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13
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6
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5
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4
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4
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1
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1
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1
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1
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14
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6
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2
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1
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1
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1
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10
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6
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5
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5
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4
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4
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4
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3
Clarinette
2
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2
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2
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2
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2
Flûte traversière et Piano
2
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2
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2
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2
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2
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2
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2
Saxophone Baryton, Piano
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1
Flûte et Guitare
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1
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3
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2
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2
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2
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1
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1
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8
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7
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6
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6
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6
Alto, Piano
4
Violoncelle, Piano
3
Contre Basse
2
Contrebasse, Piano (duo)
2
2 Violons (duo)
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
1
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1
Harpe
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Violon (partie séparée)
1
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14
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13
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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42 partitions trouvées
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26
A noite é conselheira
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Xisto Guiga
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CELIO AUGUSTO SOUZA PEREIRA
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A noite é conselheira
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Célio Guiga
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SheetMusicPlus
Instrumental Duet,Piano 12-String Guitar,Acoustic Guitar,Instrumental Duet,Piano - Level 3 - SKU: A0.1094909 By Xisto Guiga. By Xisto Pereira. Arranged ...
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Instrumental Duet,Piano 12-String Guitar,Acoustic Guitar,Instrumental Duet,Piano - Level 3 - SKU: A0.1094909 By Xisto Guiga. By Xisto Pereira. Arranged by CELIO AUGUSTO SOUZA PEREIRA. 20th Century,Folk,Historic,Multicultural,Traditional,World. 2 pages. Célio Guiga #698978. Published by Célio Guiga (A0.1094909). Among Guiga disciple musicians, Xisto was one of the sons who took to himself the responsibility to follow up on the implementation of twelve-string viola (country guitar) tradition. In addition to his father, that responsibility had been previously performed by the brothers “Totone de Guiga†(1914-1938) and Mané Guiga (1916-1995). Xisto Guiga was also responsible for a large volume of works. He produced musics for singing and instrumental musics.The works contain various genres of Brazilian popular music.
$2.00
Muiñeira de Lugo - Arranged by Na-Mara
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Traditional
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Na-Mara
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Muiñeira de Lugo - Arra
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791381. Published by Na-Mara (A0.1013011). Muiñeira de Lugo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time in the Key of G, Muiñeira de Lugo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even, particularly at the beginning with the dotted notes in the melody. The guitar accompaniment can be played with strummed chords. Sometimes we play the first time at a slow tempo, and then a faster / tempo speed the second time around. When we play this live we make a two-part set by starting with our arrangement of the Spanish Galician Muiñeira Muiñeira de Morrazo, and finishing with the Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira de Morrazo - Arranged by Na-Mara
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Traditional
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Na-Mara
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Muiñeira de Morrazo - A
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - SKU: A0.1013018 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - SKU: A0.1013018 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970327. Published by Na-Mara (A0.1013018). Muiñeira de Morrazo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Morrazo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even throughout. The guitar accompaniment can be played with strummed chords. When we play this live we make a two-part set by starting with the Muiñeira de Morrazo , and finishing with arrangement of the Spanish Galician Muiñeira, Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
A Sky Full Of Stars
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Coldplay
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Dico
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A Sky Full Of Stars
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Dico Ferreira
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SheetMusicPlus
Small Ensemble B-Flat Trumpet,Cello,Clarinet,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 -
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Small Ensemble B-Flat Trumpet,Cello,Clarinet,Drum Set,E-Flat Alto Saxophone,Flugelhorn,Flute,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 3 - SKU: A0.505435 By Coldplay. By Avicii, Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Dico. Pop,Rock,Wedding. Score and parts. 34 pages. Dico Ferreira #117086. Published by Dico Ferreira (A0.505435). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.A SKY FULL OF STARS - a Coldplay's hit for mixed sextet. A bass guitar can be added to play the chords symbols in piano part. Also provided for string trio in my catalogue. Others ensembles coming soon.- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Alto sax | Tenor sax)- Drum Set- Piano- Violin- Cello.A bass guitar can be added to play the chords symbols in piano part.
$20.00
Muiñeira del Año Nuevo - Composed by Na-Mara
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Na-Mara
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Muiñeira del Año
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Na-Mara
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. N...
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Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791373. Published by Na-Mara (A0.1013754). Muiñeira del Año Nuevo: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a muiñeira from Galicia (Spain). A jig-like dance tune, written in 6/8 time in the key of Dm, Muiñeira del Año Nuevo can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with our self-penned tune Schottische de Dimanche and finishing with the Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira de Cabana - Composed by Na-Mara
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Na-Mara
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Muiñeira de Cabana - Co
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - SKU: A0.1013753 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #59...
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Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - SKU: A0.1013753 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970323. Published by Na-Mara (A0.1013753). Muiñeira de Cabana: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time, Muiñeira de Cabana can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira de Boal - Arranged by Na-Mara
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Traditional
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Na-Mara
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Muiñeira de Boal - Arra
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Na-Mara
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.1013017 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 2 pages. Na-Mara #5970319. Published by Na-Mara (A0...
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Woodwind Ensemble - SKU: A0.1013017 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 2 pages. Na-Mara #5970319. Published by Na-Mara (A0.1013017). Muiñeira de Boal: this traditional folk tune from Galicia (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Boal can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. The double stops can be played on the mandolin or violin, flute etc can play one of the two notes. The last part is in unison and builds up the energy of the repeated A section for the last time – it is fun to speed up and end with a flourish, apart from that, try to keep the tempo even throughout. The guitar accompaniment should be played energetically with strummed chords. When we play this tune live we play it as the last tune of a three-part set, starting with our arrangement of the An Dro, followed by our own tune Canberra Bourrée.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world. Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’ Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia. Rob Garcia: mandolin, octave mandola, classical guitar & backing vocals Paul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira de Barganaz - Arranged by Na-Mara
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Traditional
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Na-Mara
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Muiñeira de Barganaz -
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - SKU: A0.1013016 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - SKU: A0.1013016 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970311. Published by Na-Mara (A0.1013016). Muiñeira de Barganaz: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 in the Key of G, Muiñeira de Barganaz can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even throughout. The guitar accompaniment can be played with strummed chords.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
A Viola também faz
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Xisto Guiga
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CELIO AUGUSTO SOUZA PEREIRA
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A Viola também faz
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Célio Guiga
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SheetMusicPlus
Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1096094 By Xisto Guiga. By Xisto Pereira. Arranged by CELIO AUGUSTO SOUZA PEREIRA. 20t...
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Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1096094 By Xisto Guiga. By Xisto Pereira. Arranged by CELIO AUGUSTO SOUZA PEREIRA. 20th Century,Folk,Historic,Multicultural,Traditional,World. 2 pages. Célio Guiga #700044. Published by Célio Guiga (A0.1096094). Among Guiga disciple musicians, Xisto was one of the sons who took to himself the responsibility to follow up on the implementation of twelve-string viola (country guitar) tradition. In addition to his father, that responsibility had been previously performed by the brothers “Totone de Guiga†(1914-1938) and Mané Guiga (1916-1995). Xisto Guiga was also responsible for a large volume of works. He produced musics for singing and instrumental musics. The works contain various genres of Brazilian popular music.
$2.00
À Francesa
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Xisto Guiga
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Célio Guiga
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À Francesa
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Célio Guiga
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1094903 By Xisto Guiga. By Xisto Pereira. Arranged by Célio Guiga...
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Instrumental Duet Acoustic Guitar,Double Bass,Instrumental Duet - Level 3 - SKU: A0.1094903 By Xisto Guiga. By Xisto Pereira. Arranged by Célio Guiga. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 1 pages. Célio Guiga #698970. Published by Célio Guiga (A0.1094903). Among Guiga disciple musicians, Xisto was one of the sons who took to himself the responsibility to follow up on the implementation of twelve-string viola (country guitar) tradition. In addition to his father, that responsibility had been previously performed by the brothers “Totone de Guiga†(1914-1938) and Mané Guiga (1916-1995). Xisto Guiga was also responsible for a large volume of works. He produced musics for singing and instrumental musics.The works contain various genres of Brazilian popular music.
$2.00
Tico Tico (tico Tico No Fuba)
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Latin/Musique du monde
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Jazz
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The Andrews Sisters
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Jörg Richter
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Tico Tico
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Jörg Richter
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SheetMusicPlus
Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117141 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha...
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Percussion Ensemble Bass Marimba,Vibraphone,Xylophone - Level 5 - SKU: A0.1117141 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Jörg Richter. 20th Century,Jazz,Latin,Standards. Score and parts. 9 pages. Jörg Richter #718724. Published by Jörg Richter (A0.1117141). Tico-Tico no fubá is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was Tico-Tico no farelo, but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics. Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda and others (From: Wikipedia.org). Here is an arrangement for 2 Marimbas.
$17.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95
Under His Wings (trumpet trio)
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Ira D
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Anthony Giamanco
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Under His Wings
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Whole Tone Press
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SheetMusicPlus
Brass Ensemble Trumpet - Level 2 - SKU: A0.773908 Composed by Ira D. Sankey. Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred. Score ...
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Brass Ensemble Trumpet - Level 2 - SKU: A0.773908 Composed by Ira D. Sankey. Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred. Score and parts. 13 pages. Whole Tone Press #6104257. Published by Whole Tone Press (A0.773908). A classic 19th century hymn composed by Ira D. Sankey (1896) is beautifully arranged for trumpet trio at the early intermediate level. Particularly appropriate for church services, it will prove useful as a prelude, offertory or Communion selection.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBgContact info:tony@shalomlife.org.
$4.50
Piece Of The Action
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Contemporain
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Cy Coleman
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W
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PARTS.
KEY of Cm 
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Piece Of The Action
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Diamond S Music
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SheetMusicPlus
Large Ensemble - Level 5 - SKU: A0.790045 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 47 pages. Diamond S Music ...
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Large Ensemble - Level 5 - SKU: A0.790045 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. Score and parts. 47 pages. Diamond S Music #3553739. Published by Diamond S Music (A0.790045). A PIECE OF THE ACTION from the musical THE LIFE. VOCAL SOLO with 9 Piece Band accompaniment. FULL SCORE & PARTS. KEY of Cm for Tenor (original show key). This arrangement of the funky-grooved song from the Broadway musical THE LIFE is very true to the original version of the song as heard on the Broadway Cast album of the show. The Life is a musical that premiered on Broadway in 1997 after a short Off-Broadway run in 1990 with a book by David Newman, Ira Gasman and Cy Coleman, music by Coleman, and lyrics by Gasman. Based on an original idea by Gasman, the show explores the underbelly of Times Square's 42nd Street, inhabited by pimps and prostitutes, druggies and dealers, and runaways and street people in the era prior to its Disneyfication. The Cast starred Sam Harris, Lillias White, Chuck Cooper and others. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99
Bess, You Is My Woman
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Dorothy Heyward, Du Bose Heywa
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Bess, You Is My Woman
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1110273 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1110273 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Opera. Score and parts. 20 pages. Uwe Roessler #712609. Published by Uwe Roessler (A0.1110273). This is a romantic, very effective arrangement of one of Gershwin´s greatest songs: “Bess, You Is My Woman Now†from “Porgy And Bessâ€. Very well known as it is, it is rarely played. If that would be due to a lack of professional arrangements for piano trio/quartet/quintet – that need should now have been put right ;-) Inspired by the wonderful version with Anne-Sophie Mutter and the great André Previn (hence the video). Piano voice is written out. However, there are also chord symbols for your pianist´s own voicings. Duration: approx. 5.00 min. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass included! Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00
Oh Lady Be Good
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Ella Fitzgerald
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Bud Caputo
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Oh Lady Be Good
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Bud Caputo
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.1266398 By Ella Fitzgerald. By George Gershwin. Arranged by Bud Caputo. 20th Century,Chamber,Jazz. 26 pages. Bud Cap...
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String Ensemble - Level 3 - SKU: A0.1266398 By Ella Fitzgerald. By George Gershwin. Arranged by Bud Caputo. 20th Century,Chamber,Jazz. 26 pages. Bud Caputo #859153. Published by Bud Caputo (A0.1266398). Oh, Lady Be Good! is a 1924 song by George and Ira Gershwin. It was introduced by Walter Catlett in the Broadway musical Lady, Be Good! written by Guy Bolton, Fred Thompson, and the Gershwin brothers and starring Fred and Adele Astaire. The song was also performed by the chorus in the film Lady Be Good (1941), although the film is unrelated to the musical.A 1947 recording of the song became a hit for Ella Fitzgerald, notable for her scat solo. For her album Ella Fitzgerald Sings the George and Ira Gershwin Songbook (1959), it was sung as a ballad arranged by Nelson Riddle.
$24.95
Beautiful People
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Ed Sheeran feat
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Marcelo Borba
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Beautiful People
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Marcelo Borba
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SheetMusicPlus
Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - SKU: A0.1490357 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robins...
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Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 1 - SKU: A0.1490357 By Ed Sheeran feat. Khalid. By Ed Sheeran, Fred Gibson, Khalid Robinson, Max Martin, and Shellback. Arranged by Marcelo Borba. Multicultural,New Age,Pop,R & B,Rock,World. 10 pages. Marcelo Borba #1067197. Published by Marcelo Borba (A0.1490357). DUET - arrangement for duet: guitar and bass. General and individual score for melodic instruments Beautiful People is a song by British singer Ed Sheeran, featuring American singer Khalid. It was released in June 2019 as part of Sheeran's collaboration album titled *No.6 Collaborations Project*. ### Context and Theme The song's lyrics address the superficiality and social pressures associated with the luxurious and status-driven lifestyle often linked to fame. The song criticizes the shallow lifestyle that many people consider desirable but can be empty and unfulfilling. Instead of conforming to the social standards of beautiful people, Sheeran and Khalid promote the idea of authenticity and the importance of staying true to oneself, regardless of others' expectations. ### Music Video The music video for Beautiful People complements this message, showing a regular couple who feel out of place in a world of luxury and excess. The couple remains true to their authenticity, contrasting with the behavior of the people around them.### Reception and ImpactThe song was well received by both the public and critics, praised for its message and the contrast between the modern pop production and the introspective lyrics. It achieved commercial success, charting in several countries worldwide.Beautiful People is a reflection on the challenges of authenticity in a world obsessed with appearances and status.
$4.99
Extinction Events - Clarinet Quartet - Mvt 2 - Cuckoos
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Contemporain
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John Gibson
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Extinction Events - Clarinet Q
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JB Linear
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.581935 Composed by John Gibson. Contemporary. 11 pages. JB Linear #3456847. Published by JB Linear (A0.581935). Extinction Events (2nd movement - It Isn't Easy Being a Cuckoo by John Gibson was written as a submission to the International Clarinet Association's 2018 Composition Competition. Written for 3 Bb clarinets and 1 bass clarinet, it is a four movement work for very advanced players, although the 2nd movement is easier. This is the second movement only...the others may be purchased separately: Buzzy Delights, Walrus Jump, and Yaguarete Surprise (Argentine Jaguar). The entire set of 4 movements may also be purchased. Simply type extinction events Gibson in the search bar at the top.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Walruses jumping not so gracefully onto sea ice, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved. Cuckoos are quiet reminders of spring when they first appear at the Marsden, United Kingdom area where they have a Cuckoo fair every year. Their habitat is shrinking at an alarming rate as their numbers slowly decrease. In the music, the cuckoos in the 3rd clarinet part get progressively sad sounding and simply disappear. Special fingerings are provided for the 3rd clarinet player.You may watch a video on YouTube: https://youtu.be/MOCTanOBIyk
$14.00
Someone to Watch Over Me (Orchestration)
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Jazz
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George and Ira Gershwin
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Garrett Breeze
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Someone to Watch Over Me
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Lagom Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,Cello,Drum Set,Electric Guitar,Piano,String Synthesizer,Tenor Saxophone,Tenor Trombo...
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Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Bass Guitar,Cello,Drum Set,Electric Guitar,Piano,String Synthesizer,Tenor Saxophone,Tenor Trombone - Level 3 - SKU: A0.750623 Composed by George and Ira Gershwin. Arranged by Garrett Breeze. Jazz,Standards. Score and parts. 36 pages. Lagom Music #358466. Published by Lagom Music (A0.750623). This reimagining of an old classic features a female solo, an a cappella section, and a beautiful duet between solo cello and alto sax. Perfect for Valentine’s Day, Mothers Day, Fathers Day, or as a beautiful concert number. *This is the instrumental pack that accompanies the piano vocal version which is sold separately*.
$75.00
An Dro - Arranged by Na-Mara
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Traditional
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Na-Mara
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An Dro - Arranged by Na-Mara
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 1 - SKU: A0.1013012 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 1 - SKU: A0.1013012 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5970291. Published by Na-Mara (A0.1013012). This An Dro is a traditional folk tune from Brittany (France) and is arranged for two melody instruments. It is one of a number of folk tune arrangements by UK based folk duo Na-Mara.An ’An Dro’ is a circle dance. Written in the key of G, An Dro can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular An Dro from a collection entitled ‘French Folk Tunes for Accordion’ edited and arranged by Murray Grainger, and published by Schott Music Performance tips: this is a beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even. The guitar accompaniment can be played finger picking style as broken chords. When we play this live, we play the opening stanzas on mandolin alone and then bring in the guitar. We play it as part of three-part set following the An Dro, with our own tune, Canberra Bourrée, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Canberra Bourrée - Composed by Na-Mara
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Na-Mara
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Canberra Bourrée - Comp
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Na-Mara
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SheetMusicPlus
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pa...
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Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778603. Published by Na-Mara (A0.1013008). Canberra Bourrée: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Bourrée. Written in the key of Dm, Canberra Bourrée can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a moderate speed. It’s quite nice to make a long pause on the second time bar before going back to the A section, and to make a feature of this, and also to slow it down towards the very end. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this tune live we play it as the middle tune of a three-part set, starting with our arrangement of the An Dro, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocalsWeb site: http://www.na-mara.com/
$1.99
Entemediu de la Piedra - Arranged by Na-Mara
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Traditional
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Na-Mara
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Entemediu de la Piedra - Arran
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
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Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778641. Published by Na-Mara (A0.1013009). Entemediu de la Piedra: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/4 waltz time in the key of G, Entemediu de la Piedra can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from the playing of our friend, Asturian musician, Alberto Ablenado. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Look at varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with broken chords, or arpeggio style. This is a nice opener for a set of tunes, and we sometime follow the Entemediu de la Piedra, of our own arrangement of a Spanish Asturian or Galician Muiñeira.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Schottische de Dimanche - Composed by Na-Mara
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Na-Mara
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Schottische de Dimanche - Comp
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Na-Mara
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SheetMusicPlus
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013752 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. N...
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Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013752 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778649. Published by Na-Mara (A0.1013752). Schottische de Dimanche: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Schottische. Written in the key of Dm, Schottische de Dimanche can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with the Schottische de Dimanche, and finishing with our self-penned tune, Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Ta Maman for alto, cello and guitar
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Contemporain
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David Warin Solomons
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Ta Maman for alto, cello and g
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. Dav...
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Small Ensemble Cello,Guitar,Voice - Level 3 - SKU: A0.576653 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #51133. Published by David Warin Solomons (A0.576653). Very sad poem by Paul Maertens about a child he came to know from his medical practice. The mother was unmarried and ashamed and tried to ignore the child as if it were a reproach to her, the child became autistic and unable to react to others. This setting for alto voice, cello and guitar reflect the mood of the poem in all its sadness. The sound sample is a performance by the composer, with Chris Benson on cello. (The guitar's 6th string is tuned to D - much use is made of 12th and 19th (or 7th if preferred) fret harmonics) The pdf file contains score and parts. An instrumental version of the the music, entitled Promenade d'hiver (viola, cello and guitar), is also available on this site. It is sung in French, but for convenience I am providing an English translation below (not for performance purposes). Ta Maman, p'tit gars, ne te désirait pas.Maintenant tu ouvres les robinets, et vois l'eau couler sans vouloir la saisir.Ta Maman a nié son attente. Ton Papa n'est pas tien, et ta Maman, de honte, t'a caché dans ses seins. Tu naissais sans qu'on te donne la vie. Tu étais dorloté, car il ne fallait pas qu'on t'entende, mon gars. Ta Maman ne te regardait pas dans les yeux; tes sourires n'ont pas eu de réponse. On ne t'a pas aimé.On t'a interdit la vie. Ta Maman ne pouvait soutenir ce reproche que tes yeux lui lançait; et pour mieux te fuir elle fit de toi cet objet cet oubli, un chien propre et fidèle qu'on lave, qu'on nourrit. Maintenant tu te promènes une auto à la main, sans jouer sans sourire sans parler. Ta Maman est partie, et tu n'as pas pleuré; tu as laissé ton auto quelque part, et tu ranges les cubes étalés devant toi: toujours dans le même ordre, simplement, sans angoisse, sans bonheur. Tu ne vis pas, p'tit. Réveille-toi, mon gars! Your mummy, little chap, did not want you. Now you turn on the taps and watch the water flow, but you don't want to grab it. Your mummy didn't admit she was expecting. Your daddy isn't yours and your mummy, out of shame, hid you in her breasts. You were born but you weren't given a life. You were rocked to sleep because you weren't supposed to be heard. Your mummy didn't look into your eyes, your smiles got no response. You weren't loved. You were forbidden to live. Your mummy could not bear the reproach your eyes shot at her, and in order to flee you all the more she made you into this object, this forgotten thing, a clean and faithful dog that you wash and feed. Now you roll your toy car around, without playing or smiling or speaking. Your mummy has gone and you didn't cry. You've left your car somewhere and you arrange the cubes in front of you, always in the same order, simply, without anguish, without happiness. You are not living , little one. Wake up little chap!
$10.00
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