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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Is What It Is: Score
Non classifié
736
Piano & claviers
Piano seul
767
Piano, Voix et Guitare
496
Piano, Voix
403
Piano Facile
244
Orgue
40
1 Piano, 4 mains
24
Piano Trio: piano, violon, violoncelle
12
2 Pianos, 4 mains
7
Accompagnement Piano
7
Instruments en Do
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
3
Clavecin
3
Orgue, Piano (duo)
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accordéon
1
Orgue, Trompette (duo)
1
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
23
Ukulele
17
Basse electrique
13
Guitare
9
2 Guitares (duo)
5
Piano, Guitare (duo)
4
Paroles et Accords
3
3 Guitares (trio)
3
4 Guitares (Quatuor)
3
Ensemble de guitares
2
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
Partitions De Groupes
1
Banjo
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 2 parties
17
Chorale 3 parties
15
Voix Soprano, Piano
7
Chorale Unison
6
Chorale SSAA
4
Voix duo
4
Chorale TTBB
4
Pack Instrumental pour Chorale
4
Voix Alto, Piano
3
Chorale
3
Voix haute
2
Voix duo, Piano
1
Voix basse, Piano
1
Voix seule
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Baryton, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
71
Clarinette et Piano
60
Hautbois, Piano (duo)
55
Saxophone Alto et Piano
43
Saxophone Tenor et Piano
31
2 Saxophones (duo)
28
Quatuor de Saxophones: 4 saxophones
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
28
Quatuor de Clarinettes: 4 clarinettes
25
2 Flûtes traversières (duo)
24
2 Clarinettes (duo)
24
Quintette de Saxophone: 5 saxophones
23
Saxophone Soprano et Piano
17
Flûte, Hautbois, Clarinette, Basson
13
Saxophone Baryton, Piano
12
Ensemble de Flûtes
11
Ensemble de Clarinettes
11
Ensemble de saxophones
10
Flûte, Clarinette (duo)
10
Quatuor de Flûtes : 4 flûtes
7
2 Flûte à bec (duo)
7
3 Saxophones (trio)
7
Saxophone, Clarinette (duo)
7
2 Hautbois (duo)
7
Quintette de Flûte : 5 flûtes
6
Flûte et Guitare
6
Flûte, Violon
6
Clarinette, Violon (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Violon, Piano
5
Hautbois, Basson (duo)
5
Clarinette et Alto
4
Flûte irlandaise
4
Hautbois, Flûte
4
Hautbois, Clarinette (duo)
4
Saxophone Alto
4
Flûte traversière
4
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
3
Clarinette, Guitare (duo)
3
Hautbois (partie séparée)
3
Cor anglais, Piano
3
2 Clarinettes, Piano
3
2 Flûtes traversières, Piano
3
Saxophone (partie séparée)
3
3 Clarinettes (trio)
3
Flûte, Hautbois, Piano (trio)
2
Quatuor de Flûtes à bec
2
Saxophone Tenor
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Alto et Piano
2
Ensemble De Flûte à bec
2
Flûte, Violon et Violoncelle
2
Quintette de Clarinettes: 5 clarinettes
2
2 Hautbois, Piano
1
Hautbois, Harpe
1
Clarinette
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Flûte, trombone et piano
1
Clarinette Basse, Piano
1
Flûte, Trompette (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cor anglais, Guitare (duo)
1
Flûte, Violoncelle, Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Clarinette, Violoncelle (duo)
1
Ocarina
1
Hautbois, Guitare (duo)
1
Saxophone et Harpe
1
Flûte, Alto (duo)
1
Saxophone et Orgue
1
Flûte à bec Alto, Piano
1
Cor Anglais
1
Saxophone et Piano
1
Hautbois, Violon, Piano
1
Flûte, Violoncelle
1
+ 76 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
55
Trompette, Piano
53
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Trombone et Piano
47
Cor et Piano
35
Tuba et Piano
20
2 Trombones (duo)
16
2 Trompettes (duo)
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette
9
Ensemble de Trombones
7
Ensemble de Trompettes
6
2 Cors (duo)
6
Quatuor de Cuivres
6
Trompette, Saxophone (duo)
5
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
4
Trombone
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
2 Euphoniums et 2 Tubas
3
2 Tubas (duo)
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 trompettes
3
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor
2
Trombone, Orgue
2
2 Trompettes, Clavier (piano ou orgue)
1
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Cor anglais, Guitare (duo)
1
Trompette, Harpe
1
3 Trompettes (trio)
1
Cor Anglais
1
Trompette, Cor (duo)
1
4 Tubas
1
2 Cors, Piano
1
Tuba
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violoncelle, Piano
75
Alto, Piano
74
Violon et Piano
54
Harpe
46
Violon, Violoncelle (duo)
27
Trio à Cordes: violon, alto, violoncelle
21
Contrebasse, Piano (duo)
19
2 Violoncelles (duo)
18
2 Altos (duo)
17
Violon, Alto (duo)
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
2 Violons (duo)
13
Violon
11
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle
7
Violoncelle, Contrebasse (duo)
6
Ensemble de Violons
5
Alto, Violoncelle (duo)
5
Alto seul
4
Quatuor à cordes: 4 violons
4
2 Contrebasses (duo)
3
Violon, Guitare (duo)
3
2 Harpes (duo)
3
Ensemble d'Altos
3
2 Altos, Piano
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
2
Quatuor à cordes : 4 altos
2
Harpe, Trombone (duo)
1
Harpe, Violoncelle (duo)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Alto et Harpe
1
Trio à cordes
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
173
Orchestre
108
Ensemble Jazz
79
Orchestre à Cordes
78
Ensemble de cuivres
44
Orchestre de chambre
30
Cloches
21
Jazz combo
16
Fanfare
13
Ensemble de Percussions
10
Batterie
8
Piano et Orchestre
1
Marimba
1
Vibraphone
1
Ensemble d'École
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
It Is What It Is: Score
Partitions à imprimer
736 partitions trouvées
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726
It Is What It Is
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Jerry Westerman
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Jerry Westerman
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It Is What It Is
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Passing Lane Music
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SheetMusicPlus
Guitar,Tenor Voice - SKU: A0.1070118 Composed by Jerry Westerman. Arranged by Jerry Westerman. Children,Christian,Pop,Sacred. Full Performance. Duration...
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Guitar,Tenor Voice - SKU: A0.1070118 Composed by Jerry Westerman. Arranged by Jerry Westerman. Children,Christian,Pop,Sacred. Full Performance. Duration 157. Passing Lane Music #3591051. Published by Passing Lane Music (A0.1070118). It Is What It Is is the seventh track on the album When the Glass is Gone by Through the Glass, songs by J. Westerman. A piano, vocal & guitar chord sheet music score is also available for this title here on Sheet Music Plus!
$1.99
It Is What It Is
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Jerry Westerman
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Jerry Westerman
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It Is What It Is
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Passing Lane Music
#
SheetMusicPlus
Small Ensemble Guitar,Piano,Voice - Level 2 - SKU: A0.1004558 Composed by Jerry Westerman. Arranged by Jerry Westerman. Children,Christian,Pop,Sacred. S...
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Small Ensemble Guitar,Piano,Voice - Level 2 - SKU: A0.1004558 Composed by Jerry Westerman. Arranged by Jerry Westerman. Children,Christian,Pop,Sacred. Score and parts. 6 pages. Passing Lane Music #3591053. Published by Passing Lane Music (A0.1004558). It Is What It Is is the seventh track on the album When the Glass is Gone by Through the Glass, songs by J. Westerman. An Mp3 is also available for this title here on Sheet Music Plus!
$5.99
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Pr...
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Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00
Trio (Score)
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Contemporain
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Christian Martin
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no pun intended
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Trio
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Lux Novus
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - SKU: A0.1022791 Composed by Christian Martin. 20th Century,Contemporary. Score and part...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - SKU: A0.1022791 Composed by Christian Martin. 20th Century,Contemporary. Score and parts. 19 pages. Lux Novus #3211727. Published by Lux Novus (A0.1022791). Trio plays with a simple idea that is first stated in the opening measures and repeated in various ways throughout. After a moderate introduction that lasts for about one and a half minutes, the cello enters with the first theme. What is unique, and somewhat unconventional, about this largely disjunct theme is that it is performed almost entirely pizzicato, creating a pleasant and relaxing groove between the cello and piano. The pizzicato cello theme is in two parts, interrupted by a short, syncopated statement by all.There is a slow section in the middle of the piece, one that is to be played freely by the cello and clarinet, not constricted by meter, and written in a minor mode. This is in stark contrast to a piece that is otherwise very lively and high-spirited. Following this slow section, the performers softly come back with the simple idea at its original tempo and soon fall into a steady groove that features virtuosic figures in the clarinet. There is a steady rise in dynamics and harmonic rhythm from this point to the end of the piece. It ends on a high note; no pun intended.The piece has a jazzy quality overall. I grew up listening to composers like Leonard Bernstein and Samuel Barber and performers like Wynton Marsalis and Jaco Pastorius. Although the notes now inhabit their permanent place on the page, It is my hope that they reflect the improvisatory nature in which the piece was composed. ~ Christian Martin.
$10.00
Les Mystères: Attendez l'Epoux - Score Only
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Suzy Robinson
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Suzy Robinson
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Les Mystères: Attendez
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Suzy Robinson
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SheetMusicPlus
Level 3 - SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Publi...
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Level 3 - SKU: A0.1166886 Composed by Suzy Robinson. Arranged by Suzy Robinson. 20th Century,Chamber,Contemporary. 5 pages. Suzy Robinson #767094. Published by Suzy Robinson (A0.1166886). I wanted to write something based on a mediaeval mystery play and happened across an 11th Century version of the play of the Bridegroom – the tale of the wise and the foolish virgins. It was called Sponsus and is the oldest of this type of play written in both the vernacular and in Latin. What is even more extraordinary is that it is, in fact, a trilingual text in Latin, langue d'oc, and some words in the langue d'oïl. The passage which I have set is in langue d'oc, but for ease of singing I used a modern-French translation. This is scored for soprano, baroque violin, and viola da gamba. It can be performed at 415 or 440 ad libertum.I am very taken by the patchwork nature of mystery plays which is part promenade, part liturgy, part staged, part audience participation. I hope that having set a straightforwardly strophic text and using instruments more often heard in Early Music, jigsaws well with the more modern angular and sometimes dissonant nature of the melodic lines of this piece. I love the play of languages, and the mixing up through words and music of past, present, and future, revealing that time is perhaps a circuitous exploration rather than a strictly linear trajectory. And the end of all our exploring / Will be to arrive where we started / And know the place for the first time..
$3.99
For Unto Us A Child Is Born
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G F Handel
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Colin G Dance
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For Unto Us A Child Is Born
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Dance is With Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1109426 Composed by G F Handel. Arranged by Colin G Dance. Christmas,Comedy. Brass Band. 63 pages. Dance is With Music #711870. Published by Dance is With Music (A0.1109426). An ever so slightly 'tongue in cheek' humorous version of this work from Handel's 'Messiah'. It uses a quartet of soloists including Solo Cornet, Tenor Horn, Euphonium and EE Bass. The piece is suitable for Christmas concerts, and indeed the major work is normally performed at this festive time. The cymbals player stands with his cymbals at the ready throughout the whole piece but doesn't actually get to play them..! The trombones get a laugh too. The whole thing requires the band to 'act up' somewhat, and the score and parts have instructions on what to do and when...!
$75.00
What a Wonderful Savior (for 8-note Bells and Boomwhackers with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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What a Wonderful Savior
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564948 By Sharon Wilson. By Elisha Albright Hoffman. Ar...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564948 By Sharon Wilson. By Elisha Albright Hoffman. Arranged by Sharon Wilson. Children,Easter,Romantic Period,Sacred. 12 pages. Sharon Wilson #3087245. Published by Sharon Wilson (A0.564948). This arrangement is one of the 10 hymns included in the collection Ten Classic Hymns for 8-note Bells and Boomwhackers (with Color Coded Notes). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or churchBoomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission.Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, elementary classroom music
$5.99
Black Hounds of Cŵn Annwn for Harp Ensemble (C minor) - Score Only
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Laura Olson
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Laura Olson
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Black Hounds of Cŵn Annwn f
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Blue Steer Studios
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SheetMusicPlus
Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Bl...
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Level 4 - SKU: A0.1264876 By Laura Olson. By Laura Olson. Arranged by Laura Olson. Celtic,Classical,Folk,Irish,Multicultural,New Age,World. 12 pages. Blue Steer Studios #857714. Published by Blue Steer Studios (A0.1264876). Perform this original work of Celtic Irish setting from her CD (Gypsy Road,2012) scored for harp ensemble of intermediate to advanced players.  Scored in E minor with no lever changes it features a creative slip-jig with lush and effective harmonies.  A rare opportunity to showcase programmatic skills for the harp ensemble.  The dark and mysterious musical message will touch the hearts of all who hear it.About the CompositionI wrote this when I was very angry at the world.  Someday I might meet a black hound on a dark night... and we’ll both go hunting together.Black Dogs,  Black Hounds, The Hounds of Hell,  Dogs of Hell,  Gabriel Hounds, Yell Hounds,  Barghest,  Black Dog of the Hanging Hills, Gurt Dog or the Hounds of Herne the Hunter… by whatever name, they are a common feature in the folklore of the British Isles.  The Black Hounds of Cŵn Annwn are the spectral hounds of Annwn, the otherworld of Welsh myth.  Early Christians came to dub these mythical creatures as The Hounds of Hell or Dogs of Hell and erroneously theorized they were therefore owned by Satan.  However, the Annwn of medieval Welsh tradition is an otherworldly paradise and not a hell or abode of dead souls. The Black Hounds are a nocturnal apparition, and their appearance was regarded as a portent of death. They are supposed to hunt on specific nights in the autumn and winter when it is believed that the howling of these huge dogs foretold death to anyone who heard them. *************************************************About the Composer Laura Olson (ASCAP) is a retired California music educator with over 30 years of experience specializing in stringed instruments and orchestras. She holds a B.A. in Music Education and M.A. in Irish Traditional Music Performance (fiddle, flute, and harp). Her experience as a symphonic musician, ethnic musician, and Film/TV composer led her to combining the three aspects of music into her own compositions and arrangements; storybook music in cinematic style. She is the owner of her recording and publishing label Blue Steer Studios(ASCAP) which allows her to combine her composing skills with knowledge of both the business and publishing aspects of music industry. Winner of a Silver Ace Award from the Las Vegas Film Festival she has composed music for all types of media, including Film/TV, web and advertising, and her own personal music in audio CD and sheet music. In 2021 she took time off from composing to relocate her studio to Eastern Washington (Spokane) and is now getting started on new projects and pursuing music composition full time. Look for them soon!************************************************* Discography Mossflower Country (2010) Border Guardians of Ackernon (2011) Gypsy Road (2012) which released with proceeds going to Fresno Bully Rescue and Animal Compassion Team Moon Trees and Sun Seas (2015) A Grimm-ly Lit Forest (2018). *************************************************SocialSpotify: LauraOlsonMusic Apple Music: https://music.lnk.to/0GVvSr Facebook https://www.facebook.com/BlueSteerStudios/ Twitter https://twitter.com/BlueSteerStudio Soundcloud https://soundcloud.com/laura-olson *************************************************.
$4.99
What Wondrous Love is This (Mary's Love) - Christmas Song SSAA, cello and piano
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Noël
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Unknown
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Connie Boss
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What Wondrous Love is This
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1092263 Composed by Unknown. Arranged by Connie Boss. Christmas. Score. 9 pages. Connie Boss #696386...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1092263 Composed by Unknown. Arranged by Connie Boss. Christmas. Score. 9 pages. Connie Boss #696386. Published by Connie Boss (A0.1092263). This beautiful traditional song has new lyrics and a bridge that makes it into a Christmas song. It is arranged by Connie Boss. It is for SSAA in this recording, but it is available in SATB and other choices. For any questions or requests, please email me at cdboss@cvalley.net. See the lyrics below: What Wondrous Love Is This (Mary’s Love) What wondrous love is this for my child, for my child What wondrous love is this for my child What wondrous love is this that fills my heart with bliss And brings me happiness for my child, for my child What wondrous love is this for my child. What wondrous love I feel from above, from above What wondrous love I feel from above What wondrous love I feel, a love that’s truly real I hear the angels sing of their love, for my son What wondrous love I feel from above. Love is patient, love is kind Love is wonder, love’s divine Love’s forever, child of mine What wondrous thanks I give you my God, Oh my God What wondrous thanks I give you my God What wondrous thanks I give my God who truly lives Deep within my heart oh my God oh my God What wondrous thanks I give you my God.
$5.99
Chording to the Dance Masters 44 Renaissance Dance Consort pieces Omnibus Full Score version
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Anonymous, Claude Gervaise, Cl
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan ...
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Level 2 - SKU: A0.1411172 Composed by Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, John Dowland, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, Thoinot Arbeau, and Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 93 pages. Wold Meridian #993504. Published by Wold Meridian (A0.1411172). A selection of 44 Dance Consort pieces from publications dating from 1500 to 1620 in three, four or five part scores and fully chorded with lyricsRenaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.The 44 pieces that first  appeared in the publication Chording to the Dance Masters, are  presented in full score and with separate parts for each of the lines.  What is more, a number of the pieces have been re-edited to include their lyrics, should you wish to perform them vocally.  They represent some of the best known secular pieces of the Renaissance repertoire.What makes this Wold Meridian edition of these pieces different  from others is that they have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be played with just the melody line and a simple accompaniment.  It also means that keyboard players or fretted strings can join in with ensembles, giving extra sparkle to performances.Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.
$18.00
Aquiles Priester's Top 100 Drum Fills Score Book
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Aquiles Priester
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Intermediate
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Aquiles Priester's Top 100 Dru
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Percussion - Beginning; Intermediate; Advanced - SKU: M0.30398MEB Composed by Aquiles Priester. Percussion: Snare Drum. E-book and online audio. Mel Bay...
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Percussion - Beginning; Intermediate; Advanced - SKU: M0.30398MEB Composed by Aquiles Priester. Percussion: Snare Drum. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30398MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30398MEB). ISBN 9781619116764. 8.75x11.75 inches.Usually books become movies. The history of the seventh art is so filled with examples that it's not worth citing one specific movie. That is the natural order of things. But what when this natural order is inverted and the movie becomes a book? That is what happened with drummer Aquiles Priester. After releasing two videos where he shows his unbeatable technique, in 2013 he released Aquiles Priester's Top 100 Drum Fills, a selection of fills that he recorded with the various bands he played in - Hangar, Angra, Freakeys. So, during the recording other fills were created and, as they were interesting ideas, they ended up being included in the package. This resulted in 150 fills, 100 of which were selected for the video - 25 ended up being included as bonus tracks, including themes with Hangar, Tony MacAlpine and Midas Fate. Like everything else he does, success was immediate. The video was voted Best Educational DVD of The Year by the renowned North-American magazine Modern Drummer, another feat for a musician used to accumulating similar feats. Now Aquiles Priester's Top 100 Drum Fills has just become a book. Many people asked me for the scores of the fills shown in the video, says Aquiles, and as I had almost everything written down, I decided to make their lives easier. It is another release by a musician used to breaking barriers as in 2011, when he became the only drummer in Brazilian history to enter the ranking of Modern Drummer magazine as 5th best prog metal drummer of the world, next to names like Neil Peart, Mike Portnoy, Gavin Harrison and Marco Minnemann. In 2015 Aquiles was once more nominated to take part of another poll and was elected best drummer in the hard rock category by the North-American magazine Drum!. More than that, he was also the first Brazilian drummer to have signature instruments released by manufactures such as Paiste, Pro-Mark and Mapex, besides having built a solid international career accompanying renowned musicians such as Tony MacAlpine and Vinnie Moore and being part of one of the biggest revelations of Brazilian metal in the last ten years, the band Noturnall. Includes access to online audio.
$19.99
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 1 "Poets a
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Conno...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
What Wondrous Love is This (Mary's Love - Christmas) - SATB Optional Instruments (flute, violin or c
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Unknown
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Connie Boss
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What Wondrous Love is This
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801681 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 12 pages....
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801681 Composed by Unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Sacred. Score. 12 pages. Connie Boss #6416563. Published by Connie Boss (A0.801681). This arrangement is a Christmas song. It is about Mary's love for her child and for God. It is in SATB optional accent instruments (flute or cello or violin with parts included for all) with piano and has a lot of moving parts. You can also purchase a strings version of this song. cdboss@cvalley.net Lyrics below:What Wondrous Love Is This(Mary’s Love)What wondrous love is this for my child, for my childWhat wondrous love is this for my childWhat wondrous love is this that fills my heart with blissAnd brings me happiness for my child, for my childWhat wondrous love is this for my child. What wondrous love I feel from above, from aboveWhat wondrous love I feel from aboveWhat wondrous love I feel, a love that’s truly realI hear the angels sing of their love, for my sonWhat wondrous love I feel from above. Love is patient, love is kindLove is wonder, love’s divineLove’s forever, child of mine What wondrous thanks I give you my God, Oh my GodWhat wondrous thanks I give you my GodWhat wondrous thanks I give my God who truly livesDeep within my heart oh my God oh my GodWhat wondrous thanks I give you my God
$5.50
What a Mighty God We Serve (for 8-note Bells and Boomwhackers with Black and White Notes)
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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What a Mighty God We Serve
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564979 By Sharon Wilson. By Traditional. Arranged by Sh...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Xylophone - Level 2 - SKU: A0.564979 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. 6 pages. Sharon Wilson #3089289. Published by Sharon Wilson (A0.564979). This sheet music is notated for 8-note (one octave, C major diatonic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble.  Handbells play the melody while the Boomwhackers® keep a steady beat with two-note chords. Included in this set of scores is a 1-page combined score with both parts on a grand staff plus a separate 1-page, 1-staff score for each instrument (for a total of 3 pages of music).This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Instrument assignment suggestions are provided on the last page.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®* form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a fewPermission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. This arrangement is one of the 10 choruses included in the collection Ten Praise Choruses for Bells and Boomwhackers®.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$4.99
"This World Is Not My Home" for 8-note C major diatonic scale Tongue Drum
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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"This World Is Not My Hom
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Prais...
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Instrumental Duet Hand Drum,Handpan,Instrumental Duet - Level 1 - SKU: A0.569891 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and parts. 15 pages. Sharon Wilson #6639071. Published by Sharon Wilson (A0.569891). Note: the audio sample follows the Grand Staff #2 score with the melody played on a 6-inch, 8-note Tongue drum and chords played on a 12-inch, 13-note Drum; the YouTube video follows the Grand Staff #1 score with both parts played on the 12-inch drum This sheet music is arranged for an 8-note, C major diatonic scale Tongue Drum (8, 11, or 13-note drums, but sounds the best on the larger instruments such as a 12-inch vs. 6-inch). Three separate types of scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below: Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment.Chords ScoresChords Score #1 consists of 2-note chords that harmonize with the melody. These simplified chords follow the beat (4/4 time: count 1, 2, 3, 4 in each measure) making it easy to accompany yourself or someone else singing the melody. Alternately, this score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment while someone else plays the melody. Chords Score #2 is identical to Chords Score #1 except this score uses Rhythm #5 instead of Rhythm #1. Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. The chord names are shown above the staff. The corresponding Tongue Drum numbers are shown below the staff. Grand StaffThis score combines the Melody Score with Chords Score #1 providing a visual overview of how the two scores line up and is helpful for a director using this set of scores in a group setting. If playing with a partner (a duet), and both are familiar with standard music notation, this score may be easier to use since both players can see what the other person is playing. Rhythm ChartThis chart shows six rhythm patterns that can be used as an accompaniment for the melody. The first rhythm pattern is the easiest and the one used for the Chords Score #1 and the Grand Staff. Using the Grand Staff, follow the chord names above the melody staff to play notes from the given chord using one of the rhythm patterns. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99
The Babe, The Son of Mary (O Holy Night/What Child is this?/Angels We Have Heard on high)
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Noël
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Unknown
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Connie Boss
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The Babe, The Son of Mary
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.801037 Composed by Unknown. Arranged by Connie Boss. A Cappella,Christmas,Sacred. Score. 6 pages. Co...
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Choral Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.801037 Composed by Unknown. Arranged by Connie Boss. A Cappella,Christmas,Sacred. Score. 6 pages. Connie Boss #3899129. Published by Connie Boss (A0.801037). This is a Christmas song that uses parts of Angels, We Have Heard on High, O Holy Night and What Child is This? It starts off a cappella with the men sounding like bass notes in What Child is This. View choir performances on YouTube .https://youtu.be/Yo4a79b_K9AÂ It is in SATB choir form with a solo part. It also has many moving parts including descants.The sopranos can divide into different notes to blend harmonies in their range. It has piano and cello accompaniment and guitar chords. It is a fast moving song and has a surprise ending.
$5.50
Whatever Waltz
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Thomas Ling of Sibu
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Whatever Waltz
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Thomas Swee Chin
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SheetMusicPlus
B-Flat instrument,Clarinet,Flute,Horn,Piano,Viola,Violin - Level 3 - SKU: A0.1389227 Composed by Thomas Ling of Sibu. Romantic Period,Wedding. 38 pages....
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B-Flat instrument,Clarinet,Flute,Horn,Piano,Viola,Violin - Level 3 - SKU: A0.1389227 Composed by Thomas Ling of Sibu. Romantic Period,Wedding. 38 pages. Thomas Swee Chin #972760. Published by Thomas Swee Chin (A0.1389227). A romantic waltz scored for flute, oboe, clarinet in Bb, Horn, strings and piano. In the dance of life, a waltz called Whatever, Where steps may falter, but hearts endeavor. Amidst the chaos, the trials it brings, Whatever is lovely, think on these things.In the rhythm of moments, uncertain and vast, Find solace in beauty, make memories last. For when doubts whisper and darkness stings, Whatever is lovely, think on these things.With each graceful turn, and each gentle sway, Embrace the melody, let worries sway. In the waltz of existence, where hope springs, Whatever is lovely, think on these things.
$20.00
Sweet Suite for string quintet (scores only)
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Contemporain
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David Warin Solomons
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Sweet Suite for string quintet
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomon...
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String Ensemble,String Quintet - Level 4 - SKU: A0.575842 Composed by David Warin Solomons. 20th Century. Score and parts. 41 pages. David Warin Solomons #2028771. Published by David Warin Solomons (A0.575842). This is sequence of string quintets (scores only). The movements are: 1 - Marie for shame, a sprightly number encouraging Marie to get out of bed and enjoy the day. It is inspired by the poem Marie vous estes paresseuse by Ronsard. 2 - Nocturne represents Marie going back to sleep! Possibly my most indulgent piece. 3 - Camp David is klezmer in style and somewhat camp, it is based on a Yiddish folk song - ikh bin a meidel in de joren. 4 - Blue Boar Blue is based on a poem by a friend who lived in Blue Boar quad (Christ Church Oxford) and laments the fact he has to stay in and study while he is actually looking forward to taking his girlfriend out punting on the river In each case, the ideal positioning of the instruments is: cello 1, violin 1, viola, violin 2, cello 2 The sound sample is an electronic preview of the first movement I thought it might be useful also to provide scores and parts for the separate movements since they can actually be played as separate pieces I have also made videos for each movement, which can be seen on youtube: Marie for shame http://www.youtube.com/watch?v=H5yvuM4G_Bo Nocturne http://www.youtube.com/watch?v=mo0Iznzqr1Q Camp David http://www.youtube.com/watch?v=6Nxl3W7opYA Blue Boar Blue http://www.youtube.com/watch?v=h_Lry6DZgk8.
$14.00
Christmas Medley - Angels We Have Heard on High, O Holy Night, What Child is This?
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Noël
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Unknown
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Connie Boss
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Christmas Medley - Angels We H
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Connie Boss
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SheetMusicPlus
Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801076 Composed by Unknown. Arranged by Connie Boss. Christmas. Score. 6 pages. Connie Boss #4612779...
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Choral Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.801076 Composed by Unknown. Arranged by Connie Boss. Christmas. Score. 6 pages. Connie Boss #4612779. Published by Connie Boss (A0.801076). This is a medley of Angels We Have Heard on High, O Holy Night and What Child is This? It starts off accapella and then has piano accompaniment join in later. It is is SATB. It also has guitar chords.It was part of a cantata. The original song is The Babe, the Son of Mary. You can purchase this cantata at https://www.sheetmusicplus.com/title/through-this-old-church-doorway-a-christmas-cantata-digital-she...
$5.50
The Journey of Hope (Downloadable Full/Choral Score)
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Jim Papoulis
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The Journey of Hope
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SSA(B) choir, Djembe, shaker, bass guitar, and piano - Medium - SKU: MQ.7.0727-E Composed by Jim Papoulis. Secular, 21st Century, Hope/Assurance. Score ...
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SSA(B) choir, Djembe, shaker, bass guitar, and piano - Medium - SKU: MQ.7.0727-E Composed by Jim Papoulis. Secular, 21st Century, Hope/Assurance. Score & instrument parts. 19 pages. Duration 3 minutes, 25 seconds. Galaxy Music Corporation - Digital #7.0727-E. Published by Galaxy Music Corporation - Digital (MQ.7.0727-E). UPC: 600313707278. English.The Journey of Hope was written as a commission for the Jacksonville Children’s Chorus. I was asked to write a piece that would celebrate the possibility of moving towards a better future, inspired by the desire and need to join together as a community in Jacksonville, Florida. Often when we look around and wonder how young people can grow into responsible, caring people in the face of so much adversity, music, and hope become more essential than we can all imagine. We all can unite if we collectively join in a Journey of Hope. -Jim PapulousThe Journey of Hope is scored for SSAB voices, with the baritone part written so that it is appropriate for changing male voices. Accompanimental parts are provided for piano, djembe, cabasa, and bass guitar. The title gives a clue to the focus of the text: a forward-looking view of what we can accomplish together through hope and unity. This inspiring text and infectious rhythms make this a must-have piece for young singers. Duration: 3:25.
$3.15
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
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Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00
whatever Stan wants...
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Rick Hirsch
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whatever Stan wants...
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HirschMusic
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.747328 Composed by Rick Hirsch. Blues,Jazz,Latin. Score and parts. 31 pages. HirschMusic #2031707. Published by Hirsc...
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Small Ensemble - Level 4 - SKU: A0.747328 Composed by Rick Hirsch. Blues,Jazz,Latin. Score and parts. 31 pages. HirschMusic #2031707. Published by HirschMusic (A0.747328). This warm, tuneful tribute to the iconic Stan Getz is melodically and harmonically rewarding, with a contemporary flavor. It is scored for three horns and rhythm, with optional parts for flugel horn, trombone, flute, clarinet, and all four saxophones.
$18.00
What A Wonderful World
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Film/TV
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Louis Armstrong
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Derek Hasted
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What A Wonderful World
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1379807 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Derek Hasted. Film/TV,Pop. 20 pages. Derek Hast...
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Guitar - Level 3 - SKU: A0.1379807 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Derek Hasted. Film/TV,Pop. 20 pages. Derek Hasted #964512. Published by Derek Hasted (A0.1379807). WHAT A WONDERFUL WORLD (Louis Armstrong) - 4 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This is a very accessible arrangement of a real classic! It works well as a guitar quartet, and sounds even more impressive played by a larger ensemble.The key is just a semitone lower than the original Louis Armstrong version, and most of the chords will seem instantly familiar. The choice of key means that you might just get an audience singing along - all the sections of the original are here.Guitar 1 is the tuneGuitar 2 swaps between the string section, the flute and the horns of the originalGuitar 3 is arpeggio based, and the first instance of each shape is fingered.Guitar 4 is the bass line, and is presented in both treble and bass clefs (play one or the other or both!)I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
Breaking Hearts (ain't What It Used To Be)
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Rock
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Elton John
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Ryan D
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Breaking Hearts
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Ryan Neaveill
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.826872 By Elton John. By Elton John. Arranged by Ryan D. Neaveill. Pop,Rock. Score and parts....
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.826872 By Elton John. By Elton John. Arranged by Ryan D. Neaveill. Pop,Rock. Score and parts. 3 pages. Ryan Neaveill #5741853. Published by Ryan Neaveill (A0.826872). This is a lead sheet arrangement with guitar chords for Breaking Hearts (Ain’t What It Used to Be) by Elton John and Bernie Taupin. This arrangement is in the keys of E Major/C Major (a whole step lower than the original keys of G-flat major/D major). Guitarists: Capo 2nd fret to return it to the original key, or leave as is if you wish it in a lower key.
$4.99
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It Is What It Is: Score
