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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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I Want That Man
Non classifié
572
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180
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127
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87
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20
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12
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6
2 Pianos, 4 mains
4
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4
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3
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2
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2
2 Pianos, 8 mains
1
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1
Piano Quatuor: piano, 2 violons, violoncelle
1
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Guitare notes et tablatures
24
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13
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4
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3
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2
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2
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1
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1
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1
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1
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44
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41
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19
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10
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4
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3
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3
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3
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2
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1
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1
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1
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1
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1
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9
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7
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6
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6
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5
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5
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4
Saxophone Alto
4
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4
Saxophone Soprano et Piano
3
Saxophone Tenor
3
Saxophone Baryton, Piano
3
Ensemble de Clarinettes
3
2 Clarinettes (duo)
2
Clarinette
2
2 Saxophones (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois (partie séparée)
2
Saxophone
2
Flûte traversière
2
2 Flûtes traversières (duo)
1
Cor anglais, Piano
1
Clarinette, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Trombone (duo)
1
Quatuor de Saxophones: 4 saxophones
1
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1
Clarinette, Violoncelle (duo)
1
Flûte à Bec
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte irlandaise
1
Flûte, Alto (duo)
1
+ 29 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
8
Cor et Piano
7
Trombone et Piano
6
Tuba et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Ensemble de Trompettes
2
Trombone
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Cor et Basson (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Saxophone (duo)
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Harpe
13
Violon et Piano
10
Violon
10
Violon, Violoncelle (duo)
9
Violoncelle, Piano
8
Violoncelle
6
Alto, Piano
6
Harpe, Violon (duo)
2
Violon, Alto (duo)
2
Alto et Harpe
2
Harpe, Violoncelle (duo)
2
2 Violons (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto et Basson
1
Alto (partie séparée)
1
Alto seul
1
Alto, Violoncelle (duo)
1
2 Altos (duo)
1
Trio à Cordes: violon, alto, violoncelle
1
Harpe, Voix
1
2 Violoncelles (duo)
1
Contrebasse, Piano (duo)
1
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28
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17
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Cloches
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Ensemble de Percussions
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Jazz combo
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Piano et Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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I Want That Man
Partitions à imprimer
572 partitions trouvées
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"Highway to Heaven" with "I Want to Be Ready" (Piano Accompaniment Track)
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Carol Troutman Wiggins
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Carol Troutman Wiggins
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"Highway to Heaven"
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - SKU: A0.1065371 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Gospel,Spiritual,Standards. Accompaniment. Duratio...
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Choir,Piano - SKU: A0.1065371 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Gospel,Spiritual,Standards. Accompaniment. Duration 198. Carol Troutman Wiggins #3011383. Published by Carol Troutman Wiggins (A0.1065371). Highway to Heaven with I Want to Be Ready (Piano Accompaniment Track)for SAB/3-Part Mixed Voices arrangementIncludes two familiar traditional spirituals, (It’s A) Highway to Heaven & I Want to Be ReadyParts include echoing with rhythmic undertones, staccatos & accented notes, use of dynamics.Song has a double meaning - that the highway to heaven is a high way up there where no man can walk unless your heart is pure!
$7.99
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
On That Cross (choir pack + piano part + licence)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
I Want To Know You More (Accompaniment Track)
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Stephen DeCesare
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I Want To Know You More
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Exultet Music
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SheetMusicPlus
SKU: A0.1051504 Composed by Stephen DeCesare. Broadway,Children,Christian,Sacred. Accompaniment. Duration 285. Exultet Music #757. Published by Exultet ...
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SKU: A0.1051504 Composed by Stephen DeCesare. Broadway,Children,Christian,Sacred. Accompaniment. Duration 285. Exultet Music #757. Published by Exultet Music (A0.1051504). Tender and passionate Contemporary Christian / Praise and Worship type hymn that sings about a person who wants to know God more and more each day. Scored for solo and Piano. Accessible for any church or concert setting and can be used for many times throughout the year.
$3.99
I Want To Know You More (Rehearsal Track)
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Stephen DeCesare
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I Want To Know You More
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Exultet Music
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SheetMusicPlus
Tenor Voice - SKU: A0.1051505 Composed by Stephen DeCesare. Broadway,Children,Christian,Sacred. Full Performance. Duration 283. Exultet Music #755. Publ...
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Tenor Voice - SKU: A0.1051505 Composed by Stephen DeCesare. Broadway,Children,Christian,Sacred. Full Performance. Duration 283. Exultet Music #755. Published by Exultet Music (A0.1051505). Tender and passionate Contemporary Christian / Praise and Worship type hymn that sings about a person who wants to know God more and more each day. Scored for solo and Piano. Accessible for any church or concert setting and can be used for many times throughout the year.
$3.99
I Want To Hold Your Hand
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Rock
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The Beatles
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Jeff Perholtz
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I Want To Hold Your Hand
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.957668 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff ...
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Large Ensemble Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.957668 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 13 pages. Fab Forward Entertainment #563384. Published by Fab Forward Entertainment (A0.957668). The Beatles - I Want To Hold Your Hand (Full version from the Beatles Past Masters, Vol. 1 album) [For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This arrangement of The Beatles classic I Want To Hold Your Hand for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
I Want To Hold Your Hand
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Rock
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The Beatles
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Jeff Perholtz
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I Want To Hold Your Hand
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497404 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.497404 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 12 pages. Published by Fab Forward Entertainment (A0.497404). The Beatles - I Want To Hold Your Hand (Short version from the Beatles Love album) [For Three Piece Horn Section &/or String Trio to accompany a Rock Band] This arrangement of The Beatles classic I Want To Hold Your Hand for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was edited on the Beatles Love album. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
I Want A Hippopotamus For Christmas (hippo The Hero)
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Noël
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John Rox
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Raevynn Nicole Davis
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I Want A Hippopotamus For Chri
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Raevynn Nicole Davis
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SheetMusicPlus
Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Pu...
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Level 2 - SKU: A0.1309862 Composed by John Rox. Arranged by Raevynn Nicole Davis. Children,Christmas,Holiday. 58 pages. Raevynn Nicole Davis #899009. Published by Raevynn Nicole Davis (A0.1309862). I Want a Hippopotamus for Christmas for 1 piano/4hands up to 6 pianos/24 hands!  This is a multi-level piano ensemble.  If you don’t have 12 pianists – not to worry! The secondo part for piano 6 is the most difficult part and can be used as an accompaniment part to whatever combination of pianists you do have. If you only have 2 pianists, you can use piano 6 as a duet. If the primo part for piano 6 is too difficult, you can use a primo part from another piano, but may need to switch octaves to make it all fit on one keyboard. Many of the parts have minimal hand movements and can be combined on different pianos, but you may need to switch octaves for one or both pianists to make everything fit.A word about percussion – My studio has a variety of classroom/percussion instruments that we make use of for ensembles. If you don’t have the exact same percussion instruments that I do, feel free to substitute whatever you do have for the rhythms. It is also possible to add clapping, snapping, or tapping on the piano/keyboard to add the percussion rhythms. For the boomwhackers, you can use any ‘C,’ ‘D,’ or ‘G’ you have and the octave caps make it even more fun! My students enjoyed using the extended bass range boomwhackers with the octave caps to make the pitches even lower and more hippo-like. ☺What's included?  A score with all 12 parts, 12 individual parts (2 pages per pianist) with standard notation and my suggested fingering, and 12 individual parts (2 pages per pianist) with alphanote notation and my suggested fingering.  Parts range from beginner to intermediate!  I hope your piano ensemble and/or group class enjoys this festive arrangement.  Merry Christmas!
$44.99
O Taste and See that the Lord Is Good (Piano Accompaniment Track)
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Carol Troutman Wiggins
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O Taste and See that the Lord
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano,Voice - SKU: A0.1065649 Composed by Carol Troutman Wiggins. Christian,Sacred,Standards. Accompaniment. Duration 143. Carol Troutman Wiggins ...
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Choir,Piano,Voice - SKU: A0.1065649 Composed by Carol Troutman Wiggins. Christian,Sacred,Standards. Accompaniment. Duration 143. Carol Troutman Wiggins #4111633. Published by Carol Troutman Wiggins (A0.1065649). O TASTE AND SEE THAT THE LORD IS GOOD (Piano Track)2-Part Mixed or Equal VoicesWith text adapted from Psalm 34, the message of this upbeat and energetic song is that we should see the Lord's goodness and fear Him! O taste and see that the Lord is good; Blessed is the man who trusts in Him! Oh, fear the Lord, you His saints! There is no want to those who fear Him. But those who seek the Lord shall not lack any good thing. Come, you children, listen to me; I will teach you the fear of the Lord. The eyes of the Lord are on the righteous, and His ears are open to their cry. The righteous cry out, and the Lord hears, and delivers them out of all their troubles. The Lord is near to those who have a broken heart, and saves those that have a contrite spirit. Excellent for advanced upper elementary and above, and any 2-part church choir. Syncopated melody and accompaniment High energy and excitement Excellent for concert, church anthem or offertory.
$9.99
He Leadeth Me with I Have Decided to Follow Jesus
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Musique Sacrée
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Stephen R Dalrymple
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He Leadeth Me with I Have Deci
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Stephen R Dalrymple
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SheetMusicPlus
Large Ensemble Flute Solo - Level 4 - SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalr...
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Large Ensemble Flute Solo - Level 4 - SKU: A0.818331 By Stephen R Dalrymple. By William Bradbury & Joseph Gilmore. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 60 pages. Stephen R Dalrymple #6087257. Published by Stephen R Dalrymple (A0.818331). He Leadeth Me – arrangement for Flute & Piano by Stephen R Dalrymple ♫ He Leadeth Me by Joseph H. Gilmore (lyrics 1862) & William B. Bradbury (music 1864) ♫ I Have Decided to Follow Jesus – lyrics by an unknown author, music ASSAM – folk melody from India ♫ arranged for Flute solo by Stephen R Dalrymple ♫ transcribed for clarinet, trumpet, French Horn, euphonium, violin, and cello by the arranger ♫ sequenced by the arranger ♫ music © 2011, 2021 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ Joseph Gilmore told the story of the writing of these lyrics, “As a young man who recently had been graduated from Brown University and Newton Theological Institution, I was supplying for a couple of Sundays the pulpit of the First Baptist Church in Philadelphia. At the midweek service, on the 26th of March,1862, I set out to give the people an exposition of the 23rd Psalm… I did not get further than the words ‘He Leadeth Me.’ Those words took hold of me as they had never done before, and I saw them in a significance and wondrous beauty of which I had never dreamed. It was the darkest hour of the Civil War. … led me to realize that God’s leadership is the one significant fact in human experience, that it makes no difference how we are led, or whither we are led, so long as we are sure God is leading us. ♫ This .pdf file includes 14 score choices • Full Score for Flute and piano letter size • Letter size parts for Flute, Clarinet, Trumpet, Euphonium (or trombone), Violin, and Cello, • Full Score small page format for performing from a 10 inch tablet for flute and piano and • the same solo parts for 10 inch tablet. tablet ♫ Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.
$4.50
I've Got the Munchies (2001) for violin, viola, bass clarinet in B-flat and vibraphone.
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Thomas Oboe Lee
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I've Got the Munchies
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Conte...
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Small Ensemble B-Flat Bass Clarinet,Vibraphone,Viola,Violin - Level 4 - SKU: A0.869184 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With II. 45 pages. Thomas Oboe Lee #30961. Published by Thomas Oboe Lee (A0.869184). Program note. When Stefan Hakenberg and Jocelyn Clark asked me to write a piece for their 2001 Cross Sound concert season in Alaska, I immediately wanted to write a piece with the title, I've Got the Munchies. Music inspired by the visual art is not something new. Mussorgsky composed his infamous Pictures at an Exhibition after viewing a memorial exhibition of paintings and drawings by Victor Alexandrovich Hartmann. Gunther Schuller, my teacher and mentor, composed one of his most memorable orchestral pieces entitled, Six Studies on Themes by Paul Klee. In 1997 I wrote a chamber work inspired by the paintings of Pablo Picasso. The work, Yo Picasso, was scored for Bb clarinet, viola, cello and piano. For the Munchies I used as source material prints and paintings by the Norwegian artist Edvard Munch. The work, scored for violin, viola, bass clarinet and vibraphone, is in six movements: I. For The Scream (1893), I used multiphonics in the bass clarinet to convey the anguish and desperation so clearly depicted in that infamous work. The multiphonics were provided to me by the bass clarinetist, Henri Bok. II. Edvard Munch was very obsessed by his work, Madonna. He made many versions of it between 1893 and 1902. I made three variations of the Madonna movement. III. Tingel-Tangel (1895) is one of his rare prints in which gloom or misery is not the theme. It depicts a stage full of dancing girls. So, I wrote some dance hall music. IV. I wrote a lullaby for The Sick Child (1896). V. The Dance of Life (1899-1900) is a strange picture. The scene is of a party, but no one seems to be happy. I wrote a demented waltz for the scene. VI. The Sun (1909-1916) is one of Munch's last paintings. It shows the rising sun over a peaceful horizon. NB: This is a transposed score. Numbers in the score next to multiphonics refer to those found in Henri Bok's book, New Techniques for the Bass Clarinet. Numbers without asterisks refer to multiphonic fingerings in Table 6; those with asterisks refer to multiphonic tremolos in Table 7.
$9.99
Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
How Can I Keep From Singing?
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Christian contemporain
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Chris Tomlin and Ed Cash & Mat
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Mary McDonald
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How Can I Keep From Singing?
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Brass, Guitar, Piano, Rhythm) - SKU: H1.C6193DP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Pia...
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Choral (Brass, Guitar, Piano, Rhythm) - SKU: H1.C6193DP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Piano, acoustic guitar, electric bass, and synth. Contemporary, Praise & Worship, Music & Singing, General Worship, Assurance, Comfort, Confidence, Hope, Jesus Christ - King & Lord, Jesus Christ - Savior, Joy, New Life in Christ, Praise to Christ. Octavo. 12 pages. Hope Publishing - Digital #C6193DP. Published by Hope Publishing - Digital (H1.C6193DP). Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.
$3.25
How Can I Keep From Singing?
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Christian contemporain
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Chris Tomlin and Ed Cash & Mat
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Mary McDonald
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How Can I Keep From Singing?
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm parts - SKU: H1.C6193RDP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Piano, acoustic guitar, ele...
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Rhythm parts - SKU: H1.C6193RDP Composed by Chris Tomlin and Ed Cash & Matt Redman. Arranged by Mary McDonald. Rhythm parts: Piano, acoustic guitar, electric bass, and synth. Choral Parts. 50 pages. Hope Publishing - Digital #C6193RDP. Published by Hope Publishing - Digital (H1.C6193RDP). Popular contemporary song by Chris Tomlin, Ed Cash & Matt Redman Taking its root from the old gospel hymn, this popular, contemporary version lilts in joyful 6/8 rhythm that truly makes you want to sing along! The underlying message reminds the listener that in any circumstance of life, there is always music and singing because I am loved by the King, and it makes my heart want to sing!.
$34.95
Weihnachtliche Melodien: German Christmas Songs (Vol. 2)
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Musique Sacrée
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Traditional
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Juan Maria Solare
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Weihnachtliche Melodien: Germa
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Juan Maria Solare
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SheetMusicPlus
Small Ensemble Alto Saxophone,Flute,Oboe,Piano Accompaniment,Violin - Level 2 - SKU: A0.596515 Composed by Traditional. Arranged by Juan Maria Solare. C...
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Small Ensemble Alto Saxophone,Flute,Oboe,Piano Accompaniment,Violin - Level 2 - SKU: A0.596515 Composed by Traditional. Arranged by Juan Maria Solare. Christian,Christmas,Praise & Worship. Score and parts. 21 pages. Juan Maria Solare #3409109. Published by Juan Maria Solare (A0.596515). Weihnachtliche Melodien: German Christmas Songs Compiled and harmonised by Juan MarÃa Solare All these melodies are written as they sound (i.e. in C) but also come with a second version for Alto Saxophone (in E flat). The keys were chosen so that the Gemeinde can sing them without huge problems (middle voice, highest note: C). A possible structure is: - As INTRO: the piano (or any other accompaniment instrument) plays the last 2 or 4 bars of the melody- The soloist (flute, violin, alto saxophone) plays the main melody as many times as wished (as is or also one octave higher for variety)- The piano plays the melody once- The soloist plays the main melody for the last time. Volume 2: Zu Bethlehem geboren [Born in Bethlehem] Im Walde steht ein Tannenbaum [There is a fir-tree in the forest] Lobt Gott, ihr Christen [Praise God, Christians] Macht hoch die Tür [Make high the doors] Still, still, still, weil's Kindlein schlafen will [Hush, hush, hush, for the little child wants to sleep!] Vom Himmel hoch, da komm ich her [From Heaven Above to Earth I Come] Kommet, ihr Hirten [Come, ye shepherds] Morgen kommt der Weihnachtsmann [Tomorrow Father Christmas Comes] Fröhliche Weihnacht überall [Merry Christmas Everywhere]
$3.00
Do You Want To Build A Snowman?
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Kristen Bell
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Dico
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Do You Want To Build A Snowman
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Dico
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SheetMusicPlus
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244317 By Kristen Bell. By Kristen Anderson-Lopez and Rob...
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244317 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico #839298. Published by Dico (A0.1244317). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble for wedding purposes.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
Do You Want To Build A Snowman? (broadway Version)
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Kristen Anderson-Lopez and Rob
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Dico
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Do You Want To Build A Snowman
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Dico Ferreira
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SheetMusicPlus
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244321 Composed by Kristen Anderson-Lopez and Robert Lope...
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244321 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico Ferreira #839302. Published by Dico Ferreira (A0.1244321). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
Do You Want To Build A Snowman? (broadway Version)
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Kristen Anderson-Lopez and Rob
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Dico
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Do You Want To Build A Snowman
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Dico
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SheetMusicPlus
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244320 Composed by Kristen Anderson-Lopez and Robert Lope...
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244320 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico #839301. Published by Dico (A0.1244320). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
Do You Want To Build A Snowman?
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Kristen Bell
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Dico
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Do You Want To Build A Snowman
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Dico Ferreira
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SheetMusicPlus
B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244318 By Kristen Bell. By Kristen Anderson-Lopez and Rob...
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B-Flat Trumpet,Cello,Double Bass,Flugelhorn,Flute,Percussion,Piano,Violin - Level 4 - SKU: A0.1244318 By Kristen Bell. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Dico. Broadway,Film/TV,Musical/Show,Wedding. 49 pages. Dico Ferreira #839299. Published by Dico Ferreira (A0.1244318). WEDDING SERIES - set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.DO YOU WANT TO BUILD A SNOWMAN?Part of the soundtrack of the Disney's animated feature FROZEN. Here for a reduced ensemble for wedding purposes.INSTRUMENTATION: Flute | Trumpet | Percussion | Piano | Strings (-Viola)*The set can be reduced for a sextet with Flute, Trumpet, Percussion, Piano, Violin (1) and Cello.
$24.50
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
I Am The Walrus
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Rock
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Oasis and The Beatles
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Jeff Perholtz
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I Am The Walrus
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.496854 By Oasis and The Beatles. By John Lennon and Paul McC...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.496854 By Oasis and The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 25 pages. Published by Fab Forward Entertainment (A0.496854). The Beatles - I Am The Walrus (For Three Piece Horn Section &/or String Quartet to accompany a Rock Band) This arrangement of The Beatles classic I Am The Walrus for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded. The vamp that has been added to the end of the song should be played by the entire band, including drums, bass, guitar and keys. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
WHEN I SURVEY THE WONDROUS CROSS/ON A HILL FAR AWAY (The Old Rugged Cross) - 2 Trumpets & Trombone
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Musique Sacrée
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Lowell Mason, George Bennard
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Glen Poehlmann
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WHEN I SURVEY THE WONDROUS CRO
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arrangements by GPoehlmann
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.807225 Composed by Lowell Mason, George Bennard. Arranged by Glen Poehlmann. Easter,Sacred. Score an...
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Brass Ensemble Trombone,Trumpet - Level 3 - SKU: A0.807225 Composed by Lowell Mason, George Bennard. Arranged by Glen Poehlmann. Easter,Sacred. Score and parts. 8 pages. Arrangements by GPoehlmann #6664549. Published by arrangements by GPoehlmann (A0.807225). WHEN I SURVEY THE WONDROUS CROSS with ON A HILL FAR AWAY (The Old Rugged Cross)BRASS TRIO - 2 Bb Trumpets & Trombone (unaccompanied)2 beautiful hymns are combined in this arrangement that is perfect for Lent/Good Friday/Easter or any time you want to focus on the Cross.Hymn Tunes: HAMBURG & OLD RUGGED CROSS58 measures. Â Performance Time approx 2:20. Â Medium in Difficulty (Grade 3-)Key: F - Bb. Â Meter: 4/4 - 3/4. Â Â Instrument Ranges (C4=middle C):Bb Trumpet 1 C4 - G5 (written). Â Â Bb Trumpet 2 B3 - C5 (written). Â Â Trombone F2 - D4PDF parts included: Score, Bb Trumpet 1, Bb Trumpet 2, TromboneÂ
$5.00
N.I.C.E. March
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Film/TV
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J
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N.I.C.E. March
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J. Randolph Hall
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SheetMusicPlus
Orchestra Bassoon,Cello,Clarinet,Drum Set,Flute,Horn,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Interactive Download SKU: A0.482535 Composed by J. R...
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Orchestra Bassoon,Cello,Clarinet,Drum Set,Flute,Horn,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Interactive Download SKU: A0.482535 Composed by J. Randolph Hall. This edition: Interactive Download. Film/TV. Score and parts. 21 pages. Duration 202. Published by J. Randolph Hall (A0.482535). This march is inspired by C.S. Lewis' That Hideous Strength where the National Institute for Coordinated Experiments is the evil group that wants to transform humanity into something terrifying, living in a dystopian existence. The tritones and the whole tone scale help to create an ominous sound as if the N.I.C.E. is coming to get you. The flutes and first violins play N.I.C.E. in Morse code (U.S).
$20.00
Maybe I'm Amazed
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Rock
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Paul McCartney
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Jeff Perholtz
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Maybe I'm Amazed
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Fab Forward Entertainment
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.496872 By Paul McCartney. By Paul McCartney. Arranged by Jef...
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - SKU: A0.496872 By Paul McCartney. By Paul McCartney. Arranged by Jeff Perholtz. Rock. Score and parts. 13 pages. Published by Fab Forward Entertainment (A0.496872). Paul McCartney - Maybe I'm Amazed (For Three Piece Horn Section &/or String Quartet to accompany a Rock Band) This arrangement of McCartney's classic Maybe I'm Amazed for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
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I Want That Man