of C for mezzon soprano and alto or alot and tenor as well.questions or requests, email cdboss@cvalley.netLyrics are included on the violin parts to make it easier to follow along. They are below as well.Persecuted then CrucifiedRefrain:Persecuted, then crucifiedUp to the moment when he diedVerse 1:They stripped him of all His clothesThen they gave Him a scarlet robe A crown of thorns placed on His headBlood ran down His face until His deathRefrain:Verse 2:He Carried the cross to CalvaryWhere it was His destinyThey nailed His feet and then His handsAmong two thieves the cross would standRefrain:Bridge 1:He saved others but he can’t save himself! He says He is the king of Israel! Let him come down from the cross, Then, we will believe in him.Refrain:Verse 3:They put sour wine to His mouthHe did not drink it but spat it outThey divided up all His clothesWith the dice that they had rolledRefrain 2:Persecuted, then crucifiedUp to the moment when he diedThen He gave His final cry“Father please forgive   themâ€Bridge 2:Then he hung his head to dieThen the sky grew dark and dimTerrified, the people then realizedHe truly was the son of God Final ending:Persecuted, then crucifiedUp to the moment when he died.
$7.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk D
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
Romanian Dance (Bartok) - Brass Band
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Bela Bartok
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Rob Bushnell
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Romanian Dance
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.752355 Composed by Bela Bartok. Arranged by Rob Bushnell. 20th Century,Contemporary,Folk,Multicultural,Romantic Period,World. Brass Band. 71 pages. RBMusic #4580667. Published by RBMusic (A0.752355). Béla Viktor János Bartók is considered to be one of Hungary’s greatest composers (along with Franz Liszt), and is regarded as one of the most important writers of the 20th century. His music tends to reflect two trends that helped to change the sound of music in the 20th century: the breakdown of diatonic harmony; and a renewed interest in using nationalism as a source for musical inspiration. For this latter trend, Bartók turned to Hungarian folk music and become a key figure in influencing the modern use of indigenous music and techniques. In 1904, whilst at a resort in Hungary, Bartók overheard his nanny, Lidi Dósa, singing Transylvanian folk songs, which sparked a lifelong devotion to folk music. Further influenced by Strauss, Bartók started to write music based on folk songs, including his Romanian Folk Dances (Op. 8a, Sz. 43, BB 56) for piano in 1910, made up of two folk songs. The first of these dances was later orchestrated by the composer for orchestra and named Romanian Dance (Sz. 47, BB 61) and it is this piece that is available here. This arrangement is for the UK-style brass band. A recording of the original orchestral piece can be found on YouTube: https://www.youtube.com/watch?v=PuQSdNjFdrY. Other searchable terms: Bela Bartok, Román Tánc, Roman Tanc, Magyar peasant melodies
$57.50
Scales-G Major
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Classique
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School Ensemble
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Scales-G Major
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Sunny JY Chung
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SheetMusicPlus
Small Ensemble Drum Set,Flute,Trombone,Vibraphone,Viola,Violin - Level 3 - Interactive Download SKU: A0.1109981 By School Ensemble. By Sunny J.Y. Chung. ...
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Small Ensemble Drum Set,Flute,Trombone,Vibraphone,Viola,Violin - Level 3 - Interactive Download SKU: A0.1109981 By School Ensemble. By Sunny J.Y. Chung. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 51. Sunny JY Chung #77nUAAbhRqSRXmlYHkJCDV. Published by Sunny JY Chung (A0.1109981). Key: C major.School ensemble. Exercise, Warm-up. Play G Major scale in style. Advanced (Flute 1), Intermediate (Clarinet, Violin 1,2), Beginner (Flute 2, Violin 3), Cello, Trombone.
$5.99
Hung Up
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Madonna
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Tom Ashe
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Hung Up
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Tom Ashe
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SheetMusicPlus
Level 3 - SKU: A0.1430949 By Madonna. By Benny Andersson, Bjorn Ulvaeus, Madonna, and Stuart Price. Arranged by Tom Ashe. Funk,Multicultural,Pop,World. ...
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Level 3 - SKU: A0.1430949 By Madonna. By Benny Andersson, Bjorn Ulvaeus, Madonna, and Stuart Price. Arranged by Tom Ashe. Funk,Multicultural,Pop,World. 43 pages. Tom Ashe #1011456. Published by Tom Ashe (A0.1430949). Instrumentation:4 trumpets3 trombones2 tenor saxes1 TubaPercussionFor alternative transpositions or any other questions, contact me at tom@favelabrass.org.
$24.99
Tannhäuser und der Sängerkrieg auf Wartburg
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Classique
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Richard Wagner
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Tannhäuser und der Sä
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: v...
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SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
The Chicken Dance
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Terry Rendall and Werner Thoma
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Aaron Hettinga
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The Chicken Dance
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Aaron Hettinga
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SheetMusicPlus
Clarinet,Drums,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781971 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contem...
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Clarinet,Drums,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781971 Composed by Terry Rendall and Werner Thomas. Arranged by Aaron Hettinga. Children,Contemporary,Folk,Standards,Traditional. 11 pages. Aaron Hettinga #6015437. Published by Aaron Hettinga (A0.781971). This wedding reception/dance party standard is presented here in an arrangement for the instrumentation of Alford’s Hungry Five series of Polka band books. As this song meant to be a fun participation number, much interpretation of tempo and form will be left to the performers. It’s best to start moderately slow, then increase tempo a little more every time the D.S. is taken. There is no need to limit a performance to following this road map once through, be ready to repeat it for as long as your dancers are still active...and up to as fast as your players can handle!Flexibility: The 5 parts will work fully freestanding on their own without drums as the accompaniment can propel itself forward without depending on the drummer alone for the rhythm, so that part is included as a bonus for groups who have a drummer available. Ready to go for your German Band's Oktoberfest gig!
$14.99
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