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If I Should Lose You
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Vous avez sélectionné:
If I Should Lose You
Partitions à imprimer
9 partitions trouvées
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1
If I Should Lose You
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Contemporain
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Various Artists
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Patrick Sheehan
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If I Should Lose You
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.748078 By Various Artists. By Burt F Bacharach and Steve Krikorian. Arranged by Patrick Sheehan. Contemporary. Score ...
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Small Ensemble - Level 5 - SKU: A0.748078 By Various Artists. By Burt F Bacharach and Steve Krikorian. Arranged by Patrick Sheehan. Contemporary. Score and parts. 80 pages. Patrick Sheehan #5725661. Published by Patrick Sheehan (A0.748078). INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Background Vocal VI, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Electric Guitar I, Electric Guitar II, Bass, Wind Chimes, Triangle, Finger Snaps, Conga Drums, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
If I Should Lose You
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Phineas Newborn, Jr
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.360202 By Phineas Newborn, Jr. This edition: Interactive Download. Blues,Broadway,Jazz,Love,Pop,Rock,Standards. Easy Guitar....
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Interactive Download SKU: HX.360202 By Phineas Newborn, Jr. This edition: Interactive Download. Blues,Broadway,Jazz,Love,Pop,Rock,Standards. Easy Guitar. 1 pages. Published by Hal Leonard - Digital (HX.360202).
$2.99
If I Should Lose You
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David Hazeltine and Phineas Ne
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If I Should Lose You
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.364445 By David Hazeltine and Phineas Newborn, Jr. Standards. Real Book - Enhanced Chords. 1 pages. Published by Hal Leonard - Digital (HX.36444...
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SKU: HX.364445 By David Hazeltine and Phineas Newborn, Jr. Standards. Real Book - Enhanced Chords. 1 pages. Published by Hal Leonard - Digital (HX.364445).
$3.99
Eyes Closed
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Pop musique
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Ed Sheeran
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Barry McCormick
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Eyes Closed
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B. McCormick
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwri...
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Guitar - Level 1 - SKU: A0.1227412 By Ed Sheeran. By Ed Sheeran, Fred Gibson, Max Martin, and Shellback. Arranged by Barry McCormick. Pop,Singer/Songwriter. Chords/Lyrics. 2 pages. B. McCormick #823390. Published by B. McCormick (A0.1227412). ||Get ready to play and sing along to Eyes Closed by Ed Sheeran with our Lead Sheet music!|| This minimalistic arrangement features the melody line, lyrics, and chord symbols, giving you all the essential elements you need to play the song with ease. Whether you're a beginner or an experienced musician, this Lead Sheet is perfect for anyone looking to play Eyes Closed in a simple and straightforward way. So grab your sheet music and get ready to make some beautiful music! ||Notes On the Sheet Music|| -Melody- The melody alters slightly on repeating for subsequent verses etc. These are notated using smaller bracketed note heads and should only be played/sung on the appropriate repeats. The decision was made to not notate the final chorus as sung however when performed/sung the final chorus could be ad-libbed to emulate the original should the performer desire.-Guitar Strumming- There is a suggested strumming pattern/rhythm contained within the intro. This will fit with the song but feel free to come up with your own! This is to be an aid for learners and a resource for teachers. -Structure- The sheet music follows the structure of the song as heard in the recording. If the repeats are not obvious each section (Verse/PreChorus/Chorus) is marked by boxed texts for ease of navigation. I have also provided a tab for the riff which persists throughout the piece in the intro section. -Length- One of my main aims in arranging popular titles is to make the effort to try and minimise the amount of pages required. As a Musician I hate having pages and pages of music that could have been condensed using repeats and other structure markings. This arrangement fully utilises these and this is part of the reason why the decision was made note to notate the final chorus as sung in the recording. As this is a lead sheet it hold all the info to play this song in two pages. -Alternatives- If you need more info in your music I have two other arrangements of this. Both are Voice, Piano, and Guitar Arrangements, the first with the melody above a simple piano accompaniment with the Guitar chords the second is a piano reduction of this arrangement with alterations so that it is playable on the piano. For these arrangements and others that I have done you can click on my publisher link above, B.McCormick. That will take you to all of my arrangements on site. ||About Ed Sheeran|| Ed Sheeran is an award-winning singer-songwriter known for his soulful and introspective lyrics. Born in England in 1991, Sheeran began playing guitar at a young age and started writing his own songs by age 14. He rose to fame with his debut album + in 2011 and has since become one of the most successful and beloved musicians of our time. Sheeran's music is known for its honesty, vulnerability, and emotional depth, and Eyes Closed from his Subtract (-) album is no exception. Get our sheet music arrangement today and experience the magic of Ed Sheeran's music in your own home. ||About the Arranger.|| Hey there! I'm Barry, a musician with over 20 years of experience in everything from performing to tutoring. I studied at Glasgow University and the Royal Conservatoire of Scotland, and now my mission is to create music arrangements that are super fun and easy to learn. I want to help you on your musical journey, so I hope you enjoy using this arrangement - it's all about making music accessible and enjoyable for everyone!
$2.99
Duo Mpingo
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Contemporain
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Sarah Hersh
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Duo Mpingo
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Burbury Lane Music
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Bu...
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Woodwind Ensemble - Level 5 - SKU: A0.1028053 Composed by Sarah Hersh. 20th Century,Contemporary. 14 pages. Burbury Lane Music #4276953. Published by Burbury Lane Music (A0.1028053). No clarinet duet has made me stop in rehearsal and just smile so much from how cool things sounded. - Marcus Moore, clarinetist on Duo MpingoDuo Mpingo is an approximately 6 minute crowd pleaser that is perfect for any occasion. It is a modern but accessible piece that is loosely based on the lifecycle of a mpingo, or African blackwood, tree. It is a relatively advanced piece but could be performed by advanced level students. Duo Mpingo can be programmed equally well on environmental-themed or any other type of concert.Program Note: When I began to research the mpingo (African blackwood) tree in preparation for writing this piece, I came to learn that it is a fascinating tree. It has the ability to survive fires, it does not reach maturity for about 70 – 100 years, and it improves soil fertility. However, it is endangered in several African countries due to illegal logging and over-harvesting, in part because of its beautiful dark heartwood. The outside of the mpingo tree looks like any other tree with a light brown color; the inside, however, is a gorgeous, dark brown-black color – a color you have seen if you’ve ever seen a clarinet, as clarinets, along with other western instruments, are made out of the dark heartwood of the mpingo tree. I had never stopped to think about why wooden clarinets have such a dark color instead of what one typically thinks of as a wood color. I was astonished by the hidden beauty of this tree and what secrets lay inside.Duo Mpingo is somewhat programmatic in that it loosely chronicles the imagined life of a mpingo tree. There is a short section close to the middle of the piece (the inner part of the piece, if you will) that is meant to evoke the beautiful, mysterious, endangered dark heartwood of the mpingo tree. The direction to the performers for this section is solemn, prayer-like, reverential, which is how I feel we should look at every tree – not as something in our way that needs to be cut down, but with reverence for the amazing living things they are.Duo Mpingo was commissioned and premiered by Daraja Music Initiative and Clarinets for Conservation to promote a sustainable planet. This recording is by members of Terminus Ensemble, Marcus Moore and Lauren Murphy. To hear the entire piece, please visit www.sarahhersh.com.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$9.99
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
25 jazz etudes
B Flat, E Flat and C Instruments
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Jazz
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Methodes Etudes
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Darren Lloyd
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Darren Lloyd
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25 jazz etudes
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Darren Lloyd
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SheetMusicPlus
B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren L...
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B-Flat instrument, Bass Clef Instrument, C Instrument, E- Flat Instrument, Instrumental Solo - Level 3 - Digital Download By Darren Lloyd. By Darren Lloyd. Arranged by Darren Lloyd. Jazz, Latin. Individual part. 110 pages. Darren Lloyd #843171. Published by Darren Lloyd
25 jazz etudes is a book aimed at intermediate jazz students wanting something authentic to play over well known jazz standards.
It has long been recognised that to develop jazz vocabulary we should copy the masters of the music but what if our favourite player is simply too advanced for where we currently are in our musical development?
The 25 jazz etudes have been created with limited tricky passages, no high sustained playing but still uses great, authentic vocabulary.
Check out the demo.
You should also check out www.jazzetudes.net where if you subscribe to the newsletter you receive a bunch of free etudes to try along with the backing and demo tracks!
The book has 25 etudes and each etude is in concert pitch, Bb. pitch, Eb pitch and bass clef.
The etudes are -
Alfie ? 60 bpm
Almost like being in love ? 135 bpm
Bye bye blackbird - 135 bpm
Caravan ? 180 bpm
Doxy ? 100 bpm
East of the sun ? 135 bpm
Fascinating rhythm ? 160 bpm
Fly me to the moon ? 140 bpm
Four - 170bpm
Giant steps ? 185 bpm
Have you met miss Jones? 135 bpm
How high the moon ? 175 bpm
I remember you ? 165 bpm
I'll close my eyes ? 160 bpm
I'm coming Virginia ? 131 bpm
I've got rhythm changes ? 175 bpm
Line for Lyons ? 140 bpm
Makin' whoopee ? 90 bpm
Night in Tunisia ? 170 bpm
Scrapple from the apple ? 160 bpm
Song for my father ? 135 bpm
Star eyes ? 115 bpm
Summertime ? 105 bpm
Tempus fugit ? 200 bpm
There will never be another you ? 160 bpm
If you would like the backing tracks and demo recordings (free) you need to go here - https://www.jazzetudes.net/demo-backing-tracks-free
$14.99
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If I Should Lose You
