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I Baroque
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I Baroque
CONTEMPORAIN - 20-21EME SIECLE
Partitions à imprimer
10 partitions trouvées
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Parting for Baroque Lute in D-minor
Instrumental Solo,Lute - Level 4 - Digital Download SKU: A0.876670 Composed by Dosi…
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Instrumental Solo,Lute - Level 4 - Digital Download SKU: A0.876670 Composed by Dosia McKay. Contemporary. Individual part. 4 pages. Gavia Music #3099049. Published by Gavia Music (A0.876670). From the composer: I wrote Parting for Baroque lutenist Will Tocaben in the summer of 2013. At that time it seemed that everywhere I turned, I saw relationships falling apart and close and distant friends going through breakups. I wanted to write a reflective piece expressing the sense of being pulled back and forth, the feeling of loss and uncertainty, with the final release and acceptance. The piece is notated in treble clef for Baroque lute tuned in D-minor. Total duration 5'00''.
$25.00
23.05 €
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Dosia McKay
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Parting for Baroque Lute in D-minor
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Gavia Music
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SheetMusicPlus
Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.69717…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.697174 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 23 pages. RayThompsonMusic #305768. Published by RayThompsonMusic (A0.697174). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Flute 2 has some piccoloOboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A
$14.95
13.78 €
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin I Prelude - Symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Sudo-Baroque Trio for 2 Oboes and English Horn
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.945623 Compose…
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.945623 Composed by Nancy J. Brammery. Contemporary. 6 pages. Nancy Brammer #5998737. Published by Nancy Brammer (A0.945623). This Sudo-Baroque woodwind trio is a spoof on the Baroque style with two movements; Just Getting Started and Semi-Fugue. For 2 oboes and English Horn. I would consider it playable by high school students through adult musicians. As always, not super hard, but requiring some expertise to play well, especially the second movement. Another arrangement is for sale on Sheet Music Press for oboe, clarinet and bassoon. First oboe could also be flute in either arrangement.
$8.50
7.84 €
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Nancy J
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Sudo-Baroque Trio for 2 Oboes and English Horn
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Nancy Brammer
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.52 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital …
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Large Ensemble A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.1496456 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 38 pages. RayThompsonMusic #1072981. Published by RayThompsonMusic (A0.1496456). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.The six movements are:Prélude. Vif (E minor)Fugue. Allegro moderato (E minor)Forlane. Allegretto (E minor)Rigaudon. Assez vif (C major)Menuet. Allegro moderato (G major)Toccata. Vif (E minor) Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements.The movements used were Nos.1, 3, 5 and 4 in that order.The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733).Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged double wind quintet/bass:Oboe 2 is mostly cor anglais, some bars of oboe.Clarinet parts are for Clarinet in A.
$14.95
13.78 €
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin No.II Forlane - symphonic wind
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RayThompsonMusic
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SheetMusicPlus
Ravel: Le Tombeau de Couperin III. Menuet - Symphonic Wind
B-Flat Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download
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B-Flat Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn - Level 4 - Digital Download SKU: A0.616277 Composed by Maurice Ravel. Arranged by Ray Thompson. 20th Century. 25 pages. RayThompsonMusic #225439. Published by RayThompsonMusic (A0.616277). Le Tombeau de Couperin is a suite for solo piano by Maurice Ravel, composed between 1914 and 1917. The piece is in six movements, based on those of a traditional Baroque suite. Each movement is dedicated to the memory of a friend of the composer (or in one case, two brothers) who had died fighting in World War I.Ravel also produced an orchestral version of the work in 1919, although this omitted two of the original movements. The word tombeau in the title is a musical term popular from the 17th century, meaning a piece written as a memorial. The specific Couperin, among a family noted as musicians for about two centuries, that Ravel intended to evoke is thought to be François Couperin the Great (1668–1733). Ravel stated that his intention was to pay homage more generally to the sensibilities of the Baroque French keyboard suite, not necessarily to imitate or pay tribute to Couperin himself in particular. This is reflected in the piece's structure, which imitates a Baroque dance suite.Arranged Double wind quintet/Bass 2nd Oboe plays Cor Anglais throughout.2nd flute has 2 bars of piccolo.This is my arrangement of the menuet No.III in the orchestral suite for wind dectet.Video has restricted instrumentation.
$14.95
13.78 €
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Maurice Ravel
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Ray Thompson
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Ravel: Le Tombeau de Couperin III. Menuet - Symphonic Wind
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RayThompsonMusic
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SheetMusicPlus
Fricción [2 flutes]
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.596537 Composed by Juan MarÃ…
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.596537 Composed by Juan MarÃÂa Solare. 20th Century,Concert,Contemporary. 35 pages. Juan Maria Solare #3867601. Published by Juan Maria Solare (A0.596537). Fricción for two flutes - by Juan MarÃÂa Solare Fricción (Friction) is a piece for two flutes, of actually for any two instruments of identical (or similar) register. Technically is an invention in the Baroque sense of the term, i.e. a same contrapuntual element reappears at different pitches, and each apparition of this subject is separed by episodes that develop material provenient of the main subject. The material is the friction produced by minor and major seconds. Ten minutes with these sonorities that -contrary to expectations- are not aggressive but rather humorous. In fact, the character indication at the beginning: With the wildness of a cartoon implies a harmless violence: Tom always survives the mischievous tricks of Jerry.The musical language of the work is contemporary classic, or post-tonal. The notation doesn't offer secrets: there are neither fancy notations nor new signs. This work does not require extended techniques either.World premiere: Mariaceli Navarro Salerno & Raúl Pimentel, 2 piccolos. Centro de Acción Social por la Música. Caracas, Venezuela. 27 de junio de 2013. https://www.youtube.com/watch?v=Jli6YxF4ci4 Juan MarÃÂa Solare Translations of the main indications on the score - Pueden aparecer sonidos diferenciales, particularmente en las notas agudas (es intencional) - Differential sounds may appear, particularly in high notes (it is intentional) - Las alteraciones (#, b) valen sólo para la nota a la que anteceden y sus repeticiones inmediatas. - Alterations (#, b) are valid only for the note to which they precede and their immediate repetitions. - Con el salvajismo de un cartoon - With the savagery / wildness of a cartoon (21) - Observar la diferencia de articulación / agrupamiento: es esencial - Notice the difference in articulation / grouping: it is essential (162) - indicaciones metrómicas aproximadas - approximate metromic indications
$9.00
8.3 €
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Juan MarÃÂa Solare
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Fricción [2 flutes]
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Juan Maria Solare
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SheetMusicPlus
Styles Suite
String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.597703 Composed by…
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String Ensemble,String Trio - Level 5 - Digital Download SKU: A0.597703 Composed by Richard Montalto. 20th Century,Contemporary. Score and parts. 47 pages. ArrangeMe #6702895. Published by ArrangeMe (A0.597703). Styles Suite, for two violins and cello, is a four-movement work in widely varying styles. I. Kind of Baroque II. Modern, More or Less III. Rock-ish IV. Romantic-like Performance time: 11'
$19.50
17.98 €
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Richard Montalto
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Styles Suite
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ArrangeMe
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SheetMusicPlus
Pastoral for Ensemble
Large Ensemble Baritone Saxophone,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Trombone,Tru…
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Large Ensemble Baritone Saxophone,Cello,Clarinet,Double Bass,Flute,Oboe,Piano,Trombone,Trumpet,Violin - Level 3 - Digital Download SKU: A0.1024097 Composed by Boonrut Sirirattanapan. 20th Century,Contemporary. Score and parts. 34 pages. Boonrut Sirirattanapan #433137. Published by Boonrut Sirirattanapan (A0.1024097). This piece is the third movement in ensemble suite The Little Evening Music which comprises of pieces in different characters. Like a baroque suite, it is a multi-movement piece of dance rhythm but that is where similarity ends. This set is more like a parody of affections that impressed me and I want capture them abruptly, like a Zen drawing.
$9.99
9.21 €
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Boonrut Sirirattanapan
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Pastoral for Ensemble
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Boonrut Sirirattanapan
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SheetMusicPlus
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
By Thomas Oboe Lee. For Voice, Orchestra. Baroque Period, Classical Period, Romantic Perio…
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By Thomas Oboe Lee. For Voice, Orchestra. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Score. Pluto ̢‰âÂå_ The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested
$9.99
9.21 €
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Thomas Oboe Lee
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Emerald Necklace ... The Story of Frederick Law Olmsted
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SheetMusicPlus
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