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Mendelssohn: Wedding March for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
22.81 €
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for Oboe d'Amore & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
30.12 €
#
Felix Mendelssohn
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James M
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Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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jmsgu3
#
SheetMusicPlus
Mendelssohn: Wedding March for Viola & Piano
Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Fel…
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Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
30.12 €
#
Felix Bartholdy Mendelssohn
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James M
#
Mendelssohn: Wedding March for Viola & Piano
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jmsgu3
#
SheetMusicPlus
Romanian Dance (Bartok) - Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.752355 Composed by Bela Bartok. Arranged by Rob Bushnell. 20th Century,Contemporary,Folk,Multicultural,Romantic Period,World. Brass Band. 71 pages. RBMusic #4580667. Published by RBMusic (A0.752355). Béla Viktor János Bartók is considered to be one of Hungary’s greatest composers (along with Franz Liszt), and is regarded as one of the most important writers of the 20th century. His music tends to reflect two trends that helped to change the sound of music in the 20th century: the breakdown of diatonic harmony; and a renewed interest in using nationalism as a source for musical inspiration. For this latter trend, Bartók turned to Hungarian folk music and become a key figure in influencing the modern use of indigenous music and techniques. In 1904, whilst at a resort in Hungary, Bartók overheard his nanny, Lidi Dósa, singing Transylvanian folk songs, which sparked a lifelong devotion to folk music. Further influenced by Strauss, Bartók started to write music based on folk songs, including his Romanian Folk Dances (Op. 8a, Sz. 43, BB 56) for piano in 1910, made up of two folk songs. The first of these dances was later orchestrated by the composer for orchestra and named Romanian Dance (Sz. 47, BB 61) and it is this piece that is available here. This arrangement is for the UK-style brass band. A recording of the original orchestral piece can be found on YouTube: https://www.youtube.com/watch?v=PuQSdNjFdrY. Other searchable terms: Bela Bartok, Román Tánc, Roman Tanc, Magyar peasant melodies
$57.50
52.57 €
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Bela Bartok
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Rob Bushnell
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Romanian Dance
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RBMusic
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SheetMusicPlus
Liebestraum No.3 - Flute and Piano (Full Score)
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1495384 Composed by Franz …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1495384 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Contemporary,Multicultural,Romantic Period,Wedding,World. Score and part. 7 pages. Sheet Music To Play Editions #1071897. Published by Sheet Music To Play Editions (A0.1495384). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Flute and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only. Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.48 €
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Flute and Piano
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Sheet Music To Play Editions
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SheetMusicPlus
Liebestraum No.3 - Flute and Piano (Full Score and Parts)
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1495381 Composed by Franz …
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1495381 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Classical,Film/TV,Romantic Period,Wedding. Score and part. 19 pages. Sheet Music To Play Editions #1071894. Published by Sheet Music To Play Editions (A0.1495381). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Flute and Piano. With Full Score and Individual Parts. Enjoy it!Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
9.13 €
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Franz Liszt
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César Madeira
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Liebestraum No.3 - Flute and Piano
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Sheet Music To Play Editions
#
SheetMusicPlus
Liebestraum No.3 - Flute and Piano (Individual Parts)
Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1495382 Composed by Franz …
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Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1495382 Composed by Franz Liszt. Arranged by César Madeira. 19th Century,Film/TV,Multicultural,Romantic Period,Wedding,World. Score and part. 10 pages. Sheet Music To Play Editions #1071895. Published by Sheet Music To Play Editions (A0.1495382). Liebestraum No.3 in Ab Major, S.541/3 by Franz Liszt. Arrangement for Flute and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only. Franz Liszt (1811 – 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era. Many of his piano pieces were harder to play than anything that had been written before. In this way he developed the technique of piano playing, setting new standards for the future.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99
5.48 €
#
Franz Liszt
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César Madeira
#
Liebestraum No.3 - Flute and Piano
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Sheet Music To Play Editions
#
SheetMusicPlus
Hexameron for 6 pianists
Small Ensemble Piano - Level 5 - Digital Download SKU: A0.909707 Composed by Franz …
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Small Ensemble Piano - Level 5 - Digital Download SKU: A0.909707 Composed by Franz Liszt, et al. Arranged by Anatoly Zatin. Contemporary,Romantic Period. Score and parts. 152 pages. Anatoly Zatin #3884227. Published by Anatoly Zatin (A0.909707). Introduction, Theme and Finale from Hexameron, Morceau the Concert S.392, arranged for 6 pianists (2 pianos, 12 hands) by Anatoly Zatin. The present arrangement is to be performed by six pianists on two pianos. The concept is that of a gala concert. The introduction and theme are performed by all six pianists, three on each piano. The following variations can be performed each by one of the participating pianists. The score of the solo version is in public domain and available on various digital libraries for download. To make the concert more dynamic it is suggested that solo pianists alternate between the two pianos, thus minimizing time between variations. The closing finale is again performed by all six players on twopianos.
$24.99
22.85 €
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Franz Liszt, et al
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Anatoly Zatin
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Hexameron for 6 pianists
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Anatoly Zatin
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.12 €
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 4 pages. Jmsgu3 #3411129. Published by jmsgu3 (A0.548690). A Bass Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.38 €
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Ave Maria for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 1 - Digital Download SKU: A0.552828 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411131. Published by jmsgu3 (A0.552828). A Baritone Horn Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Baritone Horn part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
27.38 €
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Franz Schubert
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James M
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Schubert: Ave Maria for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Hungarian Rhapsody No. 2
Piano Ensemble - Intermediate - Digital Download SKU: F0.E1034 Composed by Franz Li…
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Piano Ensemble - Intermediate - Digital Download SKU: F0.E1034 Composed by Franz Liszt. Arranged by Melody Bober. Sheet Music. The FJH Piano Ensemble Series. Romantic. Duet Sheet. 11 pages. The FJH Music Company - Digital #E1034. Published by The FJH Music Company - Digital (F0.E1034). UPC: 674398216758.Why wait to be a virtuoso to play Liszt? Melody Bober has taken the highlights from Liszt's second Hungarian Rhapsody and crafted them into this dramatic ensemble arrangement. Primo and Secondo are both accessible to intermediate students, while the sound remains grand. Captivating music that's really fun to play --oe pair off and show off!
$3.95
3.61 €
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Franz Liszt
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Melody Bober
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Hungarian Rhapsody No. 2
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The FJH Music Company - Digital
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SheetMusicPlus
Hungarian Rhapsody for clarinet,string bass and piano
Small Ensemble Clarinet,Double Bass,Piano - Level 3 - Digital Download SKU: A0.803251
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Small Ensemble Clarinet,Double Bass,Piano - Level 3 - Digital Download SKU: A0.803251 Composed by Franz Liszt. Arranged by Paul Taylor. Romantic Period. Score and parts. 18 pages. Paul Taylor #3548345. Published by Paul Taylor (A0.803251). A trio for clarinet, string bass and piano based on Liszt's Hungarian Rhapsody #2. The clarinet and string bass parts could be substituted with other instruments of the same range (i.e. violin and cello; trumpet and tuba, etc.,). This rhapsody is the one that was featured in several cartoons from the 1960's.
$4.99
4.56 €
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Franz Liszt
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Paul Taylor
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trumpet and tuba, etc
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Hungarian Rhapsody for clarinet,string bass and piano
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Paul Taylor
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SheetMusicPlus
Petofi Elegy-Liszt-trumpet-bassoon duet
Instrumental Duet Bassoon,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Bassoon,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.845102 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #6167439. Published by Phil Beaman (A0.845102). Petofi's poems to music. At the age of 26 Petofi was killed in battle during the Hungarian Revolution. Franz Liszt composed the Petofi Elegy as a tribute to his friend.
$5.99
5.48 €
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Franz Liszt
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Phil Beaman
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Petofi Elegy-Liszt-trumpet-bassoon duet
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Phil Beaman
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SheetMusicPlus
Petofi Elegy-Liszt-trumpet-cello duet
Instrumental Duet B-Flat Trumpet,Cello,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet B-Flat Trumpet,Cello,Instrumental Duet - Level 3 - Digital Download SKU: A0.845103 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #6167445. Published by Phil Beaman (A0.845103). Petofi's poems to music. At the age of 26 Petofi was killed in battle during the Hungarian Revolution. Franz Liszt composed the Petofi Elegy as a tribute to his friend.
$5.99
5.48 €
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Franz Liszt
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Phil Beaman
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Petofi Elegy-Liszt-trumpet-cello duet
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Phil Beaman
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SheetMusicPlus
Petofi Elegy-Liszt-oboe-cello duet
Instrumental Duet Cello,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.845…
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Instrumental Duet Cello,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.845101 Composed by Franz Liszt. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #6167427. Published by Phil Beaman (A0.845101). Petofi's poems to music. At the age of 26 Petofi was killed in battle during the Hungarian Revolution. Franz Liszt composed the Petofi Elegy as a tribute to his friend.
$5.99
5.48 €
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Franz Liszt
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Phil Beaman
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Petofi Elegy-Liszt-oboe-cello duet
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Phil Beaman
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SheetMusicPlus
Dorian Album For String Trio
Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730
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Cello, Violin, String Duet, String Ensemble - Difficulty: medium SKU: HL.4472730 Violin, Cello and Piano. Arranged by Harvey S. Whistler and Herman Hummel. Ensemble Collection. Baroque and Classical Period. Set of performance parts (includes separate pull out parts for violin & cello). 63 pages. Rubank Publications #RUBL285. Published by Rubank Publications (HL.4472730). ISBN 9781540001801. UPC: 073999184112. 9x12 inches. Whistler/Hummel.These 30 easy level (grade 2) string trios from the masters, arranged by Rubank legends Harvey Whistler and Herman Hummel, are the ultimate way to introduce your youngest players to ensemble playing. Songs average 30-40 measures long, with optional repeats to create a longer piece at your discretion. Includes a treasure trove of titles: Abendlied (Schumann) * Allegro from Der Freischutz (Weber) * Ave Verum (Mozart) * Carnival of Venice * Chanson Triste (Tchaikovsky) * Cielito Lindo * Country Dance (Beethoven) * Liebestraum (Liszt) * Drink to Me Only with Thine Eyes * New World Symphony Excerpts (Dvorak) * Jesu, Joy of Man's Desiring (students play the melody, not the triplet pattern) * Jolly Coppersmith * Melody for Strings (Rubinstein) * Men of Harlech * Menuet from Symphony No. 7 (Haydn) * Procession (Handel) * Theme from Fantasie Impromptu (Chopin) * Rondo (Schubert) * Theme from Symphony No. 1 (Brahms) * Vienna Life (Strauss) * Volga Boatman * Waltz from HMS Pinafore.
Song List: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
Song List
: Alma Mater Ave Verum (Jesu, Word of God Incarnate) Carnival of Venice Cielito Lindo (My Pretty Darling) Drink to Me Only With Thine Eyes Fantaisie-Impromptu It Came Upon the Midnight Clear Jesu, Joy Of Man's Desiring Jolly Coppersmith March Liebestraum (Dream Of Love) Melody Men Of Harlech O Promise Me Silent Night New World Symphony (Theme) Song Of The Volga Boatman Theme (Der Freischutz) Abendlied (Evening Song) Theme (Iphigenia In Tauris) Happy Holiday Theme (Symphony #7) String Salutation Waltz From The H.M.S. Pinafore Chanson Triste Country Dance Theme Theme (Handel) Gaily The Troubador Vienna Life
$12.99
11.88 €
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Harvey S
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Dorian Album For String Trio
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Rubank Publications
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SheetMusicPlus
Liszt: Weihnachtsbaum (The Christmas Tree Suite) (six pieces from) - symphonic wind ensemble
Level 4 - Digital Download SKU: A0.553629 Composed by Franz Liszt. Arranged by Ray …
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Level 4 - Digital Download SKU: A0.553629 Composed by Franz Liszt. Arranged by Ray Thompson. Christmas,Romantic Period. 96 pages. RayThompsonMusic #3362425. Published by RayThompsonMusic (A0.553629). Liszt: Weihnachtsbaum (Christmas Tree Suite)( A selection of six pieces from) They are:1.Altes Weihnachtlied (An old Christmas Carol)3.Die Hirten an der Krippe (The Shepherds at the Manger)(in dulce jubilo) 4.Adeste Fideles (O come all ye faithful)5.Scherzoso 8.Altes provenzalisches Weihnachtslied (Provencal Carol)9. Evening Bells.Some pieces are available separately. Weihnachtsbaum (English: Christmas Tree; French: Arbre de Noel) is a suite of 12 pieces written by Franz Liszt in 1873–76, with revisions in 1881. The suite exists in versions for solo piano and piano four-hands. Weihnachtsbaum does not demand great virtuosity, and it has been described as a distant relation of Schumann’s Kinderszenen and Debussy’s Children’s Corner.It occupies an unusual place in Liszt’s output, and it may be for these reasons that it has received relatively little attention from performers.Liszt dedicated Weihnachtsbaum to his first grandchild Daniela von Bülow (1860-1940; daughter of Cosima and Hans von Bülow). Daniela had accompanied her grandfather to Rome due to his frail condition.The first performance was on Christmas Day 1881 in Daniela’s Rome hotel room.This was the day on which her mother Cosima always celebrated her birthday, although she was actually born on Christmas Eve. Something different for wind ensemble.
$19.95
18.24 €
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Franz Liszt
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Ray Thompson
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Liszt: Weihnachtsbaum
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RayThompsonMusic
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549474 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499839. Published by jmsgu3 (A0.549474). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549471 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3499775. Published by jmsgu3 (A0.549471). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.24 €
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
La tombe et la rose, by Liszt, S.285, in a minor
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515053 Composed by Franz Li…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515053 Composed by Franz Liszt. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #1089553. Published by Editions Dao (A0.1515053). La tombe et la rose by Liszt, S.285, for Voice and Piano.7 Pages.
$7.99
7.3 €
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Franz Liszt
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Editions Dao
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La tombe et la rose, by Liszt, S.285, in a minor
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Editions Dao
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SheetMusicPlus
Enfant, si jetais Roi, by Liszt, S.283, in A flat Major
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515037 Composed by Franz Li…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515037 Composed by Franz Liszt. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #1089538. Published by Editions Dao (A0.1515037). Enfant, si jetais Roi by Liszt, S.283, for Voice and Piano.7 Pages.
$7.99
7.3 €
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Franz Liszt
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Editions Dao
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Enfant, si jetais Roi, by Liszt, S.283, in A flat Major
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Editions Dao
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SheetMusicPlus
Enfant, si jetais Roi, by Liszt, S.283, in A Major
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515038 Composed by Franz Li…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1515038 Composed by Franz Liszt. Arranged by Editions Dao. Classical. Score. 7 pages. Editions Dao #1089539. Published by Editions Dao (A0.1515038). Enfant, si jetais Roi by Liszt, S.283, for Voice and Piano.7 Pages.
$7.99
7.3 €
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Franz Liszt
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Editions Dao
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Enfant, si jetais Roi, by Liszt, S.283, in A Major
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Editions Dao
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.64 €
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download SKU: A0.549449 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 15 pages. Jmsgu3 #3497155. Published by jmsgu3 (A0.549449). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.64 €
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
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