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ACCORDEON
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AUTOHARPE
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423
PIANO & CLAVIERS
Piano seul
180
Accompagnement Piano
58
Piano, Voix
50
Orgue
26
Piano Facile
21
Orgue, Trompette (duo)
9
Piano Trio: piano, violon, violoncelle
6
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Instruments en Do
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Accordéon
1
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GUITARES
Guitare
20
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6
2 Guitares (duo)
4
Guitare (partie séparée)
2
Orchestre à Plectres
1
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1
Mandoline
1
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1
4 Guitares (Quatuor)
1
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VOIX
Chorale 3 parties
516
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222
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121
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38
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25
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17
Voix Soprano, Piano
17
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15
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10
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5
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5
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3
Voix haute
3
Voix seule
2
Chorale SSATTB
2
Voix basse, Piano
2
Voix duo, Piano
2
Chorale SSATB
1
Voix Soprano
1
Voix duo
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière et Piano
35
Quatuor de Saxophones: 4 saxophones
34
2 Clarinettes (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
2 Flûtes traversières (duo)
31
Flûte, Hautbois, Clarinette, Basson
30
Saxophone, Clarinette (duo)
26
Clarinette et Piano
22
Clarinette, Violon (duo)
20
Quintette de Saxophone: 5 saxophones
20
Saxophone Alto et Piano
18
Clarinette, Trompette (duo)
17
Hautbois, Piano (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette
15
2 Hautbois (duo)
15
Flûte traversière
14
Flûte, Violon
12
Hautbois, Basson (duo)
11
3 Clarinettes (trio)
11
3 Saxophones (trio)
11
Saxophone Alto
11
Ensemble de Clarinettes
11
Hautbois, Clarinette (duo)
10
Flûte, Clarinette (duo)
10
Flûte, Alto (duo)
9
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Trio de Flûtes: 3 flûtes
9
Saxophone Soprano et Piano
8
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Flûte
8
Saxophone Tenor et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Quatuor de Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
Ensemble de saxophones
3
Clarinette (partie séparée)
2
5 Flûtes à bec
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
Ensemble de Flûtes
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
4 Hautbois
1
2 Flûte à bec (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
Ocarina
1
2 Clarinettes, Piano
1
Flûte et Quatuor à Cordes
1
Saxophone Baryton, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette, Saxophone (duo)
22
2 Trombones (duo)
20
Trompette
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes (duo)
14
Cor
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
2 Tubas (duo)
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
4
2 Euphoniums (duo)
4
Euphonium, Piano (duo)
4
Ensemble de Trombones
4
2 Cors (duo)
4
Trio de Cuivres
3
Trombone (partie séparée)
3
Tuba et Piano
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Euphonium
2
Cor anglais, Piano
2
Tuba
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
1
Tuba (partie séparée)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
4 Tubas
1
Cor (partie séparée)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
43
Violon
35
2 Violoncelles (duo)
23
Violon, Violoncelle (duo)
18
Violoncelle, Piano
18
2 Violons (duo)
18
Violoncelle
16
Alto, Piano
16
Harpe
15
Violon, Alto (duo)
15
2 Altos (duo)
15
Trio à Cordes: violon, alto, violoncelle
12
Violon (partie séparée)
8
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Guitare (duo)
5
Alto seul
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Quatuor à cordes: 4 violons
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
497
Orchestre à Cordes
91
Orchestre
60
Ensemble de cuivres
29
Orchestre de chambre
27
Cloches
25
Ensemble Jazz
19
Ensemble de Percussions
12
Jazz combo
6
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Marimba
1
Fanfare
1
Instrumentations suivantes
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AUTRES
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Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
22.72 €
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.72 €
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549645 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516867. Published by jmsgu3 (A0.549645). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.72 €
#
Ludwig van Beethoven
#
James M
#
piano concertos 1-5
#
Beethoven: Adagio from Sonata Pathetique for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Concerto No. 161 QV5:174
Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - Digital Download SKU: F2.FM608 Co…
(+)
Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - Digital Download SKU: F2.FM608 Composed by Johann Joachin Quantz. Arranged by Robert Rainford. Arranged for solo flute with flute quartet accompaniment. Score and parts. 69 pages. Forton Music - Digital #FM608. Published by Forton Music - Digital (F2.FM608). ISBN 9790570485079.This Baroque concerto follows the standard movement pattern of the time - a lively first and last movement with a central slow movement. The first and last movements are in broad ritornello form. Entries of the original theme are interspersed with showy passages for the soloist. The central movement is titled 'Arioso', and is more through composed, featuring a singing melodic line that passes through a wide range of moods before coming to a peaceful close. The solo line has been left broadly unchanged in this arrangement, the accompanying flute parts are relatively straight forward but require conviction and neat articulation.
$22.95
20.9 €
#
Johann Joachin Quantz
#
Robert Rainford
#
Concerto No. 161 QV5:174
#
Forton Music - Digital
#
SheetMusicPlus
Outlines In Blue and Meditation
Ssax. Asax. Tsax. Bsax - Intermediate-Advanced - Digital Download SKU: F2.FM566 Com…
(+)
Ssax. Asax. Tsax. Bsax - Intermediate-Advanced - Digital Download SKU: F2.FM566 Composed by John Biggs. Saxophone Quartet - Soprano, Alto, Tenor, Baritone. Score and parts. 24 pages. Forton Music - Digital #FM566. Published by Forton Music - Digital (F2.FM566). ISBN 9790570484652.Outlines In Blue - The Baritone Sax sketches the blues progression, whilst the remaining saxes sit on the top creating melody. Simple pentatonic riffs on the Baritone and Soprano sit neatly under the fingers. The piece makes for interesting fun playing for all the players, especially the Baritone. A good opportunity to get a feel for swing timing. Aimed at grade 5 and above. Meditation - A reflective piece, that requires controlled and sustained playing. It provides the opportunity to show how well these instruments blend. Written in a choral style, imitation and suspended harmonies create dynamic moments of tension and resolution. Aimed at grade 5 upwards, a challenging but rewarding piece for the concert platform or just for pleasure.
$12.95
11.79 €
#
John Biggs
#
Outlines In Blue and Meditation
#
Forton Music - Digital
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SheetMusicPlus
Concert and Contest Collection for Trombone
Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. …
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Trombone - Grade 3-4 SKU: HL.4002521 Accompaniment CD. Edited by H. Voxman. Concert Band Method. Rubank CD. Classical, Contest, Solos. CD-ROM. Published by Rubank Publications (HL.4002521). UPC: 884088111168. 9x12 inches.This top-rated collection of solo literature from the celebrated Rubank catalog is known by teachers and students everywhere. Each edition offers a superb variety of solos customized for that instrument. Most state solo/ensemble contest lists include several solos from this collection. This item (accompaniment CD) includes full performance and accompaniment only tracks (all pieces) and tempo adjustment software (most pieces).Also available:• Solo Book (HL04471790)• Piano Accompaniment Book (HL04471800)• Solo Book with Online Media (Performance/Accompaniment Recordings (stream or download) and Printable Piano Accompaniments) (HL04002522)Contents: Allegro Vivace from Concerto for Trombone (Rimsky-Korsakov) • Après un Rêve (After a Dream) (Faure) • Canzonetta (Mozart) • Concerto in F Minor (Lauga) • Concerto Miniature (Ostransky) • Crépuscule (Twilight) (Faure) • Love Thoughts (Pryor) • Morceau de Concours (Missa) • Prelude and Fanfaronade (Koepke) • Sarabande and Vivace (Handel) • Solo de Concert (Dubois) • Thème de Concours (Clérisse) • Two Spanish Dances (Ostransky) • Valse Sentimentale (Tchaikovsky).
Song List: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
Song List
: Love Thoughts (Pryor) Crepuscule (Pares) Concerto In F Minor (Lauga) Allegro Vivace(Con-Rim.Korsakof) Canzonetta (Mozart) Concerto Miniature (Ostransky) Morceau De Concours (Missa) Prelude & Fanfaronade (Koepke) Sarabande & Vivace (Handel) Solo De Concert (Dubois) Theme De Concours (Clerisse) Two Spanish Dances (Ostransky) Valse Sentimentale (Tchaikovsky) Après un rêve Apres Un Reve
$9.95
9.06 €
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Concert and Contest Collection for Trombone
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Rubank Publications
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Do…
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Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549207 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 44 pages. Jmsgu3 #3462167. Published by jmsgu3 (A0.549207). Instrumentation: Double Sax Quartet (SSAATTBB) arranged antiphonally (SATB - SATB). Full Score: 28 pg. Study Score: 14 pg. Instrumental parts: 2 pg. ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.66 €
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Double Saxophone Choir
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jmsgu3
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SheetMusicPlus
Quartet in F Major
Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed…
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Fl. Fl. Afl. BFl. - Intermediate-Advanced - Digital Download SKU: F2.FM536 Composed by Antonin Dvorak. Arranged by Robert Rainford. Mixed Flute Quartet, 2 Concert Flutes, Alto Flute, Bass Flute. Score and parts. 85 pages. Forton Music - Digital #FM536. Published by Forton Music - Digital (F2.FM536). ISBN 9790570484355.This quartet was composed during Dvorak's time in America, during a summer vacation in 1893. It was written in Spillville, Iowa, which at the time was home to a large Czech immigrant community. Dvorak seems to have found the natural country surroundings much more to his liking, having spent much of his previous time in the country in New York. The work was written very quickly, being sketched in three days and finished in about two weeks. In this quartet, Dvorak finally seems to find a balance between his melodic invention and a clear structure. Many writers have tried to find specific 'American' features in this work - from pentatonic melodies to native Indian tunes to American birdsong - but in general such specific references are doubted. The first movement moves from passages of great harmonic stillness through a much more dramatic development section that takes the music through fugato section before recapping the original material. The second movement features a simple, pentatonic melody over a pulsing accompaniment. This melody is shared between the highest and lowest parts, before being developed in an extended middle section until the bass flute restates the original tune while the accompaniment thins out completely. The third movement is a variant of a traditional scherzo. It features two tunes, the main melody being a sprightly tune full of off-beats and cross-rhythms. The alternate melody is actually a variant of the main scherzo theme, but in a minor key and at half tempo. The final movement is in a traditional rondo form. The main melody is once more pentatonic, the B section is more lyrical, and the C section is a chorale theme.
$17.95
16.34 €
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Antonin Dvorak
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Robert Rainford
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Quartet in F Major
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Forton Music - Digital
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SheetMusicPlus
Odessa Bulgar, Klezmer tune for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589553 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078931. Published by David McKeown (A0.589553). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Odessa Bulgar, Klezmer tune for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589542 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078909. Published by David McKeown (A0.589542). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Odessa Bulgar, Klezmer tune for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589543 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6078911. Published by David McKeown (A0.589543). Odessa Bulgar is a Jewish Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.For many traditional Klezmer tunes, the first clues of their existence comes from bands making discs at the dawn of the recording era. In this case, Odessa Bulgar first appeared in a 1919 recording by Abe Schwartz’s Orchestra. Schwartz was born in Romania and emigrated to the USA around 1900, thereafter enjoying a long career in the music industry. Odessa Bulgar is a happy piece designed for dancing at celebrations. Odessa Bulgar is simply arranged in a key and range best suited to the instruments. The melody is in three sections; overall the tune is played twice with a coda and with constant variations in the accompaniment. Odessa Bulgar is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Odessa Bulgar is perfect for weddings, celebrations and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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Odessa Bulgar, Klezmer tune for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arr…
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Small Ensemble - Level 3 - Digital Download SKU: A0.530268 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and parts. 44 pages. Last Resort Music Publishing #3221033. Published by Last Resort Music Publishing (A0.530268). Part 1 for Eb Alto Saxophone ~ An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel) The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
18.21 €
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Various
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Daniel Kelley
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(Beethoven)
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Intermediate Music for Three, Volume 1, Part 1 Alto Sax in Eb 52115DD
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel K…
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Level 3 - Digital Download SKU: A0.530269 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 44 pages. Last Resort Music Publishing #3221035. Published by Last Resort Music Publishing (A0.530269). Part 2 for Bb Tenor Sax An incredible collection of 35 arrangements for strings, woodwinds, saxophones and piano - these mix and match trios allow the performer to pick the instrumentation. Includes works by Beethoven, Chopin, Saint-Saens, Tchaikovsky and more! A versatile must-have for any musician, Intermediate Music for Three is perfect for the blossoming musician and is appropriate for recitals, concerts, and any chamber music gatherings. Intermediate Music for Three progresses to the same difficulty level as the Music for Three Series. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio could play with a pianist - as long as Part 1 is being played. 3 Volumes are available. Table of ContentsAllegro (Bach) Lento Affettuoso (Bach) Bagatelle from Bagatelles, Op. 119 #4 (Beethoven) Ecossaise from Ecossaise in G (Beethoven) Ecossaise in Eb from Six Ecossaises, #1 (Beethoven) Symphony #7 in A Major, Theme from Second Movement (Beethoven) Etude from Etude in E Major, Op. 10 #3 (Chopin) School Days When We Were A Couple Of Kids (Edwards, Gus & Will Cobb) Norwegian Dance Op. 35 #2 (Grieg) Fughette in C (Handel) Fugue in D (Handel)  The Water Music Suite in G, 4 movements (Handel) Toy Symphony, 3 Movements (Haydn)Andantino from Andantino in Eb, K 236 (Mozart) Der Vogelfanger Bin Ich Ja - Papageno's Aria from The Magic Flute (Mozart) Hopak from The Fair at Sorochinsk (Mussorgsky) Shine On, Harvest Moon (Norworth & Bayes-Norworth) Take Me Out To The Ball Game (Norworth & Von Tilzer) Minuet in G from Op. 14 #1 (Paderewski) Fossils from Carnival of the AnimalsI  (Saint-Saens) Soldier's March from Album for the Young, Op. 39 #2 (Schumann) Song of Spring from Album for the Young, Op. 68 #15 (Schumann) Valse Allemande from Carnaval, Op. 9 #16 (Schumann) Annie Laurie (Scottish Folk Song) Polka Marianka, komm und tanz from Die Fledermaus (Strauss) Radetzky March, Op. 228 (Strauss) Fantasie from Fantasias from Harpsichord, #14 (Telemann) Italian Song from Album for the Young, Op. 39 #15 (Tschaikovsky) Polka from Album for the Young, Op. 39 #2 (Tschaikovsky) Russian Song from Album for the Young, Op. 39 #11 (Tschaikovsky)www.lastresortmusic.com Visit our website for more information!
$20.00
18.21 €
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Various
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Daniel Kelley
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Intermediate Music for Three, Volume 1, Part 2 Tenor Sax in Bb 52125DD
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Last Resort Music Publishing
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SheetMusicPlus
Missa brevis
Four-part choir of equal voices (SSAA) and organ - intermediate to advanced - Digital Down…
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Four-part choir of equal voices (SSAA) and organ - intermediate to advanced - Digital Download SKU: S9.Q6321 Missa Sancti Martini. Composed by Vytautas Miskinis. This edition: choral score. Downloadable, Choral score. Duration 20 minutes. Schott Music - Digital #Q6321. Published by Schott Music - Digital (S9.Q6321). Latin.The Latvian composer Vytautas Miškinis (*1954) has become one of the internationally most prominent composers of the middle generation from the Baltic States. Initially, 'Missa brevis', which is subtitled 'Missa Sancti Martini' in honour of the patron saint of the Mainz Cathedral, was originally commissioned by the girls' choir of the Cathedral and of St. Quintin's Church in Mainz. The world premiere, however, did not take place until this year as part of the international choral festival 'Europa Cantat' in Mainz. With regard to form and duration, the composition follows the traditional form of the Latin missa brevis without credo. A tonally extremely charming and touching, and technically quite undemanding work for church service and concert.Formal und in der zeitlichen Ausdehnung folgt die Missa brevis der traditionellen Form der lateinischen Kurzmesse ohne Credo. Ein klanglich außerordentlich apartes und berührendes, dabei technisch nicht allzu schweres Werk für Gottesdienst und Konzert.
$12.99
11.83 €
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Vytautas Miskinis
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589593 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080577. Published by David McKeown (A0.589593). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Flute and Viola Duet
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589577 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080543. Published by David McKeown (A0.589577). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Flute and one Viola.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Flute and Viola Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.589583 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080557. Published by David McKeown (A0.589583). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
Bublitschki, Russian Klezmer song for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589582 Composed by Yakow Jadow. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6080555. Published by David McKeown (A0.589582). Bublitschki is a Ukrainian/Jewish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).Bublitschki was written in 1922 by Yakov Jadow. The title means pretzels in Russian and was inspired by the pretzel sellers by the railway station in Odessa. Jadow observed that the street-vendors were poverty-stricken and wrote the song as a lament. Initially popular in the Soviet Union, a recording by the Barry Sisters in 1939 brought this song to an international audience.Bublitschki is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played twice with a short coda and constant variations in the accompaniment. Bublitschki is suitable for players at an intermediate level and above. With a performance time of just over three minutes, this version of Bublitschki is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Yakow Jadow
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David McKeown
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Bublitschki, Russian Klezmer song for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Oneness in This World (clarinet, cello, piano)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95
19.99 €
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU…
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Instrumental Duet Instrumental Duet,Tenor Horn,Trumpet - Level 3 - Digital Download SKU: A0.589052 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017117. Published by David McKeown (A0.589052). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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7.40pm, Traditional Klezmer tune for Trumpet and Tenor Horn Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.58…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.588929 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017097. Published by David McKeown (A0.588929). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Violin.It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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7.40pm, Traditional Klezmer tune for Oboe and Violin Duet
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David McKeown
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SheetMusicPlus
7.40pm, Traditional Klezmer tune for Oboe and Cor Anglais (or English Horn) Duet
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.588925 Composed by Traditional. Arranged by David McKeown. Folk,Hanukkah,Jewish,World. Score and parts. 6 pages. David McKeown #6017095. Published by David McKeown (A0.588925). 7.40pm is a traditional Russian Jewish tune, often performed by Klezmer musicians. This version is arranged as a duet for one Oboe and one Cor Anglais (or English Horn).It isn’t completely clear where the title 7.40pm comes from. One interpretation is that 7.40pm was the time the Odessa tram conductors finished work and danced to this tune. But there are versions titled 7.40am which may refer to the time of Jewish early morning prayers. Whatever the origin, there are several Russian recordings of 7.40pm that predate the 1917 revolution.7.40pm is simply arranged in a key and range best suited to the instruments. After a slow and expressively beginning, the melody switches to dance tempo. 7.40pm is suitable for players at an intermediate level and above. With a performance time of a little over three minutes, this version of 7.40pm is perfect for recital and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Traditional
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David McKeown
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7.40pm, Traditional Klezmer tune for Oboe and Cor Anglais
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David McKeown
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.01 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
O Christmas Tree, (O Tannenbaum), Jazz style, for Trumpet and Tenor Horn Duet
Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594322…
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Instrumental Duet Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.594322 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574689. Published by David McKeown (A0.594322). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Trumpet and one Tenor Horn in E Flat. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
O Christmas Tree, (O Tannenbaum), Jazz style, for Oboe and Violin Duet
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.594312 Composed by Ernst Anschütz. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score and parts. 4 pages. David McKeown #6574665. Published by David McKeown (A0.594312). O Christmas Tree, (O Tannenbaum), is a much-loved Christmas song. This version is arranged as a duet in a Jazz Waltz/Swing style for one Oboe and one Violin. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.The melody of O Christmas Tree is Polish in origin and dates back to the sixteenth century. The lyrics we know and love were added much later by German composer Ernst Anschütz in 1824. The lyrics were originally a homage to the fir tree, using the evergreen foliage as a metaphor for constancy and loyalty. The association with Christmas appeared later in the nineteenth century.With a performance time of three minutes and a half minutes, this version of O Christmas Tree is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.O Christmas Tree is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in jazz waltz music, and there is plenty of articulation detail to help deliver an authentic style. While the key is straightforward, there are several busy passages to keep players on their toes. The melody is played four times, the last in 4/4 time with a short coda. This arrangement is suitable for players at an intermediate level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.63 €
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Ernst Anschütz
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David McKeown
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O Christmas Tree,
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David McKeown
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SheetMusicPlus
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