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Crtitères actifs :
If Only - Wind Quartet
Partitions à imprimer
41 partitions trouvées
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1
26
If Only - Recorder Quartet
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Phil Rawle
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If Only - Recorder Quartet
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Phillip Rawle
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SheetMusicPlus
Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1499272 Composed by Phil Rawle. Chamber,Classical,Conte...
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Recorder Quartet Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.1499272 Composed by Phil Rawle. Chamber,Classical,Contemporary,Jazz. Recorder Ensemble. 15 pages. Phillip Rawle #1075326. Published by Phillip Rawle (A0.1499272). A modern piece straying towards a jazz-like style.Interesting harmonies and some more lyrical passages make this a truly upbeat work.Written for Recorder Quartet (Soprano, Alto, Tenor, Bass) at about grade 6 or 7.
$6.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Trumpet Quartet (or Baritone T.C.)
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Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784334 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288661. Published by Slide Ride (A0.784334). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Trombone, Euphonium, or Baritone Quartet
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Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #528866...
(+)
Small Ensemble Trombone/Baritone B.C. - Level 3 - SKU: A0.784336 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288665. Published by Slide Ride (A0.784336). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Quartet
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Publishe...
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Small Ensemble Double Bass - Level 3 - SKU: A0.784342 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288689. Published by Slide Ride (A0.784342). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
If Ye Love Me-Clarinet Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Clarinet Quartet
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Lost Key Music
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SheetMusicPlus
Clarinet - Level 2 - SKU: A0.1415060 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Perfor...
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Clarinet - Level 2 - SKU: A0.1415060 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 122. Lost Key Music #996795. Published by Lost Key Music (A0.1415060). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-Violin Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Violin Quartet
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Lost Key Music
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SheetMusicPlus
Violin - Level 2 - SKU: A0.1415047 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performa...
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Violin - Level 2 - SKU: A0.1415047 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 122. Lost Key Music #996782. Published by Lost Key Music (A0.1415047). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-Brass Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Brass Quartet
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Lost Key Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Trombone - Level 2 - SKU: A0.1415558 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance...
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B-Flat Trumpet,Horn,Trombone - Level 2 - SKU: A0.1415558 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 122. Lost Key Music #997275. Published by Lost Key Music (A0.1415558). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-French Horn Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-French Horn Quar
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Lost Key Music
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SheetMusicPlus
Horn - Level 2 - SKU: A0.1415530 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performanc...
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Horn - Level 2 - SKU: A0.1415530 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 122. Lost Key Music #997262. Published by Lost Key Music (A0.1415530). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-Bassoon Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Bassoon Quartet
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Lost Key Music
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SheetMusicPlus
Bassoon - SKU: A0.1415531 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Dura...
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Bassoon - SKU: A0.1415531 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 119. Lost Key Music #997263. Published by Lost Key Music (A0.1415531). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-Cello Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Cello Quartet
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Lost Key Music
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SheetMusicPlus
Cello - Level 2 - SKU: A0.1415075 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performan...
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Cello - Level 2 - SKU: A0.1415075 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 119. Lost Key Music #996812. Published by Lost Key Music (A0.1415075). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
If Ye Love Me-Saxophone Quartet (Audio Only)
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Thomas Tallis
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John May
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If Ye Love Me-Saxophone Quarte
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Lost Key Music
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1415528 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest...
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Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1415528 Composed by Thomas Tallis. Arranged by John May. Chamber,Classical,Contest,Festival,Renaissance,Sacred. Full Performance. Duration 122. Lost Key Music #997259. Published by Lost Key Music (A0.1415528). If Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549.
$2.00
Joy to the World by for Recorder Quartet
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Lowell Mason, Isaac Watts
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Ander
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Joy to the World by for Record
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Woods Only, Arrangements
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SheetMusicPlus
Recorder Quartet Recorder - Level 3 - SKU: A0.1510630 Composed by Lowell Mason, Isaac Watts. Arranged by Ander. Chamber,Christian,Christmas. Recorder En...
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Recorder Quartet Recorder - Level 3 - SKU: A0.1510630 Composed by Lowell Mason, Isaac Watts. Arranged by Ander. Chamber,Christian,Christmas. Recorder Ensemble. 12 pages. Woods Only, Arrangements #1085829. Published by Woods Only, Arrangements (A0.1510630). If you are looking for a sheet music of an arrangement of Joy to the World for Recorder Quartet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$7.99
Pachelbel Canon with optional Christmas Medley lyrics strings quartet and piano
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Classique
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Johann Pachelbel
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Connie Boss
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Pachelbel Canon with optional
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Hol...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1323437 Composed by Johann Pachelbel. Arranged by Connie Boss. 19th Century,Christian,Christmas,Holiday. 21 pages. Connie Boss #911661. Published by Connie Boss (A0.1323437). I decided to add a medley of public domain Christmas song lyrics to this iconic song. The lyrics are from While Shepherds Watch Their Flocks by Night, The First Noel, Away in a Manger and What Child is This? It is for a strings quartet - 3 violins and 1 cello and piano. Parts are included with purchaseThis can be played without the piano accompaniment if desired.This can also be played for Pachelbel Canon in D only - it plays the same.  email cdboss@cvalley.net with questions or request.Lyrics below:While shepherds watched their flocks by nightThey were seated on the groundThe angel of the Lord came downAnd glory shown aroundAnd glory shown aroundAnd glory shown aroundThey looked up and saw a starShining beyond them farAnd it gave great lightAnd it lit up the nightSo they followed that starThrough the nightAnd they found the child JesusIn a manger now crib for His bedOnly straw for His headAnd by the light from that same starWisemen came from country farTo seek for a king was their intentAnd follow the star where it wentThey gave Him gifts of gold and myrrh and frankincenseThe son of God, the King of Israel.
$7.99
Dawning (Opus 400) Quartet (Oboe, Horn in F, Bassoon, and Contrabassoon) - Score Only
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Daniel Hay
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Dawning
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Daniel Hay Music
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033995 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 13 pages. D...
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Small Ensemble - Level 4 - SKU: A0.1033995 Composed by Daniel Hay. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 13 pages. Daniel Hay Music #639320. Published by Daniel Hay Music (A0.1033995). A quartet featuring the breaking of dawn. This sheet music is for Oboe, Horn in F, Bassoon, and Contrabassoon. There is a version for Violin, Viola, Cello and Contrabass also available. The audio sample is voiced as Oboe, Horn in F, Bassoon, and Contrabassoon. It should be playable by Intermediate levels. Please note that there are nested repeats and each repeat is lettered with a capital letter for its identity and some followed by a dash-small letter to designate where it leads to in the repeat sequence. Contact the composer if you have any questions. The YouTube link is also generated in voices for Oboe, Horn in F, Bassoon, and Contrabassoon.
$26.87
If You Were The Only Girl In The World
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Contemporain
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Grey Ayer and Nat D
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Andy Derrick
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If You Were The Only Girl In T
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Andy Derrick
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.749093 Composed by Grey Ayer and Nat D. Ayer. Arranged by Andy Derrick. Contemporary. Score and parts. 12 pa...
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Brass Ensemble Trombone - Level 3 - SKU: A0.749093 Composed by Grey Ayer and Nat D. Ayer. Arranged by Andy Derrick. Contemporary. Score and parts. 12 pages. Andy Derrick #4603329. Published by Andy Derrick (A0.749093). The classic tune from the era of the First World War, this was our tune for many young people in the early 20th Century. This charming and well known tune is sensitively arranged for four trombones with parts for 3 treble clef trombones and eflat tuba. Check out my other trombone quartets which are designed for all kinds of performers. https://www.sheetmusicplus.com/publishers/andy-derrick/6773
$15.99
Dance of the Sugar Plum Fairies - Nutcracker Suite - Score Only
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Tchaikovski
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A
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Dance of the Sugar Plum Fairie
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André Pires Costa
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SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1443087 By Tchaikovski. By Piotr Ilitch Tchaikovski and Tchaikovski. Arranged by A. P. Costa and André Pires Costa....
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Guitar Ensemble - Level 4 - SKU: A0.1443087 By Tchaikovski. By Piotr Ilitch Tchaikovski and Tchaikovski. Arranged by A. P. Costa and André Pires Costa. 19th Century,Film/TV. Score and Parts. 14 pages. André Pires Costa #1023028. Published by André Pires Costa (A0.1443087). This is an arrangement from Dance of the Sugar Plum Fairies from the Nutcracker Suite of Piotr Ilitch Tchaikovski for guitar quartet or ensemble. All the individual parts have only score. If you want individual parts with tabs I have other fille with them on the site. Hope you like it.
$12.99
Ave Maria Christmas Verson Solo SSAA flute or violin or cello and piano - Score Only
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Franz Schubert
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Connie Boss
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Ave Maria Christmas Verson Sol
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Connie Boss
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.1513663 Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas. 12 pages. Connie Boss #1088420. Pub...
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Small Ensemble - Level 3 - SKU: A0.1513663 Composed by Franz Schubert. Arranged by Connie Boss. Christian,Christmas. 12 pages. Connie Boss #1088420. Published by Connie Boss (A0.1513663). This version of Ave Maria has the same beautiful melody as the original. The lyrics, while maintaining the well-known Ave Maria words, also have some English translation along with Christmas Lyrics. It talks about the angel giving Mary the message from God that she will bear his son and needs to journey to Bethlehem. The melody is for a soloist and then SSAA quartet or choir parts that give beautiful harmonies off and on throughout the song. There is a very pretty optional instrument part that can be played on flute, violin or cello - parts included. It's worth a listen. The optional instruments help fill out the song and if used without it, the piano is more plain. Any requests or questions, email cdboss@cvalley.net. For an accompaniment, please email me with proof of purchase. Lyrics:Ave Maria, I am an angel sent from GodMaria, here is God’s messageMaria, you will bear God’s sonAve, Ave, Hail to the LordThe Lord is with theeBlessed are you among womenFor you were born without sinAnd blessed be the fruit of thy wombOf thy womb Jesus ChristAve Maria….. Ave Maria, mother of GodMaria, do not be afraidMaria, God has chosen youAve, Ave Maria, the time has comeYou will make a journey to BethlehemWhere you will deliver God’s own sonAnd you will name your son JesusYour son will save the world from sinAve, Maria……….
$6.99
If You've Only Got a Moustache (Sax Quartet)
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Stephen Foster
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Jordan Grigg
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If You've Only Got a Moustache
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Jordan Grigg
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1057275 Composed by Stephen Foster. Arranged by Jordan Grigg. Folk,Instruc...
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.1057275 Composed by Stephen Foster. Arranged by Jordan Grigg. Folk,Instructional,Romantic Period,Standards. Full Performance. Duration 69. Jordan Grigg #3462615. Published by Jordan Grigg (A0.1057275).
$1.99
Air On The G String (BWV 1068) / Fugue c minor (BWV 847)
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Classique
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Johann Sebastian Bach
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Air On The G String
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Uwe Roessler
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SheetMusicPlus
Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - SKU: A0.1103955 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 19...
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Piano Trio Cello,Double Bass,Piano,Violin - Level 5 - SKU: A0.1103955 Composed by Johann Sebastian Bach. Arranged by Uwe Roessler Rössler Rassler. 19th Century,Baroque,Classical,Contemporary,Jazz. 32 pages. Uwe Roessler #707239. Published by Uwe Roessler (A0.1103955). This arrangement consists of two parts which can be played either seperately, or consecutively: the famous “Air On The G String†(BWV 1068, as in the 1871 arrangement by August Wilhemj), inspired by Jaques Loussier´s “Play Bachâ€- version (hence the video link), and the fugue c-minor from the Well-Tempered Piano (BWV 847), inspired by the magnificent Turtle Island String Quartet´s incomparable swinging rendition. There are several options of playing this arrangement: “Air†has two parts which can be repeated – thus, violin1 and cello can distribute the theme. Of course, these repetitions are optional. If you want to play the Air only – there is an optional ending in bar 22. If you want to play only the fugue – start from bar 23 (intro), or from bar 30 (theme). Or you choose to play Air and fugue consecutively. The arrangement works great either ways ;-). Piano voice is written out. However, there are also chord symbols for your own voicings. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass, clarinet Bb, guitar, and drums included. Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$30.00
Donut Etudes v5 - Scale Duets for 2 Trombones in Bb/F, 2 Euphoniums in Bass Clef, or 2 Bassoons
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Sli...
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Instrumental Duet Bassoon,Euphonium,Instrumental Duet,Trombone - SKU: A0.784312 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570005. Published by Slide Ride (A0.784312).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes! I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like.• Choose a tempo• Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves or change the clef and key signature to expand the set. For example, if you play the F Major example in Tenor Clef, change the key signature to C Major and you have a version that is based an octave higher than the C Major version as written later. Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Donut Etudes v5 - Scale Duets for 2 Euphoniums or Baritones in Treble Clef
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015....
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Instrumental Duet Euphonium,Instrumental Duet - SKU: A0.784315 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570015. Published by Slide Ride (A0.784315).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
Playing with Scales
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richa...
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Guitar - Level 2 - SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
From This Moment On
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Shania Twain
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Sherrry Lewis
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From This Moment On
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Sherry Lewis Publishing
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Violin - Level 3 - SKU: A0.1486714 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged...
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String Quartet Cello,Double Bass,String Quartet,Violin - Level 3 - SKU: A0.1486714 By Shania Twain. By Robert John Mutt Lange and Shania Twain. Arranged by Sherrry Lewis. Pop,Wedding. 12 pages. Sherry Lewis Publishing #1063780. Published by Sherry Lewis Publishing (A0.1486714). From This Moment On, Shania TwainSTRING QUARTET Intermediate Level for 2 violins, viola and celloParts: 6 pagesScore: Yes Time: 2:50ABOUT THE DEMO: I wanted to get to the chorus so I shortened the beginning on the demo only.If you can't find a title then contact me through https://baysbest.com/contact/ and I'll give you the link back to SMP. Thank you for your order!
$12.99
The Carnival of the Animals - 5. The Elephant
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Classique
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Camille Saint-Saens
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Sam Bateman
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The Carnival of the Animals -
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Sam Bateman
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SheetMusicPlus
Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.948107 Composed by Camille Saint-Saens. Arr...
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Small Ensemble Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.948107 Composed by Camille Saint-Saens. Arranged by Sam Bateman. Children,Contemporary,Romantic Period. Score and parts. 10 pages. Sam Bateman #3133383. Published by Sam Bateman (A0.948107). Elephants - the bulldozers of the African savanna. With their massive bulk, dexterous trunks and incisor tusks, there's simply nothing else like them on the planet. They're so proud and elegant, yet are not afraid to show off their strength by breaking down trees on the savanna, keeping it wide and open. Only the work of a true genius like Camille Saint-Saëns can truly express the sheer grandeur of such giants, and now for just 7 US dollars, you may purchase a copy of this arrangement for piano and saxophone quartet. Enjoy!If you'd like to hear some of my other arrangements, feel free to check out my YouTube channel, Sam Bateman's Music. If you would like to contact me for any inquiries or requests, feel free to email me at sambateman.music@gmail.com, and I'll respond back to you as soon as possible.
$6.99
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If Only - Wind Quartet