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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Introduction and Variation
Non classifié
57
Piano & claviers
Piano seul
20
Orgue
7
Piano Facile
2
Piano, Voix
1
Instruments en Do
1
1 Piano, 4 mains
1
+ 1 instrumentations
Retracter
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Ukulele
3
Guitare
2
Guitare notes et tablatures
1
Voix
Voix duo, Piano
6
Chorale 3 parties
3
Chorale SATB
2
Voix seule
1
Chorale
1
Chorale Unison
1
Chorale TTBB
1
Chorale 2 parties
1
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Vents
Flûte traversière et Piano
3
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2
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2
Saxophone Tenor et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette
1
Saxophone Soprano et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
2 Flûtes traversières (duo)
1
Quatuor de Saxophones: 4 saxophones
1
Flûte et Guitare
1
+ 6 instrumentations
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Cuivres
Tuba
1
Trompette, Trombone (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
2
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1
Alto, Piano
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe
1
+ 1 instrumentations
Retracter
Orchestre & Percussions
Cloches
22
Orchestre d'harmonie
4
Orchestre à Cordes
3
Orchestre
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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ENFANTS : EVEIL - IN…
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Vous avez sélectionné:
Introduction and Variation
Partitions à imprimer
57 partitions trouvées
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51
Introduction and Variation
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Harald Genzmer
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Introduction and Variation
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Schott Music - Digital
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SheetMusicPlus
Organ (4 hands) - advanced - SKU: S9.Q6233 Nun bitten wir den heiligen Geist. Composed by Harald Genzmer. This edition: Sheet music. Downloadable...
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Organ (4 hands) - advanced - SKU: S9.Q6233 Nun bitten wir den heiligen Geist. Composed by Harald Genzmer. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6233. Published by Schott Music - Digital (S9.Q6233). Two new works composed by the great organ composer Harald Genzmer, including a piece for the rare instrumentation of 'organ four-hands'.
$22.99
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Christmas Duet No. 1: Here We Come A-wassailing, Variations for 4-Hand Piano
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Noël
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English Christmas Carol & New
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Graham Yates
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Christmas Duet No. 1: Here We
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Graham Yates
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,...
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Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.887982 Composed by English Christmas Carol & New Year Song. Arranged by Graham Yates. Christmas,Contemporary,Holiday. Score and parts. 13 pages. Graham Yates #6133301. Published by Graham Yates (A0.887982). C. 3:30. Suitable for a teacher/advanced student(s) feature in a holiday recital, or a spotlight performance in a traditional church Christmas service. A short, wild introduction leads to a humoreske statement of the melody, unadorned. Variation 1 is a play on blocked triads and stilted rhythm. Variation 2 is a free, fantasy-like interpretation of the theme. Variation 3 is a slow ragtime that leads into Variation 4, a Charleston. The writing for each player is not particularly challenging, but putting it together will require some advanced skills, including the way primo and secondo share the keyboard. Performing Rights Organization: ASCAP.
$8.99
Brass Band - Nursery Variations
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Contemporain
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Mike Lyons
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Brass Band - Nursery Variation
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767212 Composed by Mike Lyons. Contemporary. Brass Band. 57 pages. Lyons Music Services #3077011. Published by Lyons Music Services (A0.767212). This is a set of variations on the tune Ah! Vous dirai-je Maman - perhaps better know in the English speaking world as Twinkle, Twinkle Little Star. There are four variations, following the introduction, as I wanted to keep the piece short enough for a concert programme. At just over 4 minutes, it is just the right length. The final variation would make this a good piece to finish the first half of a concert. Although there are some challenges, the piece is suitable for most bands from 3rd section upwards.
$25.00
Arirang (For Violin, Cello and S.Orchestra)
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Han-Ki Kim
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Inst...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 26 pages. Han-Ki Kim #799067. Published by Han-Ki Kim (A0.1200264). Arirang for Violin, Cello and String Orchestra “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€.Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$15.90
Lullaby Variation (For Cello and Strings)
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JunHee Lee
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello - Level 4 - SKU: A0.1129072 Composed by JunHee Lee. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Peri...
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String Ensemble Cello - Level 4 - SKU: A0.1129072 Composed by JunHee Lee. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729598. Published by Han-Ki Kim (A0.1129072). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
Lullaby Variation (For Violin and Strings)
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Jun-Hee Lim
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Han-Ki Kim
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Lullaby Variation
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Violin - Level 4 - SKU: A0.1129077 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Pe...
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String Ensemble Violin - Level 4 - SKU: A0.1129077 Composed by Jun-Hee Lim. Arranged by Han-Ki Kim. Chamber,Children,Classical,Instructional,Romantic Period. 28 pages. Han-Ki Kim #729603. Published by Han-Ki Kim (A0.1129077). Adapted melodie for this music is the theme of the art song Star Keeper(Poem by “Gye-seok Takâ€) composed by “Junhee Limâ€. So far, melodic line is concerned, mostly the Korean pentatonic scale “Do re mi so la†is used. The overall framework is an introduction/theme and three variations/cadenza/finale/end. Through the theme, it creates a musical updraft up to the second variation, and in the third variation, a relaxed atmosphere, and then a cadenza singing a conversation between a mother who sings a lullaby and a baby who is enjoying her dream comes out. The figure of the mother is the theme melody played with the G string, and the figure of the child is the cheerful high notes composed of the first five notes of the theme, “Mi Re Do Re Mi.†It then ends with a brilliant finale and a short conclusion. Attached Music file is played by Violin and Piano, it's just jor a reference.
$14.50
Come and Rest (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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Come and Rest
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564777 By Sharon Wilson. By Gustav Gottheil and T. B. Southgate. Arranged by S...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564777 By Sharon Wilson. By Gustav Gottheil and T. B. Southgate. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. 3 pages. Sharon Wilson #1987535. Published by Sharon Wilson (A0.564777). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Mistletoe And Holly
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Dok Stanford, Frank Sinatra, a
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Richard Giszczak
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Mistletoe And Holly
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1200192 Composed by Dok Stanford, Frank Sinatra, and Henry W. Sanicola. Arranged by Richard Giszczak. 20t...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1200192 Composed by Dok Stanford, Frank Sinatra, and Henry W. Sanicola. Arranged by Richard Giszczak. 20th Century,Christmas,Holiday. Individual part. 3 pages. Singing Winds Music Company #798994. Published by Singing Winds Music Company (A0.1200192). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, a variation, a D.S. al Fine and Coda.The song is associated with Christmas.
$4.99
Largo from Winter - Full Score
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Noël
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Antonio Vivaldi and Martha Lyn
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Largo from Winter - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
2, 3, 4, 5 or 6 octaves handbells, Conductor's Score - Level 2 - SKU: C7.CGB455 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antoni...
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2, 3, 4, 5 or 6 octaves handbells, Conductor's Score - Level 2 - SKU: C7.CGB455 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio Vivaldi and Martha Lynn Thompson. Christmas. With Handchimes and/or 2 or 3 handchimes or handbells. Full score. 12 pages. Chorister's Guild - Digital #CGB455. Published by Chorister's Guild - Digital (C7.CGB455). UPC: 749193011164.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$10.95
Largo from Winter - 2-6 octave Score
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Noël
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Antonio Vivaldi and Martha Lyn
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Largo from Winter - 2-6 octave
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Chorister's Guild - Digital
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SheetMusicPlus
2, 3, 4, 5 or 6 octaves handbells - Level 2 - SKU: C7.CGB456 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio Vivaldi and Marth...
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2, 3, 4, 5 or 6 octaves handbells - Level 2 - SKU: C7.CGB456 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio Vivaldi and Martha Lynn Thompson. Christmas. With 2, 3, 4, 5, or 6 octaves handchimes. Score. 4 pages. Chorister's Guild - Digital #CGB456. Published by Chorister's Guild - Digital (C7.CGB456). UPC: 749193011171.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$3.95
"God Is So Good" for Tongue Drum (8-note, C major diatonic scale)
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Sharon Wilson
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Sharon Wilson
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"God Is So Good" for
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569893 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,C...
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569893 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Multicultural,Sacred,World. Score and parts. 11 pages. Sharon Wilson #6641757. Published by Sharon Wilson (A0.569893). Note: the audio sample uses the Grand Staff #2 score (melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum); the YouTube video uses the Grand Staff #1 score with both parts played on the 12-inch drumHere is an easy song to play on a key of C Tongue Drum (8, 11, or 13-note drums). This sheet music is notated for an 8-note, C major diatonic scale Tongue Drum (sometimes called a Hand Drum or Steel Drum). Whether beginner or experienced musician, this set of scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Grand Staff #1This score combines the melody staff with the chord staff. The top staff is the melody staff and shows the notes used to play the melody. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. The bottom staff uses Rhythm #1 and consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat making it easy to accompany yourself or someone else singing the melody. Lyrics between the staves are provided for sing along enjoymentGrand Staff #2This score is identical to Grand Staff #1 except it shows an alternate rhythm pattern on the bottom staff. This alternate accompaniment uses the same chords, but follows a variation of Rhythm #2. Melody ScoreThis score can be played as a solo or with accompaniment using the chord names. Chord names are shown above the staff and note numbers are shown below the lyrics. Chord names can be used when playing with other instruments such as a Ukulele or Guitar. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff.Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Melody Score, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
O Holy Spirit, Enter In (Downloadable Choral Score)
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Robert A
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O Holy Spirit, Enter In
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, soprano descant, SATB choir, and organ, with optional brass quartet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Ho...
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Congregation, soprano descant, SATB choir, and organ, with optional brass quartet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, Timpani, Organ) - Moderately Easy - SKU: MQ.60-5021-E Composed by Robert A. Hobby. All Saints/All Souls, Pentecost, Ordination/Installation. 16 pages. MorningStar Music Publishers - Digital Sheet Music #60-5021-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-5021-E). English.A festive concertato for All Saints, Pentecost, and general use, this begins with a lengthy introduction (options for a shorter intro are specified). Using the tune WIE SCHON LEUCHTET, the composer has fashioned an upbeat setting of this hymn for congregation, soprano descant, SATB choir, and organ. The use of brass quartet and timpani is optional. Stanza one is in unison, stanza two is a choral variation for SATB choir, accompanied. There is an interlude which draws from the introduction, and stanza four is unison with descant.
$2.85
Songs of the Sea Medley
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Folklorique/Traditionel
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Folk Songs
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Richard Giszczak
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Songs of the Sea Medley
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1239541 Composed by Folk Songs. Arranged by Richard Giszczak. Folk. Individual part. 5 pages. Singing Win...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1239541 Composed by Folk Songs. Arranged by Richard Giszczak. Folk. Individual part. 5 pages. Singing Winds Music Company #834919. Published by Singing Winds Music Company (A0.1239541). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction and theme and variation treatments of three folk songs. The titles of the three folk songs are: The Dark-Eyed Sailor, I Was Once a Sailor, and Our Ship She Is Lying in Harbor.
$2.00
Jérôme Savari: Deuxième Fantaisie sur un thème original pour saxophone alto et piano
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Jerome Savari
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Paul Wehage
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Jérôme Savari: De
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano,Saxophone - Level 3 - SKU: A0.532790 Composed by Jerome Savari. Arranged by Paul Wehage. Romantic Period,Standards. Score and in...
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Instrumental Solo,Piano,Saxophone - Level 3 - SKU: A0.532790 Composed by Jerome Savari. Arranged by Paul Wehage. Romantic Period,Standards. Score and individual part. 21 pages. Musik Fabrik Music Publishing #22291. Published by Musik Fabrik Music Publishing (A0.532790). Jéröme Savari was born in Paris in 1819. He was the Director of the Military Band of the 34ème de Ligne. A friend of Adolphe Sax, his works for the saxophone are among the first for this instrument. In addition to three fantasies for alto saxophone and piano, Savari wrote a series of ensembles which go from duo to octet. His works were published by Sax between 1861 and 1862. He died in 1870. This work is in four main sections, a slow introduction with a final cadenza, an original Waltz theme with a variation, an Andante section based on the Waltz theme and a bolero which, after short reprise of the waltz theme, ends with a brilliant coda.
$12.95
Heidenröslein: Variations on a Theme by Franz Schubert
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Classique
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
Arirang (For Piano Trio)
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Contemporain
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90
We Thank Thee for a Sabbath of Rest (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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We Thank Thee for a Sabbath of
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564793 By Sharon Wilson. By Fanny J. Crosby and Ira D. Sankey. Arranged by Sha...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564793 By Sharon Wilson. By Fanny J. Crosby and Ira D. Sankey. Arranged by Sharon Wilson. Folk,Praise & Worship,Romantic Period,Sacred. 6 pages. Sharon Wilson #1987589. Published by Sharon Wilson (A0.564793). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
My Sabbath Song (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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My Sabbath Song
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564785 By Sharon Wilson. By Mary A. Kidder and William B. Bradbury. Arranged b...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564785 By Sharon Wilson. By Mary A. Kidder and William B. Bradbury. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. 4 pages. Sharon Wilson #1987553. Published by Sharon Wilson (A0.564785). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Happy Sabbath Day (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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Happy Sabbath Day
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564780 By Sharon Wilson. By Edith S. Tillotson and Grant Colfax Tullar. Arrang...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564780 By Sharon Wilson. By Edith S. Tillotson and Grant Colfax Tullar. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. 7 pages. Sharon Wilson #1987543. Published by Sharon Wilson (A0.564780). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Jehovah's Rest (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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Jehovah's Rest
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564782 By Sharon Wilson. By Franklin E. Belden and Louise Kleuser. Arranged by...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564782 By Sharon Wilson. By Franklin E. Belden and Louise Kleuser. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. 4 pages. Sharon Wilson #1987547. Published by Sharon Wilson (A0.564782). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Sweet Is the Light of Sabbath Eve (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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Sweet Is the Light of Sabbath
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 2 - SKU: A0.564791 By Sharon Wilson. By H. S. Oakeley and J. Edmeston. Arranged by Sharon ...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 2 - SKU: A0.564791 By Sharon Wilson. By H. S. Oakeley and J. Edmeston. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred,Traditional. 4 pages. Sharon Wilson #1987579. Published by Sharon Wilson (A0.564791). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
This Is the Day (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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This Is the Day
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564792 By Sharon Wilson. By Isaac Watts and Thomas Augustine Arne. Arranged by...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564792 By Sharon Wilson. By Isaac Watts and Thomas Augustine Arne. Arranged by Sharon Wilson. Folk,Praise & Worship,Romantic Period,Sacred,Traditional. 3 pages. Sharon Wilson #1987585. Published by Sharon Wilson (A0.564792). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
Welcome, Sabbath Day of Rest (Sabbath Celebration)
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Sharon Wilson
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Sharon Wilson
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Welcome, Sabbath Day of Rest
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Sharon Wilson
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SheetMusicPlus
High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564794 By Sharon Wilson. By I. H. Evans and Irving A. Steinel. Arranged by Sha...
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High Voice,Low Voice,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.564794 By Sharon Wilson. By I. H. Evans and Irving A. Steinel. Arranged by Sharon Wilson. Praise & Worship,Romantic Period,Sacred. 3 pages. Sharon Wilson #1987593. Published by Sharon Wilson (A0.564794). This arrangement is one of the 20 songs in the collection titled Sabbath Celebration and is intended for use by any size group from a small gathering of family and friends to an entire congregation. This arrangement is presented in two formats: 1) a reproducible SATB score in the usual 2-staff hymn format plus 2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an endingThe piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that complement the 4-part harmony of the vocal score. This song from long ago provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship. Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
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