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Impressions of Summer
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Crtitères actifs :
Impressions of Summer
Partitions à imprimer
7 partitions trouvées
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1
Impressions of Summer
Euphonium|Trombone|Piano Accompaniment
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Christa Habegger
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Impressions of Summer
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Cimarron Music Press
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SheetMusicPlus
By Christa Habegger. For Trombone/Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press ...
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By Christa Habegger. For Trombone/Euphonium Solo with Piano. Solo music. Solo part and piano score. Published by Cimarron Music Press
$13.00
Summer Soliloquy
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Daniel Baldwin
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Summer Soliloquy
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Imagine Music - Digital
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SheetMusicPlus
Brass Trio - SKU: IZ.CMW186 Composed by Daniel Baldwin. Score and Parts. 29 pages. Imagine Music - Digital #CMW186. Published by Imagine Music - Digital...
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Brass Trio - SKU: IZ.CMW186 Composed by Daniel Baldwin. Score and Parts. 29 pages. Imagine Music - Digital #CMW186. Published by Imagine Music - Digital (IZ.CMW186). 9 x 12 inches.In the spring of 2016, I had the great pleasure of being commissioned by the United States Air Force Band to write a brass chamber work for two of their impressively accomplished musicians, Michael Brest andWill Timmons. The resulting piece, Summer Soliloquy, is a beautiful conversation between the two instruments while enjoying a beautiful summer day.This version is for trumpet, trombone, and piano.
$22.00
Poème
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
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Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Ritual Returning
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Christian Jost
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Ritual Returning
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Schott Music - Digital
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SheetMusicPlus
Piano quartet - intermediate to advanced - SKU: S9.Q6539 Piano Quartet No. 1. Composed by Christian Jost. This edition: score and parts. Download...
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Piano quartet - intermediate to advanced - SKU: S9.Q6539 Piano Quartet No. 1. Composed by Christian Jost. This edition: score and parts. Downloadable, Score and parts. Duration 18 minutes. Schott Music - Digital #Q6539. Published by Schott Music - Digital (S9.Q6539). Christian Jost spent the summer of 1987 in an Indian reservation in Arizona. Impressed by the foreign culture and deeply moved by the visit of a Native American burial site, he composed - apart from other works - the piano quartet 'Ritual Returning' in which Indian influences can be heard. Like many of his works, this vibrant work resembles a journey in which he assimilates impressions and thoughts. 'Ritual Returning' is an extraordinary addition to the common repertoire for piano quartet. This piece will also elate listeners who are reticent about contemporary music.
$33.99
Danse Nègre from African Suite. Op. 35 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Danse Nègre from Africa
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arranged by Richard ...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 4 - SKU: A0.1047096 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,World. 80 pages. Charles Decker Music Press #651613. Published by Charles Decker Music Press (A0.1047096). This brilliant brass choir arrangement captures the excitement of the composer’s orchestral showpiece Danse Nègre from his African Suite, Op. 35. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. The five-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat; trumpets 3 and 4 double on flugelhorn), 4 horns, 3 trombones, euphonium and tuba with brass orchestration that mirrors the texture and excitement of Coleridge-Taylor's orchestral work to inspire performers and excite audiences. Consider this impressive arrangement to feature your band or orchestra brass section on your next concert. The recording is of the entire arrangement. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$28.99
The Saddest Noise
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separation’s sorceryÂ
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Christopher Tin and Emily Dick
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Lisa Ochoco
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Co...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1171245 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771583. Published by Lisa L Ochoco (A0.1171245). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief.   The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful.This arrangement is scored for clarinet choir – 4 Bb, alto, bass, and contrabass.  There is an optional Eb part to play in addition to, or in lieu of, the 1st Bb part.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
The Saddest Noise
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separation’s sorceryÂ
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Christopher Tin and Emily Dick
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Lisa Ochoco
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contempora...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771557. Published by Lisa L Ochoco (A0.1171219). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief. The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful. This arrangement is scored for flute choir – 4 C, alto, bass, and contrabass.  There is an optional cello part that doubles the contrabass.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00
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Impressions of Summer