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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
VIBRAPHONE
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XYLOPHONE
I Told You So
Non classifié
20
Piano & claviers
Piano seul
21
Piano, Voix et Guitare
17
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10
Orgue
1
Instruments en Do
1
1 Piano, 4 mains
1
Piano Facile
1
+ 2 instrumentations
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4
Basse electrique
3
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2
Voix
Chorale SATB
7
Chorale 3 parties
4
Chorale TTBB
2
Chorale 2 parties
2
Voix duo, Piano
1
Chorale Unison
1
+ 1 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Hautbois, Piano (duo)
1
Saxophone Tenor et Piano
1
Flûte traversière et Piano
1
Saxophone Soprano et Piano
1
Flûte traversière
1
Saxophone Alto
1
Clarinette et Piano
1
+ 3 instrumentations
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Cuivres
Trompette, Piano
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trombone basse et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone et Piano
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon
2
Harpe
2
Violoncelle, Piano
1
Violon et Piano
1
Alto, Piano
1
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Orchestre & Percussions
Orchestre d'harmonie
25
Ensemble Jazz
3
Orchestre
3
Jazz combo
2
Orchestre de chambre
2
Orchestre à Cordes
1
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Autres
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FORMATION M…
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OUD
PARTITIONS …
PAS DE PART…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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ASIE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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METAL - HARD
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METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
I Told You So
Partitions à imprimer
20 partitions trouvées
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1
I Told You So
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Carrie Underwood Featuring Ran
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Nigel Hanley
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I Told You So
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Nigel Hanley Music
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SheetMusicPlus
Rhythm Section Voice - Level 2 - SKU: A0.1088135 By Carrie Underwood Featuring Randy Travis. By Randy Travis. Arranged by Nigel Hanley. Contemporary,Cou...
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Rhythm Section Voice - Level 2 - SKU: A0.1088135 By Carrie Underwood Featuring Randy Travis. By Randy Travis. Arranged by Nigel Hanley. Contemporary,Country,Pop,Rock,Standards. 12 pages. Nigel Hanley Music #692382. Published by Nigel Hanley Music (A0.1088135). This is a four piece chart of Randy Travis' song 'I Told You So' arranged in the style of the Carrie Underwood version. info@nigelhanley.com.
$24.99
He Leadeth Me with I Have Decided to Follow Jesus
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Musique Sacrée
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Stephen R Dalrymple
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He Leadeth Me with I Have Deci
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Stephen R Dalrymple
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SheetMusicPlus
Large Ensemble Flute Solo - Level 4 - SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalr...
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Large Ensemble Flute Solo - Level 4 - SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
Believe in Yourself Piano Vocal Performance
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the time I sat down I had deci
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Steven H
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Ashley Ivers
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Believe in Yourself Piano Voca
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publi...
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Piano,Voice - SKU: A0.1069969 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 189. Boothe Publishing #4633703. Published by Boothe Publishing (A0.1069969). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
Believe in Yourself Guitar Vocal Performance
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the time I sat down I had deci
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Steven H
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Believe in Yourself Guitar Voc
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Publ...
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Bass Guitar,Voice - SKU: A0.1069967 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 187. Boothe Publishing #4633699. Published by Boothe Publishing (A0.1069967). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.
$1.99
8 Note Modified Minor Scale For Bass Players
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Shane McDonald
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Shane McDonald
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8 Note Modified Minor Scale Fo
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Electrafuzz
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SheetMusicPlus
Bass Voice - SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz ...
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Bass Voice - SKU: A0.1329201 By Shane McDonald. By Shane McDonald. Arranged by Shane McDonald. Instructional. Educational Method. 32 pages. Electrafuzz #917135. Published by Electrafuzz (A0.1329201). THE ONE SCALE THAT COVERS IT ALL - CALLING ALL BASS PLAYERS SWIMMING IN A POOL OF SCALESWhat if I told you that there is an 8 note scale that covers most of the common chord types you will come across including Major, Minor, Dominant 7, Half Diminished and beyond - for you to incorporate into your grooves, fills and improvising. This scale idea with chromatics is designed for the bass guitar neck to fit comfortably and fluently, and to move into any position up and down the neck with ease, and without the need for crazy stretching and fingering.What I have here is an 8 note minor scale that you can incorporate into your playing. It has chromaticism and musicality and will add interest to your playing beyond just diatonic scales, pentatonics and blues scales. I started looking into this scale so as to create more interesting ideas for soloing over funk, R&B or pop tunes - but I also found I could use it in jazz too.
$9.99
O Canada
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A
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Bill ORANGE Lyons
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O Canada
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Bill ORANGE Lyons
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SheetMusicPlus
Choral Choir (5-Part) - Level 2 - SKU: A0.1217531 Composed by A. Routhier/C Lavallee. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Tradition...
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Choral Choir (5-Part) - Level 2 - SKU: A0.1217531 Composed by A. Routhier/C Lavallee. Arranged by Bill ORANGE Lyons. A Cappella,Jazz,Patriotic,Traditional. Octavo. 6 pages. Bill ORANGE Lyons #814082. Published by Bill ORANGE Lyons (A0.1217531). So, why would an American arrange O Canada? Well, for one, it's one of best anthems around. Truth be told, I used to direct a choir I founded (called the Orange Korale) and we were doing the Star-Spangled Banner for various MLB teams and knew eventually we'd need to sing the Canadian Anthem and finally had that chance for the Toronto team while playing here in the states and they loved it, and I think you will too.Wanting to keep it simple, I did not incorporate any French verse(s) so I hope you'll simply enjoy this simple but beautiful piece. Although it states written for SAATB, there is one place where the alto splits but only for a few notes. It is an easy arrangement but one that should be pleasing to all who hear it. This is a very easy chart to perform. Just tell them it was arranged by someone in one of the 'southern' provinces. I won't tell if you don't. :-).
$2.02
He Leadeth Me
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Musique Sacrée
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Stephen R Dalrymple
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He Leadeth Me
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Stephen R Dalrymple
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SheetMusicPlus
Large Ensemble French Horn,Piano - Level 3 - SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrympl...
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Large Ensemble French Horn,Piano - Level 3 - SKU: A0.818349 By Stephen R Dalrymple. By Joseph Gilmore & William Bradbury. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score and part. 59 pages. Stephen R Dalrymple #6359211. Published by Stephen R Dalrymple (A0.818349). He Leadeth Me – arranged for French Horn & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ arranged for French Horn solo by Stephen R Dalrymple ♫ transcribed for flute, clarinet, trumpet, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … ♫ This arrangement was written for my youngest daughter, Willa. ♫ This .pdf file includes 16 score choices • Full Score for French Horn and Piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
Concertino per Violino e Sedici Strumenti (2017)
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Thomas Oboe Lee
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moderato, TRIO
2
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Concertino per Violino e Sedic
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe ...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Trombone,Trumpet,Violin - Level 4 - SKU: A0.869544 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 120 pages. Thomas Oboe Lee #3131035. Published by Thomas Oboe Lee (A0.869544). A couple of years I caught Eric Hewitt conducting Kurt Weill's Concerto, opus 12 for violin and wind orchestra, plus 4 double basses. Markus Placci was the soloist. I was so impressed by the work that I told Eric and Markus I want to write a similar work for them. The end result is my Concertino per Violino e Sedici Strumenti (2017).Kurt Weill's version has the following instruments.2 flutes1 oboe2 clarinets2 bassoons2 horns1 trumpettimpani3 percussions4 double bassesMine is a bit different:1 flute, doubling on piccolo1 oboe2 clarinets2 bassoons2 trumpets2 horns2 trombonesTimpani (3)Percussion (snare drum, 2 triangles)2 double bassesConcertino is in three movements.1. Introduction; moderato, TRIO2. Adagio3. Vivace, TRIOAudio link: https://thomasoboelee.bandcamp.com/album/concertino-per-violino-e-sedici-strumenti-2017Video link: https://youtu.be/uzaBA3FalGg
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
A Life in Brass and Christmas Memories
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Noël
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Phil Lawrence
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A Life in Brass and Christmas
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Phillip Lawrence
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SheetMusicPlus
Percussion Ensemble Hand Percussion,Timpani - SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. ...
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Percussion Ensemble Hand Percussion,Timpani - SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. Phillip Lawrence #6612425. Published by Phillip Lawrence (A0.883793). Christmas comes but once a year, but when it does for many it inspires memories and thoughts of loved one’s past and present and your own memories too of this time of year when you were young spending Christmas with your family and friends. It is hopelessly nostalgic and at Christmas I revel in it’s nostalgia for me. So I’ve composed a work for brass firstly dedicated to a great man of the brass band from Liverpool Bob Dean (Sailors Chapel, ex Fodens, Camel Lairds and great pal of Jim Scott) and I studied under his baton at BR Edge Hill and with his help I moved on to the famous Manchester CWS Band. Us bander’s love a good tune and a tune that moves us too, I’ve been told by many who have played this that it ticks those boxes. So, however you celebrate this Christmas, I hope this will inspire memories?
$25.99
Lent and Easter Strings book 2 - Strings and Piano
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Musique Sacrée
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Connie Boss
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Lent and Easter Strings book 2
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Connie Boss
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SheetMusicPlus
Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 ...
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Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 pages. Connie Boss #6254973. Published by Connie Boss (A0.801605). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a score of strings trio and piano, plus just the strings in 2 pages each so no page turning. These are all lovely with harmonies and moving parts. Strings trio is for violin, viola and cello. cdboss @cvalley.net. I also have these individually and with vocals as well.Lyrics:The Journey (Lenten) Composed by Connie Boss Verse 1: As we start this Lenten journey A time of fast and prayer We reflect on your own journey And it’s beyond compare Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 2: Ash Wednesday starts our journey With a mark of sacrifice A cross of ashes on our foreheads For us you paid the price Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 3: As our time ends for this journey We enter Holy Week We reach that fateful day Forgiveness now we seek Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Final Refrain: So through our Lenten journey We fast and pray And we battle with the devil In every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll do What You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified (song for Good Friday) Composed by Connie Boss Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V1 The people shout. Let’s crucify! He’s not our King. So, He must die But Pilate said. Is He the one? I see no crime. That He has done. Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V2 With piercing thorns. A crown of grief! Carried a cross. To Calvary They nail your hands. And then your feet Upon the cross. For all t.
$6.99
Lent and Easter Choral book 2 - with parts
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Musique Sacrée
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Connie Boss
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Lent and Easter Choral book 2
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Conni...
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Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Connie Boss #6255285. Published by Connie Boss (A0.801606). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a duet vocals with accent instruments (flute, violin or cello with parts included) and piano. These are all lovely with harmonies and moving parts. cdboss @cvalley.net. I also have these in strings and piano as well in book form as well as individual sales.Lyrics:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout. Let’s crucify!He’s not our King. So, He must dieBut Pilate said. Is He the one?I see no crime. That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns. A crown of grief!Carried a cross. To CalvaryThey nail your hands. And then your feetUpon the cross. For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out. With your last breathForgive them God. Then came your deathThe sky grows dark. &nbs.
$6.99
Portals of Catedral de Orihuela.
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Dr Anthony Costandius
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Portals of Catedral de Orihuel
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Anthony Costandius Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Sco...
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Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
$10.00
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...
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Large Ensemble Voice - Level 4 - SKU: A0.869309 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #431371. Published by Thomas Oboe Lee (A0.869309). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
Emerald Necklace ... The Story of Frederick Law Olmsted (2009) for narrator and orchestra
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Thomas Oboe Lee
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Emerald Necklace ... The Story
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pl...
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Large Ensemble Voice - SKU: A0.869339 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Pluto … The Lord of the Underworld. (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s “Peter and the Wolf.†I said, “Yes. I would be delighted to do so.†He. 90 pages. Thomas Oboe Lee #32449. Published by Thomas Oboe Lee (A0.869339). Program note. Maestro Charles Ansbacher has been a devoted supporter of my work for many years. In the past 6 years he has commissioned me to write two works for his ensemble, the Boston Landmarks Orchestra: 1) Mambo!!! (2003) 2) Pluto … The Lord of the Underworld (2005) This year, 2009, he asked me if I would be interested in writing a work for narrator and chamber orchestra like Prokofiev’s Peter and the Wolf. I said, Yes. I would be delighted to do so. He told me that the subject for this work would be Boston’s own landscape architect, Frederick Law Olmsted. Sure, I said, why not? Charles told me he had a poet in mind who would provide the text, Nancy Stevenson. I said, Great! The work is in four parts, following Ms. Stevenson’s poetic design. I wrote a marching music in Part One depicting Mr. Olmsted when as a child he walked from his home to his aunts and uncles who lived far away. As a young man, Mr. Olmsted went through many jobs until he decided that as a landscape architect he could make cities a better place for children and adults alike. The mayor of Boston hired him to do just that, to make Boston more livable. In Part Two, I wrote presto music depicting the dredging of the Charles River and the planting of trees along its shores. In Part Three, the text describes the Boston Emerald Necklace – the paths that lead from the Fens to the Arboretum to Franklin Park. For this section I chose music that is bucolic and pastoral, a setting that evokes the country side with a flock of sheep, complete with a shepherd and his dog. In the last section the text describes Mr. Olmsted’s dream that in his parks there would be tranquility and rest to the mind … a place where the rich and the poor would play together. The music returns to the legato march that began the work.
$9.99
3 little pigs (mp3)
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now their trotters were gettin
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Lorin Nelson, David Warin Solo
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3 little pigs
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David Warin Solomons
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SheetMusicPlus
Piano,Voice - SKU: A0.1059517 Composed by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 117. David ...
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Piano,Voice - SKU: A0.1059517 Composed by Lorin Nelson, David Warin Solomons. 20th Century,Children,Contemporary. Full Performance. Duration 117. David Warin Solomons #3397197. Published by David Warin Solomons (A0.1059517). Three little pigs one sunny day Saw a wolf and they ran away They ran to the home of the chimpanzee But he wouldn't let them have the key They ran to the home of the friendly cow But she couldn't let them in just now They ran to the home of the great wild boar By now their trotters were getting sore The wild boar told them to run and hide So they ran and ran and they squealed and sighed And they ran to the horse and they begged some straw But the horse shooed them off so they ran some more Then the pigs they reached the farmer's house And were welcomed in by the tenant mouse The mouse she said to the pigs all three I'll help you if you'll help me You've got a wolf and I've got a cat We need to collaborate on that So they hatched a plot to rid themselves Of all the cats and all the wolves But as they sat and hatched their plan They forgot to post a lookout man So mouse and pigs I regret to say Were no more seen. 'Cos they ran away!
$2.00
Beyond The Sea
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Contemporain
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Bobby Darin
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Petey C
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Beyond The Sea
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Petey C.
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.873898 By Bobby Darin. By Albert Lasry and Charles Trenet. Arranged by Petey C. Contemporary. Score and parts. 14 pages. Petey C. #6342295. Published by Petey C. (A0.873898). This is an edit for trombone of an arrangement I made for horn quartet, with a couple tiny changes. Geared toward university students and professionals. May be a bit difficult for beginners and even intermediate players. The key has been altered to make it in a slightly more comfortable range for trombone, although it maybe sits a bit high in the melodic parts and a bit low in the bassline at times. Melody and bassline get switched around a lot between parts. Makes it more fun and interesting, but requires some skill in all ranges by all players. Doesn't go below a low E, so you should be able to play without a trigger, but I've been told it can get squirrelly down there without one for some players, so... yeah.I had some consultation with a couple trombone player friends about how to best adapt my horn quartets to trombone, but I'm not a trombone player, I'm a horn player, so if you purchase this and notice any errors (notational, range, clef, etc.) that could be pretty easily fixed, let me know! I'll do my best to update this arrangement and correct any issues. I'm easily reachable by email, and my email address is on my website, peteyc.com. .
$12.99
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
Angels Came Singing - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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Angels Came Singing - an origi
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. K...
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Vocal Solo,Voice - Level 4 - SKU: A0.701496 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Easter,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3135415. Published by Kevin G. Pace (A0.701496). An original hymn. Could be used as a Christmas or an Easter hymn. Text by Krista Pace below.YouTube video: https://youtu.be/s21oDdYj2HcGreat are the words of prophets of old Who spoke of a King to come as foretold; A Savior, Redeemer, to rule and to reign; Taking our sorrow, grief, loss, and pain. Angels came singing, sent from above Revealing as promised, our Father’s love; Teaching the world of His plan for all men That through God’s own Son, we’d come home again. Chosen of God, a virgin so fair Was blessed from on high, a Son she would bear, And call His name Jesus, for He was the One; His life to offer, Thy will be done. Angels came singing, sent from above Declaring glad tidings, our Father’s love; Shepherds and wise men would reverently bend For Jesus was born, the Savior of men. Women did come, their spices prepared; Still grieving the loss of life thus not spared. Then, finding the tomb with the stone rolled away Void of His body, cried in dismay. Angles came singing, sent from above Why seek ye the living? Our Father’s Love Rising, thus breaking the death bands to give A promise of life to all who would live. Seeking for truth, he knelt down to pray; Disturbed by the strife of men in his day. A pillar of light shone around this young boy; Christ and His Father answered in joy. Angels came singing, sent from above; Proclaiming the good news, our Father’s love; Full restoration of truth to the Earth; That all may rejoice, His gift of great worth. This Christmas (Easter) day, I ponder anew His birth, life, and death; my covenants true, And His resurrection that leads to my own; Prophets still leading, guiding me home. Angels are singing, sent from our home Protecting our children, loved ones who roam. One day we'll join them to sing in His light. He’s coming again in glory and might.
$1.99
The Trombonist's Toolkit Method book
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Brink, Philip
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The Trombonist's Toolkit Metho
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Go...
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00
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