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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introduction, Theme
Non classifié
424
Piano & claviers
Piano seul
93
Orgue
26
Piano Facile
18
Piano, Voix
11
1 Piano, 4 mains
8
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
2
Accompagnement Piano
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
1 Piano, 6 mains
1
+ 6 instrumentations
Retracter
Guitares
Guitare
14
2 Guitares (duo)
1
Guitare notes et tablatures
1
Voix
Chorale SATB
23
Chorale 3 parties
12
Voix duo, Piano
6
Chorale Unison
4
Chorale 2 parties
3
Chorale SSAA
2
Chorale
1
Voix seule
1
+ 3 instrumentations
Retracter
Vents
Flûte traversière et Piano
15
Clarinette et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
2 Saxophones (duo)
7
Flûte traversière
6
Quatuor de Saxophones: 4 saxophones
5
Ensemble de Flûtes
5
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto et Piano
5
Clarinette
5
Saxophone Tenor et Piano
4
Flûte, Hautbois, Clarinette, Basson
4
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Saxophone Soprano et Piano
4
Ensemble de Clarinettes
4
Clarinette (partie séparée)
3
Saxophone, Clarinette (duo)
3
Hautbois, Piano (duo)
3
Flûte et Guitare
2
Clarinette, Violon (duo)
2
Clarinette, Trompette (duo)
2
Ensemble de saxophones
2
Quatuor de Flûtes : 4 flûtes
2
Cor anglais, Piano
2
Hautbois, Basson (duo)
2
Flûte, Clarinette, Piano (trio)
2
Hautbois, Clarinette (duo)
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble à vent
1
Flûte, Trompette (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette (duo)
1
2 Saxophones, Piano
1
Saxophone Baryton, Piano
1
3 Clarinettes (trio)
1
Clarinette et Alto
1
Flûte, Violoncelle
1
Flûte, Saxophone (duo)
1
Flûte traversière, Orgue (duo)
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Flûte, Basson et Piano
1
2 Hautbois (duo)
1
Hautbois, Violoncelle
1
3 Saxophones (trio)
1
Clarinette, Basson (duo)
1
Hautbois (partie séparée)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle (duo)
1
Ensemble De Flûte à bec
1
Clarinette Basse, Piano
1
Hautbois, Flûte
1
Saxophone Tenor
1
Clarinette, Orgue
1
Trio de Flûtes: 3 flûtes
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
12
Trombone et Piano
7
Trompette, Piano
6
Cor et Piano
3
Trombone
3
Quatuor de Cuivres
3
Tuba
3
Tuba et Piano
2
Trompette (partie séparée)
2
Trompette, Saxophone (duo)
2
Cor
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor anglais, Piano
2
Euphonium, Piano (duo)
2
Trompette, Orchestre
1
Cor (partie séparée)
1
Trompette
1
Trompette, Trombone (duo)
1
Trompette, Basson (duo)
1
2 Trombones (duo)
1
Cor, Violoncelle (duo)
1
2 Trompettes (duo)
1
Tuba et Orgue
1
Tuba (partie séparée)
1
Trombone (partie séparée)
1
Trompette, Violoncelle (duo)
1
Cor et Basson (duo)
1
+ 22 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon, Violoncelle (duo)
13
Violon et Piano
9
2 Harpes (duo)
6
Violon
6
Trio à Cordes: violon, alto, violoncelle
6
Violoncelle, Piano
5
2 Violons (duo)
5
Violoncelle
4
Harpe
3
Alto, Piano
3
Alto, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
Alto seul
2
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles (duo)
2
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
2 Altos (duo)
2
Contrebasse (partie séparée)
1
Violon, Alto (duo)
1
Alto (partie séparée)
1
Violon, Orgue
1
Trio à Cordes: 2 violons, alto
1
Alto et Basson
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
Contre Basse
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Cloches
111
Orchestre
26
Orchestre à Cordes
16
Orchestre de chambre
10
Jazz combo
7
Ensemble Jazz
6
Ensemble de cuivres
5
Ensemble de Percussions
4
Fanfare
2
Orchestre, Violon
1
Percussion (partie séparée)
1
+ 7 instrumentations
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AUTRES INST…
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CHANT - CHO…
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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style (tous)
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Introduction, Theme
Partitions à imprimer
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401
Introduction, Theme and Variations
#
Gioachino Rossini
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Sean Brennan
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Introduction, Theme and Variat
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bl_music
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SheetMusicPlus
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Br...
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Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
$18.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction and Theme and Variations on All Creatures of Our God and King
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Diane Bish
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Introduction and Theme and Var
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.8739896 Organ Solo. Arranged by Diane Bish. Organ. Fred Bock Publications. General Worship, Sacred. Softcover. 35 pages. Fred Bock M...
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Organ SKU: HL.8739896 Organ Solo. Arranged by Diane Bish. Organ. Fred Bock Publications. General Worship, Sacred. Softcover. 35 pages. Fred Bock Music Company #BGK1036. Published by Fred Bock Music Company (HL.8739896). ISBN 9781423409823. UPC: 884088059187. 9.0x12.0x0.099 inches.Nine settings of the classic hymn including an introduction, theme, and variations. Commissioned by The Nebraska Music Teachers Association in Omaha and Lincoln, Nebraska.
$14.95
My Heart Will Go On (Love Theme From 'titanic')
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Celine Dion
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Harry Walker
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My Heart Will Go On
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SCORE EDITIONS
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SheetMusicPlus
Baritone Horn TC/Euphonium,Piano - Level 3 - SKU: A0.1505070 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,C...
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Baritone Horn TC/Euphonium,Piano - Level 3 - SKU: A0.1505070 By Celine Dion. By James Horner and Will Jennings. Arranged by Harry Walker. 20th Century,Chamber,Film/TV,Pop,Wedding. Score and part. 11 pages. SCORE EDITIONS #1080475. Published by SCORE EDITIONS (A0.1505070). My Heart Will Go On, composed by James Horner with lyrics by Will Jennings and famously performed by Céline Dion, is the iconic love theme from the 1997 film Titanic. This powerful ballad, which has become one of the best-selling singles of all time, encapsulates the timeless love story between Jack and Rose, conveying themes of eternal love and remembrance. The song's structure features a haunting flute introduction, expressive verses, a full orchestral chorus, and a dramatic instrumental bridge, concluding with a gentle outro. Winning the Academy Award, Golden Globe, and four Grammy Awards, My Heart Will Go On remains a cultural staple and a key part of Céline Dion's repertoire. Its beautiful melody, poignant lyrics, and emotional depth ensure its enduring popularity in concert programs worldwide. In this version, the composition was arranged for Euphonium T.C. and Piano by Harry Walker.
$5.99
Polovetsian Dances - Prince Igor - Introduction and Gliding Dance of the Maidens - 2 Flutes, Clarine
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Alexander Borodin
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Polovetsian Dances - Prince Ig
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Music-Scores.com
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.722491 Composed by Alexander Borodin. Arranged by Anne L Christophers...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.722491 Composed by Alexander Borodin. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Opera,Wedding. Score and parts. 11 pages. Music-Scores.com #6681733. Published by Music-Scores.com (A0.722491). Polovetsian Dances: Introduction and theme of Gliding Dance of the Maidens, from the opera Prince Igor.Quintet for 2 Flutes, Clarinet and Piano. About 2 minutes.Arranged by Anne Christopherson at www.music-scores.com
$8.95
James Bond Theme
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Monty Norman
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Lawrence H Underwood
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James Bond Theme
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Lawrence H Underwood
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SheetMusicPlus
Baritone Horn BC,Euphonium,Piano - Level 3 - SKU: A0.1091137 Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Jazz. Scor...
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Baritone Horn BC,Euphonium,Piano - Level 3 - SKU: A0.1091137 Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Jazz. Score and part. 5 pages. Lawrence H Underwood #695294. Published by Lawrence H Underwood (A0.1091137). “Bond. James Bond.†Perhaps no man has come more to personify danger and excitement. . .and no theme has come more to represent that character in film. Since its introduction in 1962’s “Doctor No,†The James Bond Theme has been an audience favorite – and now it’s playable as an instrumental solo with piano accompaniment! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
"Violette"- A Love Theme for Pierrot Ensemble
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Grant Horsley
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Grant Horsley
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"Violette"- A Love T
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Grant Horsley
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SheetMusicPlus
B-Flat Clarinet,Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1036258 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Film/TV,Instructiona...
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B-Flat Clarinet,Cello,Flute,Piano,Violin - Level 3 - SKU: A0.1036258 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Film/TV,Instructional,Romantic Period,Standards,Wedding. 20 pages. Grant Horsley #641367. Published by Grant Horsley (A0.1036258). Scored for Pierrot Ensemble (Flute, Clarinet in B flat, Violin, Cello and Piano), Violette is a a hybrid of Romantic and Film music. Its is inspired by composers such as Legrand, Barry and Rachmaninoff. After a slow introduction to set the mood in concert E minor- the main theme begins gently and is shared with the instruments throughout. The piece wanders through keys of A major and G minor before returning to the home key, but only briefly before the theme climaxes in a passionate F minor. The piece ends gently as the opening with a sustained series of chords- It is around 4 mins 45 in length. With the exception of the Piano (advanced intermediate) it is intermediate level. The youtube link has the whole score for you to assess suitability. Ideal as film/TV/Radio soundtrack, concerts, recitals, weddings, valentines etc Price is for full score and all parts.
$9.99
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
Introduction & Variations
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Karel Craeyvanger
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Introduction & Variations
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Chanterelle
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SheetMusicPlus
Guitar SKU: PR.ECH0447 On a Theme from Der Freischütz. Composed by Karel Craeyvanger. With Standard notation. 12 pages. Chanterelle #ECH0447. P...
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Guitar SKU: PR.ECH0447 On a Theme from Der Freischütz. Composed by Karel Craeyvanger. With Standard notation. 12 pages. Chanterelle #ECH0447. Published by Chanterelle (PR.ECH0447).
$14.95
Introduction et Variations Op. 9
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Fernando Sor
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Introduction et Variations Op.
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Chanterelle
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SheetMusicPlus
Guitar SKU: PR.ECH5101 On a theme of Mozart from the Magic Flute. Composed by Fernando Sor. With Standard notation. 16 pages. Chanterelle #ECH5101...
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Guitar SKU: PR.ECH5101 On a theme of Mozart from the Magic Flute. Composed by Fernando Sor. With Standard notation. 16 pages. Chanterelle #ECH5101. Published by Chanterelle (PR.ECH5101).
$12.95
Addams Family Theme
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Film/TV
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Halloween
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Vic Mizzy
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Igor Escalona
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Addams Family Theme
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Igor Escalona
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SheetMusicPlus
Percussion Quartet Bass Marimba,Vibraphone,Xylophone - Level 2 - SKU: A0.1221870 Composed by Vic Mizzy. Arranged by Igor Escalona. Film/TV. 10 pages. Ig...
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Percussion Quartet Bass Marimba,Vibraphone,Xylophone - Level 2 - SKU: A0.1221870 Composed by Vic Mizzy. Arranged by Igor Escalona. Film/TV. 10 pages. Igor Escalona #818163. Published by Igor Escalona (A0.1221870). The introduction of the Addams Family is a catchy tune that portrays the members of this unique family with adjectives such as mysterious, spooky, and zany. The song was composed by Vic Mizzy for the 1964 television series. This arrangement is an easy and entertaining score that will undoubtedly make the entire audience snap their fingers.Duration:Â 1' 28More Percussion sheet music HERE
$12.99
As Days Go By - Opening Theme
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Bennett Paul Salvay and Jesse
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Christopher Alexander
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As Days Go By - Opening Theme
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Christopher Alexander
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SheetMusicPlus
Bass Guitar,Choir,Drums,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.1408436 Composed by Bennett Paul Salvay and Jesse Frederick. Arranged by C...
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Bass Guitar,Choir,Drums,Electric Guitar,Piano,Synthesizer - Level 3 - SKU: A0.1408436 Composed by Bennett Paul Salvay and Jesse Frederick. Arranged by Christopher Alexander. Comedy,Film/TV. 32 pages. Christopher Alexander #991022. Published by Christopher Alexander (A0.1408436). Family Matters became a popular and quintessential sitcom of 90’s television programming, introducting the world to the Winslow family and their nerdy neighbor Steve Urkel.  The opening theme (used for all nine seasons of the show) became an instant classic and helped popularize the program to reach a wider audience than any other TV program.  This lighthearted whimsical tune will be a favorite to hear at your next pops concert, enjoyed by those who may have never heard of Family Matters or those who grew up watching the TV program.Octavo available separately.
$25.00
Jérôme Savari: Deuxième Fantaisie sur un thème original pour saxophone alto et piano
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Jerome Savari
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Paul Wehage
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Jérôme Savari: De
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano,Saxophone - Level 3 - SKU: A0.532790 Composed by Jerome Savari. Arranged by Paul Wehage. Romantic Period,Standards. Score and in...
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Instrumental Solo,Piano,Saxophone - Level 3 - SKU: A0.532790 Composed by Jerome Savari. Arranged by Paul Wehage. Romantic Period,Standards. Score and individual part. 21 pages. Musik Fabrik Music Publishing #22291. Published by Musik Fabrik Music Publishing (A0.532790). Jéröme Savari was born in Paris in 1819. He was the Director of the Military Band of the 34ème de Ligne. A friend of Adolphe Sax, his works for the saxophone are among the first for this instrument. In addition to three fantasies for alto saxophone and piano, Savari wrote a series of ensembles which go from duo to octet. His works were published by Sax between 1861 and 1862. He died in 1870. This work is in four main sections, a slow introduction with a final cadenza, an original Waltz theme with a variation, an Andante section based on the Waltz theme and a bolero which, after short reprise of the waltz theme, ends with a brilliant coda.
$12.95
Introduction, Theme and Rondo
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Leoš Kuba
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Introduction, Theme and Rondo
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Leoš music
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SheetMusicPlus
Instrumental Duet Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.1022910 Composed by Leoš Kuba. Concert,Contemporary,Sacred,Standards...
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Instrumental Duet Baritone Saxophone,Instrumental Duet,Piano - Level 4 - SKU: A0.1022910 Composed by Leoš Kuba. Concert,Contemporary,Sacred,Standards. Score and parts. 46 pages. Leoš music #3560097. Published by Leoš music (A0.1022910).
$14.99
HiJinx! for Bb Clarinet and Orchestra (10')
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Contemporain
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Judith Cloud
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HiJinx! for Bb Clarinet and Or
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Judith Cloud
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SheetMusicPlus
Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Clou...
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Large Ensemble Clarinet,Multi-Percussion,Piano - Level 5 - SKU: A0.981232 Composed by Judith Cloud. Contemporary. Score and parts. 88 pages. Judith Cloud #6710237. Published by Judith Cloud (A0.981232). Composer NotesHiJinx! was commissioned by clarinetist Peter Wright in the spring of 2013. It is a mostly humorous piece aimed at entertaining the audience and the members of the orchestra. I also intended it to be a suitable companion to the Rossini Introduction, Theme and Variations, also featured on the Jacksonville Symphony's 2014-15 season opener. Keenly aware of Peter's fine soloistic abilities I approached organization of the work around quotations from well known clarinet solos. The work was composed between December and March with Peter's mischievous personality constantly in mind, thus the inclusion of random quotations from opera, chamber music and popular song.HiJCloud: HiJinx!List of themes as occurring in the score: 1. Crusell Concerto for Clarinet #3, Allegro Risoluto2. After Debussy Première Rhapsodie3. Prokofiev Peter and the Wolf4. Honegger Pacific 2315. Hummel Sonata for piano, op. 81, Finale6. Bartok The Miraculous Mandarin7. Martin & Blane Clang, clang, clang went the trolley8. Bartok The Miraculous Mandarin 9. Brown & Freed Singin' in the Rain10. Strauss Till Eulenspiegels lustige Streiche11. Rameau Chansons de nos plaisirs from Acanthe et Céphise12. Hugo Friedhofer: Dudley's theme from the film The Bishop's Wife13. Mozart Voi che sapete from Le Nozze di Figaro14. Thomas Je suis Titania from Mignon15. Paganini Rossini MOSE-Fantasia16. Humperdinck Hansel und Gretel 17. Warren & Dubin The Gold Diggers' Song (We're in the Money) 18. Bernard Herrmann Psycho slasher music 19. Warren & Dubin The Gold Diggers' Song (We're in the Money)20. (Next rhythmic and harmonic reference is from Prince: Kiss)21. After Debussy Première Rhapsodie22. Nielson Concerto for Clarinet and Orchestra23. Warren & Dubin The Gold Diggers' Song (We're in the Money)
$15.00
Hexameron for 6 pianists
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Franz Liszt, et al
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Anatoly Zatin
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Hexameron for 6 pianists
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Anatoly Zatin
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SheetMusicPlus
Small Ensemble Piano - Level 5 - SKU: A0.909707 Composed by Franz Liszt, et al. Arranged by Anatoly Zatin. Contemporary,Romantic Period. Score and parts...
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Small Ensemble Piano - Level 5 - SKU: A0.909707 Composed by Franz Liszt, et al. Arranged by Anatoly Zatin. Contemporary,Romantic Period. Score and parts. 152 pages. Anatoly Zatin #3884227. Published by Anatoly Zatin (A0.909707). Introduction, Theme and Finale from Hexameron, Morceau the Concert S.392, arranged for 6 pianists (2 pianos, 12 hands) by Anatoly Zatin. The present arrangement is to be performed by six pianists on two pianos. The concept is that of a gala concert. The introduction and theme are performed by all six pianists, three on each piano. The following variations can be performed each by one of the participating pianists. The score of the solo version is in public domain and available on various digital libraries for download. To make the concert more dynamic it is suggested that solo pianists alternate between the two pianos, thus minimizing time between variations. The closing finale is again performed by all six players on twopianos.
$24.99
Lullaby Variation (For Cello and Strings)
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JunHee Lee
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.1129072 Composed by JunHee Lee. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Peri...
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String Ensemble Cello - Level 4 - SKU: A0.1129072 Composed by JunHee Lee. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729598. Published by Han-Ki Kim (A0.1129072). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
Lullaby Variation (For Violin and Strings)
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Jun-Hee Lim
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Violin - Level 4 - SKU: A0.1129077 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Pe...
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String Ensemble Violin - Level 4 - SKU: A0.1129077 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729603. Published by Han-Ki Kim (A0.1129077). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
Air Varie for Treble or Bass Recorder
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H
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Barbara Brennan
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Air Varie for Treble or Bass R
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bl_music
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SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Piano - Level 3 - SKU: A0.842578 Composed by H.E. Klose. Arranged by Barbara Brennan. Concert,Graduation,...
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Small Ensemble Alto Recorder,Baritone Recorder,Piano - Level 3 - SKU: A0.842578 Composed by H.E. Klose. Arranged by Barbara Brennan. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 22 pages. Bl_music #6672429. Published by bl_music (A0.842578). Hyacinthe Eléonore Klosé (11 October 1808 – 29 August 1880) was a French clarinet player, professor at the Conservatoire de Paris, and composer. Klosé was also noted for his design improvements to the clarinet using the principles laid down by Theobald Boehm in his innovative work on the flute keywork. His Air Varie has become a favourite for clarinet and another unexpected contender: the ophicleide! The introduction, theme and 3 variations, followed by a rond are so charming and highly suitable for Treble or Bass recorders that – having performed the piece on the ophicleide ourselves- we felt this edition could make a great concert piece and addition to the repertoire for recorder players on the hunt for new music. This edition includes solo parts for recorders in F in Treble and Bass clef.
$18.99
Soloist Folio
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Soloist Folio
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Rubank Publications
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SheetMusicPlus
French Horn SKU: HL.4472080 F or Eb Horn with Piano Accompaniment. Rubank Solo Collection. Concert, Contest. 20 pages. Rubank Publications #RUBL79...
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French Horn SKU: HL.4472080 F or Eb Horn with Piano Accompaniment. Rubank Solo Collection. Concert, Contest. 20 pages. Rubank Publications #RUBL79. Published by Rubank Publications (HL.4472080). ISBN 9781540001665. UPC: 073999720808. 9.0x12.0x0.144 inches.Contents: Shenandoah • Adagio from Der Freischutz (Weber) • Andante Cantabile from Symphony No. 5 (Tchaikovsky) • Liebestraume (Liszt) • Andante from Concerto, Op. 64 (Mendelssohn) • Introduction to Third Act from Lohengrin (Wagner) • Poem (Fibich) • Home on the Range • Sing, Smile, Slumber (Gounod) • Sarabande and Gavotte (Corelli) • Bohemian Girl (Balfe) • The Victor (Endresen).
Song List
: Liebestraum (Dream Of Love) Andante Cantabile(Sym.#5) Bohemian Girl(Melodies) Balfe Poem Berceuse (Gounod) Adagio (Weber) Andante (Mendelssohn) Theme From Lohengrin (Wagner) Shenandoah The Victor Home On The Range Sarabande And Gavotte, Op. 5
$8.99
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
Autrérgonne III
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J
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Autrérgonne III
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J. Randolph Hall
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SheetMusicPlus
Small Ensemble Drum Set - Interactive Download SKU: A0.483397 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Scor...
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Small Ensemble Drum Set - Interactive Download SKU: A0.483397 Composed by J. Randolph Hall. This edition: Interactive Download. Jazz,Pop,Rock,World. Score and parts. 34 pages. Duration 178. Published by J. Randolph Hall (A0.483397). The title is a mix of French 'autre' meaning new/other and the Greek 'érgo' for work/opus. This was an experimental piece where I wanted to feature some themes based on the Locrian mode. It is a sequel to two previous works with the same name. A counter-rhythmic feel of 2 against 3 occurs throughout the work. Sections A and E play the first theme. Sections B and D play a second theme. Section C features a percussion solo. Section F recaps the introduction before Section A. Section G ends the peace.
$5.00
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Introduction, Theme 
