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Piano Quatuor: piano, violon, alto, violoncelle
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Guitare
68
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49
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16
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11
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9
2 Guitares (duo)
8
Paroles et Accords
8
Guitare (partie séparée)
4
Banjo
3
Ensemble de guitares
1
Dobro
1
3 Guitares (trio)
1
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1
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1
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VOIX
Chorale SATB
222
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60
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44
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43
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34
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18
Voix Tenor, Piano
18
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11
Voix Soprano, Piano
9
Voix Tenor
6
Voix duo, Piano
6
Voix seule
4
Voix moyenne, Piano
4
Chorale
3
Voix haute
3
Voix Soprano
1
Voix duo
1
Chorale SSATTB
1
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VENTS
Flûte traversière et Piano
109
Quatuor de Saxophones: 4 saxophones
90
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
84
Clarinette et Piano
72
Hautbois, Piano (duo)
62
Saxophone Tenor et Piano
58
2 Saxophones (duo)
58
Saxophone Alto et Piano
57
Quatuor de Clarinettes: 4 clarinettes
56
Saxophone (partie séparée)
55
Quintette de Saxophone: 5 saxophones
45
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Soprano et Piano
40
Saxophone Baryton, Piano
36
Cor anglais, Piano
32
Flûte traversière
31
2 Clarinettes (duo)
30
Clarinette
28
Ensemble de Clarinettes
26
2 Flûtes traversières (duo)
24
Saxophone Alto
24
Hautbois (partie séparée)
24
Ensemble de Flûtes
23
Saxophone Tenor
20
Quatuor de Flûtes : 4 flûtes
19
Clarinette Basse, Piano
18
Flûte, Clarinette (duo)
17
3 Saxophones (trio)
16
Ensemble de saxophones
16
Quintette de Clarinettes: 5 clarinettes
15
Quintette de Flûte : 5 flûtes
14
3 Clarinettes (trio)
14
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13
Flûte à bec Soprano
10
Clarinette, Violon (duo)
9
2 Hautbois (duo)
9
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9
Clarinette, Trompette (duo)
7
Hautbois, Clarinette (duo)
7
Hautbois, Basson (duo)
7
Trio de Flûtes: 3 flûtes
6
Clarinette et Alto
6
Clarinette, Basson (duo)
6
2 Flûte à bec (duo)
6
Quatuor de Flûtes à bec
5
Flûte, Violon
5
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5
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5
Flûte à Bec
4
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4
Hautbois, Flûte
4
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3
Flûte à bec Alto, Piano
3
Piccolo, Piano
3
3 Flûtes à bec (trio)
3
Flûte à bec Tenor
3
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3
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3
Clarinette, Violoncelle (duo)
3
Flute (partie séparée)
3
Flûte à bec Soprano, Piano
3
Saxophone Soprano
2
Flûte, Violon, Violoncelle et Piano
2
Flûte à bec Alto
2
Flûte, Violoncelle
2
5 Flûtes à bec
2
2 Flûtes traversières, Piano
2
Flûte, Clarinette, Piano (trio)
2
Saxophone et Orgue
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Basson et Piano
1
2 Flûtes à bec, Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
4 Hautbois
1
Ensemble de Hautbois
1
Hautbois, Violoncelle
1
Flute, harpe et violon
1
Flûte, Clarinette et Basson
1
Flûte, Violon, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois (duo)
1
Hautbois et alto (duo)
1
2 Clarinettes, Piano
1
Flûte et Trio à cordes
1
Flûte, Violoncelle, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Harmonica
1
2 Saxophones, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
60
Quatuor de Cuivres : 2 trompettes, trombone, tuba
56
Trompette
42
Cor et Piano
38
Euphonium, Piano (duo)
36
Trompette, Piano
35
Cor anglais, Piano
32
Trombone (partie séparée)
28
Trompette (partie séparée)
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette, Trombone (duo)
17
Tuba et Piano
15
2 Trompettes (duo)
14
Trombone
14
2 Trombones (duo)
13
Cor
12
Ensemble de Trombones
11
Cor (partie séparée)
10
Trompette, Saxophone (duo)
10
2 Cors (duo)
10
Quatuor de cuivres: 4 trombones
9
Quatuor de Cuivres
9
Tuba
9
Ensemble de Trompettes
8
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 trompettes
4
Tuba (partie séparée)
4
Ensemble de Cors
4
Quatuor de cuivres: 4 cors
4
Tuba et Orgue
3
3 Tubas (trio)
3
3 Trombones (trio)
3
Trombone, Cor (duo)
3
Trio de Cuivres
2
2 Tubas (duo)
2
4 Tubas
2
3 Cors (trio)
2
Trombone, Tuba (duo)
1
Trompette, Euphonium (duo)
1
Euphonium
1
Cor anglais, Guitare (duo)
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
Euphonium, Tuba (duo)
1
2 Euphoniums (duo)
1
3 Trompettes (trio)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
167
Violon et Piano
98
Alto, Piano
60
Violoncelle, Piano
55
Violon
43
Harpe
34
Violon, Violoncelle (duo)
32
Violoncelle
30
2 Violons (duo)
26
Violon, Alto (duo)
20
Trio à Cordes: violon, alto, violoncelle
15
Alto seul
14
2 Violoncelles (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
2 Altos (duo)
13
2 Harpes (duo)
10
Violon, Guitare (duo)
9
4 Violoncelles
8
Alto (partie séparée)
8
Piano Trio: Violon, Alto, Piano
6
Contre Basse
5
Alto, Violoncelle (duo)
5
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Ensemble de Violons
5
Contrebasse, Piano (duo)
4
Ensemble d'Altos
4
Trio à Cordes: 3 violoncelles
4
Contrebasse (partie séparée)
4
Trio à cordes: 3 violins
4
Quatuor à cordes: 4 violons
4
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
241
Orchestre
92
Orchestre à Cordes
73
Ensemble de cuivres
38
Ensemble Jazz
31
Orchestre de chambre
27
Cloches
24
Ensemble de Percussions
11
Jazz combo
9
Fanfare
7
Percussion (partie séparée)
5
Piano et Orchestre
4
Batterie (partie séparée)
4
Batterie
3
Marimba
3
Vibraphone
2
Vibraphone (partie séparée)
1
Orchestre, Violon
1
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AUTRES
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It's Late
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1176
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.87 €
#
Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.87 €
#
Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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jmsgu3
#
SheetMusicPlus
Enjoy Yourself (it's Later Than You Think)
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Car…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.965539 Composed by Carl Sigman and Herb Magidson. Arranged by Dr. Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 19 pages. Michael McDonough A.S.C.A.P. #6439471. Published by Michael McDonough A.S.C.A.P. (A0.965539). This is a swing version of a great tune. All tenor parts get to play lead. Give this fun arrangement a try.
$15.00
13.72 €
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Carl Sigman and Herb Magidson
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Dr
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Enjoy Yourself
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
It's Too Late
Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318
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Small Ensemble Bass Guitar,Drum Set,Flute - Level 3 - Digital Download SKU: A0.855318 By Gloria Estefan. By Carole King and Toni Stern. Arranged by Joseph Pugh. Contemporary. Score and parts. 8 pages. Joseph Pugh #6610465. Published by Joseph Pugh (A0.855318). Copyright © 1971 Colgems-EMI Music Inc. Copyright RenewedIt's Too Late is a song from Carole King's 1971 album Tapestry. Toni Stern wrote the lyrics and King wrote the music. It was released as a single in April 1971 and reached number 1 on the Billboard Hot 100 and Adult Contemporary charts. Sales were later gold-certified by the RIAA. Billboard ranked It's Too Late and its fellow A-side, I Feel the Earth Move, as the No. 3 record for 1971.This is a shortened jazz flute solo version of the song by, Joseph Pugh.
$7.99
7.31 €
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Gloria Estefan
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Joseph Pugh
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It's Too Late
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Joseph Pugh
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SheetMusicPlus
I'll Tell It Wherever I Go
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39162 Incorpora…
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39162 Incorporating This Little Light of Mine. Composed by Thomas A. Dorsey. Arranged by Vicki Tucker Courtney. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Gospel; Sacred. Part(s). 19 pages. Jubilate Music Group - Digital #00-39162. Published by Jubilate Music Group - Digital (JX.00-39162). English.Vicki Tucker Courtney puts on her Gospel shoes to spread the good news in a Thomas A Dorsey favorite. She pairs it with flickers of This Little Light and the result is a worship tool that any church can use. The swing feel is fun and her just right piano accompaniment makes for a rafter raiser whether performed with piano alone or with the easy feeling rhythm parts. Did we mention, this anthem swings? Related Scripture: Matthew 5:16; Mark 9:2-13; Acts 6:7.
$40.00
36.59 €
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Thomas A
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Vicki Tucker Courtney
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Choral Octavo
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I'll Tell It Wherever I Go
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Jubilate Music Group - Digital
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SheetMusicPlus
The Potter's Hand
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36877 With Have…
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36877 With Have Thine Own Way. Composed by Darlene Zschech. Arranged by Richard Kingsmore. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Simply Praise & Worship. Sacred. Part(s). 72 pages. Jubilate Music Group - Digital #00-36877. Published by Jubilate Music Group - Digital (JX.00-36877). English.Australian Darlene Zschech (pronounced check) is a gifted songwriter, singer and worship leader. So was Adelaide Poddard, though she lived in a different time and place. Both dedicated themselves to God and to serving others, often in Africa. Richard Kingsmore opens his arrangement with a moving setting of Adelaide's hymn, Have Thine Own Way, Lord, and moves it gently and naturally toward Darlene's well-known song, The Potter's Hand. The easy combination works well for choirs and for worship. Related scripture: Jeremiah 18:6; Isaiah 64:8; 2 Corinthians 3:17.
$60.00
54.89 €
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Darlene Zschech
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Richard Kingsmore
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Choral Octavo
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The Potter's Hand
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Jubilate Music Group - Digital
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SheetMusicPlus
Dig a Little Deeper in God's Love
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-37684 With Love…
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-37684 With Love Lifted Me. Composed by Kenneth Morris. Arranged by Larry Shackley. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Gospel; Sacred. Part(s). 40 pages. Jubilate Music Group - Digital #00-37684. Published by Jubilate Music Group - Digital (JX.00-37684). English.This is a ton of Gospel fun with a 1/2 pound of boogie-woogie thrown in by Professor Shackley just for good measure! Kenneth Morris's 1940s gospel song is a standard your folks are sure to love (if they don't already) and they'll enjoy singing it in this easy, stylistically dead-on arrangement which merges with another favorite--Love Lifted Me. No gotcha surprise here: relax, kick back and enjoy. Related Scripture: Job 38:22; Matthew 14:29-31; Mark 12:41-44.
$40.00
36.59 €
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Kenneth Morris
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Larry Shackley
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Choral Octavo
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Dig a Little Deeper in God's Love
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Jubilate Music Group - Digital
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SheetMusicPlus
It's Christmas Time - an original hymn for SATB voices
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701519 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.701519 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Christmas,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218181. Published by Kevin G. Pace (A0.701519). An original Christmas hymn with text by Krista Mason Pace below.YouTube video: https://youtu.be/_QTtS_iOFKQIt's Christmas time now, and the lights are a glow. We sit and we ponder of times long ago. Dear Joseph and Mary, the babe who didst lay All wrapped in those swaddling clothes on the nice, soft hay. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man. How grateful we feel as we look at the year, And ponder the blessings amidst Christmas cheer. As the lights glow with beauty so bright in the snow, we will always remember the birth long ago. Could shepherds or wise men, or worldly king Relate the great blessings this Christ Child would bring? Eternal the joy of our Father's great plan To offer His own son, the Savior of man.
$1.99
1.82 €
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Kevin G
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It's Christmas Time - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
It's Been A Long, Long Time
Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592534 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366337. Published by David McKeown (A0.592534). It’s Been a Long Long Time is arranged as a solo for one Alto Flute with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537
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E-Flat Tenor Horn,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.592537 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and individual part. 6 pages. David McKeown #6366345. Published by David McKeown (A0.592537). It’s Been a Long Long Time is arranged as a solo for one Tenor Horn in E Flat with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A…
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Instrumental Duet,Piano Alto Recorder,Recorder Solo - Level 3 - Digital Download SKU: A0.592539 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Individual part. 6 pages. David McKeown #6366351. Published by David McKeown (A0.592539). It’s Been a Long Long Time is arranged as a solo for one Alto Recorder with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download…
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Instrumental Duet E-Flat Tenor Horn,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592518 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366157. Published by David McKeown (A0.592518). It’s Been a Long Long Time is arranged as a duet for one Trumpet and one Tenor Horn in E Flat.It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.592489 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366087. Published by David McKeown (A0.592489). It’s Been a Long Long Time is arranged as a duet for one Clarinet and one Alto Clarinet. It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU:…
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.592506 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366127. Published by David McKeown (A0.592506). It’s Been a Long Long Time is arranged as a duet for one Oboe and one Cor Anglais (or English Horn). It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Been A Long, Long Time
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - Digital Download SKU: A0.592507 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and parts. 4 pages. David McKeown #6366129. Published by David McKeown (A0.592507). It’s Been a Long Long Time is arranged as a duet for one Oboe and one Violin. It’s Been a Long Long Time is best known to modern audiences as the song at the end Avengers: Endgame, where Steve Rogers, after seventy years, finally gets to dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both parts enjoying plenty of melodic interest. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.48 €
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Jule Styne
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David McKeown
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It's Been A Long, Long Time
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David McKeown
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SheetMusicPlus
It's Too Late
Choral Choir,Choral,SAA Chorus - Level 2 - Digital Download SKU: A0.1402887 By Caro…
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Choral Choir,Choral,SAA Chorus - Level 2 - Digital Download SKU: A0.1402887 By Carole King. By Carole King and Toni Stern. Arranged by Elise Letourneau. Broadway,Musical/Show,Pop,Rock,Singer/Songwriter,Standards. 9 pages. Elise Letourneau #986112. Published by Elise Letourneau (A0.1402887). As sung by The Juliet Singers and Vox Eclectica Women's+ Choir. SAA arrangement of the memorable song composed by Carole King and Toni Stern, featured in the musical Beautiful. Rich harmonies, with lines carefully considered for approachability. Four-stave system with chord symbols. 9 pages. Duration about 3:12. Programming themes include: change, relationships, being true to yourself, amicable breakup, moving onElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
1.83 €
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Carole King
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Elise Letourneau
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It's Too Late
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Elise Letourneau
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SheetMusicPlus
Lately
Guitar - Level 2 - Digital Download SKU: A0.797691 By Stevie Wonder. By Stevie Wond…
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Guitar - Level 2 - Digital Download SKU: A0.797691 By Stevie Wonder. By Stevie Wonder. Arranged by Derek Hasted. Pop. 19 pages. Derek Hasted #3534631. Published by Derek Hasted (A0.797691). LATELY - GUITAR QUINTET/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This lovely piece has rich harmonies, a slow bubbling rhythm and some wonderful chord sequences. At the same time, it's not difficult to play and not difficult for a group to keep tightly in step. This piece would go down well at school concerts, or in a more formal recital where the texture and mood will contrast nicely with other styles of piece. It was on the playlist of Hampshire Guitar Orchestra and it was always a firm audience favorite! Each part is two sheets of paper, so there are no page turns, and a full score is also provided for the conductor or leader.This is one of many arrangements that were played by the Hampshire Guitar Orchestra, and which I have now re-arranged to suit a conventional guitar quintet or large ensemble.I hope you enjoy this piece!
$4.99
4.56 €
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Stevie Wonder
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Derek Hasted
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Lately
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Derek Hasted
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SheetMusicPlus
I Didn't Know What Time It Was
Small Ensemble - Digital Download SKU: A0.1035243 Composed by Richard Rodgers. Arra…
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Small Ensemble - Digital Download SKU: A0.1035243 Composed by Richard Rodgers. Arranged by Drew Zaremba. Contemporary. Score and parts. 53 pages. ZarembaMusic #4767305. Published by ZarembaMusic (A0.1035243). This swinging arrangement was originally done for the late, great Marlene VerPlank. She recorded it on her CD I Give Up, I'm In Love. It's done in the Count Basie tradition, and makes for a satisfying introduction or follow up tune for any vocalist with a big band!https://soundcloud.com/drewzaremba/i-didnt-know-what-time-it-was.
$75.00
68.61 €
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Richard Rodgers
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Drew Zaremba
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I Didn't Know What Time It Was
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ZarembaMusic
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SheetMusicPlus
Plateau of Dances with a Scottish Flavour
Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Compos…
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Fl. Afl. (guit/kbd) - Intermediate-Advanced - Digital Download SKU: F2.FM628 Composed by Alexandra Lehmann. A set of dances for flute and alto flute duet. Score. 6 pages. Forton Music - Digital #FM628. Published by Forton Music - Digital (F2.FM628). ISBN 9790570485277.'Plateau of Dances with a Scottish Flavour' Plateau of Dances with a Scottish Flavour was composed in autumn 2016, Eastbourne, and is inspired by my childhood in Doune, Perthshire; as well as the Ceilidhs and Feis (cultural festival in the Highlands) my daughter, Clara, and I were immersed in when we lived in the picturesque village of Kingussie, Badenoch and Strathspey. The four dances are a celebration of my love and nostalgia for Scotland, and an expression of my family's Scottish memories. Each dance comes with a quote from my favourite poet, Robert Burns, whose insightful and sensitive observations are a poignant appreciation of everyday life. Why the reference to Scottish food? Because this piece is dedicated to my father, Papou, who appreciates a merry supper. The 1st Movement, 'To the Mighty Haggis', is a Strathspey with its characteristic Scotch snap -a short-long rhythm, as if saying the word 'haggis'; which is fitting as the Scottish bard's quote comes from his poem Address to a Haggis, traditionally said on Burns' Night. The 2nd Movement, 'The Humble Shortbread', is a Reel; as is usually the case in Scottish dances. It should be played with a slightly 'snappy', swung rhythm. 'What though on homely fare we dine, [...] A man is a man for all that' comes from my favourite Burns' poem: A Man's a Man for A' That. And who doesn't enjoy the humble shortbread? There is a more reflective, nostalgic mood to the 3rd Movement, 'Ode to the Homely (salty) Porridge'. The Air is a reminiscence of the quiet evenings Clara and I would spend in Kingussie, with our view of the beautifully haunting mountains. 'What will I get to my supper, [...] Ye'se get a panfu' o' plumpin parridge' comes from Burns' The Shepherd's Wife who tries to entice her husband back home with the promise of porridge (the Scottish way: with salt). Finally, the 4th Movement, 'Too Many Drams of Whisky', is a cheerful and lively Jig. It's the convivial merriness of being with friends and family, maybe at a Ceilidh, with a wink to Scotland's 'water of life'. 'We'll tak a cup o' kindness yet, For auld lang syne' comes from Burns' famous Auld Lang Syne: a fitting end to our musical and culinary tour of Scotland.
$7.95
7.27 €
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Alexandra Lehmann
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Plateau of Dances with a Scottish Flavour
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Forton Music - Digital
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SheetMusicPlus
Lord, I Thank You - Director's Score/Resource
Digital Download SKU: JX.JMG1380 Composed by Dennis Allen and Nan Allen. Children's…
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Digital Download SKU: JX.JMG1380 Composed by Dennis Allen and Nan Allen. Children's Anthems. Director's Score. 5 pages. Jubilate Music Group - Digital #JMG1380. Published by Jubilate Music Group - Digital (JX.JMG1380). Here’s a lovely prayer anthem with lyrics expressing thanksgiving to God from a child’s point of view. Though perfect for the Thanksgiving season, it would be appropriate for other occasions throughout the year. The gentle syncopations give it a light contemporary touch. It can be sung as unison or optional 2-part.
$7.95
7.27 €
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Dennis Allen and Nan Allen
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Lord, I Thank You - Director's Score/Resource
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Jubilate Music Group - Digital
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SheetMusicPlus
Say It Loud
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19093 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19093 Composed by Graham Kendrick. Arranged by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Evangelism; Sacred. Part(s). 47 pages. Jubilate Music Group - Digital #00-19093. Published by Jubilate Music Group - Digital (JX.00-19093). English.Say it loud, say it strong, tell the world what God has done. Graham Kendrick's masterful new musical affirmation of faith is now available for choirs, arranged by Mark Hayes. Mark's gifted pen has crafted an anthem filled with pentecostal fervor, with the masterful harmonies, solid choral writing and dynamic orchestration (optional, parts available separately) that have become his hallmarks. Highly recommended for services throughout the year, especially for ecumenism, evangelism and stewardship. InstruPax includes: director's score, 2 trumpets, 2 trombones, 2 alto sax, 2 tenor sax, rhythm.
$50.00
45.74 €
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Graham Kendrick
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Mark Hayes
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Choral Octavo
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Say It Loud
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Jubilate Music Group - Digital
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SheetMusicPlus
Tell It on the Mountain
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-22829 Based upo…
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-22829 Based upon the Traditional Spiritual Go Tell It on the Mountain. Arranged by Lloyd Larson. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Christmas; Sacred; Spiritual. Part(s). 22 pages. Jubilate Music Group - Digital #00-22829. Published by Jubilate Music Group - Digital (JX.00-22829). English. Psalm 96, Isaiah 9:2-7, Luke 2:1-20.Lloyd Larson has revitalized the traditional spiritual, Go, Tell It on the Mountain, giving it a refreshingly relaxed gospel swing. The terrific stylized keyboard part is great fun to play, and your choir will appreciate the voice parts with lots of unison writing alternating with cool blues chords! The parts for sax, brass and rhythm are an added plus, perfect for Christmas worship or seasonal concerts. Suggested scriptures: Psalm 96, Isaiah 9: 2-7, Luke 2: 1-20. Includes parts for alto sax, 2 trumpets, 2 trombones, rhythm and director's score.
$30.00
27.44 €
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Lloyd Larson
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Choral Octavo
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Tell It on the Mountain
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Jubilate Music Group - Digital
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SheetMusicPlus
Alleluia, Amen! - Director's Score/Resource
Digital Download SKU: JX.JMG1384 Composed by Vicki Hancock Wright. Children's Anthe…
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Digital Download SKU: JX.JMG1384 Composed by Vicki Hancock Wright. Children's Anthems. Director's Score. 4 pages. Jubilate Music Group - Digital #JMG1384. Published by Jubilate Music Group - Digital (JX.JMG1384). Alleluia, Amen! is an energetic setting of a familiar hymn appropriate for children’s voices. It is a call for all to praise God and can be used at various times throughout the church year. Though it can be done completely in unison, there is an optional descant/response part that will provide an extra challenge for your more experienced singers.
$7.95
7.27 €
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Vicki Hancock Wright
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Alleluia, Amen! - Director's Score/Resource
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Jubilate Music Group - Digital
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SheetMusicPlus
Simeon's Vision
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-34880 Adapted f…
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-34880 Adapted from Song of Simeon. Composed by Sheldon Curry. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Christmas; Sacred. Part(s). 30 pages. Jubilate Music Group - Digital #00-34880. Published by Jubilate Music Group - Digital (JX.00-34880). English.In this portion of Luke's telling of the early life of Jesus, composer Sheldon Curry imagines Simeon as an old Appalachian preacher. Simeon finally sees the Son of God in human form. It is an event he has been longing for all his adult life and he praise God for it. The musical surroundings are filled with joy and the text is everyday language. The instrumental accompaniment is designed for amateur players of average experience. The addition of violin (written as fiddle) and cello add additional color and emotion. This anthem can be found in an extended version (35058), combined with Mary's Song (34876). The 2 can be used separately or as part of an Appalachian Evensong.
$30.00
27.44 €
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Sheldon Curry
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Choral Octavo
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Simeon's Vision
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Jubilate Music Group - Digital
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SheetMusicPlus
Take My Life, and Let It Be Consecrated
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-29297 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-29297 Composed by Mark Hayes. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Sacred. Part(s). 28 pages. Jubilate Music Group - Digital #00-29297. Published by Jubilate Music Group - Digital (JX.00-29297). English. Words by Francis R. Havergal.Take My Life, and Let It Be Consecrated was written by hymnist, Frances Ridley Havergal, daughter of the well-known English hymnist William Havergal. Francis wrote that it was on occasion of visiting the home of a friend that the hymn was composed. It seems there were ten persons in the home that she was visiting, some converted and some still unconverted. She prayed, Lord, give me all in this house! At the end of her visit, all were converted. It was then that she penned the hymn that ends with Ever only, all for Thee! Multiple voicings, instrumental parts and a beautiful fully-orchestrated accompaniment track are available.
$25.00
22.87 €
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Mark Hayes
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Choral Octavo
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Take My Life, and Let It Be Consecrated
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Jubilate Music Group - Digital
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SheetMusicPlus
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