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In a Time Lapse
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In a Time Lapse
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5 partitions trouvées
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As times go bye...
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Enjott Schneider
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As times go bye...
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Schott Music - Digital
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SheetMusicPlus
Saxophone-Trio (ATBar) - advanced - SKU: S9.Q48157 Suite in memory J. S. Bach. Composed by Enjott Schneider. This edition: score and parts. Downl...
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Saxophone-Trio (ATBar) - advanced - SKU: S9.Q48157 Suite in memory J. S. Bach. Composed by Enjott Schneider. This edition: score and parts. Downloadable, Score and parts. Duration 14 minutes. Schott Music - Digital #Q48157. Published by Schott Music - Digital (S9.Q48157). As times go bye... is a title with several possible meanings. In one sense it is a nostalgic reference to the long period of time that has elapsed since the days of J. S. Bach. In another sense, though, it refers to the musical concept of time which is a principal element of this composition: As time goes by and Playing with time are taken as themes, with each movement dealing with a particular aspect of time in conjunction with musical motifs from Bach's Well-tempered Clavichord. A rewarding piece for the saxophone ensemble repertoire - suitable for competitions, concert performance and teaching purposes.
$23.99
Ayre of Grievances
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Sarah Wallin Huff
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Ayre of Grievances
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Novel Soundtrax
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SheetMusicPlus
Flute,Viola,Violin - Level 4 - SKU: A0.800442 Composed by Sarah Wallin Huff. 21st Century,Classical,Contemporary. 29 pages. Novel Soundtrax #6360871. Pu...
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Flute,Viola,Violin - Level 4 - SKU: A0.800442 Composed by Sarah Wallin Huff. 21st Century,Classical,Contemporary. 29 pages. Novel Soundtrax #6360871. Published by Novel Soundtrax (A0.800442). Composed during the worldwide Covid-19 lockdowns of 2020, this fierce work for violin, viola, and flute illustrates the need during such times to unleash pent-up frustrations, fear, sorrow, and anger. The incessant, rapid rhythms and violent articulations don’t seem to find relief until a point in the middle of the work, when the realization hits that there is nothing to be done except to collapse on our living room couches, to “shelter in placeâ€, and wait for the return to “normal†that never seems to come. Thus, locked in a state of restlessness, this musical work builds again to the frenzied madness of the beginning only to end with a rush of “hands thrown into the airâ€.
$25.00
Pie Jesu (op 9)
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The Choir Of St
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John Holland
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Pie Jesu
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John Ivor Holland
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,Flute,Horn,Oboe,Tenor Saxophone - Level 3 - SKU: A0.1290339 By...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,E-Flat Clarinet,Flute,Horn,Oboe,Tenor Saxophone - Level 3 - SKU: A0.1290339 By The Choir Of St. John's Colleg. By Maurice Gustavo Durufle. Arranged by John Holland. 20th Century,Chamber,Classical,Religious,Sacred. 31 pages. John Ivor Holland #881046. Published by John Ivor Holland (A0.1290339). The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant and first published in 1948 by Durand in an organ version. Duruflé was among French composers commissioned in May 1941 by the Vichy regime to write extended works for a monetary award, such as 10,000 francs for a symphonic poem, 20,000 for a symphony, and 30,000 for an opera. Duruflé decided to compose a symphonic poem, which ended up being the 'Requiem' and was still working on it in 1944 when the regime collapsed - he received 30,000 francs, instead of the 10,000 of his commission, because of the complex nature of his work and inflation during that time. A portion of the 'Pie Jesu' was used by Michael Jackson to introduce the track 'Little Susie' on 'HIStory - Past, Present and Future - Book I'. This arrangement is for 10 wind players, with various transpositions to allow a flexible performance, and a contrabass instrument.
$29.99
Pie Jesu (Op 9)
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The Choir Of St
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John Ivor Holland
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Pie Jesu
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John Ivor Holland
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1500747 By The Choir Of St. John's Colleg. By Maurice Gustavo Durufle. Arranged by John Ivor Holland. 20th Century,Chamber,Film/TV,Religious,Sacred. Brass Band. 25 pages. John Ivor Holland #1076826. Published by John Ivor Holland (A0.1500747). The Requiem, Op. 9, is a 1947 (revised 1961) setting of the Latin Requiem by Maurice Duruflé for a solo voice, mixed choir, and organ, or orchestra with organ. The thematic material is mostly taken from the Mass for the Dead in Gregorian chant and first published in 1948 by Durand in an organ version. Duruflé was among French composers commissioned in May 1941 by the Vichy regime to write extended works for a monetary award, such as 10,000 francs for a symphonic poem, 20,000 for a symphony, and 30,000 for an opera. Duruflé decided to compose a symphonic poem, which ended up being the 'Requiem' and was still working on it in 1944 when the regime collapsed - he received 30,000 francs, instead of the 10,000 of his commission, because of the complex nature of his work and inflation during that time. A portion of the 'Pie Jesu' was used by Michael Jackson to introduce the track 'Little Susie' on 'HIStory - Past, Present and Future - Book I'. This arrangement for brass band features the Flugelhorn, taking on the role of the solo mezzo-soprano.
$39.99
Tremors of Krakatoa
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Judith Katz
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Tremors of Krakatoa
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Imagine Music - Digital
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SheetMusicPlus
Woodwind choir - SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digita...
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Woodwind choir - SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.
$32.00
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