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In Quest of Adventure
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Vous avez sélectionné:
In Quest of Adventure
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In Quest of Adventure
Tin Whistle,Flute,Keyboard Strings,El Guitar,Bass Guitar and Drum Kit.
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Jeffrey James Miller
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Jeffrey James Miller
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In Quest of Adventure
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Tunes a Plenty
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SheetMusicPlus
Composed by Jeffrey James Miller. Arranged by Jeffrey James Miller. World, Folk, Rock. 25 pages. Published by Tunes a Plenty (S0.205777). - - World,Folk,Rock -...
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Composed by Jeffrey James Miller. Arranged by Jeffrey James Miller. World, Folk, Rock. 25 pages. Published by Tunes a Plenty (S0.205777). - - World,Folk,Rock - Tunes a Plenty
$9.99
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65
No. 42
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Richard Ayres
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No. 42
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Schott Music - Digital
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SheetMusicPlus
Soprano and ensemble - SKU: S9.Q52963 (In the Alps - an animated concert). Composed by Richard Ayres. This edition: study score. Music Of Our Tim...
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Soprano and ensemble - SKU: S9.Q52963 (In the Alps - an animated concert). Composed by Richard Ayres. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q52963. Published by Schott Music - Digital (S9.Q52963). English.No.42 (In the Alps) could perhaps best be described as a melodrama. It combines many of the subjects that fascinate me: the relationship of text narrative and musical narrative, the history of opera, early cinema, the theatrical practices of the nineteenth century, along with the folk and popular music of the Alpine region. A girl (the soprano), stranded on top of an un-climbable mountain peak as a young baby, is taught to sing by the mountain animals. Young Bobli lives in the village far below the un-climbable peak. He was born mute and communicates with the world by playing the trumpet. Bobli hears the soprano's song drifting down into the valley. The soprano listens to Bobli's trumpet tunes blown up to her by the wind. They are both enchanted. The three acts are separated by interludes describing how three animals experience time passing in relation to a musical tempo. Like any self respecting melodrama the text and music combine to depict or imply a wide ranging theatrical adventure, in this piece starting at the Creation (or the big bang), a lonely existence, scenes of rustic village life, some carpentry, many mountain goats, unrequited love, and ending in a quest destined to fail. In a live performance the text [provided with the performance material] is to be projected on a screen behind the musicians in the style of silent movie intertitles. Richard Ayres2pic(1.fl, bassfl).0.1.1(Ebcl).1.cbsn-2.0.Ctpt(2.pictpt).0.btbn.1-2perc(timp, b.d, small drum kit, 4 small hand-held cowbells, tri, metal wind chimes, wind machine, large wooden hammer on large wooden box, saw or wood-file on thin wooden box, vib, xyl, glsp, crots, tub bells, almgl)-3vn.db.
$47.99
Three Pirate Pieces for Woodwind Quintet
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Justin M
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Three Pirate Pieces for Woodwi
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Justin M. Douglas
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1293663 Composed by Justin M. Douglas. 21st Century...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1293663 Composed by Justin M. Douglas. 21st Century,Chamber,Classical,Contemporary. 30 pages. Justin M. Douglas #884134. Published by Justin M. Douglas (A0.1293663). Arrrrr Mateys! We embark upon the seven seas to bring you adventure, fun, fortune, glory, and fame! Join us as we embark upon our quest to find the lost treasure of Wingood Island. Captain Pegleg, First Mate Herald, Old Man Clarence, Bowy in the Crow's Nest, and an Unnamed Mermaid Sprite set off in this dangerous journey, each one anxious and wary to make sure the others don't find the treasure first. Will they fight to the death? Or will they all sail together in the end?
$21.99
Monster Music Journal by Pearl and Eddie Lewis
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Enfant
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Pearl Lewis, Eddie Lewis
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Monster Music Journal by Pearl
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Tiger Music
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SheetMusicPlus
Small Ensemble - Level 1 - SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by ...
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Small Ensemble - Level 1 - SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
$9.99
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In Quest of Adventure
