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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Hung Up: Score
Non classifié
13
Piano & claviers
Piano, Voix et Guitare
14
Piano seul
13
Piano Facile
7
Piano, Voix
3
Piano grosses notes
1
Guitares
Guitare notes et tablatures
2
Paroles et Accords
1
Guitare
1
Voix
Chorale SATB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte traversière
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette (duo)
1
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Tuba et Piano
1
Euphonium, Piano (duo)
1
Trombone et Piano
1
2 Tubas (duo)
1
+ 1 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violoncelle
1
Quatuor à cordes : 4 altos
1
Violoncelle, Piano
1
Orchestre & Percussions
Orchestre d'harmonie
10
Orchestre de chambre
1
Ensemble de cuivres
1
Fanfare
1
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Hung Up: Score
Partitions à imprimer
13 partitions trouvées
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1
Hung Up
Large Ensemble Bass Voice,Drums,Guitar,Saxophone,Synthesizer,Trombone,Trumpet - Level 3 - …
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Large Ensemble Bass Voice,Drums,Guitar,Saxophone,Synthesizer,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.717748 By Madonna. By Benny Andersson and Bjorn Ulvaeus. Arranged by Daryl McKenzie. Dance,Pop. Score and parts. 49 pages. Daryl McKenzie #3514433. Published by Daryl McKenzie (A0.717748). As recorded by Madonna. Female Vocal (no vocal part included) with Big Band (5 Saxes, 4 Trumpets, 4 Trombones, Piano (Synth), Guitar, Bass, Drums) Key of D Minor. Also playable with just Rhythm Section.
$49.99
46.09 €
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Madonna
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Daryl McKenzie
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Hung Up
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Daryl McKenzie
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.74 €
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
#
SheetMusicPlus
Hartland Polka - for "Hungry Five" Polka Band
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7820…
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Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782090 Composed by George Ferencz. Arranged by George Ferencz. Folk,Patriotic,Traditional. Score and parts. 16 pages. Aaron Hettinga #6665989. Published by Aaron Hettinga (A0.782090). This fun polka is presented in the instrumentation of Alford’s Hungry Five series of Polka/German band books. Atypical to those classic publications, there are some lively 16th note runs featured in the tuba part during the opening strain (you may want your tuba player to set the tempo for this one). Across the rest of the ensemble, everybody gets a chance to take on the melody along with a number of other active lines and transitions to keep things interesting for players and listeners alike.This composition fits right in with the style of the other traditional Hungry Five pieces. There are no extreme range requirements (other than some lovely chalumeau register clarinet lines and a trombone part that briefly reaches its way up to 3rd ledger line G) and the technical challenges shouldn’t be out of reach for intermediate players so even fairly young ensembles could include this on a German band performance. Ready to go for adding a fine waltz to your Oktoberfest gig!
$19.99
18.43 €
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George Ferencz
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George Ferencz
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Hartland Polka - for "Hungry Five" Polka Band
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Aaron Hettinga
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SheetMusicPlus
Dawn of the Century March - Polka for “Hungry Five” Band
Clarinet,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1371301 Compose…
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Clarinet,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1371301 Composed by E. T. Paull. Arranged by Aaron Hettinga. 20th Century,Chamber,Folk,March,Multicultural,World. 16 pages. Aaron Hettinga #955511. Published by Aaron Hettinga (A0.1371301). Edward Taylor Paull (1858-1924) was an American composer of marches and rags who was successful in producing a large number of circus marches in the late 1800’s/early 1900’s. His “Dawn of the Century March†welcomed in the then-brand new Twentieth Century.This arrangement has been prepared for the instrumentation of Alford’s “Hungry Five†polka band books and serves as a fine addendum to those familiar pieces.  While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns that remain accessible to most intermediate-level players. Though the trumpet part does sneak up to some written high A’s and B-flats during the first strain, the remainder of the piece doesn’t surpass the G on top of the staff. At the risk of sounding sloppy, it may be better to take the tempo a little lesser than a circus march tempo to accommodate. Besides, if playing this piece to accompany Polka dancing, it would be best to take this at a more danceable tempo anyway.This downloadable PDF package contains a full score and a set of parts that are ready to go for adding some extra variety to your German Band’s Oktoberfest OomPah gig!
$19.99
18.43 €
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E
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Aaron Hettinga
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Dawn of the Century March - Polka for “Hungry Five” Band
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Aaron Hettinga
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SheetMusicPlus
Hungarian Folksongs, - instruments in four parts
Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela…
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Small Ensemble,Strings - Level 3 - Digital Download SKU: A0.835891 Composed by Bela Bartok. Arranged by Paul Burnell. 20th Century,Folk,World. Score and parts. 72 pages. Paul Burnell #6521857. Published by Paul Burnell (A0.835891). Hungarian Folksongs (1906) BB 42 (Sz. 33), Béla Bartók, arranged by Paul Burnell for instruments in four partsDownload comprises both score and parts.Duration 14:00Score in CThe arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello) Part 4 may be played an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.The keys of the original compositions are retained in these arrangements.Programme note:In 1906 the Hungarian composers Béla Bartók (1881 – 1945) and Zoltán Kodály (1882 – 1967) published a collection of twenty Hungarian Folksong arrangements for voice and piano ('Magyar népdalok énekhangra és zongorára'). The first ten arrangements are by Bartók. The first song: 'Elindultam szép hazámból' (I left my beautiful fatherland) came to be applied to Bartók himself after his self-imposed exile in the USA. The third and fourth movements are in two parts - the third movement presenting two versions of 'Fehér László', and the fourth movement containing two different songs - 'A gyulai kert alatt' and 'A kertmegi kert alatt'. In later editions, the fifth song - 'Ucca, ucca, ég az ucca' - was omitted, but is retained in these arrangements for instruments in four parts.The titles of the ten songs by Bartók are:1. Elindultam szép hazámbul / Far Behind I Left My Country2. Ãltal mennék én a Tiszán ladikon / Crossing the River3a. Fehér László / The Horse-thief3b. Fehér László / The Horse-thief4a. A gyulai kert alatt / In the Summer Fields4b. A kertmegi kert alatt / I Was in a Garden Green5. Ucca, ucca, ég az ucca6. Ablakomba, ablakomba / Deceived in Love7. Száraz ágtól messze virÃt a rózsa / Love’s a Burden8. Végigmentem a tárkányi / Walking Through the Town9. Nem messze van ide kis Margitta / The Horseman10. Szánt a babám / My Love Has Gone A-ploughing.
$4.99
4.6 €
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Bela Bartok
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Paul Burnell
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Hungarian Folksongs, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Hungarian Dance No. 5 in G Minor - Flute, Harp, Violin, Viola & Cello
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.735592…
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - Digital Download SKU: A0.735592 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 23 pages. Andrew Middleton #5033529. Published by Andrew Middleton (A0.735592). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have. (Whilst the music is originally composed for harp, it could easily be substituted for piano to fit your ensemble.)For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriberThe original key of the music is F sharp minor, however, G minor is a much friendlier key. If you are interested in the F sharp minor version then this link will take you to the music.
$8.99
8.29 €
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Johannes Brahms
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Andrew Middleton
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Hungarian Dance No. 5 in G Minor - Flute, Harp, Violin, Viola & Cello
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Andrew Middleton
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SheetMusicPlus
Edelweiss
Small Ensemble Clarinet, Trombone, Trumpet, Tuba - Level 2 - Digital Download Compose…
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Small Ensemble Clarinet, Trombone, Trumpet, Tuba - Level 2 - Digital Download Composed by Richard Rodgers. Arranged by George Ferencz. 20th Century, Broadway, Contemporary, Film/TV, Musical/Show, Standards. Score and parts. 10 pages. Aaron Hettinga #6499359. Published by Aaron Hettinga
"Edelweiss" is presented here in an arrangement for the instrumentation of Alford’s "Hungry Five" series of Polka/German band books. In this edition, the enduring and beloved melody from Rodgers & Hammerstein’s "The Sound Of Music" gets passed back and forth between the various instruments to keep things interesting for players and listeners alike.<br> <br> Every Hungry Five band should keep a familiar waltz like this at the ready at all times as a change-up between all the other marchlike polkas normally played on such gigs. There are no extreme range or technical challenges in this arrangement, so even fairly young ensembles could use this to include some Broadway classiness on a German band performance. Ready to go for your Oktoberfest gig!<br> "Edelweiss" is presented here in an arrangement for the instrumentation of Alford’s "Hungry Five" series of Polka/German band books. In this edition, the enduring and beloved melody from Rodgers & Hammerstein’s "The Sound Of Music" gets passed back and forth between the various instruments to keep things interesting for players and listeners alike.<br> <br> Every Hungry Five band should keep a familiar waltz like this at the ready at all times as a change-up between all the other marchlike polkas normally played on such gigs. There are no extreme range or technical challenges in this arrangement, so even fairly young ensembles could use this to include some Broadway classiness on a German band performance. Ready to go for your Oktoberfest gig!<br>
$14.99
13.82 €
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Richard Rodgers
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George Ferencz
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Edelweiss
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SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.83 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.83 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
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Mark O'Connor Musik International
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SheetMusicPlus
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download…
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
18.39 €
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances Sz.56
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RayThompsonMusic
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SheetMusicPlus
Tannhäuser und der Sängerkrieg auf Wartburg
Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete…
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Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina UrchueguÃa have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
$53.99
49.77 €
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Richard Wagner
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Tannhäuser und der Sängerkrieg auf Wartburg
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Schott Music - Digital
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SheetMusicPlus
Scales-G Major
Small Ensemble Drum Set,Flute,Trombone,Vibraphone,Viola,Violin - Level 3 - Interactive Dow…
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Small Ensemble Drum Set,Flute,Trombone,Vibraphone,Viola,Violin - Level 3 - Interactive Download SKU: A0.1109981 By School Ensemble. By Sunny J.Y. Chung. This edition: Interactive Download. Classical. Score and parts. 18 pages. Duration 51. Sunny JY Chung #77nUAAbhRqSRXmlYHkJCDV. Published by Sunny JY Chung (A0.1109981). Key: C major.School ensemble. Exercise, Warm-up. Play G Major scale in style. Advanced (Flute 1), Intermediate (Clarinet, Violin 1,2), Beginner (Flute 2, Violin 3), Cello, Trombone.
$5.99
5.52 €
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School Ensemble
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Scales-G Major
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Sunny JY Chung
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SheetMusicPlus
For Children, Volume 1: 42. The Swineherd's Dance (duet)
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302179 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302179 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classical,Folk,Multicultural,World. Individual part. 5 pages. Singing Winds Music Company #891782. Published by Singing Winds Music Company (A0.1302179). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of piano music by Béla Bartók adapted to the range and tonalities of a carillon. The pieces in Volume 1 are based on Hungarian Folk Songs. This piece is scored for one carillon with two performers.I use the following story to explain how this piece is written:Imagine yourself traveling through the Hungarian countryside about 100 years ago. You are in an open carriage or on horseback. As you travel, you begin to hear broken strains of music from somewhere up ahead. As you get closer, more of the melody is heard. You reach the location of the music performance and pause to watch and listen to The Swineherd's Dance. After a few minutes you realize you must be on your way. As you continue your travels, the music fades out in the distance behind you..
$2.00
1.84 €
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Béla Bartók
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Richard Giszczak
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For Children, Volume 1: 42. The Swineherd's Dance
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Singing Winds Music Company
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SheetMusicPlus
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