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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ian A Romantic
Non classifié
3 256
Piano & claviers
Piano, Voix
16 267
Piano seul
5 192
Piano Facile
1 419
Orgue
193
Piano, Voix et Guitare
148
Piano Trio: piano, violon, violoncelle
113
Instruments en Do
110
1 Piano, 4 mains
105
Accompagnement Piano
89
2 Pianos, 4 mains
75
Piano Quatuor: piano, violon, alto, violoncelle
51
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Piano Quatuor: piano, 2 violons, violoncelle
14
Orgue, Piano (duo)
7
Clavier
6
Piano grosses notes
4
Orgue, Trompette (duo)
4
2 Pianos, 8 mains
3
1 Piano, 6 mains
3
Accordéon
2
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare
187
Guitare notes et tablatures
126
2 Guitares (duo)
71
Piano, Guitare (duo)
27
Ukulele
21
Ligne De Mélodie, (Paroles) et Accords
21
Basse electrique
12
4 Guitares (Quatuor)
9
Guitare, Violon, Violoncelle (trio)
6
Mandoline
4
3 Guitares (trio)
4
Ensemble de guitares
3
Paroles et Accords
2
2 Ukuleles
1
Ukulele Baryton
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
357
Chorale 3 parties
132
Chorale 2 parties
98
Voix seule
78
Chorale TTBB
56
Voix duo, Piano
41
Chorale SSAA
40
Voix Soprano, Piano
37
Chorale Unison
29
Voix Tenor, Piano
28
Voix duo
27
Voix Baryton, Piano
21
Voix basse, Piano
20
Voix haute
19
Voix moyenne, Piano
15
Voix Alto, Piano
12
Voix Tenor
5
Voix basse
4
Chorale
2
Chorale SSAATTBB
1
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Flûte traversière et Piano
1 333
Clarinette et Piano
789
Hautbois, Piano (duo)
569
Saxophone Alto et Piano
508
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
367
Quatuor de Saxophones: 4 saxophones
278
Saxophone Tenor et Piano
277
Saxophone Soprano et Piano
264
2 Saxophones (duo)
223
Quatuor de Clarinettes: 4 clarinettes
195
Flûte, Hautbois, Clarinette, Basson
194
Clarinette
182
2 Flûtes traversières (duo)
171
Quintette de Saxophone: 5 saxophones
142
Flûte traversière
134
Cor anglais, Piano
120
Quatuor de Flûtes : 4 flûtes
114
2 Clarinettes (duo)
113
Saxophone Baryton, Piano
107
Saxophone Alto
93
Hautbois (partie séparée)
79
Flûte et Guitare
73
3 Saxophones (trio)
71
Ensemble de Clarinettes
67
Clarinette Basse, Piano
62
Saxophone Tenor
52
Flûte, Clarinette (duo)
51
Clarinette, Guitare (duo)
47
Ensemble de saxophones
47
2 Hautbois (duo)
46
3 Clarinettes (trio)
39
Quatuor de Flûtes à bec
39
Saxophone (partie séparée)
38
Ensemble de Flûtes
38
2 Flûte à bec (duo)
34
Flûte, Violon, Piano
32
Quintette de Clarinettes: 5 clarinettes
31
Flûte à bec Soprano
29
Hautbois
28
5 Flûtes à bec
27
Trio de Flûtes: 3 flûtes
26
Clarinette, Basson (duo)
23
Saxophone Soprano
22
Saxophone Baryton
21
Clarinette, Violon (duo)
20
Flûte, Hautbois, Clarinette (trio)
18
Flûte à bec Alto
18
2 Flûtes traversières, Piano
17
Hautbois, Basson (duo)
17
Flûte, Hautbois, Piano (trio)
17
2 Clarinettes, Piano
17
Flûte, Violoncelle, Piano (trio)
16
Flûte, Clarinette, Piano (trio)
15
Clarinette, Violoncelle, Piano (trio)
15
Flûte à Bec
15
Saxophone, Clarinette (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Hautbois, Guitare (duo)
13
Flûte, Clarinette et Basson
13
Quintette de Flûte : 5 flûtes
13
Hautbois, Clarinette (duo)
12
Flûte, Violoncelle
12
Flûte, Violon
12
Flûte, Hautbois (duo)
11
Piccolo, Piano
10
Cor Anglais
9
Piccolo
9
3 Flûtes à bec (trio)
9
Saxophone et Piano
9
Flûte, Hautbois, Basson
8
Flûte, Alto et Piano
8
Clarinette et Alto
7
Flûte, trombone et piano
7
Clarinette, Violoncelle (duo)
7
Hautbois, Violoncelle
7
Flûte à bec Soprano, Piano
6
Flûte, Basson et Piano
6
Clarinette, Trompette (duo)
6
Saxophone
6
Flûte à Bec, Piano
6
Flûte, Saxophone (duo)
6
2 Saxophones, Piano
6
Flûte à bec Tenor
5
Clarinette, trompette et piano
5
Flûte à bec Alto, Piano
5
Clarinette, Trombone (duo)
5
Ensemble De Flûte à bec
5
Clarinette, Basson, Piano (trio)
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
Hautbois, Harpe
4
Cor anglais, Guitare (duo)
3
Flute (partie séparée)
3
Flûte, Trompette (duo)
3
Ocarina
3
Saxophone et Harpe
3
Clarinette Basse
3
Saxophone et Orgue
3
Flûte, Trombone (duo)
3
2 Clarinettes, Basson
3
Clarinette, Harpe (duo)
3
Flûte, Alto (duo)
3
2 Cors Anglais Et Pianoforte
2
Clarinette, Alto et Piano (trio)
2
Hautbois, Flûte
2
Flûte, Violon et Violoncelle
2
Flûte traversière, Orgue (duo)
2
Clarinette, Orgue
1
Flûte irlandaise
1
Saxophone et Guitare
1
Harmonica
1
Flûte à bec, Guitare (duo)
1
Hautbois, violon (duo)
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flute, harpe et violon
1
Flûte, Violoncelle, Guitare
1
4 Hautbois
1
+ 113 instrumentations
Retracter
Cuivres
Trombone et Piano
455
Trompette, Piano
419
Cor et Piano
350
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
248
Tuba et Piano
190
Trompette
186
Quatuor de Cuivres : 2 trompettes, trombone, tuba
147
Euphonium, Piano (duo)
132
Cor anglais, Piano
120
Cor
118
Trombone
97
Tuba
90
Quatuor de Cuivres: 2 trompettes, Cor, trombone
78
2 Trompettes (duo)
69
2 Trombones (duo)
57
Quatuor de Cuivres
52
2 Cors (duo)
43
Quatuor de cuivres: 4 trombones
32
Trompette, Trombone (duo)
31
Ensemble de Trombones
27
Trompette, Cor (duo)
20
Quatuor de cuivres: 4 cors
20
Tuba et Orgue
18
Ensemble de Trompettes
16
Quatuor de cuivres: 4 trompettes
15
2 Tubas (duo)
15
Trombone basse et Piano
11
3 Trombones (trio)
10
4 Tubas
10
Cor Anglais
9
Euphonium
9
Trombone basse
8
Ensemble de Cors
8
Trio de Cuivres
7
Trompette, Saxophone (duo)
7
Cor, Violoncelle (duo)
7
Euphonium, Tuba (duo)
6
Trompette (partie séparée)
6
Trombone, Cor (duo)
6
Trompette, Violoncelle et Piano
6
Cor et Basson (duo)
5
3 Tubas (trio)
5
3 Trompettes (trio)
5
Trompette, Basson (duo)
5
Trompette, Trombone, Piano
5
3 Cors (trio)
5
Cor, Tuba (duo)
4
Cor anglais, Guitare (duo)
3
Trompette et Guitare
3
Cor et Harpe
3
Trompette, Violoncelle (duo)
3
2 Cors Anglais Et Pianoforte
2
Trombone et orchestre
2
Trombone, Orgue
2
Trompette, Harpe
1
Cor, Violoncelle et Piano
1
Cornet et orchestre
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Tuba (duo)
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Trompette, Orchestre
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 59 instrumentations
Retracter
Cordes
Violon et Piano
1 509
Violoncelle, Piano
1 164
Quatuor à cordes: 2 violons, alto, violoncelle
742
Alto, Piano
627
Violon
190
Contrebasse, Piano (duo)
175
Violoncelle
160
2 Violons (duo)
132
Violon, Violoncelle (duo)
118
Trio à Cordes: violon, alto, violoncelle
114
Alto seul
101
Quintette à cordes: 2 violons, alto, violoncelle, basse
98
2 Violoncelles (duo)
93
Harpe
84
Contre Basse
76
2 Altos (duo)
67
Violon, Guitare (duo)
59
4 Violoncelles
57
Violon, Alto (duo)
52
Alto, Guitare (duo)
31
Violoncelle , Guitare (duo)
30
Trio à Cordes: 2 violons, violoncelle
29
Alto (partie séparée)
27
2 Harpes (duo)
25
Alto, Violoncelle (duo)
23
Piano Trio: Violon, Alto, Piano
21
Quatuor à cordes: 4 violons
20
Trio à cordes: 3 violins
18
Quatuor à cordes : 4 altos
18
2 Contrebasses (duo)
16
Trio à Cordes: 3 violoncelles
16
Trio à cordes: 3 altos
15
Harpe, Violon (duo)
15
Trio à Cordes: 2 violons, alto
10
2 Violons, Piano
9
Violon, Basson (duo)
9
Alto et Basson
8
Harpe, Flûte (duo)
7
Ensemble de Violons
5
4 Contrebasses
5
2 Violoncelles, Piano
4
Harpe, Trombone (duo)
4
Violoncelle, Orgue
3
Harpe, Violoncelle (duo)
3
Violon, Clarinette, Piano (trio)
3
Violoncelle, Contrebasse (duo)
3
Ensemble de Violoncelles
3
Alto, Orgue
2
Harpe et Piano
2
Violon (partie séparée)
2
Ensemble d'Altos
2
Violoncelle, Orchestre
1
Flûte, Contrebasse (duo)
1
Harpe, Violon, Violoncelle
1
Alto et Harpe
1
Harpe, Quatuor à cordes
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
+ 53 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
333
Orchestre d'harmonie
286
Orchestre
210
Orchestre de chambre
187
Ensemble de cuivres
123
Ensemble Jazz
44
Xylophone, Piano
19
Cloches
15
Ensemble de Percussions
10
Marimba
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
5
Vibraphone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
Jazz combo
2
Marimba, Piano (duo)
2
Ensemble d'École
1
Quatuor à Vent : 4 instruments à vents
1
Piano et Orchestre
1
2 Xylophones
1
Fanfare
1
Orchestre, Violon
1
+ 17 instrumentations
Retracter
Autres
Formation musicale - Solfège
45
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
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Librairie Musicale
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Crtitères actifs :
Ian A Romantic
Partitions à imprimer
3 256 partitions trouvées
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3251
Canon in D (Trio for Flute, Guitar and Piano)
Flute, Guitar, Piano
#
Classique
#
Johann Pachelbel
#
John A
#
Canon in D
#
John A. Dempsey
#
SheetMusicPlus
Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classi...
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Flute, Guitar, Piano - Intermediate - Digital Download Composed by Johann Pachelbel (1653-1706). Arranged by John A. Dempsey. Romantic Period, Classical Period, Baroque Period, Christmas, Wedding. Score, Set of Parts. 18 pages. Published by John A. Dempsey
A celebrated Baroque work, Pachelbel's "Canon in D" radiates warmth, beauty and serenity, all in a stylishly flowing, timeless way. A favorite for concerts, recitals and weddings (as a bridal march, a bridesmaid processional, unity candle music or a prelude), this version is a trio for flute, guitar and piano. Also makes a moving prelude or offertory for church services and other worship events. Key: C major. 14 pages of music (that includes separate two-page pullout parts for flute and guitar).
$11.99
O Mio Babbino Caro (Pavarotti) - Lead sheet (key of A)
#
Giacomo Pucinni
#
Stephen Bulat
#
O Mio Babbino Caro
#
Stephen Bulat Publishing
#
SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.858959 Composed by Giacomo Pucinni. Arranged by Stephen Bulat. Holiday,Love,Opera,Romantic Period,Wedding. Score and parts. 3 pages. Stephen Bulat Publishing #6266743. Published by Stephen Bulat Publishing (A0.858959). Giacomo Pucinni's lyrical masterpiece, O Mio Babbino Caro, from the opera Gianni Schicchi This classic, romantic Italian song famously performed by Luciano Pavarotti has also been covered by many vocal and instrumental groups which include Sarah Brightman, Charlotte Church, Grover Washington Jr., Joshua Bell and Maria Callas.A classical songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the gigging musician's classical, pop, jazz, love song and wedding fake book. Please click on the publisher to view this song in other keys as well as to purchase it in the Classical Wedding Fake Book or the Classic Love Songs - A Valentine's Day Fake Book.Classical Wedding Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21758919 - Item Number: S0.776313Classical Wedding Fake Book (Bb Instruments): https://www.sheetmusicplus.com/title/21758922- Item Number: S0.776329Classical Wedding Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21758923- Item Number: S0.776333Classical Wedding Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21758924 - Item Number: S0.776337Classic Love Songs - A Valentine's Day Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21964690 - Item Number: S0.975249Classic Love Songs - A Valentine's Day Fake Book (Bb Instruments): https://www.sheetmusicplus.com/21964694 - Item Number: S0.975257Classic Love Songs - A Valentine's Day Fake Book (Eb Instruments): https://www.sheetmusicplus.com/title/21964697 - Item Number: S0.975263Classic Love Songs - A Valentine's Day Fake Book - Band Leader Gig Pack (C, Bb & Eb Instruments): https://www.sheetmusicplus.com/title/21964701 - Item Number: S0.975271SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289 Stephen Bulat (H0.873589-SC000010569Online: http://stephenbulat.com
$2.99
Mendelssohn: Wedding March for Oboe d'Amore & Piano
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic P...
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Instrumental Solo,Oboe d'Amore,Piano - Level 3 - SKU: A0.549891 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and individual part. 23 pages. Jmsgu3 #3602937. Published by jmsgu3 (A0.549891). Score: 12 pages, piano part: 6 pages, oboe d'amore part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's vir.
$24.95
Mendelssohn: Wedding March for Viola & Piano
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standar...
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Instrumental Duet,Viola - Level 3 - SKU: A0.549885 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. 23 pages. Jmsgu3 #3602675. Published by jmsgu3 (A0.549885). Score: 12 pages, piano part: 6 pages, viola part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor - simplified arr. for violin &
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Guitar,Harpsichord,Organ,Piano,Violin - Level 4 - SKU: A0.913134 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. Romantic Period,Standards. ...
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Guitar,Harpsichord,Organ,Piano,Violin - Level 4 - SKU: A0.913134 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. Romantic Period,Standards. 11 pages. Andrei-Lucian Dragoi #6624473. Published by Andrei-Lucian Dragoi (A0.913134). Music (1868): Edvard Hagerup Grieg (1843-1907) Simplified arr. for violin & guitar(/G-clef piano/harp [GCP/GCH]) (21.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$3.00
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor - simplified arr. for piccolo (
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Organ,Piano Accompaniment,Violin - Level 4 - SKU: A0.913131 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi...
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Clarinet,Flute,Guitar,Harpsichord,Organ,Piano Accompaniment,Violin - Level 4 - SKU: A0.913131 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. Romantic Period,Standards. 11 pages. Andrei-Lucian Dragoi #6624077. Published by Andrei-Lucian Dragoi (A0.913131). Music (1868): Edvard Hagerup Grieg (1843-1907) Simplified arr. for piccolo(/flute/violin/clarinet) & guitar(/G-clef piano/harp [GCP/GCH]) (21.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$3.00
Rubinstein - Romance Op44 No1 - 2 Violins, Violin Duo, Violin Group & Piano
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Anton Rubinstein
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Tim TK Murray
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Rubinstein - Romance Op44 No1
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TK
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SheetMusicPlus
String Ensemble - Level 4 - SKU: A0.824012 Composed by Anton Rubinstein. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 7 pages. T...
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String Ensemble - Level 4 - SKU: A0.824012 Composed by Anton Rubinstein. Arranged by Tim TK Murray. Concert,Romantic Period. Score and parts. 7 pages. TK (Tim) Murray #4784675. Published by TK (Tim) Murray (A0.824012). Rubinstein's Romance is deservedly one of his most famous pieces. It is everything a romantic work should be - beautiful, lyrical, passionate and dramatic. These characteristics are intensified by arranging it for 2 Violins & Piano and make it an ideal interlude in a concert programme. It is Equally successful when performed by a Violin Group. Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$5.95
DvoÅ™ák: Largo from the New World Symphony for Bass Flute & Piano
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549430 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494193. Published by jmsgu3 (A0.549430). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Piccolo & Piano
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AntonÃn Dvořák
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Instrumental Solo,Piano,Piccolo - Level 2 - SKU: A0.549434 Composed by AntonÃn Dvořák. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494221. Published by jmsgu3 (A0.549434). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.  Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Baritone Horn & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552853 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494239. Published by jmsgu3 (A0.552853). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius) and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he submitted two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876 and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák therefore to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation all in all nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
DvoÅ™ák: Largo from the New World Symphony for Oboe d'Amore & Piano
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Classique
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - SKU: A0.549427 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3494165. Published by jmsgu3 (A0.549427). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Rubinstein - Romance Op44 No1 - Clarinet, Cello & Piano
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Anton Rubinstein
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Tim TK Murray
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Rubinstein - Romance Op44 No1
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TK
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.824150 Composed by Anton Rubinstein. Arranged by Tim TK Murray. Conce...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.824150 Composed by Anton Rubinstein. Arranged by Tim TK Murray. Concert,Romantic Period,Standards. Score and parts. 10 pages. TK (Tim) Murray #6358187. Published by TK (Tim) Murray (A0.824150). Rubinstein's Romance is deservedly one of his most famous pieces. It is everything a romantic work should be - beautiful, lyrical, passionate and dramatic. These characteristics are intensified by arranging it for Clarinet, Cello & Piano and make it an ideal interlude in a concert programme.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).Contact; tkmurraycomp@aol.com
$5.95
Arabian Dance from "The Nutcracker Suite"
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Pyotr Tchaikovsky
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Ian Deterling
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Arabian Dance from "The N
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Ian Deterling
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1060304 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 23 ...
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Woodwind Ensemble - Level 4 - SKU: A0.1060304 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 23 pages. Ian Deterling #664628. Published by Ian Deterling (A0.1060304). This arrangement of Arabian Dance from ‘The Nutcracker Suite’ is a faithful adaptation of the original with slight modifications to make it more accessible for flute choir. Full of rich colors and beautiful melodies, this dance will be a wonderful addition to your next holiday concert!
$18.00
Arabian Dance from "The Nutcracker Suite"
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Pyotr Tchaikovsky
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Ian Deterling
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Arabian Dance from "The N
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Ian Deterling
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1053253 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 25 ...
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Woodwind Ensemble - Level 4 - SKU: A0.1053253 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. 25 pages. Ian Deterling #657569. Published by Ian Deterling (A0.1053253). This arrangement of Arabian Dance from ‘The Nutcracker Suite’ is a faithful adaptation of the original with slight modifications to make it more accessible for clarinet choir. Full of rich colors and beautiful melodies, this dance will be a wonderful addition to your next holiday concert!
$18.00
Arabian Dance from "The Nutcracker Suite"
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Pyotr Tchaikovsky
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Ian Deterling
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Arabian Dance from "The N
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Ian Deterling
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - SKU: A0.1073348 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period...
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Guitar Ensemble Guitar - Level 4 - SKU: A0.1073348 Composed by Pyotr Tchaikovsky. Arranged by Ian Deterling. Christmas,Classical,Holiday,Romantic Period. Score and parts. 22 pages. Ian Deterling #677612. Published by Ian Deterling (A0.1073348). This arrangement of Arabian Dance from ‘The Nutcracker Suite’ is a faithful adaptation of the original with slight modifications to make it more accessible for guitar ensembles. Full of rich colors and beautiful melodies, this dance will be a wonderful addition to your next holiday concert!
$18.00
The Turing Test - a chamber opera in 1 act (libretto and piano/vocal score)
Piano Solo,Piano Accompaniment,Voice,Soprano Voice,Alto Voice,Tenor Voice,Baritone Voice,Bass Voice
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Contemporain
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Julian WAGSTAFF
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The Turing Test - a chamber op
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Julian Wagstaff
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SheetMusicPlus
Composed by Julian WAGSTAFF. 21st Century, Opera, Post-Romantic, Musicals, Repertoire. Piano Reduction. 140 pages. Published by Julian Wagstaff (S0.42191). - Pi...
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Composed by Julian WAGSTAFF. 21st Century, Opera, Post-Romantic, Musicals, Repertoire. Piano Reduction. 140 pages. Published by Julian Wagstaff (S0.42191). - Piano Reduction - 21st Century,Opera,Post-Romantic,Musicals,Repertoire - Julian Wagstaff
$14.99
A Persistent Illusion (for piano trio) - instrumental parts
Piano Solo,Clarinet,Cello,Piano trio (clarinet,cello,piano)
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Contemporain
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Wagstaff, Julian
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A Persistent Illusion
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Julian Wagstaff
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SheetMusicPlus
Composed by Wagstaff, Julian. 21st Century, 20th Century, Post-Romantic, Modern, Post-Modern. Set of Parts. 58 pages. Published by Julian Wagstaff (S0.195239). ...
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Composed by Wagstaff, Julian. 21st Century, 20th Century, Post-Romantic, Modern, Post-Modern. Set of Parts. 58 pages. Published by Julian Wagstaff (S0.195239). - Set of Parts - 21st Century,20th Century,Post-Romantic,Modern,Post-Modern - Julian Wagstaff
$24.99
The Brass Piccolo-piccolo/piano
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Phil Beaman
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The Brass Piccolo-piccolo/pian
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Phil Beaman
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.844894 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and individual part. 10 pag...
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Instrumental Solo,Piano,Piccolo - Level 4 - SKU: A0.844894 Composed by Phil Beaman. Classical,New Age,Romantic Period. Score and individual part. 10 pages. Phil Beaman #5987455. Published by Phil Beaman (A0.844894). This brilliant Contemporary Classical piece borrows from many different styles. It is a Sonatina in 3 sections. The buoyant first section is quite Classical with a bit of fanfare, and then an Alberti Bass section that is an homage to Mozart. The expressive middle section is New Age in style and is in 7/4 Time Signature (3/4 then 4/4 in alternating sets, so not hard). The final section goes through several themes and a key change; having an ornamented Baroque theme, then a Classical theme reminiscent of the opening, then concluding with a Romantic era toccata. There are Chorale-like bridges linking the many sections and themes.
$6.99
Three for Three for Violin, Guitar and Piano
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Diana Mascari
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Diana Mascari
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Three for Three for Violin, Gu
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Diana Mascari Music
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SheetMusicPlus
Guitar,Piano,Violin - Level 5 - SKU: A0.1446552 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber. 73 pag...
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Guitar,Piano,Violin - Level 5 - SKU: A0.1446552 By Diana Mascari. By Diana Mascari. Arranged by Diana Mascari. 20th Century,21st Century,Chamber. 73 pages. Diana Mascari Music #1026353. Published by Diana Mascari Music (A0.1446552). Three for Three Duration: 12 minutesThree for Three was commissioned by the Strung Out Trio in 2003, these three master musicians were living and teaching at the university in Cyprus. Although the violinist and guitarist were husband and wife, often performing as Duo 46, they wanted a piece to include the pianist colleague.The challenge for me as composer was to find a way to negotiate the delicate balance between the guitar and the piano.Both of these instruments are in the same musical range and without a bass, can cancel each other out.Nevertheless, this piece shows a variety of instrumental textures and colors.The movements are:I. Playful DanceII. ElegyIII. Capriccio RomanticoFor questions about this piece, my other works, and/or composition or piano lessons, visit: www.dianamascari.com
$24.95
Angels From The Realm Of Glory for String or Piano Trio (or Wind Trio or Mixed Trio)
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J
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Daniel Kelley
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Angels From The Realm Of Glory
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Tenor Saxophone,Viola,Violin - Level 4 - SKU: A0.530693 ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Tenor Saxophone,Viola,Violin - Level 4 - SKU: A0.530693 Composed by J. Montgomery & H. Smart. Arranged by Daniel Kelley. Christian,Christmas,Romantic Period. Score and parts. 17 pages. Last Resort Music Publishing #4883233. Published by Last Resort Music Publishing (A0.530693). Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Saxophone Trio, Piano Trio & more. The Keyboard Part is full harmonization of Parts 2 and 3. Therefore, this arrangement can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.
$9.95
O Come, All Ye Faithful for String or Piano Trio (or Wind Trio or Mixed Trio)
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Traditional
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Daniel Kelley
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O Come, All Ye Faithful for St
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Last Resort Music Publishing
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Tenor Saxophone,Viola,Violin - Level 4 - SKU: A0.530692 ...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Flute,Guitar,Oboe,Piano,Tenor Saxophone,Viola,Violin - Level 4 - SKU: A0.530692 Composed by Traditional. Arranged by Daniel Kelley. Christian,Christmas,Romantic Period,Standards. Score and parts. 17 pages. Last Resort Music Publishing #4883231. Published by Last Resort Music Publishing (A0.530692). Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Saxophone Trio, Piano Trio & more. The Keyboard Part is full harmonization of Parts 2 and 3. Therefore, this arrangement can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played.
$9.95
Concerto A minor
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Robert Schumann
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Concerto A minor
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Schott Music - Digital
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SheetMusicPlus
2 Fl, 2 Ob, 2 Klar, 2 Fg, 2 Hr, 2 Tr - Str. piano and orchestra - difficult - SKU: S9.Q7231 Composed by Robert Schumann. This edition: piano reduction f...
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2 Fl, 2 Ob, 2 Klar, 2 Fg, 2 Hr, 2 Tr - Str. piano and orchestra - difficult - SKU: S9.Q7231 Composed by Robert Schumann. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Op. 54. Duration 30 minutes. Schott Music - Digital #Q7231. Published by Schott Music - Digital (S9.Q7231). Key: A minor.'The piano is most subtly interwoven with the orchestra - one cannot think of one without the other. [...] In this Piano Concerto the pianist is not only soloist but orchestral musician as well', Clara Schumann wrote after the world premiere. As she and even all following pianists had to learn, the unusually tight integration of the piano into the orchestra put increased demands on the pianist and the conductor - since the contrast principle of classical solo concertos here makes way for a fusion principle. Despite certain initial difficulties of understanding, the Piano Concerto became one of the most popular pieces of Romantic music.
$19.99
Piano Quintet - Full Score - Score Only
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Alina Kolonitskaya and Edinbur
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Piano Quintet - Full Score - S
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Europa Edition Ltd
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SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1233045 By Alina Kolonitskaya and Edinburgh Quartet. By Julian WAGSTAFF. 21st Century,Chamber,Classical,Contemporary,R...
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Piano Quintet - Level 5 - SKU: A0.1233045 By Alina Kolonitskaya and Edinburgh Quartet. By Julian WAGSTAFF. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 33 pages. Europa Edition Ltd #828676. Published by Europa Edition Ltd (A0.1233045). The full score of the popular Piano Quintet by Scottish composer Julian Wagstaff (www.julianwagstaff.com). This piece for piano and string quartet (two violins, viola and cello) was written in 2002, and premiered the following year in Edinburgh, Scotland. The piece is eclectic, jagged and technically exhilarating. It exists on a frontier between the present and the past, and between notions of high and popular art. As such it draws on influences as diverse as Dimitri Shostakovich, Ludwig van Beethoven, Alfred Schnittke, Sergei Rachmaninov and British and American progressive rock. The recording features the Edinburgh Quartet, with the Russian pianist Alina Kolonitskaya as soloist. The Piano Quintet appears on the 2007 Edinburgh Quartet album 'Frontiers and Bridges', produced by Calum Malcolm and available on the Circular Records label:http://www.circular-records.com/product/frontiers-and-bridges-julian-wagstaff/https://open.spotify.com/playlist/3TZEmQxk6gFj4hTao2t1fz.
$9.99
Serenata Rimpianto Op. 6 for guitar and piano
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Classique
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E
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Klas Krantz
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Serenata Rimpianto Op. 6 for g
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Amadeus Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.1155873 Composed by E. Toselli. Arranged by Klas Krantz. Classical,Romantic Period. Score an...
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Acoustic Guitar,Instrumental Solo,Piano - Level 3 - SKU: A0.1155873 Composed by E. Toselli. Arranged by Klas Krantz. Classical,Romantic Period. Score and individual part. 6 pages. Amadeus Music #756181. Published by Amadeus Music (A0.1155873). Enrico Toselli (1883-1926) was an Italian pianist and composer. At a very early age he started on a brilliant career as a concert pianist in Italy, the principal European capitals and America. He composed a number of songs, of which the Serenata Rimpianto Op.6 was the most popular.
$4.95
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