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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the End [advanced]
Non classifié
846
Piano & claviers
Piano seul
682
Piano Facile
58
Orgue
50
1 Piano, 4 mains
31
Piano, Voix
21
Piano Trio: piano, violon, violoncelle
11
2 Pianos, 4 mains
10
Piano, Voix et Guitare
9
Instruments en Do
8
Accompagnement Piano
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
2
Accordéon
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Accordéon, Piano
1
1 Piano, 6 mains
1
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Ukulele
90
Guitare
87
Guitare notes et tablatures
63
Dulcimer
22
4 Guitares (Quatuor)
5
2 Guitares (duo)
5
Basse electrique
5
Banjo
4
Mandoline
4
2 Dulcimers (duo)
2
Piano, Guitare (duo)
2
Ukulele Baryton
2
Ensemble de guitares
2
2 Mandolines (duo)
1
Ligne De Mélodie, (Paroles) et Accords
1
Orchestre à Plectres
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
122
Chorale SSAA
16
Chorale 3 parties
14
Chorale TTBB
14
Chorale 2 parties
10
Chorale SSAATTBB
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix duo
3
Voix haute
3
Chorale Unison
2
Chorale
2
Voix moyenne, Piano
2
Voix, Guitare
1
Voix Tenor
1
Voix seule
1
Chorale SATBB
1
Voix Baryton, Piano
1
Chorale SSATB
1
+ 14 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Flûte traversière et Piano
41
Clarinette
37
2 Flûtes traversières (duo)
34
Quintette de Saxophone: 5 saxophones
32
Flûte traversière
30
Flûte, Hautbois, Clarinette, Basson
27
2 Saxophones (duo)
26
Quatuor de Saxophones: 4 saxophones
23
Clarinette et Piano
23
2 Clarinettes (duo)
21
Quatuor de Clarinettes: 4 clarinettes
21
Ensemble de saxophones
19
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
13
Ensemble de Clarinettes
12
Hautbois (partie séparée)
12
Saxophone Alto
11
Flûte, Clarinette (duo)
11
Harmonica
10
Saxophone, Clarinette (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Ensemble de Flûtes
8
Clarinette, Violon (duo)
7
Flûte à bec Alto
7
3 Clarinettes (trio)
6
Quatuor de Flûtes : 4 flûtes
6
Saxophone Soprano et Piano
6
Flûte et Guitare
6
Hautbois, Basson (duo)
5
Cor anglais, Piano
5
Flûte, Clarinette, Piano (trio)
5
2 Hautbois (duo)
5
Saxophone Baryton, Piano
5
Saxophone Tenor et Piano
5
Flûte à bec Alto, Piano
5
Flûte, Alto (duo)
4
Saxophone Tenor
4
Hautbois, Clarinette (duo)
4
Hautbois, Flûte
4
Quintette de Flûte : 5 flûtes
4
Clarinette, Basson (duo)
3
Flûte, Violon
3
Flûte, Saxophone (duo)
3
Flûte, Violon, Piano
3
Clarinette, Trompette (duo)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette (partie séparée)
2
Flûte, Trompette (duo)
2
Flûte, Violoncelle
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte à Bec
2
Clarinette et Alto
2
Flûte à bec Soprano, Piano
2
Cor Anglais
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Harpe et Violoncelle
1
Flûte, Basson et Piano
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
Clarinette Basse, Piano
1
3 Flûtes à bec (trio)
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Basse continue
1
Ocarina
1
2 Clarinettes, Piano
1
3 Saxophones (trio)
1
Hautbois, Violoncelle
1
4 Hautbois
1
Ensemble à vent
1
Saxophone (partie séparée)
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
+ 69 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Trompette
42
Quatuor de Cuivres : 2 trompettes, trombone, tuba
41
Trombone et Piano
33
Ensemble de Trombones
28
Cor et Piano
25
2 Trombones (duo)
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Quatuor de cuivres: 4 trombones
21
Ensemble de Trompettes
21
Trompette, Piano
20
Trombone
15
Euphonium, Piano (duo)
13
2 Trompettes (duo)
12
Tuba et Piano
9
Trompette, Saxophone (duo)
8
Cor
8
Trompette (partie séparée)
7
Trompette, Trombone (duo)
7
2 Cors (duo)
6
Tuba
6
Cor anglais, Piano
5
Trombone basse et Piano
4
3 Trombones (trio)
4
2 Tubas (duo)
3
Cor (partie séparée)
3
Trombone (partie séparée)
3
2 Euphoniums (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Trombone, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Cor (duo)
2
Cor, Tuba (duo)
2
4 Tubas
2
3 Euphoniums
2
Cor Anglais
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Quatuor de Cuivres
1
Trombone et orchestre
1
Tuba (partie séparée)
1
Trio de Cuivres
1
Bass Clef Instruments
1
Cor et Orgue
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon et Piano
61
Violon, Violoncelle (duo)
58
Violon
56
Harpe
47
Violoncelle
46
Trio à Cordes: 2 violons, violoncelle
32
Violoncelle, Piano
30
Trio à Cordes: violon, alto, violoncelle
23
Alto, Piano
20
2 Violoncelles (duo)
19
Alto seul
18
2 Violons (duo)
13
Violon, Alto (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Harpes (duo)
5
Harpe, Voix
5
Alto (partie séparée)
5
Ensemble d'Altos
4
Harpe, Flûte (duo)
4
Violon (partie séparée)
4
Quatuor à cordes: 4 violons
3
2 Altos (duo)
3
Ensemble de Violons
3
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
3
Contre Basse
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Contrebasse, Piano (duo)
2
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
4 Violoncelles
1
Violon, Basse continue
1
Trio à cordes: 3 altos
1
Alto et Basson
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
72
Orchestre d'harmonie
59
Orchestre
52
Ensemble de cuivres
40
Ensemble Jazz
14
Cloches
14
Orchestre de chambre
12
Jazz combo
11
Batterie
6
Ensemble de Percussions
5
Marimba
4
Fanfare
2
Percussion (partie séparée)
2
Orchestre, Violon
1
Big band
1
Percussion
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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In the End [advanced]
Partitions à imprimer
846 partitions trouvées
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826
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Classique
#
Johann Baptist Wanhal
#
Uwe Grodd
#
Flute Quartet in F major, Op.7
#
Artaria Editions
#
SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #10...
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Cello,Flute,Viola,Violin - Level 3 - SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
Dance Me To The End Of Love
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Madeleine Peyroux
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Rita Arendz
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Dance Me To The End Of Love
#
Rita Arendz
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1365341 By Madeleine Peyroux. By Leonard Cohen. Arranged by Rita Arendz. 20th Century,Folk,Jewish,Pop,Standards. Brass Band. 56 pages. Rita Arendz #949662. Published by Rita Arendz (A0.1365341). DANCE ME TO THE END OF LOVE by Leonard Cohen for Brass BandComposed and released in 1984, Leonard Cohen's Dance Me to the End of Love, on the surface appears to be just another love song. But it also has as its inspiration from the Holocaust.To Cohen, the idea came from hearing, reading, and knowing about the death camps: that at some camps, beside the crematoriums, a string quartet was pressed into performing while the horrors were occurring - and that the players could be next.The lyrics, Dance me to your beauty with a burning violin, represent the beauty of the consummation of life, the end of existence - layered with the surrender we feel for our beloved.The song's structure is similar to a Greek Hasapiko Dance, a style he would have heard while on the Island of Hydra.Although the theme is dark, there is a glimmer of light as Cohen searched from the raw truth to beauty, something he tried to find in all things.This arrangement is for a British-style Brass Band featuring the Flugelhorn and the Solo Tenor Horn. These parts, along with the euphonium part, are for more advanced players.  The accompaniment parts are suitable for intermediate.A moving addition to your repertoire and a wonderful companion to Cohen's Hallelujah!Duration 4:15  56 pagesSound clip generated with NoteperformerMore Arrangements by Rita Arendz: https://www.sheetmusicdirect.com/Search.aspx?query=rita%20arendzhttps://www.sheetmusicplus.com/en/explore?q=rita+arendz&lang=default.
$59.99
The Bamboula Rhapsodic Dance for Brass Band
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Samuel Coleridge-Taylor
#
Charles Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - SKU: A0.1190215 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. Brass Band. 201 pages. Charles Decker Music Press #789828. Published by Charles Decker Music Press (A0.1190215). This brilliant, tour de force arrangement for brass band is guaranteed to inspire performers and excite audiences as it captures the energy of the Samuel Coleridge-Taylor's 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The 11 minute arrangement has an optional cut to make it seven minutes and is scored for British brass band instrumentation of E-flat cornet, B-flat cornets, flugelhorn, E-flat alto horns, baritone horn, euphonium, trombones and E-flat and B-flat basses with parts sets in treble clef except for the bass trombone. Optional brass instrumentaion is provided with substiute F horn parts for the E-flat alto horns and bass clef parts for all the low brass. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$39.95
The Charleston (1923) for Brass Choir
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James P
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Charles Decker
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The Charleston
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Charles Decker Music Press
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SheetMusicPlus
Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20t...
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Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - SKU: A0.1411272 Composed by James P. Johnson. Arranged by Charles Decker. 20th Century,Broadway,Contest,Festival,Film/TV,Jazz,Musical/Show. 28 pages. Charles Decker Music Press #993606. Published by Charles Decker Music Press (A0.1411272). From the Music of Black Composers Series at Charles Decker Music Press is the The Charleston which debuted in James P. Johnson’s Broadway 1923 show “Runnin’ Wild†to become the wildly popular and unofficial anthem of the Roaring 20’s.  An important jazz pianist and composer, Johnson was a major influence on Count Basie, Duke Ellington, Art Tatum, Thelonious Monk, and Fats Waller.  Arranged for a ten-piece brass choir of three B-flat trumpets, two horns in F with a substitute flugelhorns parts, three trombones or euphoniums with substitute horn for trombone 1, euphonium and tuba, the arrangement uses the original 1923 piano edition and retains the style of the day. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, FountainCity Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series brass†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.For more brass quintet editions by Charles Decker use these links to  Kendor Music and  Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$15.99
Othello Suite, Op. 79 for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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Othello Suite, Op. 79 for Bras
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard ...
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Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude. Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
Anthem: Lift Up Your Heads for Mixed Chorus and Brass Quartet
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Musique Sacrée
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Samuel Coleridge-Taylor
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Richard Decker
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Anthem: Lift Up Your Heads for
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Charles Decker Music Press
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SheetMusicPlus
B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20...
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B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall. His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!†Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$19.99
"Calisthenics for Recorders in C" 15 Fun Studies,Gallops,Polkas,Variations
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Various
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B
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"Calisthenics for Recorde
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bl_music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.8...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone - Level 3 - SKU: A0.842537 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290007. Published by bl_music (A0.842537). Calisthenics for Recorders in C 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Treble/Alto Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Treble/
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instru...
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Small Ensemble Alto Recorder,Baritone Recorder,Flute - Level 3 - SKU: A0.842538 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290011. Published by bl_music (A0.842538). Calisthenics for Treble/Alto Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: treble clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Great Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Great B
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Roma...
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Small Ensemble Baritone Recorder,Bassoon - Level 3 - SKU: A0.842539 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290017. Published by bl_music (A0.842539). Calisthenics for Great Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef) 15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores. What are Calisthenics? You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo) We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication Calisthenics The music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication. The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure. In the words of the old Victorians: The highest refinement of that beauty is unattainable without splendour of activity and delicate strength. Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing. Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied. Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs. A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
"Calisthenics for Bass Recorder" 15 Etudes, Gallops, Polkas, Variations
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Various
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B
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"Calisthenics for Bass Re
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bl_music
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SheetMusicPlus
Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructiona...
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Small Ensemble Baritone Recorder,Bassoon,Cello - Level 3 - SKU: A0.842536 Composed by Various (Collection). Arranged by B. Brennan. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Bl_music #5290001. Published by bl_music (A0.842536). Calisthenics for Bass Recorder 15 Solo-Etudes, Gallops, Polkas, Variations (notation: bass clef)15 entertaining solo-etudes: Rondos, Polkas, Gallops, Variations….. all suitable for intermediate to advanced students as well as professionals; as exercises for the fingers, just for the fun of it or as (shorter) concert /contest pieces or encores.What are Calisthenics?You’ve all come across them in one form or another….mainly probably in caricatures of Victorian or Edwardian men in boldly striped sportswear lifting heavy weights or Victorian ladies elegantly waving their arms around(see photo)We found the idea of daily exercises in combination with utterly lovely tunes so intriguing that we decided to call our latest publication CalisthenicsThe music combines training of speed, thumb technique, interpretation. Short: another great fun and educational publication.The word calisthenics is derived from the Greek, kalos, beautiful; and sthenos, strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure.In the words of the old Victorians:The highest refinement of that beauty is unattainable without splendour of activity and delicate strength.Exercise is now recognised to be as great a necessity in woman's education as in man's we are learning that many bodily defects and much of her weak health is attributable to the want of it; more especially in youth, when the frame is growing.Such exercises must, however, be carried out under a system; irregularly conducted, they do more harm than good. The constitution must be coaxed, not strained; the strength not unduly taxed, no over-fatigue ensuing; for exhaustion makes people look worn and old. The exertion must not be too violent, and the health and physical development of each pupil must be specially studied.Early morning or evening are the best times to select, but on no account immediately after a meal. The clothing should not be too warm, nor interfere in any way with the action of the limbs.A musical accompaniment will best preserve the necessary rhythm - the time, four or eight beats to a bar; failing this, the pupils should be taught to sing or count in concert, thereby keeping up their interest and zest. A castanet will, failing better means, help to mark the time with or without music. One of our aims is to revive these compositions and bring them to the attention of players and audiences.
$15.99
Pantheon for Horn, Violin and Piano
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Contemporain
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Go...
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Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
The Bamboula Rhapsodic Dance for Brass Choir
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Samuel Coleridge-Taylor
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Richard Decker
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The Bamboula Rhapsodic Dance f
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20t...
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Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â  Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$39.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Luthermania
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Enjott Schneider
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Luthermania
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Schott Music - Digital
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SheetMusicPlus
Organ with 2 players - advanced - SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Musi...
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Organ with 2 players - advanced - SKU: S9.Q21629 Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q21629. Published by Schott Music - Digital (S9.Q21629). This frenetic assortment of familiar chorale melodies by Martin Luther was composed to mark the celebrations of Luther’s music (and the 800th anniversary of the choir of St Thomas in Leipzig) in 2012. Ein feste Burg ist unser Gott [A mighty fortress is our God] appears as a powerful ritornello theme, elaborated with tender lyricism just before the end. A chorale setting of Verleih uns Frieden gnädiglich [Lord, in thy mercy grant us peace] makes a calm middle section for this otherwise highly demanding organ piece. An organ with three manuals is required.
$23.99
Nearer, My God, to Thee (as played by 'The Piano Guys')
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Sarah Flower Adams and 'The Pi
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Flavio Regis Cunha
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Nearer, My God, to Thee
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Flavio Regis Cunha
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SheetMusicPlus
String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys')...
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String Ensemble Cello - Level 3 - SKU: A0.1259252 By Sarah Flower Adams and 'The Piano Guys'. By Nearer, My God, to Thee (as played by 'The Piano Guys'). Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Instructional,Sacred,Wedding. 17 pages. Flavio Regis Cunha #852516. Published by Flavio Regis Cunha (A0.1259252). Are you a cellist looking for the perfect arrangement to add to your repertoire? Then look no further! Â Introducing 'Nearer, My God, to Thee' composed by Sarah Flower Adams as heard on 'The Piano Guys'. This beautifully arranged piece is perfect for a violoncello quartet. Â For amateurs, students, and professionals alike, this sheet music provides an excellent opportunity to learn and practice the intricate and soaring melodies of this timeless song. The sheet music also makes a delightful addition to any repertoire, providing a wonderful, powerful, and meaningful performance. Â Experience the beauty of 'Nearer, My God, to Thee' the way it was intended with this arranger sheet music from 'The Piano Guys'. Your audience will be in awe of your musical skill in no time!Advanced-IntermediateFormat: Concert, 9 x 12 inches8 pages.Program NotesThe Piano Guys bring to life Sarah Flower Adams's traditional hymn Dawn in this lively arrangement for four violoncellos. In this unique interpretation, the alluring melody of the strings conjure up feelings of anguish and hope evoked by the original hymn. Throughout the piece, the four cellists navigate an intricate combination of Renaissance-era chords, lush harmonies, and entrancing held notes that transition between moments of minor despair and major triumph within the same breath. As the layers of four strong, soulful voices come together at the end, we are left with feelings of optimism and promise, that no matter the tribulations we may face, dawn brings us a sense of renewal.
$12.99
I Surrender All (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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I Surrender All
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565373 By Sharon Wilson. By Judson W. Van...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565373 By Sharon Wilson. By Judson W. Van DeVenter. Arranged by Sharon Wilson. Children,Easter,Instructional,Praise & Worship,Sacred. 12 pages. Sharon Wilson #4280939. Published by Sharon Wilson (A0.565373). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® play single-note harmony for the first verse then keep a steady beat with two-note chords for the second verse. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
The Nearness Of You
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Jazz
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George Shearing
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Steve William Lussing
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The Nearness Of You
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S. W. Lussing
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. ...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporain
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard...
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Flute,Horn,Piano,Violin - Level 3 - SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
Father, Lead Me Day by Day (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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Father, Lead Me Day by Day
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565368 By Sharon Wilson. By Georg C. Stra...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565368 By Sharon Wilson. By Georg C. Strattner. Arranged by Sharon Wilson. Children,Classical,Sacred,Traditional. 11 pages. Sharon Wilson #4280711. Published by Sharon Wilson (A0.565368). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment. This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
Alice in Wonderland
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Keiron Anderson
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Alice in Wonderland
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Forton Music - Digital
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SheetMusicPlus
Wind Orch - Advanced - SKU: F2.FM640 Composed by Keiron Anderson. Full Wind Orchestra. Score and parts. 240 pages. Forton Music - Digital #FM640. Publis...
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Wind Orch - Advanced - SKU: F2.FM640 Composed by Keiron Anderson. Full Wind Orchestra. Score and parts. 240 pages. Forton Music - Digital #FM640. Published by Forton Music - Digital (F2.FM640). ISBN 9790570485390.This music begins with Alice and he sister relaxing in an English summer garden in the sunshine. As we hear Alice's theme a white rabbit appears and runs past in a hurry. The compound time chase sequence leads to a descending chromatic sequence which lands Alice in a pool of tears as her music adjusts to the strange environment. The Cheshire Cat and other creatures appear in her journey through Wonderland until she joins the Mad Hatter for tea. His slightly chromatic theme dodges from key to key until Alice encounters the military march of the Queen of Hearts and her army. There is a reflective theme as Alice's music tries to cheer up the sad Mock Turtle followed by a lively Lobster Quadrille The trial scene is a musical interaction between two themes often played across one another until a fanfare declares Off with her head! As Alice grows and rises to the garden her music takes her home safely. Was it a dream? Like Alice herself, this intricate work is curious, slightly mad, and will lead you on an exhilarating journey through wonderland. Its designed to be enjoyed by players and audience alike and is a sparkling addition to any programme. Approx. 11'30''.
$99.95
“There's Music in the Air” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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“There's Music in the Ai
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565444 By Sharon Wilson. B...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565444 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Folk,Sacred,Standards,Traditional. Score and parts. 12 pages. Sharon Wilson #4357221. Published by Sharon Wilson (A0.565444). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics (by Fanny J. Crosby) are provided as well for sing along enjoyment. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“There's Music in the Air” for 13-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“There's Music in the Ai
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565430 By Sharon Wilson. B...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565430 By Sharon Wilson. By Fanny J. Crosby and George Frederick Root. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Traditional. Score and parts. 12 pages. Sharon Wilson #4356999. Published by Sharon Wilson (A0.565430). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics (by Fanny Crosby) are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Daily Routine and Warm-ups for Bass Trombone - Extended Slurs and Major Scales
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Jorg Richter
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Daily Routine and Warm-ups for
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry ...
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Bass Trombone,Instrumental Solo - Level 5 - SKU: A0.1230258 Composed by Jorg Richter. Classical,Instructional. Individual part. 84 pages. Gordon Cherry #825979. Published by Gordon Cherry (A0.1230258). Here is what Jörg Richter, Bass Trombonist of the Elbland Philharmonic Orchestra says about his special Daily Routine and Warm-ups.The Daily Routine and Warm-ups for Bass Trombone: Extended Slurs and Major Scales is part of my complete personal daily routine and reflects some of the most important areas that I need to practice for my own technique. The Extended Slurs and Major Scales are some of the necessary basics every brass player must practice, and it can really help to improve the skills for playing in the low (and high) register. These two areas are only part of my overall routine and warm-up. I would be happy if other bass trombonists could benefit from what I have gathered and written down over the years. At the moment this book is only a snapshot and I plan to continue writing new chapters.This method book is one part of a series of his complete method for Bass Trombone and is appropriate for advanced performers and can even be used by Tenor Trombonists wishing to increase their proficiency in the low register.
$32.50
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