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Jo Griffiths
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Jo Griffiths
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Trapeze
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Jo Griffiths
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Trapeze
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Forton Music - Digital
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SheetMusicPlus
Picc. 6 Fl. Afl. Bfl. Cbfl - Intermediate - SKU: F2.FM538 Composed by Jo Griffiths. Flute Ensemble - Piccolo, 6 Concert Flutes, Alto Flute, Bass Flute, ...
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Picc. 6 Fl. Afl. Bfl. Cbfl - Intermediate - SKU: F2.FM538 Composed by Jo Griffiths. Flute Ensemble - Piccolo, 6 Concert Flutes, Alto Flute, Bass Flute, Contrabass Flute. Score and parts. 38 pages. Forton Music - Digital #FM538. Published by Forton Music - Digital (F2.FM538). ISBN 9790570484379.Trapeze is essentially programmatic. The introduction and ending have no resemblance to the main body of the piece. Imagine here introductions and preparations made before the actual performance begins. The overall mood is fun and entertaining with a slight sense of trepidation. The continuous semiquaver movements denote the continuous back and forth repetition of the swinging of the trapeze, where the slightly disjointed melody gives a feeling of anticipation. What is coming next? How high? How fast? The conclusion imitates the introduction, very slightly changed, as this time we have dismounting and taking bows.Hopefully both the performers and audience will feel somewhat uplifted.
$19.95
New Year
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Sir Michael Tippett
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New Year
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 102' 0. ...
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SKU: S9.Q3655 Opera in 3 acts. Composed by Sir Michael Tippett. This edition: vocal/piano score. Downloadable, Piano reduction. Duration 102' 0. Schott Music - Digital #Q3655. Published by Schott Music - Digital (S9.Q3655). English.The wildest and most open of his operas, New Year is an extraordinarily youthful conception for a composer in his mid-eighties, a work that spins his lyrical ecstasy and rhythmic vitality into a new world on the point of disintegration. Unlike its four predecessors, all of which had been written for the Royal Opera House, this one was composed for Houston Grand Opera, a relocation that encouraged Tippett to veer from opera to musical, evenrock musical, giving space to pop song, spoken dialogue, joke and, above all, dance—the communal movement of bodies that would, as in The MidsummerMarriage but now within a much looser framework, with music say what words could not. Jo Ann and Donny—young woman and youngman, white and black, both orphans—cannot join the dance, isolated as they are inside their personal fears and fantasies. And the dance itself is imperilled by social unease in this city that is ‘Somewhere and Today’.To it come visitors from ‘Nowhere and Tomorrow’: the captain (Regan), pilot (Pelegrin) and computer wizard (Merlin) of a space vessel—though thesescience-fiction characters turn out to be ritual agents (and to have human problems of their own). Donny undergoes a magical transformation; Jo Ann, through love, gains the courage to leave the room in which she has been hiding.(Paul Griffiths)3 (3pic).2.ca.1.bcl.3sax.1.cbn-4.2.3.1-perc (s.d., t.d., b.d., jazz kit, slit dr., 2 steel dr. (high/low), brake dr., 5 tom-toms, cym., sus.cym., hi-hat, hand cym. played with mallet/steel bar, 2w.bl., wh., large tri., large tam-tam, small tam-tam, c.b., xyl., vib., glock., tub.bells, claves, guiro)-hp.egtr.bgtr-str (4.4.4.4.2min) - electronic tape - sampler kybd.
$69.99
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Jo Griffiths 
