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I Sing Out: Cello
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173
Piano & claviers
Piano Trio: piano, violon, violoncelle
9
Piano, Voix
7
Piano, Voix et Guitare
5
Piano seul
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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2
Piano Quatuor: piano, 2 violons, violoncelle
2
Accompagnement Piano
2
Piano Facile
1
1 Piano, 4 mains
1
+ 5 instrumentations
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2
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10
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2
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3
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3
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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177
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48
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42
Trio à Cordes: violon, alto, violoncelle
28
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28
Violon, Violoncelle (duo)
25
Trio à Cordes: 2 violons, violoncelle
20
Violon
7
2 Violoncelles (duo)
7
Violoncelle , Guitare (duo)
6
Violon, Guitare (duo)
3
Violon et Piano
3
Alto, Piano
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Violoncelle (duo)
2
Alto seul
1
Trio à Cordes: 3 violoncelles
1
4 Violoncelles
1
Violoncelle, Orgue
1
Trio à cordes: 3 violins
1
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23
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22
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7
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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I Sing Out: Cello
Partitions à imprimer
173 partitions trouvées
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They Saw a Star - Epiphany/Christmas - Vocal trio (optional flute, cello or violin parts) and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
#
SheetMusicPlus
Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Violin - Level 2 - SKU: A0.1128815 Composed by Connie Boss. Christmas. 17 pages. Connie Boss #7...
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Alto Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Violin - Level 2 - SKU: A0.1128815 Composed by Connie Boss. Christmas. 17 pages. Connie Boss #729344. Published by Connie Boss (A0.1128815). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for trio with optional parts for flute, cello and violin accent instruments and piano. I am attaching an optional way to sing it on the YouTube link. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for any questions or requests.
$5.99
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
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Mark O'Connor
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Johnny Cash
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 2 Cellos)
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Noël
#
the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.813972 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,M...
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String Ensemble,String Quintet Cello,Viola,Violin - Level 3 - SKU: A0.813972 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6635865. Published by Regis Bookshar (A0.813972). String Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola and 2 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Mult...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636651. Published by Regis Bookshar (A0.813994). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (String Octet - 3 Violins, 1 Viola, 3 Cellos, 1 Bass)
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instruct...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636649. Published by Regis Bookshar (A0.813992). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 1 Viola, 3 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
I'm Gonna Live So God Can Use Me - Congregational Set (for Lead, SATB choir, Piano, and Ensemble)
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Musique Sacrée
#
Musique Sacrée
#
Sharon Wilson
#
Sharon Wilson
#
Soprano--C4 to A4
#
I'm Gonna Live So God Can Use
#
Sharon Wilson
#
SheetMusicPlus
Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,...
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Large Ensemble B-Flat instrument,C Instrument,Cello,Choir,Clarinet,E-Flat Instrument,Flute,High Voice,Low Voice,Medium Voice,Oboe,Piano Accompaniment,Saxophone,Trombone,Trumpet,Violin - Level 3 - SKU: A0.564609 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson. Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 34 pages. Sharon Wilson #1501. Published by Sharon Wilson (A0.564609). No one need be left out in this fun, easy-to-learn arrangement which includes reproducible parts for the congregation and an eclectic ensemble of instruments (flute, oboe, violin, trumpet, clarinet, trombone, cello, saxophone, and others). The lead singer carries the melody while the SATB choir (or quartet) echoes with the harmony parts. After a verse or two, the congregation can join in using the reproducible lead sheet (or since the words are in the public domain, project them on a screen). The score includes four verses (I'm gonna live, work, pray, sing...) but the song can be made as long or short as desired by using fewer verses or repeating some or even adding more words in place of the four suggested. The Lead, SATB, and 2 additional harmony parts (a descant and bass line) are transcribed for C instruments and most parts are also transcribed for B-Flat and E-flat instruments. There is also a separate piano accompaniment score with the melody line (and guitar chords) for reference. Written in the key of F major, the vocal ranges are as follows: Lead--C4 to D5; Soprano--C4 to A4; Alto--A3 to F4; Tenor--F3 to C4; Baritone--C3 to A3. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$29.99
My Baby (A Mother's Lullaby) - cello and violin duet and piano
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Connie Boss
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My Baby
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Connie Boss
#
SheetMusicPlus
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie ...
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
Crossing Jordan: Three Spirituals for flute, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thomps...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
I Sing The Mighty Power Of God (Duet for Violin and Cello - Organ accompaniment)
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Musique Sacrée
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Traditional
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Stephen DeCesare
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I Sing The Mighty Power Of God
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Exultet Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 2 - SKU: A0.630383 Composed by Traditional. Arranged by Stephen DeCesare. Praise & Worship,Sacred. Score and...
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Instrumental Duet Instrumental Duet - Level 2 - SKU: A0.630383 Composed by Traditional. Arranged by Stephen DeCesare. Praise & Worship,Sacred. Score and parts. 15 pages. Exultet Music #6438197. Published by Exultet Music (A0.630383). The powerful hymn by Isaac Watts about Creation and Providence has now been freshly arranged as a duet for a Violin and Cello with Organ accompaniment. Accessible and appropriate for any church setting. An accompaniment track is also available.
$4.99
What Do I Know?
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Pop musique
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Ed Sheeran
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Paul Burnell
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What Do I Know?
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Paul Burnell
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SheetMusicPlus
Small Ensemble,Strings - Level 3 - SKU: A0.835800 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Paul Burnell. Contemporary. Sc...
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Small Ensemble,Strings - Level 3 - SKU: A0.835800 By Ed Sheeran. By Ed Sheeran, Foy Vance, and Johnny McDaid. Arranged by Paul Burnell. Contemporary. Score and parts. 33 pages. Paul Burnell #3494245. Published by Paul Burnell (A0.835800). What Do I Know?, words and Music by Ed Sheeran, Foy Vance and Johnny McDaid, arranged by Paul Burnell for instruments in four parts.Duration 3:55The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with layout appropriate for string quartet this does not indicate a preferred instrumentation.Examples of the 'clicks/taps etc.' indicated by the X noteheads at the beginning of the piece in Part 2, and subsequently in the other parts, include:Woodwind - instrument key clicks or slaps,Brass - tapping the instrument bell with fingernail, 'popping' the mouthpiece,Strings - tapping the body of the instrument with fingers.In this arrangement the song has been transposed from the original key of E major to C major.Programme note:'What Do I Know?' is a song by the English singer-songwriter Ed Sheeran. It was included on his third studio album '÷' (pronounced 'divide'). After the album's release in 2017 the song was released as a single and charted at number 9 on the UK Singles Chart.
$12.99
TELEMANN: TRIO IN E MINOR TWV 43:e2 for flute, clarinet & bassoon or cello
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1733 the use of the continuo p
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: TRIO IN E MINOR TWV
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - SKU: A0.811819 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque...
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Small Ensemble Bassoon,Cello,Clarinet,Flute - Level 4 - SKU: A0.811819 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Graduation,Holiday,Wedding. Score and parts. 36 pages. Piper Publications #6536333. Published by Piper Publications (A0.811819). This Trio Sonata was published in Hamburg by Telemann in 1733 in the third volume of his Tafelmusik. The original was scored for flute, violin, cello and continuo. By 1733 the use of the continuo playing from a figured bass supported by a cello was falling out of use. In this piece, the use of the cello as a solo instrument effectively made the inclusion of the continuo redundant. In making this arrangement for flute, clarinet & bassoon or cello I have not included the continuo. Without the continuo, the Trio - still firmly entrenched in the Baroque style - closely resembles the three part Inventions of Telemann’s contemporary, J. S. Bach or the three part flute sonatas in Eb and G minor originally attributed to him but now considered to be the work of his son C.P.E. Bach. A set of 6 Quatuors ou Trios by Telemann clearly makes the continuo part optional. The arrangement is edited so that the style is true to the original. All edited phrasings (generally more suited to wind instruments) are shown using dashed lines. Telemann did not indicate any dynamics and none have been added. It is notable that Telemann developed his musical material throughout each movement and there are no repeated sections in this piece. There are four movements, Adagio, Allegro, Dolce and Allegro. The three parts are intended for players of equal accomplishment to delight their audiences.
$15.00
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Musique Sacrée
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Ma...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00
"His Name So Sweet" from Crossing Jordan for clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"His Name So Sweet"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - SKU: A0.1284045 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Christian,Sacred,Traditional. 17 pages. Maria Thompson Corley #875217. Published by Maria Thompson Corley (A0.1284045). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.
$15.00
"Deep River" from Crossing Jordan, - B flat instrument, piano and cello
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Spiritual
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Maria Thompson Corley
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"Deep River" from Cr
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284510 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 8 pages. Maria Thompson Corley #875683. Published by Maria Thompson Corley (A0.1284510). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello.
$15.00
"Wade in the Water" from Crossing Jordan, - clarinet, piano and cello
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Spiritual
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Maria Thompson Corley
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"Wade in the Water"
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corl...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.1284511 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. 9 pages. Maria Thompson Corley #875686. Published by Maria Thompson Corley (A0.1284511). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)).
$15.00
Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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Aaron Sinnett
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Six Sonatas for Cello, Op. 40
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Aaron Sinnett
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SheetMusicPlus
Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classic...
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Cello Duet Cello - Level 2 - SKU: A0.1508659 By Aaron Sinnett. By Jean-Baptiste Bréval. Arranged by Aaron Sinnett. 19th Century,Baroque,Chamber,Classical. Score. 89 pages. Aaron Sinnett #1083923. Published by Aaron Sinnett (A0.1508659). Jean-Baptiste Bréval, Six Sonatas, Op. 40Score and parts included. (Minimal markings, no additional edits, i.e. no fingerings or bowing added)As per the tradition of the era, Bréval composed the Cello solo and the bass line, leaving the chord making up to the performer. This means that there is originally no piano accompaniment part by Bréval. (If you are familiar with any sonata by said composer, it is likley No. 1 in C major, as it appears in volume 4 of a popular method, which is supplied with a piano accompoaniment.) Even so, as many can attest, most sonatas of the Baroque/early Classical periods are beautiful performed with two cellos, or cello duet.In this edition, I have made the notation modern, the layout clean and clear, as well as providing the score of the two original parts and individual parts, labeled Cello 1 and Cello 2. (For those wishing for historical accuracy in part naming Cello 2 should more appropriately be labelled Basso.) I have elevated it to Cello 2 simply to encourage the performance of this excellent set of sonatas with two cellos. I believe they sound very good this way in spite of being traditionally expected to be performed with a chord making instrument like a keyboard in addition to the solo cello and bass instrument. Thus, making it a trio.The Table of contents is the following without being overly detailed (one of the preview pages will have incipits from all six sonatas as is the custom when printing a complete set of pieces in a single volume). Sonata No. 1 in C major Sonata No. 2 in F major Sonata No. 3 in G major Sonata No. 4 in Bb major Sonata No. 5 in A major Sonata No. 6 in D major Each sonata is two movements long. They all have first movements with the customary Sonata Allegro form. The seconds movements vary from RONDOs to Minuets to a set of variations.It is my sincere hope that more of these sonatas be learned and performed as they are not only great learning material, Bréval has crafted each one masterfully.
$14.99
Out of My Deeper Heart (2015)
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Colin Eatock
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Out of My Deeper Heart
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Colin Eatock Music
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SheetMusicPlus
Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Col...
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Cello,Choir - Level 5 - SKU: A0.1245336 Composed by Colin Eatock. 21st Century,Classical,New Age. 36 pages. Colin Eatock Music #840212. Published by Colin Eatock Music (A0.1245336). SATB choir, cello; ca. 6 min.The composer writes: The poem “Out Of My Deeper Heart†is from Kahlil Gibran’s 1920 collection, The Forerunner. In this poem, the author seems to question the capacity of humans to fully understand the universe because we are completely enveloped in the world we inhabit. Only by stepping outside of our world and looking into our “deeper hearts†can we achieve the perspective needed to know what is true and real. I was drawn to this text (which I have abridged for this setting) by the image of the rising bird, represented by the solo cello. The florid cello part is contrasted with a simpler, chorale-like texture in many of the choir’s passages.
$4.99
I Know Whom I Have Believed - Flex Orchestra
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Musique Sacrée
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having one or more instruments
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James McGranahan
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Kristin Campbell
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I Know Whom I Have Believed -
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Horsehair Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell....
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Small Ensemble Cello,Double Bass,Piano Accompaniment,Viola,Violin - Level 1 - SKU: A0.596386 Composed by James McGranahan. Arranged by Kristin Campbell. Sacred. Score and parts. 30 pages. Horsehair Music #4301947. Published by Horsehair Music (A0.596386). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination.Set in the key of D and modulating to G. The finger patterns change after the modulations, the melody part also includes a B-flat for the modulation, allowing the player to experience using a low first finger. The melody part has one section of motif between the stanzas and choruses of the hymn. Also included are the words to the hymn, so that players who may not know the lyrics can learn them.
$9.99
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Sco...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635863. Published by Regis Bookshar (A0.813970). String Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Carol of the Bells (Hear Them Ring) - SATB cello and piano with parts
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Noël
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Mykola Leontovych
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Connie Boss
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Carol of the Bells
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801699 Composed by Mykola Leontovych. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 13 pages. Connie Boss #6421425. Published by Connie Boss (A0.801699). This is a fun arrangement of this song. It is in SATB cello and piano with brand new lyrics and parts included. This is more in line with the nativity It is also available as instrumentals. cdboss@cvalley.net Lyrics below:Carol of the Bells – (Hear them Ring)Intro:Ring Christmas bells, hear them ringHear them ringing, carolingCaroling – hear them ringCarolingHear them ringVerse 1:Hear how the bells ring from aboveAngels will play showing their loveFor Christ was born upon this dayAll bow their heads, kneel and they prayLet the bells ring, for He is KingWith joyful sounds, ring all aroundAngels appear, shepherds show fearThen came a calm, followed with songShepherds came near, now without fearTo see the King, Hear the bells ring.O hear the bells, ring through the nightAnnouncing the birth, a glorious sight Ring, caroling. Ring the bellsRing, caroling. Ring the bells The bells play on, filling with songFor He is Lord, loved and adored.Verse 2: It came upon, a midnight clearAngels will bend, near the earthI heard the bells, on Christmas DayTheir old familiar carols they playAnd loud and sweet, their song repeatsPeace on earth, good will to menSilent night, Holy nightAll is calm, all is brightO little town, of BethlehemHow still we, see you lieWe three Kings from orient areBearing you gifts, come from afar Ring, caroling, Hear them ringingSing, caroling, People singing Joy to the world, the Lord is comeLet the earth, receive her King. Repeat intro in between verses and at the end.
$5.50
Jesus is Passing This Way - for Beginner Orchestra. (with chords)
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J
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L
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Jesus is Passing This Way - fo
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477490 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477490 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054890. Published by Müller Publishing company (A0.1477490). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
Jesus is Passing This Way - for Beginner Orchestra.
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J
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L
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Jesus is Passing This Way - fo
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477512 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477512 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054894. Published by Müller Publishing company (A0.1477512). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
Count Your Blessings - for Beginner Orchestra. (with chords)
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Edwin O
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L
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Count Your Blessings - for Beg
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477475 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477475 Composed by Edwin O. Excell. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 20 pages. Müller Publishing company #1054870. Published by Müller Publishing company (A0.1477475). Arrangement of the Traditional Hymn Count Your Blessings by Edwin O. Excell - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Count Your Blessings, composed by Edwin O. Excell. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Count Your Blessings will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Count Your Blessings. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
Count Your Blessings - for Beginner Orchestra.
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Edwin O
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L
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Count Your Blessings - for Beg
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Müller Publishing company
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SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477476 Composed by ...
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - SKU: A0.1477476 Composed by Edwin O. Excell. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 20 pages. Müller Publishing company #1054871. Published by Müller Publishing company (A0.1477476). Arrangement of the Traditional Hymn Count Your Blessings by Edwin O. Excell - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Count Your Blessings, composed by Edwin O. Excell. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Count Your Blessings will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Count Your Blessings. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99
Make me a blessing (Hazme una fuente de bendiciones)
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Musique Sacrée
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George S
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Esaú Flores Carreño
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Make me a blessing
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Esaú Flores Carreño
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SheetMusicPlus
Cello,Flute,Piano,Viola,Violin - Level 3 - SKU: A0.1217094 Composed by George S. Schuler. Arranged by Esaú Flores Carreño. Chamber,Christian,Relig...
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Cello,Flute,Piano,Viola,Violin - Level 3 - SKU: A0.1217094 Composed by George S. Schuler. Arranged by Esaú Flores Carreño. Chamber,Christian,Religious,Sacred,Singer/Songwriter. 24 pages. Esaú Flores Carreño #813630. Published by Esaú Flores Carreño (A0.1217094). The original music is by George S. Schuler (1882-1973) with an arrangement of mine that was originally for flute and piano only (you can see it here: https://youtu.be/rh-yyjxNVOg) they asked me for this adaptation for flute, string quartet and piano; I know that in many places there is no viola so it includes a violin part III that covers the viola.Algunos lo conocen como Usa mi vida. Según el himnario Himnos Majestuosos se llama Hazme una fuente de bendiciones, por su tÃtulo original en inglés Make Me a Blessing. La música original es de George S. Schuler (1882-1973) con un arreglo mÃo que originalmente era solo para flauta y piano (lo puedes ver aquÃ:   https://youtu.be/rh-yyjxNVOg) pero me pidieron esta adaptación para flauta, cuarteto de cuerdas y piano; se que en muchos lugares no hay viola asà que incluye una parte de violÃn III que cubre a la viola.
$19.90
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I Sing Out: Cello
