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COR
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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ORCHESTRE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
98566
PIANO & CLAVIERS
Piano seul
85340
Piano, Voix et Guitare
24819
Piano Facile
21645
Piano, Voix
21069
Instruments en Do
6822
Accordéon
6450
Orgue
6031
Accompagnement Piano
4154
Piano grosses notes
2534
1 Piano, 4 mains
2106
Piano (partie séparée)
815
Piano Trio: piano, violon, violoncelle
757
2 Pianos, 4 mains
386
Clavier
230
Accordéon, Voix
217
Clavecin
166
Piano Quatuor: piano, violon, alto, violoncelle
163
Orgue, Trompette (duo)
163
Piano Quintette: piano, 2 violons, alto, violoncelle
138
Orgue, Piano (duo)
133
Piano Quatuor: piano, 2 violons, violoncelle
107
Ligne De Mélodie, Piano
101
2 Accordéons
78
Instrument seul et Orgue
64
Ensemble d'Accordéons
56
1 Piano, 6 mains
50
Orgue, Voix
20
2 Pianos, 8 mains
17
Accordéon, Piano
13
Accordéon, Corde(s)
12
Accordéon et Orchestre
8
2 Orgues (duo)
6
Fake Book
6
Tous Les Instruments
2
Orgue et Orchestre
2
Accordéon - Piano, Voix, Guitare
2
Piano Trio: Instruments de chambre mixtes
1
Ensemble de Pianos
1
Concertina
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
13800
Ligne De Mélodie, (Paroles) et Accords
11585
Guitare
11121
Basse electrique
5720
Ukulele
4715
Paroles et Accords
1061
Mandoline
851
Guitare (partie séparée)
649
2 Guitares (duo)
645
Banjo
457
Piano, Guitare (duo)
383
Dulcimer
354
4 Guitares (Quatuor)
251
Ukulele Baryton
155
3 Guitares (trio)
148
Ensemble de guitares
84
Guitare Pedal Steel
80
Dobro
56
Basse électrique (partie séparée)
51
Guitare Tab, Voix, Basse, Batterie
40
Mandoline, Piano (duo)
18
Mandoline, Guitare (duo)
14
Ensemble de Ukulélés
12
2 Dulcimers (duo)
12
Guitare, Violon, Violoncelle (trio)
11
Partitions De Groupes
10
2 Ukuleles
10
Guitare, Orchestre
6
Guitare, Quatuor à cordes
5
2 Guitares et Orchestre
4
Guitare, Flûte, Clarinette
4
2 Mandolines (duo)
4
Orchestre à Plectres
3
Luth
3
Cithare
2
2 Guitares et Piano
2
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
25547
Pack Instrumental pour Chorale
17774
Chorale 3 parties
9876
Voix seule
6335
Chorale 2 parties
5072
Chorale TTBB
4026
Chorale Unison
2183
Chorale SSAA
1919
Voix duo, Piano
898
Voix haute
679
Chorale
548
Voix Soprano, Piano
522
Voix duo
386
Voix Tenor, Piano
288
Voix Alto, Piano
262
Voix Baryton, Piano
217
Chorale SSATB
195
Voix basse, Piano
172
Voix moyenne, Piano
165
Chorale SSAATTBB
160
Chorale SSATTB
112
Voix, Guitare
108
Voix Tenor
59
Voix Mezzo-Soprano, Piano
58
Soli, choeur mixte et accompagnement
58
Voix Soprano
42
Chorale SSAATB
39
Voix d'Enfants
32
Voix basse
32
Voix et basse continue
24
Chorale SSATBB
23
Chorale SSAB, Piano
20
Chorale SSAB a cappella
18
Chorale SATBB
14
Chorale, Orchestre
13
Voix haute, Piano
11
Chorale, Orgue
9
Voix Soprano, Orchestre
9
Chorale SATTBB A Cappella
4
Chorale SATTB
3
Voix Moyenne
2
Male Voice
2
Chorale SSAATB A Cappella
2
Voix d'Enfants, Piano
2
Voix duo, Orgue
2
Chorale SAATB A Cappella
2
Instrumentations suivantes
Retracter
VENTS
Saxophone
17856
Flûte traversière
13054
Clarinette
12132
Saxophone (partie séparée)
7955
Flûte traversière et Piano
5822
Clarinette (partie séparée)
4734
Saxophone Alto
4734
Saxophone Tenor
4423
Clarinette et Piano
4323
Quatuor de Saxophones: 4 saxophones
4112
Hautbois, Piano (duo)
3771
Saxophone Alto et Piano
3473
2 Saxophones (duo)
3068
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2851
Flûte, Hautbois, Clarinette, Basson
2776
Flute (partie séparée)
2729
Saxophone Tenor et Piano
2610
2 Flûtes traversières (duo)
2278
Hautbois (partie séparée)
2059
2 Clarinettes (duo)
1909
Quatuor de Clarinettes: 4 clarinettes
1730
Hautbois
1564
Flûte à Bec
1531
Saxophone Soprano et Piano
1486
Quintette de Saxophone: 5 saxophones
1175
Saxophone Baryton, Piano
943
Quatuor de Flûtes : 4 flûtes
860
Saxophone Soprano
838
Flûte, Clarinette (duo)
712
3 Saxophones (trio)
679
Cor anglais, Piano
679
2 Hautbois (duo)
658
Ensemble de Clarinettes
624
Instruments en Mib
616
Flûte et Guitare
613
Flûte à bec Soprano
577
3 Clarinettes (trio)
576
2 Flûte à bec (duo)
575
Harmonica
562
Saxophone, Clarinette (duo)
537
Ocarina
524
Clarinette Basse, Piano
510
Clarinette, Violon (duo)
498
Hautbois, Basson (duo)
489
Ensemble de Flûtes
482
Ensemble de saxophones
477
Trio de Flûtes: 3 flûtes
444
Quintette de Clarinettes: 5 clarinettes
441
Hautbois, Clarinette (duo)
441
Flûte à bec Alto
384
Flûte, Violon
379
Piccolo, Piano
306
Flûte à bec Alto, Piano
304
Flûte, Trompette (duo)
274
Flûte à bec Soprano, Piano
273
Clarinette, Trompette (duo)
262
Quatuor de Flûtes à bec
242
Hautbois, Flûte
239
Flûte, Violoncelle
238
Clarinette, Basson (duo)
221
Flûte, Violon, Piano
217
Saxophone Baryton
217
Flûte à bec Tenor
215
Clarinette, Violoncelle (duo)
197
Flûte, Hautbois (duo)
194
Flûte, Hautbois, Clarinette (trio)
188
Quintette de Flûte : 5 flûtes
178
Flûte, Clarinette et Basson
176
Clarinette et Alto
175
Flûte, Saxophone (duo)
170
Hautbois, violon (duo)
168
Flûte à Bec, Piano
162
Flûte, Alto (duo)
158
Clarinette, Guitare (duo)
152
Clarinette Basse
151
Hautbois, Clarinette, Basson (trio d'anches)
151
Saxophone et Guitare
141
3 Flûtes à bec (trio)
137
Piccolo
134
Flûte, Violon et Violoncelle
133
Hautbois, Violoncelle
130
2 Saxophones, Piano
127
Cor Anglais
118
Flûte, Violoncelle, Piano (trio)
115
Flûte, Hautbois, Basson
115
Flûte, Trombone (duo)
96
Hautbois, Trompette (duo)
95
Saxophone, Violon (duo)
92
Clarinette, Trombone (duo)
91
2 Flûtes traversières, Piano
91
Ensemble De Flûte à bec
85
2 Clarinettes, Piano
79
Flûte, Clarinette, Piano (trio)
79
5 Flûtes à bec
60
Clarinette, Violoncelle, Piano (trio)
58
Flûte, Basson et Piano
55
Saxophone et Piano
49
Flûte, Hautbois, Piano (trio)
49
Saxophone, Basson (duo)
47
Flûte traversière, Orgue (duo)
43
Flûte à bec Alto, Basse continue
42
Hautbois, Guitare (duo)
42
Flûte traversière, Basse continue
38
Flûte, Clarinette, Cor, Basson (Quartet)
36
Cor anglais, Guitare (duo)
34
Flûte, Alto et Piano
33
Saxophone et violoncelle
32
3 Hautbois
31
Clarinette, Harpe (duo)
26
Hautbois, trombone (duo)
26
Flûte à bec, Guitare (duo)
25
Clarinette, Alto et Piano (trio)
25
Ensemble à vent
23
Quintette de Clarinette: Clarinette, Quatuor à Cordes
22
Flûte et Trio à cordes
21
Flûte traversière, Orchestre
21
2 Clarinettes, Basson
21
Saxophone et Orgue
20
Clarinette, Basson, Piano (trio)
19
Flute, harpe et violon
19
Flûte, trombone et piano
17
Hautbois et alto (duo)
17
Flûte, Violoncelle, Guitare
16
2 Cors Anglais Et Pianoforte
16
Flûte, Harpe et Violoncelle
16
Saxophone et Orchestre
15
Flûte, Violon, Violoncelle et Piano
15
Hautbois, Basson et Piano
14
Flûte et Quatuor à Cordes
14
Flûte, Clarinette, Violon (trio)
14
2 Flûtes à bec, Piano
14
Hautbois, Harpe
13
4 Hautbois
12
Clarinette, Orchestre
12
Hautbois, Violoncelle et Piano
10
Hautbois, Clarinette et Piano (Trio)
10
Clarinette, Orgue
10
Flûte à bec Soprano, Basse continue
10
Clarinette, trompette et piano
9
Saxophone et Harpe
9
Hautbois, Violon, Piano
9
Flûte irlandaise
9
Flûte, alto et harpe
9
Flûte de Pan
7
Flûte, Hautbois, Violon
7
2 Hautbois, Piano
7
Cornemuse
7
Flute, Cor (duo)
7
Clarinette, Contrebasse (duo)
6
Hautbois, Orgue
6
Harmonica, Piano
6
2 Flûtes, Basse continue
6
Flûte, Violon, Guitare
6
Hautbois, Violin, Alto et Violoncelle (Quatuor)
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Hautbois, Quatuor à cordes
4
Ensemble de Hautbois
4
Hautbois et Orchestre
4
Cor anglais et Harpe (duo)
4
Clarinette, Quatuor à cordes et Piano
3
Flûte à bec, Harpe
3
2 Flûtes, 2 Clarinettes (Quatuor)
3
2 Hautbois et Cor anglais
3
Flûte, Alto et Violoncelle
2
Melodica
2
3 Flûtes à bec, Piano
2
2 Flûtes traversières, Guitare
2
Saxophone, Tuba (duo)
1
Clarinette, Tuba
1
2 clarinettes, 2 bassons
1
Flute, alto, violoncelle et guitare
1
Flûte, Tuba (duo)
1
2 Flûtes traversières, Harpe
1
2 Hautbois, 2 Cors et 2 Bassons
1
Clarinette, Saxophone, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
10411
Trombone
9357
Trompette (partie séparée)
7953
Trombone (partie séparée)
5681
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4318
Cor
3736
Trompette, Piano
2886
Trombone et Piano
2840
Cor (partie séparée)
2257
Cor et Piano
2148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2106
Tuba
1298
Tuba (partie séparée)
1231
2 Trombones (duo)
1194
2 Trompettes (duo)
1155
Tuba et Piano
1144
Quatuor de Cuivres
907
Euphonium, Piano (duo)
718
Cor anglais, Piano
679
Instruments en Sib
645
Trompette, Trombone (duo)
619
Quatuor de Cuivres: 2 trompettes, Cor, trombone
581
2 Cors (duo)
539
Euphonium
528
Trompette, Saxophone (duo)
524
Quatuor de cuivres: 4 trombones
436
Quatuor de cuivres: 4 cors
421
Trio de Cuivres
296
Trombone basse et Piano
240
Ensemble de Trombones
217
2 Tubas (duo)
184
Ensemble de Cors
177
Tuba ou Euphonium ou Saxhorn
171
Ensemble de Trompettes
157
Bass Clef Instruments
143
Trombone, violoncelle (duo)
136
Trompette, Cor (duo)
130
Cor Anglais
118
Trombone, Tuba (duo)
114
Trompette, Tuba (duo)
109
2 Euphoniums et 2 Tubas
107
Quatuor de cuivres: 4 trompettes
105
Trompette, Basson (duo)
104
3 Trombones (trio)
103
Trompette, violon (duo)
98
3 Trompettes (trio)
95
Cor, Violoncelle (duo)
78
Euphonium (partie séparée)
78
4 Tubas
73
Trombone, Cor (duo)
72
Quatuor de cuivres: 2 trompettes, 2 trombones
70
Trombone, Violon (duo)
63
2 Euphoniums (duo)
55
Cor, Tuba (duo)
54
Tuba et Orgue
51
Trombone basse
50
Trompette, Violoncelle (duo)
48
2 Trompettes, Clavier (piano ou orgue)
38
Cor et Basson (duo)
37
Euphonium, Tuba (duo)
36
Cor anglais, Guitare (duo)
34
Trompette et Guitare
31
Trombone, Alto (duo)
27
3 Tubas (trio)
25
3 Cors (trio)
25
Trombone, Orgue
22
Trompette, Trombone, Piano
21
Cornet A Pistons
17
2 Cors Anglais Et Pianoforte
16
Cornet et Piano
14
Trompette, Violoncelle et Piano
13
Cor et Harpe
10
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
8
Bugle
7
Cor, Orchestre
7
2 Cors, Piano
7
Trompette, Harpe
7
Trombone et orchestre
7
Clarinette, Cor (duo)
6
Trompette, Orchestre
6
4 Euphoniums
5
Cor et Orgue
5
G Instruments
4
Cor anglais et Harpe (duo)
4
3 Euphoniums
3
Instruments en Fa
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trompette, Euphonium (duo)
3
Saxhorn basse ou Euphonium ou Tuba et Piano
3
Ensemble de Tubas
2
Cornet et orchestre
2
2 Trombones, Piano
2
Cor, Trompette, Trombone (trio)
1
Cor, Violoncelle et Piano
1
Euphonium Ou Saxhorn Et Piano
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
11012
Violon
10614
Violon et Piano
7652
Violoncelle
7432
Alto seul
6112
Violoncelle, Piano
5114
Violon (partie séparée)
4101
Alto, Piano
4060
Harpe
2960
2 Violons (duo)
2225
Violon, Violoncelle (duo)
2112
Trio à Cordes: violon, alto, violoncelle
1805
Contrebasse (partie séparée)
1694
2 Violoncelles (duo)
1626
Alto (partie séparée)
1308
Contre Basse
1271
Violoncelle (partie séparée)
1016
Contrebasse, Piano (duo)
945
2 Altos (duo)
846
Quintette à cordes: 2 violons, alto, violoncelle, basse
838
Violon, Alto (duo)
815
Trio à Cordes: 2 violons, violoncelle
649
Alto, Violoncelle (duo)
540
4 Violoncelles
269
Trio à cordes: 3 violins
260
Violon, Guitare (duo)
260
Harpe, Flûte (duo)
237
Piano Trio: Violon, Alto, Piano
236
Violoncelle , Guitare (duo)
202
Trio à Cordes: 3 violoncelles
162
2 Contrebasses (duo)
160
2 Harpes (duo)
151
Violon, Basson (duo)
140
Alto et Basson
121
Quatuor à cordes: 4 violons
116
2 Violons, Piano
94
Violoncelle, Contrebasse (duo)
91
Trio à cordes
88
Quatuor à cordes : 4 altos
88
Trio à cordes: 3 altos
81
Harpe, Violon (duo)
76
Trio à Cordes: 2 violons, alto
73
Quintette à cordes: 2 violons, 2 altos, violoncelle
68
Alto, Guitare (duo)
66
Harpe (partie séparée)
64
Violon, Basse continue
43
Quintette à cordes : 2 violons, alto et 2 violoncelles
42
Violoncelle, Basse continue
41
Violoncelle, Orchestre
40
Violon, Orgue
38
2 Violons et Basse continue
38
Violoncelle, Orgue
36
Harpe, Voix
35
Violon, Clarinette, Piano (trio)
32
Ensemble de Violons
31
2 Violoncelles, Piano
29
Harpe, Violoncelle (duo)
28
Ensemble d'Altos
27
4 Contrebasses
27
Ensemble de Violoncelles
26
Alto et Harpe
26
Harpe et Piano
22
2 Altos, Piano
18
Flûte, Contrebasse (duo)
18
Violoncelle et Marimba
15
Harpe et mandoline
13
Harpe, Violon, Violoncelle
13
Alto et orchestre
13
Autoharp
8
Harpe, Trombone (duo)
6
Alto, Orgue
6
4 Harpes
6
3 Contrebasses
5
Violon, Violoncelle, Clarinette
5
5 Harpes
5
3 Harpes
5
Harpe, Quatuor à cordes
4
Harpe et Orgue
4
Violon, Tuba (duo)
2
Harpe, Orchestre
2
Violon, Trompette et Piano
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
26046
Batterie
7277
Ensemble Jazz
6688
Orchestre
6572
Orchestre à Cordes
5191
Fanfare
4544
Percussion (partie séparée)
3474
Cloches
2533
Ensemble de cuivres
2062
Orchestre de chambre
1281
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240
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102
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Julián Aguirre - 5 Canciones Op.36. Arrangement for Classical Guitar and Accordion
Guitar, Accordion - Advanced Intermediate - Digital Download Composed by Julian Aguir…
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Guitar, Accordion - Advanced Intermediate - Digital Download Composed by Julian Aguirre (1868-1924). Arranged by Guilherme Faquetti. Romantic Period, Repertoire, South American, Recital. Individual Part, Lead Sheet, Score, Set of Parts. 40 pages. Published by Guilherme Faquetti
This arrangement for Classical Guitar and Accordion of the “5 Canciones Op.36”, content of the second book of the collection "Aires Nacionales Argentinos" is an artistic re-creation, made from the informations contained in the piano score published around 1930 by the publisher “Ricordi Americana” in Buenos Aires, Argentina.This arrangement for Classical Guitar and Accordion of the “5 Canciones Op.36”, content of the second book of the collection "Aires Nacionales Argentinos" is an artistic re-creation, made from the informations contained in the piano score published around 1930 by the publisher “Ricordi Americana” in Buenos Aires, Argentina.
$4.99
4.56 €
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Julian Aguirre (1868-1924)
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Guilherme Faquetti
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Julián Aguirre - 5 Canciones Op.36. Arrangement for Classical Guitar and Accordion
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SheetMusicPlus
Finnish National Anthem for String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik P…
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String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
8.22 €
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Fredrik Pacius(1809-1891)
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Keith Terrett
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Finnish National Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
Good Friday Reflections: Organ Meditations on Stations of the Cross
“These are written-out improvisations that were a part of the Good Friday noon li…
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“These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included
Song List: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
Song List
: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
$21.50
19.66 €
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Good Friday Reflections: Organ Meditations on Stations of the Cross
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SheetMusicPlus
Carson Cooman: The Revelations of Divine Love (Metaphors from Sea and Sky) (2009) oratorio for sopra
Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carso…
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Choral Choir (4-Part) - Level 5 - Digital Download SKU: A0.535382 Composed by Carson Cooman. Contemporary,Sacred. Octavo. 187 pages. Musik Fabrik Music Publishing #3025403. Published by Musik Fabrik Music Publishing (A0.535382). The Revelations of Divine Love (Metaphors from Sea and Sky) (2009), an oratorio for soprano,baritone, chorus, and chamber orchestra (0000.1100.1perc.strings), was commissioned for and is dedicated to the choir ofRoyal Holloway, University of London and Rupert Gough, director of choral music.The texts of the work are adapted primarily from the writings of Julian of Norwich (c. 1342–1416).Julian is best-known for her Sixteen Revelations of Divine Love (c. 1393), believed to be the first Englishlanguagebook written by a woman. Considered one of the most significant English mystics of alltime, Julian lived a reclusive life as an anchoress at the Church of St. Julian in Norwich, England (hertrue name is unknown). Regarded even during her lifetime as a spiritual authority, her optimisticvisions have been very influential in the years that have followed.Texts are also drawn from three additional sources: an excerpt from the Book of Margery Kempe(translated by Christopher M. Brunelle), two poems by English poet Robert Herrick (1591–1674),and a poem by the American writer Elizabeth Kirschner (b. 1955).The primary concept underlying this oratorio is the presence of two distinct discourses. One is asequence taken from Julian’s religious visions. The other is a sonic geography of Nantucket Island(located 30 miles off the coast of Massachusetts in the United States). This interconnected conceptwas inspired by the writings of the great Scottish poet George Mackay Brown (1921–1996). Livinghis entire life on Scotland’s Orkney Islands, Mackay Brown consistently explored the transpositionof religious imagery and events to his native landscape. (For example, the poem Apple-Basket, Apple-Blossom takes the story and structure of the Stations of the Cross, and maps them onto imagery ofdistinctly Orcadian character.)The landscape of Nantucket Island has been the driving force behind a large number of mycompositions for many years. In this oratorio, Julian’s visions are transposed from Norwich andmapped onto the Nantucket landscape. Each movement of the work thus has two parallel purposes:a setting of the visionary words, and a portrayal of a specific place in Nantucket’s geography. Muchof the music was planned in the actual locations. Since the soloists and choir must, by necessity, singthe words, a great deal of the landscape is left to the orchestra. Thus, the orchestra’s role issubstantially greater than simply accompaniment.Because of these two discourses, the oratorio is not intended as comprehensive working out of allaspects of Julian’s visions, nor does it use her own structure and sequence. Rather, it takes herbeautiful words, and the fundamentals of her visions, and attempts to create a new narrative andspiritual experience from them.This is the full score. The vocal score is available for sale. The parts are available on rental from the publisher.
$32.95
30.12 €
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Carson Cooman
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Carson Cooman: The Revelations of Divine Love
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tuition Book - Violin Method
Solo Violin - Grade 2 - Digital Download SKU: FX.FX074105 Composed by Sarah Labrous…
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Solo Violin - Grade 2 - Digital Download SKU: FX.FX074105 Composed by Sarah Labrousse-Baert. Original Composition, Method. Educational. Book, Method. FLEX Editions - Digital Sheet Music #FX074105. Published by FLEX Editions - Digital Sheet Music (FX.FX074105). This method puts together, in a single volume, more than 120 exercises and pieces for learning changes of positions from the 1st to the 5th position. These exercises will allow you to acquire a solid basis to progress all along the violin neck. ; Instruments: Solo Violin.
$16.95
15.5 €
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Sarah Labrousse-Baert
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Instruments: Solo Violin.
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Tuition Book - Violin Method
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Lions, Tigers, & Bears (Piano Accompaniment Track)
Choir,Piano,Ukulele - Digital Download SKU: A0.1065519 Composed by Carol Troutman W…
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Choir,Piano,Ukulele - Digital Download SKU: A0.1065519 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 107. Carol Troutman Wiggins #3448237. Published by Carol Troutman Wiggins (A0.1065519). LIONS, TIGERS, & BEARSUnison Action Song w/Optional SoloScared of lions, tigers, & bears? Well, not these! These fun, wild beasts love to clap their hands and jump around while they dance a jig!Excellent for any age elementary studentsOptional solo at beginningMinor section to happy, fun major keyRepetitive lyrics & melodyEast to teach, easy to learnDance actions included in scoreChords included for additional instruments.
$5.99
5.48 €
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Carol Troutman Wiggins
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Lions, Tigers, & Bears
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Carol Troutman Wiggins
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SheetMusicPlus
Dimension 20, Regeneration - Score Only
Small Ensemble - Level 5 - Digital Download SKU: A0.753974 Composed by Nick Raspa. …
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Small Ensemble - Level 5 - Digital Download SKU: A0.753974 Composed by Nick Raspa. 20th Century. Score and parts. 14 pages. NJR Music #13605. Published by NJR Music (A0.753974). This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by Access Contemporary Music to be performed in a Chicago reading session by members of the contemporary music ensemble Anaphora and broadcast over the internet in February 2012. The work has a total duration of 9 minutes. The title makes reference to both the dodecaphonic movement in music and my family's immigration to the United States. This piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows.
$5.00
4.57 €
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Nick Raspa
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Dimension 20, Regeneration - Score Only
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NJR Music
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SheetMusicPlus
Dimension 20, Regeneration - Full Set
Small Ensemble B-Flat Clarinet,Horn,Piano - Level 5 - Digital Download SKU: A0.754097
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Small Ensemble B-Flat Clarinet,Horn,Piano - Level 5 - Digital Download SKU: A0.754097 Composed by Nick Raspa. 20th Century. Score and parts. 29 pages. NJR Music #2063785. Published by NJR Music (A0.754097). This piece is for B Flat Clarinet, Horn in F and Piano. The work was selected by Access Contemporary Music to be performed in a Chicago reading session by members of the contemporary music ensemble Anaphora and broadcast over the internet in February 2012. This atonal work utilizing tone rows has a total duration of 9 minute. Â The title makes reference to both the dodecaphonic movement in music from the early 20th Century and my immigrant family's immigration to the United States during the very early part of the 20th Century.This serial piece was composed using 10 tone rows. Each instrument was assigned a separate tone row. Rows 1 - 3 comprise first section. Rows 4 - 6 comprise the second section beginning at measure 20. Rows 7 - 9 comprise the third section beginning at measure 41 and Rows 3, 6 & 10 comprise the final section beginning at measure 100. The algorithm used proper names with letters outside the 7 letter musical alphabet being converted using the numbers 1 - 7 in a recurring fashion. Musical letters were first considered natural with duplications in any particular tone row first lowered then raised. Any additional duplication was returned to the natural form. Octaves are considered the same as unison. There were no enharmonic accommodations made to the tone rows. ASCAP.
$9.95
9.1 €
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Nick Raspa
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Dimension 20, Regeneration - Full Set
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NJR Music
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.87 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Scottish National Anthem for Brass Band Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digit…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1215186 By Keith Terrett. By Williamson. Arranged by Keith Terrett. Patriotic,Praise & Worship,Traditional. 10 pages. Keith Terrett #812052. Published by Keith Terrett (A0.1215186). An arrangement of the Scottish National Anthem for Brass Band Quintet. A constituent nation of the United Kingdom, Scotland lacks an official, legislated national song; in fact there are several songs in use as national songs of Scotland. The one most often considered as the unofficial national anthem (and most often presented as Scotland’s anthem at sporting matches) is Flower of Scotland, written by Roy Williamson in 1965 for the popular folk group The Corries. It was first used in a sporting match in 1974 by the Scottish national rugby team in 1974, sung by the team. When the British God Save the Queen was sung before a rugby match in 1988 to represent Scotland, and was met by derision from the crowd, Flower of Scotland was adopted as Scotland’s pregame anthem. Flower of Scotland, however, has not been adopted in any official basis as the Scottish anthem. Other popular national songs of Scotland have sometimes used as unofficial national anthems, the most common being Scotland the Brave (a traditional melody (sheet music) with lyrics writted by Cliff Hanley in 1950). Scotland the Brave was used as the Scottish anthem at the Commonwealth Games until 2010 (when it was replaced by Flower of Scotland) and is most commonly heard on the bagpipe, the Scottish national instrument. When the Scottish Parliament was opened in 1997, another national song (A Man’s A Man for A’ That by national poet Robert Burns) was used, which isn’t usually presented as a Scottish anthem. The choice of this song may have been to duck the controversy of choosing one of the previously mentioned national songs as an official regional anthem, or by using God Save the Queen (the anthem of the United Kingdom, of which Scotland is a part). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$8.99
8.22 €
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Keith Terrett
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Keith Terrett
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Scottish National Anthem for Brass Band Quintet
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Keith Terrett
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SheetMusicPlus
Dionysus Gagged (from Dionysus to Koré)
Cello,Clarinet,Drum Set,Drums,Flute,Guitar - Level 2 - Digital Download SKU: A0.948990
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Cello,Clarinet,Drum Set,Drums,Flute,Guitar - Level 2 - Digital Download SKU: A0.948990 By Bisdré Santos. By Bisdre Santos. Contemporary,Early Music,Film/TV,Spiritual,Standards. 9 pages. Soul - Musical Creations #6425303. Published by Soul - Musical Creations (A0.948990). De DionÃsio para Koré is a theatrical adaptation of the poetry book of the same name, which reveals the uncontrolled love of the god DionÃsio for the mortal Koré. They constantly change roles, in a cycle of death and rebirth. I wrote this soundtrack in a simple way. Some actors in the cast played some instrument in a beginner way, so I wrote a simple track inspired by ancient Greek music so that everyone could act and play the soundtrack with me live. In the instrumental formation we have guitar, flute, clarinet, cello and drums. This is piece 3 of 6 that integrates the soundtrack. The writing of the drums must be followed rhythmically as it is written, however the pitches of the notes can vary. The most important thing is that the drums are played according to the relative height (High, medium and low). The songs are excellent for a group of beginning students to play together and practice chamber music, being a repertoire of easy execution and very impressive sonority. Good studies! Bisdré Santos Book with the complete soundtrack: https://www.sheetmusicplus.com/title/from-dionysus-to-kor-complete-soundtrack-6-pieces-digital-sheet...
$5.00
4.57 €
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Bisdré Santos
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Dionysus Gagged
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Soul - Musical Creations
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SheetMusicPlus
A Mission for Every One
Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken…
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Keyboard - Digital Download SKU: A0.1503432 Composed by Ken Litton. Arranged by Ken Litton. 20th Century,Christian,Contemporary,Religious,Sacred. Accompaniment. Duration 140. Artist of Note, Inc. #1078881. Published by Artist of Note, Inc. (A0.1503432). A Mission for Every OneAudio accompaniment/demo MP3A song I wrote at the request of the South Brazil Mission of the International Mission Board SBC, for their Annual South Brazil Mission Meeting in 1997 while we were serving the churches of the Federal District Baptist Convention in the capital city of Brasília (1000 miles into the interior of the country).The key reference here is Matthew 24:4-14...And Jesus answered and said unto them, Take heed that no man deceive you. For many shall come in my name, saying, I am Christ; and shall deceive many. And ye shall hear of wars and rumours of wars: see that ye be not troubled: for all these things must come to pass, but the end is not yet. For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places. All these are the beginning of sorrows. Then shall they deliver you up to be afflicted, and shall kill you: and ye shall be hated of all nations for my name's sake. And then shall many be offended, and shall betray one another, and shall hate one another. And many false prophets shall rise, and shall deceive many. And because iniquity shall abound, the love of many shall wax cold. But he that shall endure unto the end, the same shall be saved. And this gospel of the kingdom shall be preached in all the world for a witness unto all nations; and then shall the end come.—KJV#evangelism #outreach #witness #testifyAvailable where you go for the best in downloadable resources, including:Sheet Music PlusSheet Music DirectAnd via your local Hal Leonard InStore music dealerAlso…check out other titles from East of the Altar/Artist of Note, Inc.!Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard!
$2.99
2.73 €
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Ken Litton
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Ken Litton
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and shall deceive many
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A Mission for Every One
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Artist of Note, Inc.
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SheetMusicPlus
93 Million Miles
Level 1 - Interactive Download SKU: A0.1259943 By Jason Mraz. By Jason Mraz, Michae…
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Level 1 - Interactive Download SKU: A0.1259943 By Jason Mraz. By Jason Mraz, Michael Natter, and Mike Daly. Arranged by SAMUEL DE SOUZA MALAQUIAS. This edition: Interactive Download. Pop,Rock,Wedding. 25 pages. Duration 209. SAMUEL DE SOUZA MALAQUIAS #4I6tZl4L2rbKVE5FWrhnI1. Published by SAMUEL DE SOUZA MALAQUIAS (A0.1259943). Key: D major.Introducing my beautiful musical version of 93 Million Miles. With enchanting melodies that soar in the air, my arrangement captures the song's deep meaning, taking listeners on a journey of hope and strength. Inspired by Jason Mraz's original masterpiece, my rendition brings new life to this timeless ballad, leaving hearts touched and spirits lifted. Experience the magic of music as it connects miles and emotions, inviting you to embrace the universe's beauty in every note. Let my version of 93 Million Miles be your melodic companion on this incredible voyage. A simple drum accompaniment helps to keep the groove of the small ensemble.
$12.99
11.88 €
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Jason Mraz
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SAMUEL DE SOUZA MALAQUIAS
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93 Million Miles
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SAMUEL DE SOUZA MALAQUIAS
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SheetMusicPlus
National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsk…
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Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
9.13 €
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Pavilo Chubynsky, Mykhailo Verbytsky
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Dennis Ruello
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National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
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Chicory Music
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SheetMusicPlus
Affection or Love
Chamber Music, Quatuor Trombone Quartet and Rhythm Section: 3 Tenor Trombones & Bass Tromb…
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Chamber Music, Quatuor Trombone Quartet and Rhythm Section: 3 Tenor Trombones & Bass Trombone, Piano, Double Bass, Drum Set - Grade 3 - Digital Download SKU: FX.FX073782 Composed by Francois Guin. Original Composition. Jazz, Educational. Score and Set of Parts. 16 pages. FLEX Editions - Digital Sheet Music #FX073782. Published by FLEX Editions - Digital Sheet Music (FX.FX073782). A piece composed by Francois GUIN, part of LES FOUR BONES collection ; Instruments:Trombone Quartet and Rhythm Section: 3 Tenor Trombones & 1 Bass Trombone 1 Piano 1 Double Bass 1 Drum Set.
$17.95
16.41 €
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Francois Guin
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Affection or Love
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Gaelic Faram (Jig in Kiev) for 2 Pianos & 2 Percussionists (15 mins)
Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Compose…
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Small Ensemble Percussion,Piano - Level 5 - Digital Download SKU: A0.890710 Composed by John Pitts. Celtic,Contemporary,Folk,World. Score and parts. 204 pages. Intensely Pleasant Music #3424709. Published by Intensely Pleasant Music (A0.890710). Gaelic Faram (Jig in Kiev) for 2 pianos and 2 percussionists - 15 minutes. SCORE & PARTS Designed as a companion piece for Bartok’s famous Sonata for 2 pianos and percussion, Gaelic Faram (Jig in Kiev) was composed for the Kiev Piano Duo (Oleksandra Zaytseva and Dmytro Tavanets) and percussionists Dmytro Ulyanov and Yevhen Ulyanov for the final concert of the Kiev Chamber Music Session Festival 2012. Fully revised 2016. This is a note-filled, virtuosic piece inspired by British folksong, and includes adaptations of the Dargason jig and the reel Mary Mack, and starts with an attempt to capture some of the ornamented and decorated melody lines typical of Scottish bagpipes. The percussion is either designed to be set out in 4 groups that the performers move between, or if enough percussion is available for each percussionist to have their own (eg: tubular bells, xylophone, drum kit), then they can be set out in two groups, as in the pictures below. [In this 2016 revision, Percussionist II also uses one timp.][Also available: Scene from Gaelic Faram (Jig in Kiev) - a new arrangement of a 6-minute scene from the full 15-minute piece, just for 2 pianos, was made in 2016 for the Australian Piano Duo (Vicky Yang & Maggie Chen).]
$19.99
18.28 €
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John Pitts
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Gaelic Faram
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Intensely Pleasant Music
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SheetMusicPlus
Ma Vie Par Procuration
Digital Download SKU: A0.1416235 By Cédric Hermand. By Cédric Hermand. Arrang…
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Digital Download SKU: A0.1416235 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Multicultural,Romantic Period,Standards,Traditional,World. Full Performance. Duration 242. ArtIA #997918. Published by ArtIA (A0.1416235). Cette version réimaginée plonge dans l'essence même de l'amour et de la solitude, tout en explorant la complexité des relations humaines à travers le prisme de la technologie moderne. L'intégration de mon interprétation vocale offre une nouvelle dimension à cette mélodie intemporelle, enrichissant l'expérience d'écoute avec une touche personnelle et contemporaine.Dans ce clip, vous découvrirez non seulement une performance vocale empreinte d'émotion, mais aussi une production visuelle captivante qui illustre la quête d'authenticité dans un monde souvent trop connecté. Chaque scène, soigneusement conçue, vise à évoquer les sentiments de nostalgie, de réflexion et d'espoir, résonnant profondément avec les auditeurs de tous âges.Cette version de Ma vie par procuration est une invitation à réfléchir sur les moyens par lesquels nous exprimons et vivons l'amour dans le contexte de notre époque digitale.Rejoignez-nous dans cette aventure musicale et émotionnelle, et laissez-vous transporter par la mélodie et les paroles revisitées de cette chanson emblématique.
$1.99
1.82 €
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Cédric Hermand
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Cédric Hermand
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Ma Vie Par Procuration
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ArtIA
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SheetMusicPlus
Sealand (Prinipality of) National Anthem for Brass Quintet
Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital…
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Brass Quintet Baritone Horn TC,Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1489585 By Keith Terrett. By Basil Simonenko Arranged by Keith Terrett. Arranged by Keith Terrett. 21st Century,Contemporary,Contest,Festival,Historic,Multicultural,World. 12 pages. Keith Terrett #1066451. Published by Keith Terrett (A0.1489585). In 1942, during World War II, the British government set up a small base in the North Sea just outside British territorial waters (at the time). After the war, the fort was abandoned, but, in 1967, Roy Bates, a pirate radio broadcaster, claimed it as the Principality of Sealand. The British government’s stated view is that Sealand is within British jurisdiction. Sealand generally is classified as a micronation (a nation project set up by an individual or group, and has no international recognition.)As pertaining to the anthem, it was composed by London composer Basil Simonenko in conjunction with the governing Bates family, and has no words. The title of the anthem is also the motto of Sealand.Principality of Sealand: The Principality of Sealand (/ˈsiːˌlænd/) is a micronation that claims HM Fort Roughs (also known as Roughs Tower), an offshore platform in the North Sea approximately 12 kilometres (7.5 mi) off the coast of Suffolk, as its territory. Roughs Tower is a Maunsell Sea Fort that was built by the British during World War II. Since 1967, the decommissioned Roughs Tower has been occupied and claimed as a sovereign state by the family and associates of Paddy Roy Bates. Bates seized Roughs Tower from a group of pirate radio broadcasters in 1967 with the intention of setting up his own station there. Sealand was invaded by mercenaries in 1978, but was able to repel the attack.
$8.99
8.22 €
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Keith Terrett
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Keith Terrett
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Sealand
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Keith Terrett
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SheetMusicPlus
Compassion from Invictus: A Passion (Downloadable)
Soprano voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.…
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Soprano voice solo, SATB choir, and piano - Moderately Easy - Digital Download SKU: MQ.56-0108-E Composed by Howard Goodall. Holy Week, Lent, Triduum/Three Days, Tenebrae. Score. 17 pages. Duration 6 minutes, 19 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0108-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0108-E). English, Latin. Psalms 142; Jeremiah 3:48, 52, 56.Invictus: A Passion addresses one of the world’s most powerful stories through the lens of the modern world. The texts, written or inspired by women, describe not only human suffering and persecution but also the human capacity for love and humility in the face of tyranny. Composer Howard Goodall is uniquely suited to bring these texts to life with music of emotional clarity and sweeping force. This excerpt is scored for soprano solo, SATB choir and piano. This fourth movement of the larger work is inspired by the extraordinary story of Irena Sendler née Krzyżanowska, a Polish nurse and head of Å»egota, the Polish Council to Aid Jews in the Second World War, whose personal interventions saved the lives of approximately 2,500 Jewish children in the Warsaw Ghetto, smuggling them to safety, acts of humanitarian bravery that eventually caused her arrest and torture by the Gestapo. She is honoured as Righteous Amongst the Nations at Yad Vashem, Jerusalem. The Latin texts of this movement are taken from the Book of Lamentations (“My eye hath run down with streams of water, for the destruction of the daughter of my people. My enemies have chased me and caught me like a bird, without cause…â€) and from Psalm 142, the Old Testament being the meeting-point of Sendler’s Catholicism and the Jewish tradition of those whose lives she saved. Duration 6:19.
$3.35
3.06 €
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Howard Goodall
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Jeremiah 3:48, 52, 56
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Compassion from Invictus: A Passion
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Passion Flower
String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Dig…
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String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)) - Grade 3 - Digital Download SKU: R0.26172 Composed by Dennis Armitage. String Quintet (Piano / Guitar, Bass Guitar, Drums, Percussion (optional)). Score and parts. 15 pages. Duration 4'16. Editions Marc Reift - Digital #26172. Published by Editions Marc Reift - Digital (R0.26172).
$22.95
20.98 €
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Dennis Armitage
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Passion Flower
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Editions Marc Reift - Digital
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SheetMusicPlus
Overture (from Dionísio to Koré)
Cello,Clarinet,Drums,Flute,Guitar - Level 2 - Digital Download SKU: A0.948989 By Bi…
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Cello,Clarinet,Drums,Flute,Guitar - Level 2 - Digital Download SKU: A0.948989 By Bisdré Santos. By Bisdre Santos. 20th Century,Contemporary,Early Music,Instructional,Standards. 10 pages. Soul - Musical Creations #6425291. Published by Soul - Musical Creations (A0.948989). De Dionsio para Koré is a theatrical adaptation of the poetry book of the same name, which reveals the uncontrolled love of the god Dionsio for the mortal Koré. They constantly change roles in a cycle of death and rebirth. I wrote this soundtrack in a simple way. Some actors in the cast played some instruments in a beginner way, so I wrote a simple track inspired by ancient Greek music so that everyone could act and play the soundtrack with me live. In the instrumental formation, we have guitar, flute, clarinet, cello, and drums. This is piece 1 of 6 that integrates the soundtrack. The writing of the drums must be followed rhythmically as it is written, but the pitches of the notes can vary. The most important thing is that the drums are played according to the relative height (high, medium, and low). The songs are excellent for a group of beginning students to play together and practice chamber music, as they are a repertoire of easy execution and very impressive sonority. Good studies! Bisdré Santos Book with the complete soundtrack: https://www.sheetmusicplus.com/title/from-dionysus-to-kor-complete-soundtrack-6-pieces-digital-sheet...
$5.00
4.57 €
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Bisdré Santos
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Overture
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Soul - Musical Creations
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SheetMusicPlus
Oscillation
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.…
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
18.24 €
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contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
O Zion, Haste
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1454098 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1454098 By ... By James Walch and Mary A. Thomson. Arranged by J. Randolph Hall. This edition: Interactive Download. Christian,Christmas,Classical,Holiday,Pop,Praise & Worship,Standards,World. 11 pages. Duration 118. J. Randolph Hall #2PYRJknxmrsJa4x8fyRDN6. Published by J. Randolph Hall (A0.1454098). Key: Ab major.Walch was a 19th Century organist, composer, saleman, conductor, and hymnist. Thomson was a 19th Century hymnist from the UK. This hymn is missions oriented in nature. Sections A and C are the verse. Section B and D are the refrain. A modulation to a new key occurs towards the end of B section with the help of a German augmented sixth chord. Section C introduces a descant by yours truly.
$4.00
3.66 €
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J
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O Zion, Haste
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J. Randolph Hall
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SheetMusicPlus
Brazilian National Anthem
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.597209 C…
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.597209 Composed by Francisco Manuel Da Silva. Arranged by Flávio Régis Cunha. Concert,Graduation,Latin,World. Score and parts. 16 pages. Flavio Regis Cunha #4413047. Published by Flavio Regis Cunha (A0.597209). Arrangement of Brazilian National Anthem for Brass Quintet (2 Trumpets, Horn, Trombone and Tuba) and percussion. Very functional and powerful arrangement for civic occasions, reception of Brazilian authorities abroad, thematic concerts and events in general.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$8.99
8.22 €
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Francisco Manuel Da Silva
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Flávio Régis Cunha
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Brazilian National Anthem
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Flavio Regis Cunha
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SheetMusicPlus
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